
Canadian Primer Minister Justin Trudeau.

BEE GONE
Biographical Information
Connie (Corcoran) Wilson graduated from the University of Iowa and earned a Master’s degree from Western Illinois University, with additional study at Northern Illinois, the University of California at Berkeley and the University of Chicago. She taught writing at six Iowa/Illinois colleges and wrote for five newspapers and 7 blogs. Her stories and interviews have appeared online and in print and her work has won prizes from “Whim’s Place Flash Fiction," “Writer’s Digest” (Screenplay), E-Lit award for 3 works, Illinois Women's Press Association Silver Feather awards, Pinnacle award (NABE) and recommendations for the Bram Stoker award. She is the author of 4 nonfiction published books, 4 short story collections, 1 novel and there are 2 novels ready for publication (the trilogy beginning with "The Color of Evil.") She reviewed film and books for the Quad City Times (Davenport, Iowa) for 12 years and wrote humor columns and conducted interviews for the (Moline, Illinois) Daily Dispatch.
Canadian Primer Minister Justin Trudeau.
BEE GONE
by Mark Gimein, Managing Editor of “The Week”
“Am I the sucker? For as long as I can remember I thought that the United States stood for democratic values and individual liberty. These were supposed to be the guiding lights of American foreign policy, even if the principles might not always be absolute or the path to them always direct. Critics of the U.S., both external and internal, insisted that this was a delusion at best, and more likely simply a lie. Yet for most of the post-World War II era these ideas served the U.S. very well. To put it bluntly, Thanks to them, we won the Cold War.
OR SO I THOUGHT.
But obviously President Trump and those who have Trump’s ear think differently. He never had much interest in the “suckers and losers” (his words about the American soldiers who died in France) who bought all that stuff about defending democracy. Trump, like Vice-President J.D. Vance and others in his orbit, prefers a hard-nosed realpolitik. If Ukraine shares its wealth, we might help in its defense. Or we might not.
JUSTIFICATIONS
Trump justifies this by calling Ukraine’s president, Volodymyr Zelensky, a dictator and saying Ukraine started it all anyway—making mincemeat of the truth and decades of U.S. foreign policy goals in a single tweet. The idea that Russia is not to blame for the Ukraine war is not original to Trump. University of Chicago political scientist John J. Mearsheimer has been saying that for over a decade, starting with the paper titled “Why the Ukraine Crisis is the West’s Fault.” The “realists” like Mearsheimer urge us to drop talk of freedom and principles and see the world as just the sum of the great powers’ spheres of influence.
THE GREAT POWERS
This is how Vladimir Putin and China’s Xi Jinping see the world. They would like nothing more than to sit down with Trump and carve up the globe—taking a nibble of Latvia, tightening the noose around Taiwan. (*If you were paying attention during the Oscars last night, the Latvian team that collected their Oscar for “Flow” referenced the fighting already going on on one of their borders, which the world does not hear about.)
Jan. 6 siege of the Capitol
Each bargain might make sense to a deal-maker like Trump. But eventually losing our principles will mean losing our influence. And, in the end, it will be the U.S. that looks like the sucker at the table.”
POST SCRIPT
Later, within the magazine he manages, we learn from Charles P. Pierce (“Esquire”) that Trump specifically fired the lawyers charged with resisting illegal presidential orders. Nor was it reassuring when Hegseth explained that the JAGs had been fired to stop them from being “roadblocks to anything that happens.” Paul McLeary in “Politico” said that the former Fox News host promotes a swaggering “warrior ethos” that rejects the Geneva Convention(s).
Trump’s purge, said Tom Nichols in “The Atlantic” is “the next step in his pursuit of total power. After capturing the intelligence services, the Justice Department, and the FBI, the Pentagon is the last piece he needs to establish the foundations for authoritarian control of the U.S. government. With his generals in charge, Trump can start building a military that is loyal to him and not to the Constitution. And the Black general that Trump recently fired, Gen. Charles Q. Brown, Jr., was replaced by a man he met while on a trip to Iraq, three-star general Dan “Razin” Caine. a white retired three-star general (retired and has to be brought back from retirement) who met Trump while wearing a red MAGA hat and said, “I think you’re great, Sir. I’ll kill for you, Sir.”
And if he wouldn’t, there are always the recently-released-from-prison Proud Boys.
The Oscars
The 97th Academy Awards are in the books.
“Anora” came on strong at the finish to snag a Best Actress award for new-comer Mikey Madison.The shift towards “Anora” prompted the best line of the evening, when Conan O’Brien (the host) said, “Apparently Americans like seeing someone stand up to a powerful Russian.” Anora won five awards, total: Best Picture, Best Director, Best Actress, Best Original Screenplay and Editing. It cost about $6 million to make (an independent film).
The way the night went reminded me of other “sweep” years, like the Oscars in 1978 for the 1977 film “The Turning Point” when that film was nominated for 11 awards and came up about as empty as this year’s nominees “Emilia Perez” (nominated for 13; won two) or “A Complete Unknown” (nominated for 8; won none).
If you go with the wrong movie to sweep, you are in for a world of hurt. I was so impressed with “The Brutalist” that I went with it most of the time. Also an independent film, it was amazing that it could be made for $10 million, but it did get some kick-back for using A.I. technology to “tweak” the Hungarian dialogue and help create some settings.
The daughter got 18 correct when she correctly supported “Anora” in our annual predicting extravaganza, which had six participants this year. While I was struggling to break into double digits, she nailed most of the major categories (one notable exception being Best Actress). At the time of the Awards celebration, she was flying to Wichita, but her ballot spoke loudly!
This has been my most recent experience with the Oscars. They don’t seem similar to the Oscars I was “in tune” with in years of yore, but, still, I finished with a respectable score, as I did not look up any “predicting” gurus, relying instead on having seen 9 of the nominated films. That refusal to consult will have to be rethought for future Academy Awards celebrations, which now number almost 70 for me. I was amused to hear June Squibb admit that the year she was born, 1929, was the first year the Oscars were awarded. Ms. Squibb was Oscar-nominated for “Nebraska” in 2013. She got laughs for saying that Alexander Saarsgard was portraying her whenever you saw her out and about. She looked very festive for a 95-year-old woman. (Birthdate: Nov. 6, 1929). Her dress was very sparkly.
THE HOST
How did the host do?
I thought Conan O’Brien’s hosting was fine, but I would say that his promise not to “waste time” led into the song-and-dance number he participated in, which was a waste of time. His wit was, as usual, sharp, and he seemed to be genuinely happy to be there.
He shared some random facts, such as the factoid that there were 479 “F” words in “Anora.”
His wit, as with the “stand up to a strong Russian” was evident and the bit with Adam Sandler dressed casually made me think that he could have gotten a quick bit about the outfit’s resemblance to that of a Senator (John Fetterman). Maybe next time.
MUSIC
I went to the trouble of finding every single nominated song and listening to each one. I would have been happy with Diane Warren or Elton John winning. Instead, it was the song from “Emilia Perez.” Maybe it was throwing that film a bone, since it was shut out except for Best Supporting Actress Zoe Saldana? Then, again, the music expert in our household is the daughter who triumphed tonight.
ACCEPTANCES
Adrian Brody wins his second Oscar as Best Actor for “The Brutalist.”
My favorite acceptance speech event was the sinister-looking composer of the score for “The Brutalist,” Daniel Blumberg. He resembles DJT’s henchman, Steve Miller, shaved head and all. When they began playing him off he abruptly quit, mid-sentence and retreated like a small creature scurrying for cover. It made me smile. (You had to be there to appreciate the expression on his face as he bolted backstage.)
Adrian Brody, however, basically told those trying to play him off to stop, saying he had “done this before” and it was “not my first rodeo.” He then promised to be brief with his additional remarks. He was not that brief, but you had to admire his chutzpah. (Anybody but me notice his girlfriend in the audience trying to remind him to thank his Mother?)
UPSETS
I thought that Mikey Madison—who was cast in Quentin Tarantino’s “Once Upon A Time in Hollywood” and, I think, was the Manson family member set afire by a flame thrower wielded by Leonardo DeCaprio poolside in that film—was an upset winner. She was very good in the film and, as I mentioned in an earlier post, the Academy does not like to award Oscars to horror films, which “The Substance” was. Too bad for Demi Moore, but I would guess that she still will enjoy a resurgence of role offers. Imagine how Mikey Madison’s star will rise!
Given how well “Conclave” did at the BAFTAs, I was surprised it didn’t do better this night. Aside from Adapted Screenplay, it won no other Oscars and nominee Ralph Fiennes may be being called “Ralph” rather than “Rafe” if he lost again this time, his third nomination. (A small joke that Conan made, which caused Fiennes to laugh aloud in the audience.) Fiennes was nominated in 1994 for “Schindler’s List,” and in 1997 for “The English Patient.”
FIRSTS
Anora” director Sean Baker became the first person to win four Oscars in the same year for the same film. In that respect, he tied with Walt Disney, although, in Disney’s case, it was for four different films in 1953—not 4 Oscars for the same film in the same year. Other Disney nominations in 1953 were for “Ben and Me” and “Rugged Bear.”
Hollywood sign
When Baker accepted the award for Best Director, he thanked the Academy for recognizing an independent film like “Anora.” “We’re all here tonight and watching this broadcast because we love movies. Where did we fall in love with the movies? At the movie theater,” Baker said. He made an impassioned plea for people to return to theaters, noting that over 1,000 independent screens were lost last year as movie theaters struggle to stay alive.
This concerns me. First, my country is led by someone who wants us to abandon our roots as fighters for democracy and freedom and follow a Soviet strongman who invaded a peaceful neighboring country without cause. Then my favorite past-time (going to the movies) is threatened.
True fact: the only movie theater in Moline, Illinois was shut for over a year after the pandemic. It used to be a Regal 8. It is now open again, but it was a long dry spell for someone like me. I literally had to drive to another state (Iowa) to see a movie. (*This by way of excuse if I am asked why I didn’t see that 10th nominated film.) Also, when I’m in Chicago, the Icon Theaters near me closed, but, thankfully, not for an entire year. (They are open again off Roosevelt Road downtown.)
Another first was the first Black man to win an award for his costuming expertise, Paul Taswell, whom Bowen Yang referred to as a legend. Other interesting costuming tid-bits that were dropped during the evening’s program were that Timothee Chalamet had 67 different costume changes for “A Complete Unknown” and there were 103 Cardinals to be costumed by Missy Crystal for “Conclave.”
The Latvian couple who accepted their Oscar for “Flow” were charming as they shared the fact that they had had difficulties getting Visas to get in the country to potentially accept their award and had then apparently come straight from the airport, landing just a few hours earlier.
All-in-all, an enjoyable—if overlong–viewing experience. At the post-Oscars “Vanity Fair” party, it was possible to see that there was a 3.9 earthquake happening in Hollywood.
One last reminder: this time next week there will be reviews of films premiering at SXSW here in Austin, so check back as the Red Carpet here in Austin (where I’ll be) will feature stars like Nicole Kidman, Matthew McConaughey, and Seth Rogen.
It’s only a few hours from the Oscars. The ballots are out (you know who you are) and the Prognosticator trophy is at stake.
Since this is Oscar Sunday, I am going to (stream-of-consciousness) run through the nominees, in the hopes that some of you are doing the same thing right about now. The Red Carpet is about to start, and who is going to win? (The tension mounts.)
Our ballots are distributed to the Usual Suspects and the traveling trophy of Most Accurate Prognosticator sits proudly on the mantel—errr, glass table—near our TV set. In other years, I’d be giving out freebie movie tickets to students at my Sylvan Learning Center (only the winners, of course) but, this year, it’s just old Oscar (the trophy) and bragging rights. Pay no attention to my last post about the nominated films I, personally, liked the most because I have not “liked” the Best Picture winner in the past few years. So, you’re warned.
I’m going beyond the 5 main categories to discuss those that almost nobody sees, live-action shorts. I actually reviewed many of the “live action” shorts, and a Mindy Kahling produced film about India called “Anuja,” which I liked. However, I liked a different one better from China about fishing for corpses in the river, so… But how many of you have seen “A Lien,” “I’m Not A Robot,” “The Last Ranger,” or “The Man Who Could Not Remain Silent?” Yeah. That’s what I thought.
Original Screenplay nominees are “Anora,”, “The Brutalist,” “A Real Pain,” “September 5,” “The Substance.” I have actually seen all of these. “A Real Pain” is the front-runner, supposedly, but I like nearly any other script better. I’m thinking that, if a sweep starts with either “Anora” or “The Brutalist,” it might garner a vote in this category, too. (Lots of talk about how “Anora,” the film about a U.S. strip tease dancer marrying the son of a Russian oligarch and the fall-out that represents is gaining on the previous front-runners.) We liked Mikey Madison’s performance in “Anora” but—after her Russian husband takes a powder—the film becomes a repetitive search film where they attempt to locate him. Mikey Madison was great in her part, and the somewhat open-ended interpretation we are left with at the end was a plus. I could see new-comers to the voting ranks giving Madison the BEST ACTRESS trophy, if they don’t decide to honor Demi Moore for her long career.
BEST DIRECTORS
Nominated directors for the 2025 Oscars
Jacques Audliard (“Emilia Perez”); Sean Baker (“Anora”); Brady Corbet (“The Brutalist”); Coralie Fargeat (“The Substance”); James Mangold “A Complete Unknown”. The two in the lead are Sean Baker and Brady Corbet. I also would like to heartily endorse James Mangold, primarily because I loved “Ford vs. Ferrari.” I am sticking with “The Brutalist” because it was such an achievement on just a $10 million budget.
DEMI MOORE/ORIGINAL SCREENPLAY AWARDS
Why would Demi Moore NOT win? (1) “The Substance” was a horror movie and, historically, the Academy has not wanted to honor them with the top prize. (2) The ending may have turned some viewers off (3) The voter has to be willing to honor age and experience over the youthful new-on-the-scene Mikey Madison. It’s a close call with so many members of the Academy now voting being newcomers. Both women have been doing well at the other awards ceremonies that lead up to the Oscars. I can’t see the trans-gender lead (Karla Sofia Gascon) pulling this one out of the fire and Fernanda Torres’ “I’m Still Here” is probably the film least viewed of the 10 nominees (It’s the only one I missed).
So, take your pick between the old-timer and the new-comer or give your vote to Cynthia Erivo for “Wicked.” For me, I’ll go with the old-timer for the Best Actress award, and I’ll go with “The Brutalist” over “A Real Pain” for original screenplay. Jesse Eisenberg will continue writing scripts and I hope they continue to receive accolades. For me, the best script this year was for “Heretic” from (Scott) Beck and (Bryan) Woods, which didn’t make the cut at all.
James Mangold (“A Complete Unknown.”).
ADAPTED SCREENPLAY
Nominees are “Conclave,” “A Complete Unknown,” “Emilia Perez,” “Nickel Boys,” “Sing Sing.” Given its BAFTA showings, “Conclave” must move up on the list of potential winners. For me, it’s “A Complete Unknown,” but the experts are leaning towards “Conclave.”
ANIMATED FEATURE
Nominees are “Flow,” “Inside Out 2,” “Memoir of a Snail,” “Wallace & Gromit: Vengeance Most Fowl,” “The Wild Robot”
There was a big push to have all the critics see “Memoir of a Snail.” I did. It was weird, but well-done, so I’ll go with that. I think that “Flow” is the favorite.
PRODUCTION DESIGN
“The Brutalist,” “Conclave,” “Dune: Part Two,” “Nosferatu,” “Wicked.”
For me, “The Brutalist” really delivered on the architect immigrant in America theme. “Wicked” and “Dune” are possible winners, but I was so impressed by the architecture in “The Brutalist” that I’ll stick with my favorite picture of those nominated this year.
COSTUME DESIGN
“Wicked”
“Wicked” co-stars.
CINEMATOGRAPHY
“The Brutalist.” A close second, for me, would be “Dune: Part Two,” but the almost picture-perfect moon over the water and the shots taking us down the railroad tracks and the unique look at the Statue of Liberty at the beginning all point me to “The Brutalist.”
EDITING
“Conclave,” in deference to the BAFTA nods.
MAKEUP & HAIRSTYLING
“Wicked,” although “The Substance” has a shot.
SOUND
The 2 musically inclined films are “A Complete Unknown” and “Wicked.” Take your pick. Mine is “Wicked.”
VISUAL EFFECTS
“Dune: Part Two”with “Wicked as a close second.
ORIGINAL SCORE
“The Brutalist”
Oscar predicting trophy
ORIGINAL SONG
Have you heard all 5 of the nominated songs? Well, I have. It took some sleuthing, but, after listening to all of them, I would say the battle is between honoring Elton John for “Never Too Late,” which has a typical Elton John sound and is possibly the finale entry from this talented songsmith. But I’ll vote for Dianne Warren’s 16th nomination for “The Journey” from “The Six Triple Eight.” When you hear the lyrics, you’ll see why. It’s become a hymn for the fire-ravaged Los Angeles community, and isn’t it about time that Diane Warren got the little gold guy?
DOCUMENTARY FEATURE
I’m going with “Porcelain War,” even though it echoes last year’s Ukraine-themed winner. I realize that DJT doesn’t want us supporting Ukraine any more, since he’s all in for Russia, but I’m voting for it based on having seen it.
INTERNATIONAL FEATURE
“Emilia Perez” from France—which was supposed to win it all until recent tweets resurfaced.
ANIMATED SHORT
“Yuck”
Oscar Prognosticator Trophy
DOCUMENTARY SHORT
“The Only Girl in the Orchestra”
LIVE-ACTION SHORT
Since I saw “Anuja,” I’m voting for it, even though I’ve not read that it is favored. (“A Lien” got that honor from one predictor.)
There’s a tie-breaker on our competition. You have to make a pick in all categories and tell which film will win the most Oscars, and how many. For me, based on this stream-of-consciousness
BEST PICTURE
Here are my thoughts on this year’s Oscar nominees:
Full disclosure: I’ve only seen 9 of the 10 nominated films. I did not see “I’m Still Here.” But, still 90% is higher than the average viewer.
My personal favorite of the nominated films is “The Brutalist.” I was amazed at the fact that a film this polished could be made on a $10 million dollar budget. The sets, featuring the futuristic architecture of Laszlo Toth (Adrian Brody) were fantastic. The Vista-Vision resembled 35 mm film and was gorgeous on the big screen. The shots of a sun over water or a hill where the construction is happening are truly beautiful, not to mention the marble quarry in Italy.
If “The Brutalist” doesn’t win, I hope that “A Complete Unknown,” the Bob Dylan movie prevails. It was my second favorite of the other nominated films, which are: “Anora,” “Conclave,” “Dune: Part Two,” “Emilia Perez,” “Nickel Boys,” “The Substance” and “Wicked.”
BEST DIRECTOR
Put me down for Brady Corbet for “The Brutalist,” despite the fact that the BAFTA crowd likes “Conclave.” (Well, at least the story about the death of a Pope is timely, but so is the “Brutalist’s story of anti-Semitism. Again, if Corbet does not win, I’m cool with James Mangold for “A Complete Unknown.” Not really a prediction, but my own hopes.
BEST ACTOR
I’m torn here, again, between Adrian Brody and/or Timothee Chalamet. I’d be cool with either one carting off the trophy, and I think one of them will—probably Adrian Brody. But it was quite the achievement for Chalamet to both play the dramatic role and sing all the songs himself. Kudos!
BEST ACTRESS
I’m thinking Demi Moore, because the Emilia Perez lead (Karla Sofia Gascon) shot herself in the foot with her unwise Tweets. Demi has been coming on strong and she and Kieran Culkin promise to be interesting recipients of any award. For my money, the best two performances this year didn’t get nominated at all, and those would be Amy Adams in “Nightbitch” and Nicole Kidman in “Babygirl.”
BEST SUPPORTING ACTOR
Kieran Culkin in “A Real Pain” is supposed to have this sewed up. (I actually saw that one.) I would not mind seeing it go to either Edward Norton for “A Complete Unknown” or Guy Pearce in “The Brutalist.” This one could go a different way, since the others in the category are so worthy, also.
BEST SUPPORTING ACTRESS
Zoe Saldana in “Emilia Perez” seems to have this one in the bag. No idea why anyone thought that Isabella Rossilini’s very small role in “Conclave” deserved a nod.
By Susan Caskle
“Bee Gone: A Political Parable”
Big, if true.
Elon Musk claims DOGE is uncovering all kinds of waste and fraud, outrageous scams perpetrated on the American people. These scams are so blatant and obvious that even youngsters untrained in forensic accounting can find them in moments. The implication is that federal workers, who are experts in their fields are either too stupid to have seen them or irredeemably corrupt. Look at the Social Security Administration, for example. Musk posted that his minions had found more than 20 million entries in the database with ages over 100 years old, including millions of people listed as over 150. It’s “the biggest fraud in history,” Musk said.
Except, of course, it’s nothing of the sort.
Because of a coding quirk in the vintage computer program the agency uses, an unknown birth date defaults to 1875, 150 years ago. These people are listed in the system, but they aren’t receiving Social Security checks—as a 2023 inspector general’s report had already concluded. In reality, only some 44,000 centenarians are alive and receiving checks, a figure that jibes with census data. And while there are certainly some fake numbers, even the conservative Cato Institute says those are mostly illegal immigrants who use them to get jobs, which means they pay into the system but get nothing out of it.
What else has DOGE turned up?
White House Press Secretary Karoline Leavitt was eager to tell us, saying last week, “I love to bring the receipts!”
But the only examples she offered were a few programs related to equity and inclusion, such as a $3 million Patent and Trademark Office program offering internships to minority inventors, and a $57,000 award for climate mitigation in Sri Lanka. Those may go against current administration protocols but they certainly don’t amount to fraud, since the money for them was duly appropriated by Congress. And cutting them will hardly engender significant savings in a $7 trillion budget.
You know who does know how to find waste and fraud?
The Inspectors Generals in our government agencies.
But Trump fired them all.
*****
Elon Musk.
Elon Musk’s claim to have cut $55 billion is already a fantasy—this week DOGE claimed an $8 billion savings for cutting a contract actually worth only $8 million.
Catherine Rampell (“The Washington Post”): “Trump voters want a shake-up and many cheer the wrecking ball. There are legitimate problems with the status quo, but the fix isn’t to indiscriminately fire air traffic controllers, gut public health agencies, or cut funding for cancer research. Trump is not fixing the problems MAGA voters care about. He’s creating new, much scarier ones.”
Said Martin Wolf in “Financial Times: “It’s a coup that will pave the way for autocracy, plutocracy and dysfunction. You can’t boost efficiency by hacking away at a complex bureaucracy, but you can chase out conscientious workers and replace them with loyalists who’ll do your every bidding. And once Trump and Musk achieve their goal of dismantling the civil service, it won’t be easily rebuilt. “This is destruction, not reform and whatever they have been told, ordinary Americans will not benefit.”
But we know who will.
(The lyrics to Joni Mitchell’s “Big Yellow Taxi” that contain the phrase “they paved paradise and put up a parking lot” are: “They paved Paradise and put up a parking lot. Don’t it always seem to go that you don’t know what you got till it’s gone.”)
“BEE GONE,” warning about all the above, can be purchased on Amazon. Read about it here: https://conniecwilson.com/product/bee-gone-a-political-parable/
January 6th: Trump-inspired invasion of the Capitol. All pardoned, with no cogent plan to separate those who had attacked police officers and headed militia organizations.
Liz Cheney amidst backlash over her anti-Trump stance.
That you have watched the parade of neo-Nazis and white supremacists with whom he curries favor, while refusing to condemn outright Nazis, and you have said, “Thumbs up!” (https://www.theatlantic.com/…/why-cant-trump…/567320/)
“Retirement Plan Plan:” A 7-minute short from Screen Ireland featuring Domhnall Gleeson.
I recently had the pleasure of viewing a 7-minute short that is to screen at SXSW in March entitled “Retirement Plan.” From Fis Eireann/Screen Ireland. It was written by John Kelly and Tara Lawall and was an absolute delight. If you have the opportunity, don’t miss it. It is narrated by Domhnall Gleason (Bill Weasley in the “Harry Potter” franchise) and shows a man of retirement age musing about all the great things he is going to do in retirement. Meanwhile, in the background, John Carroll Kirby’s simple piano tunes tinkle pleasantly, with the song “Walking Through A House Where A Family Has Lived” giving you another idea about the light-hearted tone of the short piece.
My favorite exchanges were the narrator saying, “I will paraglide.”
In the next frame, he is shown with a walker and says, “I will NOT paraglide.”
The animated character that animators Marah Curran and Eamonn O’Neill present to us in the short muses on many things he will do in retirement: He will read 35 years of books that he has been putting off reading. He will clean his desktop. He will birdwatch. He will swim every morning. He will hike (“Camping is HORRIBLE!”) The camping line made me think of Woody Allen’s famous line about how his idea of “roughing it” was watching black-and-white TV. [Agreed.]
I’ve been retired for 22 years. I joined a gym with a pool in November. It is almost March. I have yet to swim even once. While I did swim (4 times) last year, the chlorine was so bad that I thought I was going to sink to the bottom of the pool, unnoticed, and drown. (Nobody else is swimming during a weekday afternoon; there is no lifeguard). I only learned on a Monday last year when they canceled the children’s swimming class that the chlorine ratio was totally screwed up. So much for, “No, Doc, I don’t know why I get dizzy and almost pass out while swimming. That never happened to me before I retired.” (It could be because L.A. Fitness didn’t bother to check their chlorine levels; some of the kiddies ALSO almost —or did?—pass out. THEN they fixed it!)
HOUSTON ART GALLERY
Lolita at the Houston Art Gallery.
I related to the cartoon character’s comment that he would go to an art gallery and “I will want to be there.”
I recently went on a 3-day trip to see Gauguin paintings at the Houston Art Museum. A really unpleasant woman within the Museum followed me for 4 rooms because I leaned against a wall in the first room. I was severely chastised for same. (There were no paintings nearby or on the wall). She finally cornered me in the fourth room, asking me if I “wanted to talk to her manager.”
My response was, “No. I don’t want to talk to your manager. And I don’t want to talk to you, either. I just want to get out of here. I have a bad knee and I felt dizzy. Which would you rather have had me do? Lean on the wall or pass out on the floor?”
Lolita and I were not destined to become buddies.
I enjoyed the trip, overall, but found myself (once again) trying out a retirement activity with a downside.
OTHER THINGS TO TRY IN RETIREMENT
What other relatable activities does our retired figure discuss?
“I will take better care of myself.” Right. I spend one day a week visiting doctors. (Today: bloodwork; tomorrow, the endocrinologist). This is my Most Normal Retirement Activity: visiting doctors’ offices. Oncologist. Endocrinologist. Heptologist. Dentist. Oral Surgeon. Podiatrist. Dermatologist. Primary Care Physician. I read an article recently that said that this is common in we “mature” individuals and doctors make no effort to help you consolidate the MANY appointments. Today, I was told that an A1C would cost me, personally, $84, because “you’ve had too many tests and your insurance won’t cover it.” [No kidding. I thought I was simply in training to become a human pin cushion.]
Elise Wilson in action. (This is how I envisioned my volleyball playing would appear. It did not.)
“I will finally find my sport.” That’s not gonna’ happen, either. While playing volleyball in a co-ed league, a demented stork-like 6′ 5″ person (male) on the other side of the net spiked it down, hard, on 5′ 2″ me. My left elbow dislocated as I turned a backwards somersault. A nice nurse in the gym ran over and said, “I think you just broke your arm.” We went to the emergency room where I was injected with intravenous valium and X-rayed to see if I HAD broken my arm. (No, but I still have bone chips in my left elbow and it aches when it rains.) I spent 6 months in a sling, invested many dollars in front-closing bras and capes, and had to go to physical therapy to address the torn ligaments and tendons. Not fun for me. The insertion of the elbow back into the socket was not fun for the 2 men attempting that task, nor for me. (The spouse waited in the hall). The little blonde diving in the clip above is my 16-year-old granddaughter, Elise. This is how I envision my volleyball playing looked. Sadly, it did not.
“I will completely nail my final words.”Probably not happening, either. I always liked the guy that wrote, on his tombstone, “I can’t be dead. I still have checks.” That retort has not aged well. There’s always W.C. Fields’ “All in all, I’d rather be in Philadelphia” for a final greeting from the grave.
BEST LINES
From the 7-minute short “Retirement Plan” from Screen Ireland.
In addition to the line “CAMPING IS HORRIBLE” and “I will not paraglide,” I laughed the hardest at the vow to “haunt the absolute shit” out of an enemy. As the author of “Ghostly Tales of Route 66” I hope this option is open to me in the after-life. I have a couple of “friends” (I use the term loosely) and relatives who, after 35 to 60 years of faithful friendship and loyalty on MY part, backstabbed me into wanting to come back as one of the ghosts of Route 66 and give them a little taste of the misery they’ve visited upon me since 2005 (YOU KNOW WHO YOU ARE!)
CONCLUSION
I honestly have not laughed so hard at a 7-minute bit in a long time. I would like to thank Fis Eireann/Screen Ireland for this truly delightful (and accurate) presentation on retirement. As someone who loved her job and didn’t really want to retire in 2003, [but did], I salute you.
Retirement sucks, basically.
It means you have to actively seek out things to do and “travel more” and “birdwatching” and “gong to plays” (“I will find out if I like plays”) isn’t cutting it. (I have learned I prefer movies to plays. Hell, I prefer shorts like this one to most plays.)
Retirement was the worst idea I have had—if it was even MY idea. I seem to remember my spouse of 57 years suggesting we would travel more, blah, blah, blah, but that went out the window when he began playing golf locally in multiple golf leagues with his old high school, elementary school, and work colleagues. The last time we traveled anywhere was before the pandemic. (I’m not counting the time shares bought in the nineties, because we go to those every year as our “home away from home.”) Me? I did not grow up in his home town and, post-work, it’s been unfun and dull. I hear that the Governor of Iowa has just declared all of Iowa a disaster area because of the bird flu, and we’re very close to Iowa. I would really like to leave any disaster area before disaster strikes (and they closed the only theater on the Illinois side of the Mississippi for over a year!)
VACATIONS?
The previous owners of Royal Resorts properties in Cancun (we owned at the Sands and the Islander) dumped it into the Holiday Inn Vacation Club All Inclusive world recently. That is a special kind of backstabbing. They built a kiddies’ pool right outside of our first floor digs. Now I get to listen to screaming kiddies knocking themselves out on the water slide at the crack of dawn. I can hardly wait. Does that sound like fun in retirement? [Just shoot me now.]
From the short “Retirement Plan”(Fis Eireann/Screen Ireland).
If I were to be asked what I would recommend people do in retirement, I would recommend that they watch this 7-minute film, because it has summed up my own reaction(s) perfectly, including the line “I will find out what a pension is.” I have. It’s not great. Between the taking of half of my Social Security moneys because I had been a teacher and we had a state pension system (I spent more time in the private sector, but Social Security still took half) and the potential insolvency of the Illinois TRS (Teachers’ Retirement System), who knows? I may be back at work before long.
Don’t give up your day job, but do try to see this wonderfully honest and creative short 7-mnute film. After all, if you’re retired, that still means that for that retirement day, instead of having 1,440 minutes to fill with useless activities, many of which you won’t enjoy, you will only have 1,433 minutes to fill.
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