Weekly Wilson - Blog of Author Connie C. Wilson

"There is a tide in the affairs of men, which, taken at the flood, leads on to fortune; omitted, all the voyage of their life is bound in shallows and in miseries." (Julius Caesar; Act 4, Scene 3).

Category: Of Local (Quad Cities’) Interest (Page 1 of 17)

“Nobody Speak: Trials of the Free Press” @ SXSW

Genre: Documentary Feature
Length: 95 minutes
Writer/Director: Brian Knappenberger
Principal Cast: Nick Denton, A.J. Daulario, John Cook, David Folkenflick, Floyd Abrams, Peter Sterne, David Houston, Margaret Sullivan, Jay Rosen, John L. Smith

The trial between wrestler Hulk Hogan and Gawker Media pitted privacy rights against freedom of the press, but ended up as a case study in how big money can silence media using legal means. This examination of the free press in an age of inequality echoes the “Vanity Fair” issue with an article by David Margolick entitled “V.C. for Vendetta.”

From that article, we learn that, outed as gay (“Peter Thiels Is Totally Gay”) by one of Gawker’s web sites in 2007, Silicon billionaire Peter Thiel ($2.7 billion as a co-founder of PayPal, and an early investor in Facebook) laid low until 2016, when he seized the opportunity to financially back Hulk Hogan’s invasion of privacy suit over a sex tape to bankrupt the entire organization.

In this documentary that interviews all the principals except Thiel (who is seen speaking at other venues), we learn that “what he’s done is to legitimize the idea that an uninvolved party can fund an effort by someone else in order to destroy a news organization. If billionaires and multi-millionaires can be behind the scenes doing this, that is conspiratorial and underhanded completely.” As Gawker founder Nick Denton, who was personally bankrupted, said, “We were outgunned here.”

Knappenberger dubs it, “abusing the justice system to go after journalists.” All these efforts have taken back a lot of 1st Amendment rights. Many others are mentioned in the piece: the Chandler family, the Salzburger family of New York, Jeff Bezos’ purchase of the “Washington Post” and, in greater detail, Sheldon Adelson’s purchase of Nevada’s largest newspaper, the Las Vegas Review-Journal.

John L. Smith, the editor of the Las Vegas Review-Journal wrote a book about early investors in Las Vegas’ history entitled “Sharks in the Desert: The Founding Fathers and the Current Sharks.” There was one line mentioning Sheldon Adelson. Adelson sued Smith for the one line in the book, and lodged the $15 million dollar suit at a time when Smith was bedside in a local hospital with his young daughter Amelia, who was suffering from a brain tumor.

Smith was offered all sorts of financial inducements not to publish articles about Adelson, but resisted. He was blackmailed regarding the one line in his book, and, as he said: “Bullies always act the same.”

Then, unexpectedly, the entire staff of the Las Vegas Review-Journal was brought in to a meeting cold and told the newspaper had been sold. They were not allowed to know who had bought them.
Rather than take this without investigating, the entire staff, including one employee who had been with the paper for 39 and ½ years, dug in to find out if Adelson was behind the purchase in the face of overwhelming obfuscation.

Smith said, “”Everybody came in and everybody stayed. For us, it was preserving whatever integrity we had. We knew it was a career-ending move. Some stories are worth losing your job over.” As Smith asserted, “Journalism is a calling for a lot of us.”

As a Journalism Major (Ferner/Hearst Journalism Scholarship recipient at the University of Iowa), this documentary spoke to me. I characterize myself as “”Old School” because my stint with 5 “real” newspapers began at the age of 10 and continues today, 6 decades later. I am of the generation that grew up with only 3 television channels trusting the voice of Walter Cronkite to tell us the truth. There was no Internet. There was no cable television, and we believed in presenting both sides of the story so that readers could draw fair conclusions with all the facts at their disposal.

The idea of “hacking” Internet accounts (there was no Internet) and Wiki Leaks style dissemination of documents from the e-mail of others was decades away. I find it personally offensive that anyone in a position of authority can level wholesale charges of bias and dishonesty against the hardworking men and women of the press. One of the least honest politicians (or human beings) of all time has underscored just how important a free and independent press is from his podium in the White House. No less an authority than Thomas Jefferson talked about the importance of a free press to keep the checks and balances of this country working properly.

This documentary was depressing in that it showed the extent to which being rich means being able to destroy the very institutions we all thought were inviolate. As we watch money corrupting the very fabric of society, we are simultaneously experiencing the intentional undermining of the free press and I, for one, view it as one of the biggest tragedies our Republic has experienced since its inception.

A very informative, relevant and concerning documentary
. Reading the “Vanity Fair” article by David Margolick explained much of the Peter Thiel/Nick Denton Gawker sex tape dispute in far greater detail, which added to my understanding of the film’s rehash of the trial, (which was surreal in so many ways). The revelations about the Las Vegas Review-Journal were new to me, but explained a lot.

Worth watching, if you care about remaining free and being part of an informed populace in a working democracy.

The Lego Batman Movie Has Something for Everyone

Genre: Animated children’s comedy
Length: 1 hour, 44 minutes
Director: Chris McKay
Stars: (voices) Will Arnett, Michael Cera, Rosario Dawson, Ralph Fiennes, Mariah Carey

Director (and sometimes vocal talent) Chris McKay gives the audience a solid sequel to the 2014 “The Lego Movie” with an opening that takes aim at skewering the opening of every Superhero saga ever made: black screen, ominous score, etc.

The hero is Batman, voiced again by Will Arnett, who hides out in his lair with his butler, Alfred Pennyworth (Ralph Fiennes). Another major vocal players are Michael Cera as Robin, aka, Richard “Dick” Grayson, who is adopted by Batman—sort of. Batman seems intent on being a loner and isn’t too keen on adopting the eager novice he meets at a social event, but Robin expresses his undying enthusiasm for Batman and bemoans his life in the orphanage, where “Kids call me Dick.” Arnett’s Batman says, “Well, kids can be cruel,” (providing one of the biggest adult laughs of the evening).

We were accompanied by eight-year-old twins who were well behaved and interested throughout. They seemed to follow the story of how Alfred shames Batman into adopting Robin and urges Batman to make real friends and not just depend on his vast array of enemies. Batman has famous enemies like the Joker (Zach Galifianakis), and it is the Joker who unleashes a plethora of other baddies on Batman (all of them previously confined in the fortress of Solitude in the Phantom Zone).

Batman must take action to put the bad guys back where they belong, but he will need help to do it. Young Robin is just the right assistant for the job (because he’s the right size), and Batman also adds the kicker, “He’s 110% expendable.” Alfred tries to set Batman on the path of good parenting, causing Batman to respond, “How dare you tell me how to parent my kid I just met!”

It is lines like those, the mystery of why Robin wears no pants, and lines like, “Alfred, you’ve been watching way too many Lifetime movies and drinking chardonnay” (to which Alfred responds, archly, “It’s pinot grigio.”) that cracked up those of us over the age of eight.

There are other pearls of wisdom, like, “Sometimes, to right a wrong, you have to do a wrong right” that seem timely, as well as this gem, “Sometimes, losing people is a part of life, but that doesn’t mean you quit letting them in.”

The gags fly by so fast that you can barely keep track of them, steering the plot toward a plot of family values, as well as the entire “No man is an island” John Donne message.

Along the way, you’ll laugh and enjoy the movie for entirely different reasons than your young companions.
I, personally, laughed very loudly at the fact that “Iron Man Sucks” was the computer password. I laughed even louder when I saw that the new Secretary of the Treasury under Donald J. Trump, Steven (“no chin”) Mnuchin was Executive Producer on the film.

Here is a partial list of the voices you’ll hear that could be considered “famous,” (some of them in very small roles):
Will Arnett as Batman
Michael Cera as Robin/Dick Greyson
Rosario Dawson as Batgirl/Barbara Gordon
Ralph Fiennes as Alfred Pennyworth
Siri as the Computer
Zach Galifianakis as the Joker
Conan O’Brien as The Riddler
Billy Dee Williams as Two-Face
Zoe Kravitz as Catwoman
Eddie Izzard as Voldemort
Seth Green as King Kong
Ellie Kemper as Phyllis
Channing Tatum as Superman
Jonah Hill as the Green Lantern
Hector Elizondo as Jim Gordon
Mariah Carey as the Mayor
Brent Musberger as Reporter #1, and
Chris McKay (the director) as Pilot Bill/additional voices

I laughed. I cried. I ate dinner (Alamo Drafthouse style). I cleaned up shakes spilled by twin 8-year-olds and made three trips for extra napkins.

Well, mainly, I laughed. It’s that “Toy Story” kind of movie that gives the kids the action they want while entertaining adults, too, complete with kitschy music (Lorne Balfe in charge) like “Wake Me Up Before You Go Go” and “Man in the Middle.”

Super Bowl Sunday: Not Feeling So Super

I’m posting this before I begin to attempt to clean up and go off to a Super Bowl party.

Being a newcomer to Austin (TX) as a snowbird, I cannot afford to turn down any invitations, but I am in the throes of a head cold that has rendered sleep somewhat peripatetic and caused my nose to run.

Here in Austin, the biggest and closest grocery store is one with the name H.E.B. I have no idea what “H.E.B.” stands for, but “Help! Everything is Bolloxed!” comes to mind. On the bad side, you walk for miles trying to find anything. The store is roughly the size of a Sam’s Super Store in the Quad Cities. On the good side, the prices see far lower for most things (although the quality of the meat is suspect).

Let me be specific: all I wanted was a Coricidin type cold remedy that would staunch the runny nose I am experiencing, which, I think, I may have caught from my son, who also has a cold. I gave son Scott the last of my cold remedy medication from home and the Tylenol thing I bought yesterday does not mention stopping a runny nose. Nor has it done so.

On the bright side, I could breathe in the night, but I turned like a chicken on a spit, tossing and turning as I experienced all the fun drainage of a cold.

Two days ago, it was 83 degrees here, tying a record set in 1963. Then, it dropped about 40 degrees and spit rain. The problem (besides exposure to the virus somewhere) is that I had to go out in the spitting rain 2 days in a row, to secure the necessary vitals for a Saturday night dinner. I also wanted to purchase a painting to put on the wall of the guest bedroom, as the one I had originally seen at a store called “Tuesday Morning” had sold in one day. I like the painting and the son with the cold was going help the husband hang it on the wall of the guest bedroom IF I had it. So, 2 days in a row when I already felt sort of punk and the weather was not ideal I went out in the spitting rain and visited a minimum of 3 stores each time.

Now, I’m paying the price. Oh, well, last year there was no moisture at all in the entire month of February, so hopefully the predicted warm-up will take my cold with it.

On another front, gas here at some stations is $1.83.

As for the Super Bowl, I could care less who wins or who plays, but I would root for the underdog (Atlanta) in any contest and most certainly would do so when it is common knowledge that the Quarterback of the Patriots is a big buddy of the Trumpster. Go Falcons!

Carrie Fisher’s “Wishful Drinking” to Show

I read that HBO was going to re-show Carrie Fisher’s “Wishful Drinking” one-woman show on Sunday.

I cannot testify that this is true, but, if you were a fan, as I was, you might want to check it out and see if this information turns out to be accurate.

I know there is a heartbreaking scene in the documentary I saw that shows her with her father just days before he died. (Eddie Fisher died 10 days after having knee surgery). That scene was used in “Bright Lights: Starring Debbie Reynolds and Carrie Fisher,” although Director Fisher Stevens said she was at first reluctant to have it included and ran from the room when it was shown in rough draft form.

I know I will be checking to see if, indeed, this one-woman show based on her book is showing this Sunday, or any time in the forseeable future. The networks are still trying to decide when to air “Bright Lights.” (I was checking on that, as well, and that’s all I could find, other than testimony from Director Fisher Stevens and his co-director wife about how shocked they were that both Debbie and Carrie are now gone, so soon after this project.)

“Blood on the Mountain” Documentary Recaps Plight of West Virginia Coal Miners

Genre: feature-length documentary
Length: 90 minutes
Director: Mari-Lynn Evans and Jordan Freeman
Producers: Deborah Wallace, Mari-Lynn Evans and Jordan Freeman
Release date: November 18, 2016 from Abramorama
Reviewed by: Connie Wilson

The opening scenes from the impressive documentary “Blood on the Mountain” show the beautiful forested hills of Appalachian coal country from the air. West Virginia, second in the nation in coal production (and second poorest state in the nation), looks beautiful from hundreds of feet overhead.

And then we go to ground and reality rears its ugly head.

A litany of mining disasters is listed: Hawks Nest, West Virginia: 764 African-Americans in unmarked graves with 10 to 14 dying in the mine(s) daily.

The conflict at Blair Mountain.
Buffalo Creek (125 killed, 4,000 homeless, engulfed 17 towns with coal slurry).
Brushy Fork Slurry: 9 billion gallons of coal slurry released to bury nearby towns.
52 dead under Donald Blankenship’s Massey Energy.
Sago Mine Explosion, Jan. 2, 2006.
Aracoma Mountain Fire, in 2000, 2 dead.
Upper Big Branch Explosion, April, 2005, in the #9 mine. Seventy-nine went in; 50 came out—“the worst explosion since 1984”—29 dead.

And yet Don Blankenship’s (Massey CEO) e-mail, read into the Congressional record during the post-disaster investigation, said: “You need to ignore them (federal rules and regulations) and run coal.”

Anyone who wants to know what a mine that is trying to evade regulatory efforts might resemble need only take in Antonio Banderas’ 2015 film “The 33” about gold and copper miners trapped underground in Chile for 69 days before rescue (Banderas played Mario Sepulveda, the group’s leader). The precious metal may be different, but the methods to avoid ensuring the health and safety of the mine workers comes very close to coal mining in 2016. Any time a federal regulator was on the way to make an inspection, the word was put out; efforts were made to avoid detection/correction of any infractions of rules put in place to safeguard the health and safety of the workers.

THE GOOD:

Blood on the Mountain starts with a brief history of the rise of coal at the end of the 19th centur
y. Because of the abuse of workers, unions began to form to fight for the rights of the working man. (Sylvester Stallone’s 1978 film “F.I.S.T.”, for which I attended the World Premiere, was about the fight to unionize in the face of brutal opposition from management). A voice onscreen says, “That’s how we got the New Deal.” FDR in a Fireside Chat is shown telling the nation that government should “seek the primary good of the greater number.” Between 1935 and 1938 Roosevelt championed the New Labor Act and the Fair Labor Act and progress was made.

But the demand for coal as a cheap energy source peaked in the 1920’s and there are only 500 mines left in the United States today.

Of that number, those in Wyoming are far and away the biggest producers of coal (4x more than West Virginia), but West Virginia, long associated with coal mining, is second. It is also the second poorest state in the Union.

Once the heady days of the passage of Fair Labor Acts were past, Homer Adam Holt, Governor of West Virginia in 1939, tried to amend educational literature in the schools to make it more to his liking. Changing history by writing it to the Governor’s liking was recommended by those in power this way, “It is better to have a mediocre book than to antagonize the Governor.” Corrupt governors abounded before and after Holt.

The comment, prescient and predictive today, is made that “industrialists have been able to get by with whatever they want” and, as the documentary attests, “there were a continuous stream of accidents and treatment of others as less important” by those in power.
(*Recent Reference: “Deep Horizon” Mark Wahlberg film about the BP catastrophe in the Gulf.)

Corruption of the officials in West Virginia was a given. Between 1984 and 1991, under Governor James Manchen, more than 75 state officials went to jail. While this does not seem unique to West Virginia (witness Illinois and Louisiana officials, for openers), Davitt McAteer, head of mine safety and featured as a talking head in this documentary, does lay out their repeated attempts to break up unions, beginning in 1984.

The miners, for their part, are quoted in Blood on the Mountain this way: “You have a kid to feed. Do your job.” McAteer says, “A proud heritage came to a crashing end in the 1980s,” referencing the UMWA (United Mine Workers Association) looking out for the health, pensions and safety of its members. As a former worker said, “Production was the name of the game at all costs…We had to produce to keep our jobs.”

Cecil Roberts (a mine worker) refers to “the power of intimidation” and talks about one mine administrator with a wife with cystic fibrosis whose medication cost $5,000 per month. Threaten that mine worker with loss of his position if he does not do your bidding. If someone tried to stand up to then-president of the UMWA, Tony Boyle, as Jock Yablonski did in 1969, that individual risked his life. Murder was used as a tool. Wikipedia entry: Joseph Albert “Jock” Yablonski (March 3, 1910 – December 31, 1969) was an American labor leader in the United Mine Workers in the 1950s and 1960s. He was murdered in 1969 by killers hired by a union political opponent, Mine Workers president Tony Boyle.”

Therefore, the number of mine workers steadily declined from a high of 500,000 to, currently, 80,000—and all but 14,000 of those members are retired. It is obvious that, like Social Security where those taking out money are outnumbering those paying in money, the funds to support miners in their retirement or ill health are drying up, while, simultaneously, the demand for coal (and coal miners) is declining.

While President Obama’s regulations against coal are used to urge coal miners to vote for the opposition, the reality is that such EPA regulations began under Republican President George W. Bush. The reasons for the precipitous decline in jobs in West Virginia mining coal are many and varied and blaming “tree huggers” just won’t fly in the face of facts.

Mechanization and automation has idled thousands. “Appalachia is a shell of its former self…Parents are telling their children to go.” No less an authority than Jay Rockefeller is seen telling his audience, “It’s a disservice to coal miners and their families to pretend that things can be as they were.” Coal is a finite mineral and mining has been going on since the 1800s. Is it any wonder that now you have to go deeper and deeper into the ground to mine? Instead of even trying, mines have resorted to simply blowing off the tops of the mountains using explosives, which damages the environment and the topography of the state.

Despite the fighting words “Coal IS West Virginia,” coal mining is a dying industry. 80% of coal mines are owned by out-of-state corporations. Mines have destroyed 352,000 lush forested acres using explosives as of 2009. Wendell Berry is heard to say, “The global economy is built on the principle that one place can be destroyed for the benefit of another.” [What comes to mind is the Brazilian rain forest and attempts to save it, or the Arctic and attempts to ban drilling beneath the polar ice caps.]

In addition to silicosis (“black lung disease”) which has made the average miner’s life expectancy only 42 years of age, in Charleston, West Virginia, “They poisoned people’s water and commerce goes on.” The chemical MCHM used by Freedom Industries to process coal caused a Flint, Michigan, water situation (for different reasons) where water could not be consumed, used for washing, or considered safe in any way. Dr. Rahul Gupta, a medical director, is shown speaking to that issue, and Chris Hedges, an author, says, “They tried to make it appear to be an anomaly.” Nine counties were affected and a state of emergency was declared. Bottled water had to be delivered to anyone living in those nine counties.

Immediately thereafter, on January 17, 2014, Freedom Industries declared bankruptcy.

The declaring of bankruptcy is a common ploy used by unscrupulous coal companies to avoid having to pay reparations or retirement sums due or health care promised to workers when they began in the mines. It’s a bit like the plot of “The Producers” (i.e., Gene Wilder and Zero Mostel plan for a play to fail so they can use it as a tax write-off) where a mine is set up to fail and then bankruptcy can be declared, relieving the unscrupulous mining company of any obligations to the men who risked their lives underground mining the coal. Seven thousand coal mining jobs have been lost in West Virginia since 2011. In 2015, over 11,000 coal miners lost their jobs, according to “The Hill.”

“The Hill” goes on to attempt to blame the loss of coal mining jobs on federal regulations, but the truth is much more complicated.

To wit:

1) China is trying to clean up its pollution problem, so the Asian demand for coal from places like West Virginia did not measure up to expectations.
2) Clean, renewable energy sources are cutting into the concept of coal as king. Natural gas, for one, is cheaper and the head of Exxon is all for using natural gas rather than coal for power. In fact, the day the Paris Climate Control Pact took effect, the head of Exxon announced his support for the climate initiatives the Paris act endorsed, which included cutting back on coal to eliminate pollution and global warming.
3) Although Donald Trump hates wind turbines because they clutter his Scottish golf course view and kill birds, Obama supported wind and solar efforts, and, even in the coal state of Illinois where I live (Illinois is 5th in coal production), the nuclear power plant in Cordova (IL) recently received a death sentence reprieve from Republican Governor Bruce Rauner which is good for the next decade, despite consistently losing money operating it.
4) If the demand for coal were still high, eastern states have cleaner coal and it is easier to get Eastern coal to market.
5) Australia also is capable of producing coal for export.
6) Mechanization and automation, mentioned previously, have cut into the need for coal miners.
7) Changes in how coal is extracted from the ground also reduces the demand for coal miners.

THE BAD

Blood on the Mountain is a documentary with a point of view and those who do not accept climate change and global warming as fact will dispute its point-of-view. It also did not address the life-and-death struggle in the halls of Congress ongoing in December of 2016 to help save miners’ pensions and retirement benefits, gutted by unscrupulous companies who do not believe that promises should be honored. There is footage of a UMWA rally in September in Washington, D.C. regarding Senate Bill #1714, the Miners’ Protection Act.

After a huge coal miners’ strike in 1946, Harry Truman nationalized the mines and, in order to end the strike, hammered out a deal with UMWA President John Lewis and Interior Secretary Julius Krug that would guarantee coal miners certain benefits, like pensions and health care. That, to the miners and the UMWA, is the promise made that should be kept, but there are those who argue that the promise was not forever and not the government’s responsibility.

If you accept the premise that coal mining is a dinosaur industry that is dying a slow, tortuous death, quotes like this one from Jeremy Nichols, spokesman and director of climate and energy for Wild Earth Guardians are incendiary. When asked about the plight of coal miners in West Virginia (and elsewhere) Nichols said, “My initial response is tough shit…Keep it in the ground.” There is an obvious disconnect between the blue collar miners and the college-educated environmentalists who they see as a threat to their livelihood—even though the threats are far more wide-ranging.

The Wild Earth Guardians brought a suit in 2013 that threatened to shut down Colowyo and Trapper mines in Colorado, saying that the environment was “inadequately protected under the National Environmental Policy Act.” The mines were sued by the United States Office of Surface Mining.

Headlines in primarily Republican organs (“The Hill” was one) read: “Happy Birthday Clean Power Plan, Thanks for the Job Losses and Billions in Costs.” Another read: “Clean Power Plan: All Pain, No Gain for West Virginia” (The Hill). The same source made the dire prediction of 24,000 coal mining jobs displaced by the year 2020 blaming it all on EPA regulations and cited rising cost for electricity if coal were cut out of the power equation.

But the truth is that MANY factors play into the fall of coal as a power player. It is NOT just EPA guidelines that have put coal miners in the position of losing their pensions and their health care by Dec. 31, 2016.

The UMWA pension system is irreparably broken. No union members to pay in; no union money to pay out. “The looming insolvency is due to the precipitous drop in demand for coal in recent years…” say the experts. Union busting mine owners helped destroy the organization that had fought for workers at the turn of the century, and that began in earnest in 1984.

TODAY:

December 5, 2016:
Senate Democrats staged a last-ditch attempt to pass a stop-gap measure for miners who face the loss of their pensions and health care NOW (i.e., Dec. 31, 2016). Senate Bill #1714, the Miners Protection Act, was co-sponsored by Virginia senator Tim Kaine and it passed out of committee 18 to 8, with 8 Republican Senators voting with the Democrats to take millions earmarked for the cleaning up of abandoned mines and put it into a fund for displaced and retiring mine workers. Republicans who crossed party lines to vote for the bill included Orrin Hatch (R, Utah), Mike Crapo (R, Idaho), Pat Roberts (R, Kansas), Richard Burr (R, NC), Rob Portman (R, Ohio) and Pat Toomey (R, PA). Saying “Congress, in my view, has an obligation to the Miners Protection Act” this group tried to bring the bill to the Senate floor for a vote. But House Republican Majority Leader Mitch McConnell, who has no love for the UMWA or President Obama, refused to allow a vote. (*Note: McConnell’s wife was just named Secretary of Transportation.)

Meanwhile, a variety of mining companies (Peabody, Freedom, Alpha Natural Resources) continue to file for bankruptcy and the courts have relieved the bankrupt companies of their obligation to pay retiree benefits. All of this hits home here in the Rust Belt when I think of the waning days of International Harvester, which went under and took many pensions with it.

Let’s also not forget how we all suffered financially in 2008 when the economy nearly collapsed and was rescued only in the nick of time by the stewardship of the incoming administration. Pension funds—like all of ours—took a hit then, too.

He’s not in Blood on the Mountain, but Joe Stowers, age 72, from DuQuoin, Illinois, a retired miner who worked 28 years, is thinking of coming out of retirement to try to find a job because, as many who were interviewed for “Blood on the Mountain” said, “I thought my tomorrow was safe. Apparently, it’s an entirely different story.” As of October 5th in a letter sent to 12,500 union members, Peabody Energy, Arch Coal, Patriot Coal, have all told their union employees that their health care coverage will be lost on December 31, 2016 unless Congress acts. Following on the heels of those three companies are Walter Energy and Alpha National Resources, who have sent out letters announcing similar losses to miners in March and July of 2017.

In a December 9, 2016 article in Mother Jones, Katie Herzog wrote: “President elect Trump campaigned on bringing back those same coal miners’ jobs, through sorcery, perhaps. Someone is working to help miners, but it ain’t Trump—or many Republicans, for that matter.”

One coal miner quoted in this truly grim-but-important film says, “We’re like lepers. Put us in a colony and let us die off. We’re not losing it (the land); we’re sacrificing it for the good of mankind and we’re sick of it.”

About Connie Wilson

Connie (Corcoran) Wilson (www.ConnieCWilson.com ) was the Quad City Times film and book critic for 15 years and has continued reviewing film uninterruptedly since 1970. She also publishes books (31 at last count) in a variety of genres (www.quadcitieslearning.com), has taught writing or literature classes at 6 Iowa/Illinois colleges or universities as adjunct faculty, was Yahoo’s Content Producer of the Year 2008 for Politics, is the author of It Came from the 70s: From The Godfather to Apocalypse Now, and writes on a variety of topics at her own blog, www.WeeklyWilson.com.

“It Came from the 70s” Named Top Indie Read

Just wanted to share that “It Came from the 70s: From The Godfather to Apocalypse Now,” which came out earlier, was named one of this year’s Top Indie Reads by “Shelf Unbound” digital magazine in its December/January issue.

Also, I am supposed to be at the Gallery Hop on Friday night (Dec. 9) inside something known as “The Star Block.” From what little I can tell, this is a condo building still undergoing renovation, it has no tables for us to use, and I am one of four people (artists) there.

Good luck to us all.

New “Christmas Cats Book Care for the Bear” Is Available

As my previous post indicated, I’m booked for some appearances around the Quad Cities, but they are different from other appearance years.

1) Today (Saturday, Nov. 26th) I’ll be setting up within the former Country Manor store in downtown East Moline during the kick-off parade for the holidays. I’ll be there from 4 to 8 p.m. and will have not only the 5 Christmas Cats books, but a sampling of my 35 adult titles. So, come on down! There’s no charge and shop local!

2) On Saturday, November 30th, I’ll be within Building One at Black Hawk Junior College, as indicated in the previous post. This is a fund-raiser for international students and I’ll have both children and adult books at my 2 tables.

3) Saturday, December 3rd, in the morning, I will be at the entrance to the Breakfast with Santa event at Happy Joe’s in LeClaire, Iowa from 8 to ?

4) Saturday, December 3rd in the evening, I’ll be at the Herb Cellar in the Village of East Davenport. No details as to time, but that is the night of the fireworks. [Other years, I was at Freddy Frittters Dog Bakery, but their fire has caused space to be a premium, so come enjoy some herbs and carolers in the middle of the block, across from the Edward Jones office and down from Logomarcino’s.]

5) I am supposed to be at the Gallery Hop the following weekend, but, somehow, was left off the map. Still awaiting details of what store or business they may find for me.

And, last but not least, the book is up on Amazon for purchase, but the hardcover is not currently listed, but I will have them with me. Cost of the hardcover is $12.95 while the softcover is $6, with signatures if you come see m at any of the above locations.

Happy Post Thanksgiving and I hope to see you soon. Who knows? The Cat in the Hata might even be with me at one or more of these events.

Holiday Appearances Scheduled to Date

Some of you may know that I have a holiday series entitled The Christmas Cats in Silly Hats, which began many years ago when my daughter was in high school and dating a very talented young artist who drew the pictures for the first book while still a high school student. I sometimes travel with a costumed Cat in the Hat when selling these books, which now exist in both paperback and hardcover formats (as well as e-book formats) for sale on Amazon and wherever I happen to be hanging out over the holidays.

My plan was to publish the book way back then, in 2003 or so, but Author House lost most of Andy Weinert’s drawings, leaving me only with scans in my computer.

It was years later that I had the idea of resurrecting the children’s cat series for my then 2-year-old granddaughters, Ava and Elise, as a Christmas present, which would go on with their help and input until they turned 10. I asked my layout person in Rockford (Donnie Light) to see if he could bring the scans up to some sort of quality, and a first book emerged.

Time had passed and I needed more drawings to bring the Christmas concept forward. Andy was busy graduating from Northern Illinois University with a degree in graphic arts and the girls’ nanny from Venezuela, Emily Marquez Vilcek, stepped in to finish the book.

Each year since then, a book has emerged at the holidays, with “The Christmas Cats in Silly Hats” helping animals in distress and teaching life lessons to children aged 3 to 10. They are throw-back books in that regard, as they aren’t about flying pot roasts or other useless information (a real book, by the way).

Book One: The Christmas Cats in Silly Hats was about learning to get along and cooperate with others.
Book Two: The Christmas Cats Chase Christmas Cats was about not being prejudiced.
Book Three: The Christmas Cats Encounter Bats
was about having respect for all life, no matter how icky it seems, at first.
Book Four: The Christmas Cats Fear for the Deer was about thinking out of the box to solve problems, which, in this case, was saving the deer who live in Scott County Park.
Book Five: The Christmas Cats Care for the Bear
has an anti-bullying message.

All of the books can be seen at www.TheXmasCats.com and all of them can be purchased through Amazon or from me, if you find me at one of the sites I plan to visit this Christmas-time.

My first appearance will be at what used to be called the Manor House in downtown East Moline on November 26th from 4 p.m. to 8 p.m. I will have all of the Christmas books and others that you can see at my author site, www.ConnieCWilson.com. I have a Stephen King-like series “The Color of Evil” (3 novels); 2 short story series (“Ghostly Tales of Route 66” and “Hellfire & Damnation”) and various other books, such as a nonfiction books on movies of the seventies, 2 nonfiction books on the 2008 presidential race (“Obama’s Odyssey”), a book of humor (“Laughing through Life”) and others you can view at my author site.

The second place I know I will be is within Building One at Black Hawk Junior College on December 30th, from 8 a.m. to 2 p.m. I will have the Christmas Cats books, but I will also have the more adult fare. (I have 35 books, to date).

The third place I know I will be is outside Happy Joe’s in LeClaire, Iowa, before the Breakfast with Santa event on Saturday, December 3rd.
I am hopeful that I can make my annual stop at Razzleberries down the street, possibly on Friday night, and I am still trying to work out a place within the Village of East Davenport for the evening of December 3rd, Saturday, the night of the fireworks. The problem is that, in other years, I was inside Freddy Fritters, and it burned down and is much smaller now.

I also don’t know if I’ll have the traditional Cat in the Hat with me, posing for photographs, as in other years. [If you have a burning desire to wear an adult-sized Cat in the Hat suit (and get paid for it) contact me at Einnoc10@Aol.com.]

I did not ask to be present in Geneseo during their Victorian Christmas Walk at the Four Seasons this year because I was aced out by locals last year. I’m also still trying to find a spot within the Village of East Davenport, as Freddy Fritters burned down (taking one of my posters with it). Now, they don’t have room for me. So, if you’re in the Village and reading this and would like a local author and possibly a costumed Cat in the Hat on the night of the fireworks (Saturday, Dec. 3), contact me at 309-737-2225.

2016 Presidential Race Predictions on Nov. 8th, 2016

Donald Trump, Republican Presidential candidate..

Donald Trump, Republican Presidential candidate..

Hillary is ahead roughly 44% to 40% on the eve of the 2016 election (Nov. 7, 2016). It also looks like Democrats have a very good chance of taking back the Senate, with only 2 votes in dispute and 50 that look like they’ll go Democratic (48 were in the Republican column with 2 in dispute as of this writing).
Congress is not as good a bet.
It seems now would be a good time to make a prediction about the presidential race. I’m not alone in thinking that Hillary Rodham Clinton will win. It was unfortunate in the extreme that FBI director James Comey, 9 days before the election, made some vague allusions to additional e-mails.
Then, just 2 days before the election, Comey tried to put the toothpaste back in the tube. Pulling a stunt like that is tantamount to your pregnant girlfriend announcing at the wedding reception, “Turns out I’m not pregnant after all.” Comey was also involved in the Whitewater Investigation, parts of Bill Clinton’s impeachment hearings and has a long history of “investigating HRC.
So, we won’t know how much worse Trump’s defeat could and would have been without the assistance of Comey and Putin and the WikiLeaks hackers, but I still think she has a good shot at beating him silly, with over 300 electoral college votes, for sure.
Counties to watch, early on are:
1) Duval County in Florida, where Jacksonville is located. This county had 74,000 votes in ’08 and ’12.
2) Hillsborough County in Florida, where Tampa is located. There were 543,000 votes there in 2012 but there are more Hispanics registered this year than ever before.
3) Miami-Dade County. I got an urgent e-mail asking for money from Little Marco saying that the early voting by Hispanics was outpacing the Republicans. 541,000 Democratic votes were cast in 2012. Nevertheless, most analysts think Marco Rubio will hang on, which is unfortunate, since he doesn’t believe in global warming.
4) North Carolina: New Hanover County was lost by 92,000 votes in 2012. There are more Independent voters in Wilmington and New Henry Counties than there are registered Democrats or Republicans and this county will signal how Independents are breaking. Obama lost by 1.5% in 2008 and 4.5% in 2012.
Wade County is the state’s most populous county and Independents are up by 50,000 (24$) since 2012. Obama won by 56,000 (11 points) and, in Watauga, Obama won by 4% in 2008 and in 2012 he slipped 13% and lost by 3 percentage points.
5) Ohio: Belmont County is a county that Obama won in 2008, but lost in 2012. 90% of Belmont County is white, but NOT college educated, but working class whites. Hamilton County, where Cincinnati is located, has many black voters. Obama won by 225,000 and 220,000 in his 2 runs, a 6% win.
6) Pennsylvania: Chester County (Philadelphia) has white, college-educated voters that gave Obama a 6 to 1 victory. Pennsylvania (Scranton) is also current Vice President Joe Biden’s hometown.

Last time there was a national election it was all wrapped up by 11 p.m. when Ohio went for Obama. Will it be as decisive (and early) this time?

My favorite predicting group (Moody’s Analytics) did not use polls to predict at all, but used different statistical indexes including:
1) The standing of the incumbent President, which should be favorable to Hillary since Obama’s are the highest since Reagan.

2) Gas prices. In my area, a gallon of gas goes for $2.05 right now and when we were in Texas you could purchase a gallon of gas for $1.44. In Des Moines at Sam’s Club yesterday it was $1.89. This bodes well for HRC, just as high gas prices were bad news for Carter in his re-election run.

3) Housing starts: How is the housing market doing? It seems to be on the upswing in Chicago and Austin with cranes everywhere, something that has been missing from the Chicago skyline since 2007/2008. Advantage Clinton.

4) Household income: it’s up slightly. In Illinois, federal employees are going to be paid $13 an hour, minimum. My friend in Des Moines said it was $10 per hour for ordinary jobs like Starbucks barrista. In Illinois the plan is to raise the minimum wage for everyone to $13 soon.

5) Unemployment measures: unemployment is under 5% whereas it had been above 7% back in the day.

All of the above support my contention (and nearly everyone else’s) that Hillary Rodham Clinton will become the first female President of the United States, God willing and the river don’t rise.

Mel Gibson Tells the Story of Desmond Doss in “Hacksaw Ridge”

Mel Gibson’s first directorial effort in 10 years (since 2006’s “Apocalypto”) is “Hacksaw Ridge,” the true story of conscientious objector Desmond T. Doss, a 7th Day Adventist who served as a medic in WWII in Okinawa and elsewhere in the Pacific Theater. As Gibson said, “He was an ordinary man doing extraordinary things under the most difficult of circumstances.”

Gibson went on to explain that, in one 12-hour period, Doss saved 75 men and subsequently was awarded the Congressional Medal of Honor by then-President Harry S. Truman. Some say Oscar may come calling. I’m not one of them, but all things are possible in this era of Marvel Comic book movies and Andrew Garfield does the role justice.

I was reminded of Mel Gibson’s arrival on the scene starring in “Gallipoli” in 1981, when only 25 years old. Of that film, a war movie in which he starred as Irish-Australian soldier Frank Dunne, Mel said, “It’s not really a war movie. That’s just the backdrop. It’s really the story of two young men.” (*Note: Mel cast his 6th child, son Milo, age 26, as Lucky Ford in the soldiers-in-the-barracks scenes.) We could say the same thing of “Hacksaw Ridge” and call it a film about faith or a movie about true love, but the battle scenes are what you’ll remember. (I can’t think of another film where 9 people were listed as “flame and fire technicians;” there is also a credit for a “flame compositor.”)

In November of this year film critic Matt Zoller Seltz described Gibson, who won an Oscar as Best Director for “Braveheart” in 1995 (a film in which he also starred) as “the pre-eminent religious filmmaker in the U.S.”

This film certainly falls into the religious category, as Andrew Garfield re-enacts the heroism of Seventh Day Adventist Conscientious Objector Desmond Doss, who, as Gibson described Doss’ character “honed his spirituality while he was in hell. He never lost his equilibrium. He stayed true to himself.” Doss was the first Conscientious Objector to be awarded the Congressional Medal of Honor by President Harry S Truman and one of the best things about the movie is the opportunity to see and hear the real Desmond T. Doss speaking to us at the end of the film. (He died at 87 in March of 2006.) We also hear from one of the men he saved, the real Captain Jack Glover, in archival footage. (Doss’ humility is a refreshing change in the closing days of Donald Trump’s presidential run).

I learned from Gibson’s Oscar-winning effort in directing “Braveheart” or his 2004 film “The Passion of the Christ” that you need a strong stomach to sit through Gibson’s cinematic vision(s). Often, his films involve non-stop violence. It would be good to remember that fact when selecting a movie for the weekend (the film opened wide on November 4th.)

From the first shot of soldiers on fire, there are numerous lengthy scenes of hand-to-hand bayoneting, one memorable scene of decapitation, lots and lots of fire (and rats….Mel likes fire and rats), grenades blowing people up and more gory mayhem.

The violence and depiction of bodies blown up or set on fire or decomposing/bleeding/blown apart are some of the lengthiest and goriest battle scenes this side of “Saving Private Ryan’s” D-Day invasion. Michael Phillips of the Chicago “Tribune” said something to the effect that it might be the goriest religious movie ever made. But, then again, we’ve got “The Passion of the Christ,” and it’s rumored Gibson may direct a sequel to that savage cinematic gem (the highest-grossing “R-rated” film made.)

Most critics compared “Hacksaw Ridge” to “Saving Private Ryan” with its D-Day Normandy Beach re-enactment. Some mention the more recent “American Sniper,” Clint Eastwood’s 2014 film with Bradley Cooper. No one brought up “The Hurt Locker” or the two I kept being reminded of, which were Clint Eastwood’s 2006 films “Flags of Our Fathers” and “Letters from Iwo Jima,” films shot from both points-of-view: Japanese and American.

Perhaps I felt that way because Okinawa seemed much more like the Iwo Jima of Eastwood’s 2006 films. There is a jarring shot, underground, of a Japanese soldier (Hoshi Kosuga) who, defeat imminent, has hanged himself. Desmond stumbles onto the corpse without warning. It’s like the scary moment in a horror movie in its unexpectedness: the hand reaching up from the grave in “Carrie;” the quick flashes of horrific visions in films like “The Conjuring” (or this coming December’s “The Autopsy of Jane Doe.”) Viewers are also treated to shots of two Japanese officers, deep underground in tunnels, committing Japanese ritual seppuku (suicide by disembowelment) as impending defeat looms.

So, don’t say I didn’t warn you, if you are faint of heart (or stomach).

The film intercuts the lengthy scenes of soldiers bayoneting one another (and setting fire to one another—don’t forget the fire) with family background of young Doss as he grows up (young Desmond is played by Darcy Bryce) with young brother Hal (Roman Guerriero) and an alcoholic, abusive father (Hugo Weaving of “The Matrix”) who has PTSD following his service in WWI at Belleau, France. Doss, Sr., occasionally physically goes after Desmond’s mother (played by Rachel Griffiths, the nymphomaniac from television’s “Six Feet Under”) in his alcoholic rages.

In an almost-too-chaste-to-be-true romance, Desmond meets and falls in love with Dorothy Schulte, the woman he will marry (played by Teresa Palmer) when he accompanies a young accident victim to the hospital where she is a nurse. Thanks to Desmond’s good instincts in applying a tourniquet to the severed artery in the boy’s leg, the young accident victim survives and Desmond’s lifelong interest in medicine is born. He decides he will volunteer to be a medic, but he will not bear arms. As Desmond says, “While everybody else is taking life, I’m going to be saving it.”

Only an actor as good as Andrew Garfield could make this part believable. In less certain hands, it could have been mawkish, overly sentimental or just plain bad. Corny is the word that comes to mind. But Andrew Garfield is a fine young actor and, as one of the film’s producers, Bill Mechanic, said, “Some people have said that this film does what films used to do—tells a story and lets people see it the way they see it.”

Some of the lead-up to the intensely violent battle scenes seems overly saccharine.
The romance with Dorothy Schulte (Teresa Palmer) falls into that category. It’s very old-fashioned. Also, the training scenes are not very fresh with tough-talking drill sergeant Vince Vaughn cast as Sergeant Howell. At one point, during rigorous training, Vaughn has to utter the line, “We’re not in Kansas any more, Dorothy.” Blame the screenwriters (Robert Schenkkan and Andrew Knight.)

The cast of disparate fellow soldiers took me back to “the old days” of war movies with character actors like Aldo Ray who played these parts, over and over, in war movie after war movie. There’s one of every ethnicity; someone for everybody. Now ninety-year-old comedian Don Rickles even received praise back in the day (starring alongside Clint Eastwood, Telly Savalas, Carroll O’Connor and Donald Sutherland) for his 1970 screen appearance as a character named Crapgame in “Kelly’s Heroes,” another war movie peopled by old-fashioned stereotypical cardboard cutout soldiers. But screenwriters Robert Schenkkan and Andrew Knight get the blame (or credit) for the sometimes sappy dialogue, most of which is assigned to Vince Vaughn. (I kept remembering Vaughn as “Fred Claus,” Santa’s bitter older brother, in that 2007 movie, so I was prepared to laugh at almost any dialogue assigned Vaughn, without blaming him for the misfortune to be known as much for silly comedies as for serious roles.)

VERDICT

If you can take the nearly unremitting violence, Andrew Garfield’s performance is worth the price of admission. Shooting on a budget of only $40 million, (one-half of the budget for “Braveheart”) in Australia, and over only 59 days, Gibson has told the story of a real war hero. As Gibson described Doss’s exploits, apparently the director didn’t even use a scene that was true-to-life but judged to be just too much heroism for one real-life man.

Doss, who is being carried off on a stretcher with a wound, kept getting off the stretcher to rescue others nearby. Gibson did a good job of making war seem like Hell on Earth and, as he said, he had to do it on a budget because, “If you’re not wearing spandex today, you don’t get a big budget.”

Sadly, in the Marvel world, too true. (Who cares about a real war hero when we have Captain America?)

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