Welcome to WeeklyWilson.com, where author/film critic Connie (Corcoran) Wilson avoids totally losing her marbles in semi-retirement by writing about film (see the Chicago Film Festival reviews and SXSW), politics and books----her own books and those of other people. You'll also find her diverging frequently to share humorous (or not-so-humorous) anecdotes and concerns. Try it! You'll like it!

Tag: Maika Monroe

“Watcher” Screens at SXSW, 2022

Maika Monroe, the blonde star of “It Follows” (2014), has 33 credits, to date. I first became aware of her work in “Hot Summer Nights” at SXSW in 2017. Since then, I have made a point of trying to catch others among her 33 screen credits.

This is a good one to start watching this actress, if you are unaware of her work. She carries this entire film on her slim shoulders and does a great job.

Maika plays lead character Julia, who is married to Francis (Karl Glusman). The couple has recently relocated to Bucharest, Romania for Karl’s job, which makes his fluent command of the native tongue very useful in his marketing position. Julia is studying the language, but is just a beginner.

“Watcher” writer/director Chloe Okuno.

The first scene shows Maika riding in a cab to their apartment and, as the opening proceeds, Writer/Director Chloe Okuno, in collaboration with Cinematographer Benjamin Kirk Nielsen pulls the camera back to show the young couple on the couch of their living room, panning out to the street to watch the couple through the window as they get cozy on the couch.

This entire film is about watching, but the watching is by a creepy-looking guy who lives across the street from the young couple.—or is it? In the early building sections of the film, as tension is built nicely through appropriately tense pounding music (Nathan Halpern). The city, itself, often rainy and dark, is a character. When you are a non-native speaker who does not speak nor understand the language that surrounds you, you feel  isolated and alone. Add to that Francis’ (Karl Glusman’s) heavy work schedule and Julia is left to her own devices for long stretches of time, including late into the night.

Coincidentally, there is a serial killer known as “the Spider” who is on the loose at the time the young couple has relocated to this forbidding old city. “The Spider” has murdered at least four women. He has decapitated at least two of them.

The part of “the watcher” from across the street, reminiscent of “Rear Window’s” plot, is well-played by actor Burn Gorman. For  most of the film we are left to decide for ourselves if Julia is panicking unnecessarily or if she has a legitimate concern when she thinks “the Watcher” is following her in a supermarket or when she encounters him, perhaps by accident, on the subway. After all, he lives in the neighborhood; does that make him a bad guy or a misunderstood social isolate who lives with his elderly father?

Maika Monroe in “Watcher” at SXSW.

Another character in the film is Madalina Anea as Irina, the next-door neighbor. Irina is a pole dancer in the area, which makes you wonder about the wisdom of selecting this particular part of the city as your new neighborhood. I could relate to the “watching” out the window at all hours. When on a trip to Europe with a girlfriend, we unwisely spent one night near the train station in Frankfurt, which, as it turned out, was the Red Light district. We watched “the girls” going off to work beginning at 4 p.m. and coming back in the wee hours of the morning. We were too afraid to leave our seedy hotel to even venture out for food. When we tried to take a picture of one of the working girls on the street, she was definitely unhappy with us and gave us short shrift in guttural German. Not a good idea to be a woman, alone, in that part of the city. Julia’s entire neighborhood seems unsafe and the gloomy, rainy weather that often sets in simply adds to the vibe.

Julia’s mate, Francis, (in addition to having a name that hasn’t been popular in the U.S. for men since about 1902), can be an insensitive clod at times. He makes a tasteless joke about “the Spider” keeping his terror-struck wife company because his own work schedule is so crowded and keeping him so busy at a social gathering with his boss and their wives. Julia has learned just enough Romanian by now to understand the joke, and she is not amused.  Francis tells his frightened wife, at one point, “So I should just jump to the craziest conclusion, like you?” She is not amused by his growing indifference and lack of belief in her accounts of their neighbor’s voyeuristic stalking.

Imagine if the boy who cried wolf in that well-known story was then attacked by wolves. What would happen? Would he survive? Would he simply be ignored regarding the wolves until wolves appeared and it was too late to help him?

This film from an Abu Dhabi backer, Image films, answers that question in this indie film written by director Chloe Okuno in collaboration with Zack Ford and directed by Okuno. The movie premieres in theaters on June 3, 2022. This is one film at SXSW that did not also stream. It was a good entry  in the horror/thriller genre.

 

“Hot Summer Nights” World Premiere at SXSW in Austin (TX) on March 13, 2017

Genre: Coming-of-age drama
Length: 120 minutes
Director: Elijah Bynum
Cast: Timothee Chalamet, Maika Monroe, Alex Roe, Maia Mitchell, Thomas Jane, William Fichtner
Review: Connie Wilson

Writer/Director Elijah Bynum of “Hot Summer Nights.”

On Monday, March 13th, 2017, at SXSW, Imperative Entertainment World Premiered first-time
writer/director Elijah Bynum’s coming-of-age film “Hot Summer Nights.” It played to a packed
house at the Paramount Theater at SXSW with all major stars in attendance.

Set in 1991 Cape Cod (really filmed in Atlanta, Georgia) , “Hot Summer Nights” stars Timothée
Chalamet (“Call Me By Your Name, “Interstellar”), Maika Monroe (“It Follows,” Independence Day
2”), Alex Roe (“The 5th Wave,” “Rings”) and Maia Mitchell (“The Fosters”), with appearances by
Emory Cohen (“Brooklyn,” “The Place Beyond the Pines”), Thomas Jane (“Hung,” “The Punisher”)
and William Fichtner (“The Dark Knight,” “Armageddon”).

Timothee Chalamet as Daniel Middleton in “Hot Summer Nights” at SXSW on March 13, 2017.

The film is told through the point-of-view of Daniel Middleton, a lonely and troubled teen-aged boy, despondent over the death of his father. In a voice-over from a minor character (who is not well identified) we learn, “This all happened a while back in the town I’m from.”

Daniel’s mother sends him away to his Aunt’s to spend the summer of 1991 in Cape
Cod
. Young Daniel at first finds himself friendless in Hyannis, Massachusetts..

Daniel’s not really a “townie” and he’s not one of the rich kids visiting for the summer. According to the voice-over, “Something changed inside of Daniel Middleton that summer he turned 13.” Thirteen seemed too young for what happens in the rest of the film. If Daniel is only there for the summer, how is he able to drive a hot car throughout the film, including in an opening scene car crash during a hurricane?

Alex Roe as Hunter Strawberry in “Hot Summer Nights.”


Daniel drifts into a friendship with the classic James Dean style bad boy in town,
a blonde hunk with the unfortunate character name Hunter Strawberry (Alex Roe)
. Hunter is
the stereotypical screw-up. He has been kicked out of high school and also has been kicked out of
the house by his widowed father. Now he sells marijuana to tourists and locals. Daniel throws in
with him with a vengeance, despite Hunter’s uncontrollable anger issues.

Maika Monroe as Michaela Strawberry in “Hot Summer Nights.”

Hunter’s sister Michaela (Maika Monroe) is angry with Hunter for not giving up selling pot;
it was their mother’s one request of her son during her final illness, when Michaela was eleven.

Maia Mitchell as Amy in “Hot Summer Nights” at SXSW.

Daniel becomes allied with cool-stud-in-town Hunter when he helps him out by hiding some weed
Hunter has on his person while he is being stalked by the local cop, Sergeant Frank Calhoun.

Hunter takes up romantically with Frank’s daughter, Amy Calhoun. This liaison is certain to
cause problems for Amy at home, if her parents find out.

Maika Monroe as Michaela Strawberry.

Meanwhile, Daniel unwisely finds himself irresistibly drawn to the brooding Michaela.

Hunter makes it clear that he is overly protective of his younger sibling and forbids Daniel (whom he
calls “Danny”) to date her. That, of course, soon goes out the window, setting up romantic
scenes between Daniel and Michaela.

Alex Roe and Writer/Director Elijah Bynum on the Red Carpet at SXSW.

Director Bynum shared with the audience, after the film, that the plot was one he heard while in college.

Said Bynum, “I’m from Massachusetts, but from a different part of the state. The story came
from a couple of kids I knew in college. They talked about two drug dealers who, as their business
grew, their friendship also grew, and then both disappeared. I was always intrigued by that.”

THE GOOD
The principal actors all did a good job in their roles, especially the two male leads. The
cinematography by Javier Julia was fine. He also worked in actual film footage from Hurricane
Bob, which was a key element in the plot. Those in charge of the music (Will Bates and Liz
Gallagher) also did a good job, including David Bowie’s “Space Oddity” and “All the Young Dudes,”
among others from the era.

THE BAD

The plot has some problems. For one thing, early on the lead character’s age (Daniel) is set at
thirteen. If Daniel is only thirteen, how can he spend most of the movie driving and doing a number of other things more appropriate for older teens)? And, when Daniel is driving, he is driving a car so hot that it would draw unwanted attention to a drug dealer trying to operate without being apprehended. Not only would the cops be a problem, what about Michaela Strawberry? Doesn’t she wonder where Daniel, who lives with his Aunt Bar (who is poor) has gotten the money for these wheels? And how could the young couple possibly hide their romance from her brother Or, conversely, how could Michaela not know that Daniel was her brother’s new accomplice in the drug trade? Also, given Hunter’s explosive temper, which we see unleashed with a fury when Daniel is threatened, what would the conversation with Amy’s policeman father (Thomas Jane) really have been like? It seemed unusually tame on both sides I also had problems with the way the writer/director has chosen to end the film.
I was never sure who the young person at the window was (supposedly doing the voice over)
and the ending is almost as bad and as big a trope as the themes that my junior high school students used to turn in
where the ending was always, “And then he woke up and it was all a dream.” It almost seemed as though no one had Beta read Writer/Director Elijah Bynum’s script before it got to the big screen. Each of the principal actors talked about the script as their reason for buying into the first-time director’s project, but, for me, the script had holes wide enough to drive a Mack truck through and an unsatisfying ending.

On the positive side, it’s a good first directorial effort, with good music, fine cinematography and
some promising newcomers in the cast. For me, Alex Roe was the break-out star, but all four of
the main characters are promising.

OVERALL

I’d give the film, overall, an “A” for effort and a low “B-/C+” for execution. However, I’ll be interested in watching the budding careers of the four principal characters as they are cast in other projects.

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