BEST PICTURE
Here are my thoughts on this year’s Oscar nominees:
Full disclosure: I’ve only seen 9 of the 10 nominated films. I did not see “I’m Still Here.” But, still 90% is higher than the average viewer.
My personal favorite of the nominated films is “The Brutalist.” I was amazed at the fact that a film this polished could be made on a $10 million dollar budget. The sets, featuring the futuristic architecture of Laszlo Toth (Adrian Brody) were fantastic. The Vista-Vision resembled 35 mm film and was gorgeous on the big screen. The shots of a sun over water or a hill where the construction is happening are truly beautiful, not to mention the marble quarry in Italy.
If “The Brutalist” doesn’t win, I hope that “A Complete Unknown,” the Bob Dylan movie prevails. It was my second favorite of the other nominated films, which are: “Anora,” “Conclave,” “Dune: Part Two,” “Emilia Perez,” “Nickel Boys,” “The Substance” and “Wicked.”
BEST DIRECTOR
Put me down for Brady Corbet for “The Brutalist,” despite the fact that the BAFTA crowd likes “Conclave.” (Well, at least the story about the death of a Pope is timely, but so is the “Brutalist’s story of anti-Semitism. Again, if Corbet does not win, I’m cool with James Mangold for “A Complete Unknown.” Not really a prediction, but my own hopes.
BEST ACTOR
I’m torn here, again, between Adrian Brody and/or Timothee Chalamet. I’d be cool with either one carting off the trophy, and I think one of them will—probably Adrian Brody. But it was quite the achievement for Chalamet to both play the dramatic role and sing all the songs himself. Kudos!
BEST ACTRESS
I’m thinking Demi Moore, because the Emilia Perez lead (Karla Sofia Gascon) shot herself in the foot with her unwise Tweets. Demi has been coming on strong and she and Kieran Culkin promise to be interesting recipients of any award. For my money, the best two performances this year didn’t get nominated at all, and those would be Amy Adams in “Nightbitch” and Nicole Kidman in “Babygirl.”
BEST SUPPORTING ACTOR
Kieran Culkin in “A Real Pain” is supposed to have this sewed up. (I actually saw that one.) I would not mind seeing it go to either Edward Norton for “A Complete Unknown” or Guy Pearce in “The Brutalist.” This one could go a different way, since the others in the category are so worthy, also.
BEST SUPPORTING ACTRESS
Zoe Saldana in “Emilia Perez” seems to have this one in the bag. No idea why anyone thought that Isabella Rossilini’s very small role in “Conclave” deserved a nod.
