A timely issue for our time is the use of deep-fake video. It was one of the sticking points during the recent 148-day Hollywood entertainment strike. It is bound to rear its ugly head again during the 2024 presidential race. Porno videos with famous people’s faces super-imposed on the bodies of others are out there. In this documentary, it is a college student who makes the discovery that there is “Another Body,” represented as hers, circulating on the Internet. The supreme irony is that, in able to testify to the damage being done to victims like the fictional Taylor Klein, she had to “deep fake” her own testimony, (which made it all the way to the White House.)
In the timely documentary “Another Body,” directed by Sophie Compton and Reuben Hamlyn (co-written by Isabel Freeman), a college student discovers deep fakes represented as being Taylor, circulating online. Using video diaries, synthetic media, and 2D and 3D animation, the documentary takes you behind the scenes: who did this and why and how can it be stopped and rectified? :”I kept asking myself who would do this and why would they want to do this? I worry that they are going to do something more drastic? I believe that, in his mind, he is getting back at us for rejecting him.”
THE GOOD
I marveled at the expertise that the filmmakers showed in presenting this complicated story to us, using dummy-like automatons to represent the fictional “Mike” (the perpetrator that Taylor and friends track down over time.) It was very impressive in regard to its technical achievements.Bravo!
I empathized with statements like, “I’ve had to deal with all the consequences that he should have had to deal with. I’ve had to leave the fun group, but he hasn’t.” 9,500 porno sites with 14 million hits a month sounds like the death throes of a decadent society. Are sites like PornHub that “normal” in this country’s incel culture that this sort of thing is doubling every six months, as the film says? Do those who use such sites routinely end up on a roof with a gun, shooting at spectators at a Fourth of July Parade in Illinois? What-the-heck is going on? Yes, Trump is the poster boy for such bad behavior, but…really?
I also recognized that the misogyny that today’s women of the MeToo movement are not willing to put up with has been going on for decades. DJT is a throwback to those decades when it truly was “a man’s world” and, as he bragged on video, if you were male you could get away with just about anything, because that is what women were told they had to put up with in order to be “good” female citizens. Women were not supposed to “take a man’s job” and we were supposed to stay barefoot and pregnant in the kitchen, waiting on our man. R-i-i-i-g-h-t. So, I enjoyed seeing the new generation of women take on the male establishment. Maybe the good guys—err girls—will win, this time. I hope so. The request that she be respected for her professional achievements and viewed as “good” is not a pie-in-the-sky goal for the fictional Taylor of this tale; it is what women deserve, but have seldom achieved without a fight.
THE BAD
Like many other documentaries, this one could have been shorter. A half hour trim would not have taken away from the film, which became repetitive. Some of the interactions between Taylor and other victims could have been shortened.
Worst of all, the conclusion that Taylor draws near the end of the film is depressing: Sometimes the bad guys win.