On the heels of the 2022 Academy Awards ceremony, during which Will Smith was given the Oscar for Best Actor only minutes after he bitch-slapped presenter Chris Rock for making a fairly innocuous joke about Jada Pinkett Smith’s shaved bald head (something about how he was “looking forward to G.I. Jane 2”), we got these teary comments from the “King Richard” actor after his win:

“I got to protect Aunjanue Ellis (his co-star in “King Richard) and the 2 actresses who played Venus and Serena in “King Richard.” I’m being called on in my life to love people and to protect people and to be a river to my people. I know to do what we do you gotta’ be able to talk about abuse, you gotta’ be able to have people talk crazy about you. You gotta’ be able to have people disrespect you, and you gotta’ smile and pretend like that’s okay.

He diverged at that point to tell the audience about Denzel Washington’s cautionary remark to him that, “At  your highest moment, be careful, that’s when the devil comes for you.”

Will Smith seemed to be mentally teetering on the edge of a melt-down.  I couldn’t help but think of his mid-life “bucket list” that had him bungee jumping off bridges, etc. He seemed to really be in precarious mental health. The network actually covered his weeping face for a few “live” moments. I had originally been glad that he was (finally) going to win, since his wife (Jada Pinkett Smith) made such a fuss about his failure to win for “Concussion” and “Happyness” and other films in the past. Apparently, whining does pay off.

Smith continued:  “It’s like I want to be a vessel for love. I want to say thank you to Venus and Serena. I want to be an ambassador for love and care and concern. I want to apologize to the Academy, to all my fellow nominees. This is a beautiful moment and I’m not crying for winning an award. It’s not about winning an award for me. It’s about being able to shine a light on all of the people associated with “King Richard.”

Smith then proceeded to list all those involved with the “King Richard” project.

Will Smith

Smith concluded:  “Art imitates life. I look like the crazy father (in “King Richard”) just like they said. Love will make you do crazy things.”

Yes, Will, you looked crazy. Slapping Chris Rock for doing his job and telling a very mild joke was way out of line. I hope the apology (boldfaced, above) is good enough.  Better than nothing, I guess. I have watched every Academy Awards since 1955 and this was one of the things we’ll be talking about for years. What are some others? The streaker the year David Niven was handing out an award. The Sacheen LittleFeather year, when she turned down the Oscar for Brando. The Vanessa Redgrave year when she spoke up for Palestinians and was soundly denounced for “being too political.” I might add that someone said that, while David Niven defused the streaker situation with a witty remark, it took Sean “Puffy” Combs (he of the arrest with Jennifer Lopez many moons ago) to pour oil on these troubled waters, although I did think that Chris Rock held it together well. (Who would have thought that Puffy would be the calm one? Yikes!)

I hope that, in the future, audience members are made to go through metal detectors to make sure nobody is armed. I hope that Will Smith’s marriage to Jada Pinkett Smith really is sound, because there have always been rumors about an “open” marriage, (whether true or false), and your outburst at the Academy Awards didn’t help squelch any of those remarks.

I tried to summon “Coda” to watch on my Apple + TV set in the afternoon of the Oscars, when “Coda” seemed to be “peaking” in the hours before the awards. I must admit that I had not been able to see “Coda” or “Drive My Car.” There’s something about being diagnosed with cancer in the middle of the awards season that will cause you to pay more attention to surgery and doctor visits, rather than going to the movies. The two I missed were “Coda” and “Drive My Car.”

After hearing some extremely positive feedback from people whose opinions I respect, I made a valiant effort to see “Coda” in the early afternoon, but my tekkie skills were not up to the task, and so I stuck with “The Power of the Dog,” the early leader with 12 nominations. (As it turned out, it was a lot like the year “The Turning Point” didn’t win anything, despite being nominated for everything!)

As the awards wound down, my daughter and I were doing very well, with the same number of “correct” responses. We tied because I selected Kenneth Branagh for the Original Screenplay, while she took “Up in the Air.” And then we evened out again with the Adapted Screenplay, where she took “Coda” and I took “The Power of the Dog” (which was my undoing in total picks.)

Still, 16 and 17 right of those announced on the air seems pretty decent. There were very few “upsets.”

 

Kenneth Branagh in Chicago for “Belfast.”

The Big News of the night was the slap fest between Will Smith and Chris Rock. I couldn’t help but think of some of Ricky Gervais’ remarks when hosting shows of this kind, or of Don Rickles’ long career as an insult comic. I thought: “There’s something going on here on Will Smith’s part.” His kids seem—strange, and his marriage to Jada Pinkett Smith is…different. Her green dress was truly lovely, but there is something going on  that we will all need to figure out. (And that means Will Smith, himself.)

To me, telling the public that you want to spread “love” and  to “be an ambassador for love, care and concern” does not jibe with rushing to the stage and striking the comic doing his job, which was to make jokes. Chris Rock’s joke was not that harsh. So much for “being a river to my people.” [The memo apparently did not reach Chris Rock that he was “on the river” of good will for Will Smith’s people.]

I truly loved watching Amy Schumer throughout the night and highly recommend her new series “Love and Beth.” At the outset of the evening she pointed out that the movie entitled “King Richard” took years to make and focused on the FATHER of tennis stars Venus and Serena Williams, NOT on the talented daughters. She also was dangled above the stage in a Spiderman suit, shooting silly string, and when she came back—late in the ceremony—she asked, naively, if she had missed anything.  She also sat down opposite Jesse Plemons, pulling Jesse’s wife Kirsten Dunst out of her chair, and began chatting with Jesse, who told her that the woman she had just banished from the table was not a “seat filler” but his wife.

Amy Schumer

Amy’s response, “You’re married to that seat filler? How weird.”

Wanda Sykes and Regina Hall did a credible job. and Wanda’s tour of the Hollywood Movie Museum was cute, but Amy was her comic gem self.

If you want my unvarnished opinion on which movie represented the biggest accomplishment for the director, it would probably be “Dune,” which took home 6 Oscars. Besides that film, my three “favorites” for the year were “Dune,” “West Side Story” and “No Time to Die.” I also liked “Nightmare Alley” and “Last Night in Soho” and found Bradley Cooper’s bit in “Licorice Pizza” worth the price of admission.

Will Smith’s teary acceptance speech to the audience ended this way:

“To my mother, a lot of this moment is really complicated for me (he mentioned her knitting crew, with whom she was watching)…um…being able to love and care for my mother and my family and my wife. Thank you for this honor. Thank you on behalf of Richard and  thank you Academy for inviting me back.”

That last part remains to be seen.

Here were the Oscar winners:

Best Picture:  “Coda”

Best Director:  Jane Campion for “The Power of the Dog”

Best Lead Actor:  Will Smith for “King Richard”

Best Lead Actress:  Jessica Chastain for “The Eyes of Tammy Faye”

Best Supporting Actor:  Troy Kotsur for “Coda”

Best Supporting Actress: Ariana DeBose for “West Side Story”

Best Film Editing:  “Dune”

Best Adapted Screenplay:  “Coda”

Best Screenplay:  “Belfast”

Best Cinematography:  “Dune”

Best Animated Feature:  “Encanto”

Best MakeUp and Hairstyling:  “The Eyes of Tammy Faye”

Best Costume Design:  “Cruella”

Best International Film:  “Drive My Car”

Best Original Song:  “No Time to Die” (Billie Eilish)

Best Documentary:  “Summer of Soul”

Best Visual Effects:  “Dune”

Best Production Design:  “Dune”

Best Sound:  “Dune”

Documentary Short Subject:  “The Queen of Basketball”

Live Action Short: “The Long Goodbye”

Best Score:  Hans Zimmer for “Dune”