Weekly Wilson - Blog of Author Connie C. Wilson

Welcome to WeeklyWilson.com, where author/film critic Connie (Corcoran) Wilson avoids totally losing her marbles in semi-retirement by writing about film (see the Chicago Film Festival reviews and SXSW), politics and books—-her own books and those of other people. You'll also find her diverging frequently to share humorous (or not-so-humorous) anecdotes and concerns. Try it! You'll like it!

Category: Scary stories

ssuu.com/shelfunbound/docs/shelf_unbound_april-may_2018

“Shelf Unbound” magazine has named THE COLOR OF EVIL boxed set to its list of the BEST INDIE E-BOOKS of 2017. (p. 44).

All 3 books are currently touring as a boxed set in e-book formatbut the  also are available in paperback and audio book.

 

Type in The Color of Evil by Connie Corcoran Wilson to go to the Amazon ordering site for the 753 pages that comprise “The Color of Evil” (Book 1), “Red Is for Rage” (Book 2) and “Khaki = Killer” (Book 3).

In the Notes from the Author section on page 44 of “Shelf Unbound,” Connie mentions that the inspiration for the series came from a short story that appeared, originally in Volume I of her short story series “Hellfire & Damnation” (Books 1, 2 & 3).

For trailers and reviews of each of these series go to www.TheColorOfEvil.com and www.HellfireAndDamnationTheBook.com. Enjoy!

“A Quiet Place:” If You See Just One Suspense Thriller, Make It This One

AUSTIN, TX – MARCH 09: Director/Executive Producer/Writer/Actor John Krasinski attends the ‘A Quiet Place’ Premiere 2018 SXSW Conference and Festivals at Paramount Theatre on March 9, 2018 in Austin, Texas. (Photo by Rick Kern/Getty Images for Paramount Pictures)

I’m here at SXSW Film Festival (for the 3rd year) and the Opening Night film, “A Quiet Place,” written by two Hitchcock-loving Bettendorf, Iowa, 34-year-old filmmakers, (with some contributions from Director and Star John Krasinski of “The Office” fame), is wowing the critics and the crowds.

I was fortunate enough to grab a few minutes to speak to Scott Beck and Bryan Woods about this big-budget Paramount film the day after it premiered. It is not difficult to see how these two young Iowa graduates, who have been collaborating since junior high school (and throughout college at the University of Iowa) have helped create a suspenseful thriller that is destined to become a classic. It’s the start of something big, career-wise. Their next film “Haunt,” currently in post-production, is one they both wrote and directed.

 

AUSTIN, TX – MARCH 09: Emily Blunt and Director/Executive Producer/Writer/Actor John Krasinski attend the ‘A Quiet Place’ Premiere 2018 SXSW Conference and Festivals at Paramount Theatre on March 9, 2018 in Austin, Texas. (Photo by Rick Kern/Getty Images for Paramount Pictures)

The filmmakers were articulate, congenial, diplomatic and enthused about the audience’s 100% Rotten Tomatoes response to their film about a family of four that must remain totally silent in order to keep some scary underground-dwelling creatures from killing them. They’ve  survived in a dystopian world (no further explanation) where any loud noise will bring these “things” down on the family of Krasinski, his wife Emily Blunt, their deaf teen-aged daughter Millie (played by a lovely young actress, Millicent Simmons, who is deaf in real life), a son of about 10 and a younger boy who looks just about ready for kindergarten in a normal world.

But, when the film opens, they are not in a “normal” world, but are searching for drugs in a ruined drugstore, where the youngest of the brood finds a noisy toy that he’d really like to keep. You know this bodes ill for the family, which has resorted to using sign language to communicate, has sound-proofed their dwelling and has an extensive camera and light set-up to try to protect themselves from the blind, armored creatures in an attempt to try to stay alive. There is also a tower that the father (Krasinski) lights a fire atop at night. We see two other fires in the distance, so we know there are at least a few other survivors. The set design and special effects are extraordinary, reminding of the “Alien” days, (when we finally see this threat—which isn’t for a long time). Marco Beltrami’s score is great and–most importantly—the acting from all is terrific.

(Left to Right) Scott Beck, Connie Wilson and Bryan Woods at SXSW (Austin, TX) on March 10, 2018.

The log line for the film is: “A family lives an isolated existence in utter silence, for fear of an unknown threat that follows and attacks at any sound.” That is an original premise that has not been done before. It leads to one of the most spare scripts in Hollywood history. Not only do the actors seldom speak (they sign or whisper or mouth the words), we don’t get to “see” the monster(s) until quite late in the film. And they are “Alien-” quality when we do.

There is not one “down” or boring scene, always the goal for a screenwriter, but difficult to achieve. No unnecessary exposition or wordy speeches. Just good old-fashioned Hitchcockian suspense from a screenwriting team that mentions “Vertigo” as one of their favorite movies and have been making films since they were six years old.

 

AUSTIN, TX – MARCH 09: Writers Bryan Woods and Scott Beck attend the ‘A Quiet Place’ Premiere 2018 SXSW Conference and Festivals at Paramount Theatre on March 9, 2018 in Austin, Texas. (Photo by Rick Kern/Getty Images for Paramount Pictures)

I met up with them at a Starbucks the day after the film and wrote a piece giving the local ties to the Quad Cities of Iowa, which appears above this one. To achieve that, I  had to embarrass myself and climb over about 8 other movie-goers in my row to go to the microphone during the Q&A.  Where, exactly, were these two talented young men? Fortunately, my willingness to go that extra mile led to a brief but informative meeting the very next day.

The film’s extraordinary quality is leading to this recommendation: if you like suspenseful, well-acted, well-directed films, beautifully-shot films where you care about the characters and root for them to escape, even against overwhelming odds, you’re going to love this movie.

Bryan Woods (left) and Scott Beck at SXSW in Austin (TX) on March 10, 2018.

Most of those present on Opening Night did, and the remark I heard made most often in the lobby following it was, “This was so much better than last year’s Opening Movie.”

Last year’s opening film was Terrence Malick’s “Song by Song” with Ryan Gosling, Michael Fassbender, Natalie Portman and some other “A”-list talent. Perhaps Malick should have hired Beck & Woods to script the thing, as that renowned filmmaker’s work, which was often wonderful, was not well-received because of its meandering storyline.

AUSTIN, TX – MARCH 09: (L-R) Actors Emily Blunt, Millicent Simmonds, Noah Jupe and director John Krasinski attend the Opening Night Screening and World Premiere of ‘A Quiet Place’ during the 2018 SXSW Film Festival on March 9, 2018 in Austin, Texas. (Photo by Rick Kern/Getty Images for Paramount Pictures)

The film opens wide in the U.S. on April 6th and, yes, it IS that good. Take it from someone who’s been reviewing film for 47 straight years.

Beck & Woods Conquer the World: Quad Citians Script Opening Night Film “A Quiet Place” at SXSW

https://images.sxsw.com/txr5Jy7uqnAWEdS-8Oche5yI0x8=/229x0:2787x1827/x/images.sxsw.com/45/48759c2a-f8af-4ef7-9cfc-8584c2da23a1/a-quiet-place-127650Emily Blunt in “A Quiet Place,” the Opening Night Film at the 25th SXSW Film Festival, which is now SXSW Festival and Conference(s).

How in the world did two young men from Bettendorf, Iowa, wind up scripting the Opening Night film of one of the most prestigious film festivals and conferences in the country, SXSW, with a blockbuster film (“A Quiet Place”) from Paramount Studios? I asked the pair exactly that question in an interview conducted at a local Starbucks the morning after their film triumphed at the SXSW Opening Night Premiere on Friday, March 9th, 2018.

(Left to Right) Scott Beck, Connie Wilson and Bryan Woods at SXSW (Austin, TX) on March 10, 2018.

 

The two filmmakers, thirty-four year old Scott Beck (the redhead) and his childhood friend Bryan Woods have been making movies “since we were six years old.”

They told me this in Austin, Texas, the day after their film, “A Quiet Place,” (starring and directed by John Krasinski of “The Office” and his actress wife Emily Blunt) wowed audiences at its Paramount Opening Night.  Both have been interested in film since they were very young, but it was junior high school at Bettendorf Middle School that paired the dynamic duo.

Scott Beck is the son of Ken and Linda Beck of Bettendorf, and Bryan Woods (the redhead) is the son of Dennis and Lynn Woods of Bettendorf, although Scott’s IMDB profile notes that he was born in Denver, Colorado, on October 22, 1984, while Bryan was born in Davenport on September 14, 1984.

Before meeting at Bettendorf Middle School, Bryan attended Armstrong Elementary, while Scott went to Mark Twain Elementary. Each gave credit to teachers they had at Bettendorf Middle School (“We were just kind of allowed to do it”), naming Ethel Hagemann of the Tech area of their middle school and Roger Wilming, who, said Scott, “really connected and bonded with his students.”

After high school, they attended and graduated from the University of Iowa.  Scott described taking a lot of writing courses as an undergrad. He said the criticism he received in those classes was helpful, noting, “Every now and then you can distill it.  Critical feedback is helpful.” Scott also noted that, speaking diplomatically, in the world of Hollywood “You have to learn to back your opinion up with evidence. Within the politics of the industry you have to make sure that whatever your vision is, you can work with the producers and director.” During his college career, Scott continued his interest in film He placed in the 2004 Project Greenlight Top 50 director’s competition, sponsored by Miramax and Bravo and was a finalist in the MTV Best Film on Campus competition in November of 2004. He won MTV’s Best Film on Campus competition in December of 2005 (his junior year), resulting in a development deal with MTV Films. In the intervening 13 years, Scott wrote “Nightlight” (2015).

AUSTIN, TX – MARCH 09: Writers Bryan Woods and Scott Beck attend the ‘A Quiet Place’ Premiere 2018 SXSW Conference and Festivals at Paramount Theatre on March 9, 2018 in Austin, Texas. (Photo by Rick Kern/Getty Images for Paramount Pictures)

Bryan Woods was born on September 14, 1984 in Davenport, Iowa, USA. He is a writer and producer, known for The Bride Wore Blood (2006), Yearbook (2002) and Her Summer (2004).He placed in the 2004 Project Greenlight Top 50 director’s competition sponsored by Miramax and Bravo, was a finalist in the MTV Best Film on Campus competition in November of 2004 and also won MTV’s Best Film on Campus competition in December of 2005, which resulted in the development deal for “Beck and Woods” (as Krasinski referred to  them from the stage).

What kind of movies did they admire, as they were growing up?

Favorites were Alfred Hitchcock, especially “Vertigo” for Bryan. He said, “I love how mysterious and gorgeous “Vertigo” is. It’s about obsession and that’s something Hitchcock knew a lot about.” Scott singled out Hitchcock, Steven Spielberg and more recent directors like Paul Thomas Anderson and added, “I like stories that conceptualize,” mentioning films that focus on artificial intelligence.

It was tough finding the two to interview them in person.  Although they were on the Red Carpet, [as shown in the photos with the SXSW backdrop], it wasn’t listed that they would be present, and I could not initially find the correct representative for them, even after calling the SXSW press office. The failure to honor those who  created nearly the entire concept (Krasinski also contributed and gets a writing credit) is not atypical in Hollywood. Max Allan Collins described his difficulty in getting enough tickets for him and his family to attend the Oscars when he had written “Road to Perdition,” which was up that year. As Rodney Dangerfield might put it, “Writers don’t get no respect.”

After the showing of “A Quiet Place” film, I went to the microphone and announced to the assembled audience, “I’m from Bettendorf, Iowa, (the crowd whooped loudly and shouted “Yay, Bettendorf”) and I’ve come a long way to interview Beck and Woods, but I can’t find them. Will you meet me in the lobby after this is over?” To be brutally honest, my former business (Sylvan Learning Center #3301) was located in Bettendorf, while I reside in East Moline. But Scott’s bio says he was born in Denver and Bryan’s says he was born in Davenport, so it was a  bit misleading, but it got a big shout-out to Bettendorf from the crowd. I found the two and their P.R. representative and I conducted a whirlwind interview Saturday morning, as they were scheduled elsewhere almost immediately.

Their film was extremely well done. It is an original concept, which I will write about in a separate review when the film’s release date nears. The spare film dialogue was top-notch.  It is definitely one of the films with the least dialogue ever, because of the nature of its plot.

Bryan Woods (left) and Scott Beck at SXSW in Austin (TX) on March 10, 2018.

As I left the theater I heard more than one filmgoer say, “This was so much better than last year’s film.” Last year’s film was Terrance Malick’s “Song by Song” with Ryan Gosling, Michael Fassbender, Natalie Portman and a host of “A” list celebrities. Word from the front was not good. I ended up attending Sam Elliot’s “The Hero” instead, but not until I waited 2 hours in the rain, sat on a cactus while lounging on a planter near the entrance (by accident, of course), and hired a rickshaw driver to transport me from the Paramount Theater to the Zach Theater.

The word about THIS film: there is not a single “dull” moment onscreen. I’m predicting it will take off like a rocket, helping “Beck and Woods” receive even more (deserved) recognition.

The two are currently in post production on “Haunt,” a script which they both wrote and will direct.

When I asked how their parents were handling the news that their sons may well become the next Steven Spielberg after “A Quiet Place”  (Spielberg is premiering a film here tomorrow, “Ready Player One,”  that was literally announced at the last minute),  both said, “They’ve been so supportive all along.  They’ll be at our New York City Premiere on April 2nd.”

Well-deserved congratulations to two former Quad City natives making it in the big leagues. I hope we meet again.

 

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THE COLOR OF EVIL Series on Tour Through November

New Amazon Review of THE COLOR OF EVIL Series (Boxed Set)

on November 15, 2017
Do I like scary clowns? No! Did the cover of the new box set “The Color of Evil,” by Connie Corcoran Wilson, scare me? Yes! Did I want to read this book anyway? Of course I did! And boy am I glad I did. From the fantastically creepy cover, on the box set as well as each individual book contained within, this is one shivery read. At first, I felt that the action was a bit slow to get started; however, I’m glad I stuck with it, because for a book that is supposed to be geared towards a younger audience, this definitely had some scary and troubling moments.

There are three books in this set and each one delivers the same amount of thrills and chills, however, each are also distinctly different in various ways, even though a common theme and storyline run throughout. The main idea, that Tad McGreevy can see colors around people, auras if you will, that allow him to determine what type of person they are, I found to be very unique. I was almost just as horrified as he was each time he saw someone with the dreaded gray-green color surrounding them.

Yes, there are unexpected twists and turns you won’t see coming. And yes, I definitely recommend this set to anyone who enjoys good, old-fashioned horror. And by that I mean, back in the golden age of horror, when Dean Koontz was writing as Leigh Nichols, and Stephen King was just getting started, along with the likes of Ramsey Campbell, Doug Clegg and Clive Barker. If you are nostalgic for some no-holds-barred, white-knuckle ride, keep-the-lights-on horror novels, then rejoice with this set, because you have three that you’ll want to read one right after the other. And keep an eye on this author, because I can tell she’ll have many more thrills to bring us in the future.

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