OK…So, I went to see Amy Schumer’s new movie “I Feel Pretty” (and received a button that says “I Feel Pretty Awesome,” which I wore all day).I liked it—the button AND the movie.

There, I’ve said it. I liked it.

I thought it was insightful and funny and I liked lines like, “I met this baby the other day that was wack as hell.” [You can see the meeting with said baby in the clip I just posted of the movie trailer]. The trailer contains the best parts of the film, and, no, it isn’t a laugh-out-loud funny movie, because Amy is trying to make the point that (to quote a line from the movie):  “This line/movie is for every girl who is ready to believe in herself.” Or, “I think a lot of people are all confused about themselves…You doubt yourself over and over. What if we didn’t care about how we looked?” 

The premise is that, when Amy hits her head, she suddenly sees herself as perfect. She no longer has the crippling insecurities that beset her prior to being hit in the head. It takes another blow to her skull to turn her back into insecure Amy. One of the lines spoken to her boyfriend in the film (Ethan, well played by Rory Scovel) is: “She is awesome. She is the complete package. Your girl can handle herself in a knife fight!” Or, as Ethan says to Renee, “You know who you are and you don’t care how the world sees you.”

The movie  makes a plea for “The strength and wisdom to say ‘I’m better than all that. We are real women.”

Why is she being pilloried on social media for making such undeniably positive statements? The answer seems to be that some think she is too pretty to be saying these things? Is that it?  Amy is too pretty to make a statement that benefits all women everywhere? (Sheesh) Get over your bad selves, nit-pickers. And, to the newly-wed Amy: YOU GO, GIRL!

I couldn’t help but empathize with what she must be thinking and feeling as people hurl brick-bats at her for articulating the undeniable truth that most of us are insecure in some way and that it can often become almost a debilitating disease, if it inhibits us too much or prevents us from becoming our true, authentic, best selves. The film also gets the point across that TOO MUCH confidence is, well, too much.

That is probably what the uproar is all about: mid-movie Amy briefly becomes a jerk to her friends (played by Aidy Bryant of SNL as Vivian and Busy Philipps as Jane) and we want to LIKE Amy and empathize with her. If she’s confident and thinks she’s great and is enjoying herself, well, we can’t have THAT now, can we? How dare she!?

If you watch the trailer (above), you’ll see the funniest parts of the movie, complete with Amy’s attempt to win a bikini contest (she doesn’t), but, mainly, you’ll see her becoming a jerk as she gives in to her uber confident inner self,  confidence which was triggered by a fall from a Soul Cycle bike that dumped her on her head.  I’m thinking that her in-your-face confidence was just too much for some females to stomach. Be reassured: she doesn’t STAY a jerk.

Girls always seem to accept other girls, or women other women, only if they are sweet and malleable and supportive and “nice,” as my husband euphemistically terms it. It still isn’t acceptable in society to be sassy and funny and irreverent, if you’re female. You still get labeled as “a bitch” if you display any of those characteristics, even though Amy Schumer rose to fame because of  the irreverent salacious humor of her stand-up act (and, yes, I HAVE seen her act, “live”). [It can’t be the men who are complaining and giving the film a thumbs down on YouTube, can it?]

I thought the opening sequence where she is participating in a Soul Cycle class with model-thin women and her bike seat gives away and she experiences a jarring blow to her vagina was note-perfect. She hobbles out with her pants torn and in pain. Have none of you (females) who are giving it a thumbs down on YouTube never experienced the crushing pain of falling onto the metal part of a boy’s bike? No? [Okay, then. It must be just me.]

I’ve also been involved in exercise classes where it was quite obvious I did not belong. My favorite story is the one where, somehow, I ended up LEADING the class and had NO idea where I was to “lead” them. It was a lot like the scene in “Animal House” where the marching band marches into a brick wall. I also remembered my husband once commenting  that I was only equipped to compete in the Olympics in the “400 yard roll” or some such joke. (He WAS kidding, but his humor was lost on me at the time.)

I actually wrote several humorous essays about exercise classes I have known and published them in “Laughing through Life, so if you want to hear all about the types of things that befall Amy in her class, but happened, IRL, to me, you can order a copy on Amazon.

But that’s not the point.

The point of the movie as written and directed by Abby Kohn (“2009’s “He’s Just Not That In To You”) and Marc Silverstein (husband of *BusyPhilipps,”How To Be Single”) to me, was that Amy wants each and every one of us who is female to feel comfortable in our own skins. So what if we have too much junk in the trunk? Forgetaboutit. So what if we are not rail-thin?  Move on. Get over it! Be confident.

BUT, and this is important, do NOT lose good friends because you become an insufferable ego-maniac.

Other good things about the movie:

Michael Andrews selected the music (“This Girl Is On Fire” for one) and it is great. Michelle Williams plays the daughter of a cosmetics icon who has a very soft voice like Jackie Kennedy’s (okay, you’re too young to remember how Jackie’s voice was very soft and not forceful at all, and Marilyn Monroe’s was the same way, so just work with me here) and, therefore, has a hard time being taken seriously. She also is involved in some serious sibling rivalry with her handsome brother, Grant LeClair (Tom Hopper), who comes on to Amy at one point (Amy remains true to Ethan, so why did the haters not note THAT?)

Many critics praised the appearance of Lauren Hutton as Gramma LeClaire (Lily LeClaire) in “I Feel Pretty,” who founded the cosmetics company, which is attempting to turn out an affordable cosmetics line suitable for sale in Target stores.

Lauren appears as a retired model, which she really is. She made her film debut in 1968 in “Paper Lion” and still works as a model, apparently because she is still reed-thin.

Lauren definitely has been out in the sun too much for too long and she has done nothing to diminish the age-related wrinkles caused by too much sun exposure. I actually looked up her age, after the film, since I was hoping she was older than me. She was…but not by that much.

For someone who is listed as 74 (birthday: Nov. 17, 1943) she is thin, but, aside from that, she might consider whether the path she wants to take is the one taken by Jane Fonda, or the one taken by others, which doesn’t have to mean plastic surgery, but does mean trying to diminish age-related deterioration. Yes, I know. This is in direct opposition to the message of the movie, but the message of the movie for a young woman is quite different than for a “mature” (don’t say “old”) woman: society has not moved forward enough to accept prune-like visages that could have remained recognizable if the owner of the face had taken the slightest precautions.

To me, since we are only given one face, it is irresponsible not to at least try to keep it looking halfway decent. While that also applies to our bodies, I agree with Amy that a woman in today’s society ought to NOT have to be reed-thin to be considered attractive. We women have to bear children and cook and clean and, usually, also work,and genetics will get you every time, so not all of us will remain emaciated in our golden years. Lauren is reed-thin, so she gets to keep modeling. She looks like hell, facially, but nevermind that, as long as she is thin.

That, to me, was the message for we “mature” types and, yes, that was a contradiction of the first magnitude, which I blame(d) on the age difference between the character Amy is playing (Renee Bennett) and the one that Lauren Hutton is playing (Lily LeClaire).

And probably something that the writers never considered, either, since the male writer (Marc Silverstein) is also the husband of Busy Philipps, [whois supposed to be getting a talk show this fall] and Abby Kohn might have tried  for Jane Fonda for the Lauren Hutton role—or any other mature actress who has not thrown caution to the winds and abandoned her face to extensive sun damage.