Welcome to WeeklyWilson.com, where author/film critic Connie (Corcoran) Wilson avoids totally losing her marbles in semi-retirement by writing about film (see the Chicago Film Festival reviews and SXSW), politics and books----her own books and those of other people. You'll also find her diverging frequently to share humorous (or not-so-humorous) anecdotes and concerns. Try it! You'll like it!
Columns on local goings on could mean the Quad Cities of IA/IL (Moline, IL or Davenport, IA); Chicago; or Austin, Tx, since Connie spends parts of each year in those towns where she has homes. ‘Of local interest” could mean politics, opinion pieces, or business or entertainment-related subjects.
“Motherland” – This 24 minute 21 second short dealt with a couple–an Iranian man and a girl from Iowa— who are meeting the girl’s in-laws for the first time. The Jasmin Mozaffari film is set against the backdrop of the Iranian hostage crisis, which took place in 1979 and lasted for 444 days during the Carter administration. It was inspired by Jasmin’s father who married a woman from Alberta, Canada.
WRITER/DIRECTOR
“Motherland” was named as the Best Canadian Short Film at the Toronto International Film Festival. Mozzafari was named Best Director at the Aspen Shortsfest and her debut film “Firecracker” debuted in 2018 at the Toronto International Film Festival. Her short YASAMIN, based on her mother’s story of immigration, was a Grand Jury Prize Nominee at the 2018 AFI Film Festival. In 2022, she associate produced the short documentary “Longline of Ladies” which world premiered at the 2022 Sundance Film Festival and won the grand jury prize at SXSW.
Jasmine’s father, in real life, married a woman from Alberta, Canada. The New York Times compared Mozaffari’s directing style to “a young Andrea Arnold.” For those not familiar with Andrea Arnold, she directed “American Honey” in 2017, which won a BAFTA as Outstanding British Film of the Year. In 2022, Arnold was a nominee for the Best Documentary of the Year for “Cow,” a chilling look at the life (and death) of a cow on a dairy farm in England, with no dialogue and an absolutely chilling end for the cow of the title. Andrea Arnold was named “Most Promising Newcomer” in 2007 for her film “Red Road” and shared a 2010 Bafta for “Fish Tank” for Best British Film. Arnold directed “American Honey” in 2017 with Shia LaBoeuf and Riley Keough. It was a big winner at Cannes and in London at BAFTA, but the film was overlong and meandered.
If Jasmine Mozaffari is being compared to Andrea Arnold, she is in very good company.
PLOT
Babak, an Iranian medical student in school in Iowa, portrayed by Behtash Fazlali, is in love with Katie and they are on their way (in a car, like 3 out of 5 of these shorts) to meet Katie’s parents for Thanksgiving, 1979. As the film opens Babak—who resembles Al Pacino in “Serpico” with the full beard as the film opens—is being harassed by the locals in a confrontation with Americans who are incensed at the invasion of the embassy in Tehran. One of the Americans holds a poster that says: “Nuke ‘em until they glow. It worked in Japan. It’ll work in Iran.”
The couple meets up with, initially, just Katie’s mother at a dance hall type building that would be more at home in Texas or Oklahoma than in Iowa. I grew up in Iowa. Neither the landscape around the dance hall nor the dance hall itself seemed authentically “Iowan.” The surrounding landscape looked much more like Texas, from where I am while writing this.
CAST
“Motherland,” a short from Jasmin Mozaffari.
Katie’s mother, Ruth, played by Birgitte Solem, is polite but cool to the young man escorting her daughter. Katie’s (Oriana Leman) father doesn’t show up at all, at first. Later, her father, Werner Summer—extremely well-played by John Ralston—makes it clear to Bobak that “My daughter will not be your effing green card.” Bobak—who has even begun calling himself “Bob”—has, by this point, shaved his beard and is trying very hard to make a good impression. However, much like immigrants from other countries who are demonized, tensions were running high and much of the animosity was not based on reality, but on hearsay or propaganda. Originally, the Iranian students protesting the Shah who took over the Embassy had no intention of occupying it for long periods of time. It is interesting that many of those in positions of power that day went on to become highly-placed governmental figures.
I don’t doubt that there was hostility towards Iranians in the United States during this tense time in history. I lived through it as a teacher; it probably happened more in the cities, whereas I was in a relatively rural area in Illinois. I was teaching 7th and 8th grade students and had known one of the Iranian hostages from Jesup, Iowa. My students and I were very aware of the crisis and very concerned for the safety of the hostages.
CONCLUSION
Fourteen months later, on January 20, 1981, the Iranian hostages were released. This was announced by Reagan, although it was negotiated by Jimmy Carter. The protesters were angered that the United States allowed the Shah to enter the U.S. for medical treatment for cancer and that they would not return him for trial. $7.9billion in Iranian assets that had been seized was released to facilitate the release of the 52 hostages, not counting those who escaped posing as a film crew, as depicted in the film “Argo.” Nov. 4, 1979 was the beginning of the Iranian hostage situation; the end was January 20, 1981.
In “Motherland” I could not tell if the romance between Babak and Katie was going to go forward or if her parents’ hostility had killed it. They are (once again) in a car and the Thanksgiving, 1979 meeting with Katie’s parents did not go well. I can only assume that, since Jasmine’s father, IRL, did marry a Canadian woman, they work further on their relationship and rise above her parents’ opposition to it.
“His Mother,” a 13 minute and 39 second short film that is Oscar eligible, stars Jennifer Lawrence look-alike Bethany Anne Lind as the mother of a young man who is threatening violence at his college, Southern Tech. Young Harrison Miller, age 19, 5’ 10”, has left a variety of clues that he is about to explode, saying things like “The end has come” and “None of you ever gave me a chance.”
Maia Scalia wrote and directed this high tension race to save lives, She is a graduate of New York University’s Tisch School of Art and has worked on 2022’s “Call Jane” with Director Phyllis Nagy and star Elizabeth Banks and Sigourney Weaver in 2022, a film about the fight for abortion rights in pre-Roe days, which would be just as timely right about now. Ms. Scalia’s choice of Bethany Anne Lind to play “His Mother” is fortunate, because she does a believable job as a half-hysterical mother on her way to try to save her son from committing murder
Bethany Anne Lind played Grace Young in “Ozark” and Sandra in “Stranger Things.” It is a tribute to Bethany Anne’s emoting while behind the wheel of her car and racing to the scene of the potential crime that this short works at all. It was the third (of five) that had significant—or all, as in this case—portions shot inside a vehicle. Having written a few screenplays, I understand how tempting it is to use a car or a truck for the setting, as it certainly helps keep expenses down and frees up the set decorator and art decorator and lots of other sorts (not muchneed for unique costumes, either) and, consequently, helps keep the cost(s) of a production down.
We never actually see her son, Harrison, or his preoccupied father, Jason Miller, whom Bethany Anne talks to on the phone. The voice of father Jason is D.W. Moffett, a Chicago native who has played roles in “Traffic,” “Falling Down,” and “Friday Night Lights.” The voice of Harrison, her son, is Ben Irving, who played Bobby Freeze in Ben Affleck’s 2020 film “The Way Back.” Officer Davis (Evan Hall of “Orange isthe New Black”) and the emergency dispatcher (Aleah Guinones; Keisha in 2023’s “Shrinking”) are the only other voices in the piece, and we never see them.
“His Mother” Oscar eligible short.
Sound effects (bullets and sirens, for example) become important in this short piece. The music by Eli Keszler is crucial and the cinematography by Matt Clegg is mostly close-ups of Bethany Anne Lind’s face. I found myself wondering how his mother telling the authorities to look for her son in a blue Accura was viewed by Ms. Miller when the authorities caught up to her son, who had posted videos that led to him being sought as an “active shooter at large.” Phrases like “This is his only choice” are countered by his frazzled mother’s plea “Please help me understand.”
This one was tense and dramatic and takes place completely inside a car. I saw five in one sitting; this was my favorite.
HOLLYWOOD, CALIFORNIA – JUNE 17: Austin Butler at the Los Angeles Premiere of Focus Features’ “The Bikeriders” at TCL Chinese Theatre on June 17, 2024 in Hollywood, California. (Photo by Eric Charbonneau/Getty Images for Focus Features)
Key Considerations When Shipping Motorcycles Across the U.S.
Shipping a motorcycle across the United States can be a convenient and efficient way to transport your bike, whether you’re relocating, selling a motorcycle to a buyer in another state, or heading to a rally. However, it’s not as simple as loading your bike onto a truck. Proper planning, preparation, and choosing the right shipping method are essential to ensuring your motorcycle arrives safely and without any issues. Here are key considerations to keep in mind when shipping a motorcycle across the U.S.
Choose a Reputable Shipping Company
Selecting the right shipping company is one of the most important decisions you’ll make when shipping a motorcycle. Not all transport companies specialize in motorcycles, and you’ll want one with experience handling bikes. Consider moving your motorcycles with Shiply, a platform that connects you with transport providers. Research companies by reading customer reviews, checking their safety records, and verifying that they have the necessary licenses and insurance. Ensure that the company provides specific motorcycle shipping services and understands how to handle and secure bikes during transit.
Open vs. Enclosed Shipping
When shipping a motorcycle, you typically have two options: open or enclosed transport. Open transport involves shipping your motorcycle on an open trailer, which is more affordable but exposes the bike to weather conditions, road debris, and potential damage. This option might be suitable for shorter distances or if you’re shipping a bike that’s not particularly valuable or vulnerable.
Enclosed transport, on the other hand, involves placing your motorcycle inside a fully enclosed trailer, protecting it from the elements and external hazards. While enclosed shipping tends to be more expensive, it’s the better option for high-value motorcycles, classic bikes, or long-distance trips across the U.S. For those who want peace of mind, especially during cross-country transport, enclosed shipping is often worth the extra cost.
HOLLYWOOD, CALIFORNIA – JUNE 17: Jodie Comer (L) and Austin Butler at the Los Angeles Premiere of Focus Features’ “The Bikeriders” at TCL Chinese Theatre on June 17, 2024 in Hollywood, California. (Photo by Eric Charbonneau/Getty Images for Focus Features)
Understand the Costs
Shipping costs are influenced by distance sending, the size and weight of your motorcycle, and the choice between open or enclosed transport. Other elements, like the time of year, can also affect the price. For instance, shipping during winter or holidays may be more expensive due to higher demand or more difficult weather conditions.
Make sure to get a detailed quote that outlines all fees. Some companies may offer lower initial quotes but add hidden charges later. Understanding the total cost upfront will help you avoid unexpected expenses. Consider additional insurance costs as well, especially if your motorcycle is particularly valuable.
Insurance Coverage
While most motorcycle shipping companies offer basic insurance as part of their service, it may not be enough to cover the full value of your bike, particularly if it’s a custom or high-end model. Before shipping, review the shipping company’s insurance policy to understand what’s covered in case of damage, loss, or theft during transport.
If the coverage is insufficient, you may want to purchase additional insurance for peace of mind. Also, document the condition of your motorcycle before shipping by taking detailed photos from multiple angles. This evidence can help you file a claim in the event of damage.
Prepare Your Motorcycle for Shipping
Properly preparing your motorcycle before it’s picked up for transport is crucial to ensure it arrives in the best possible condition. Start by cleaning your bike thoroughly so that it’s easier to spot any pre-existing damage. Take detailed photos, as mentioned earlier, to document its condition.
Next, remove any loose items or accessories, such as saddlebags or custom mirrors, that could get damaged during transport. You should also check for fluid leaks and ensure that the gas tank is no more than a quarter full. Lowering the fuel level helps reduce the weight of the motorcycle and mitigates the risk of leaks. Finally, check tire pressure and ensure the battery is fully charged.
Conclusion
Shipping a motorcycle across the U.S. can be a seamless process if you take the time to plan carefully and choose the right service. By considering factors such as the type of transport, cost, insurance, and preparation, you can ensure your motorcycle arrives safely at its destination. Ultimately, working with a reputable shipping company such as Shiply and preparing your bike correctly will give you peace of mind throughout the journey.
“Blitz,” from British director Steve McQueen, depicts Londoners during the Blitz of World War II in 1940. The harrowing drama focuses on a young bi-racial boy (Elliott Heffernan) sent to the countryside by his mother (Saoirse Ronan) for safekeeping. Approximately 500,000 young children were sent to the countryside from London to protect them from the blitz. Young George Hanway, age 9, jumps off the train taking him to safety, and tries to return to his home in Stepney, Clifford Lane, and his piano-playing grandfather (Paul Weller) and his Mom. The blitz (short for “blitzkrieg”) took place from September of 1940 through May of 1941. Forty-three thousand civilians, primarily in London, were killed; that number represented half of Britain’s wartime civilian casualties.
GENESIS
I began wondering what caused Writer/Director Steve McQueen to go back in time, historically, and create such an accurate depiction of what it must have been like to live through the war-time bombing of London. Perhaps the germ of an idea came out of McQueen’s expressed wish to do with the city of London something similar to what Martin Scorsese has done with New York City? McQueen has a highly developed artistic background; it serves him well in “Blitz.” When asked about the inspiration for the film, he mentioned a picture he had seen of a small boy of the time being sent off to the countryside on July 5, 1940. It was this picture that guided much of the search for a young boy to play the lead role, as McQueen envisioned the blitz being seen through a child’s eyes.
July 5, 1940 British child being sent to the countryside for safety during the Blitz.
CAST
Elliott Heffernan was cast as that small child, the daughter of Rita Hanway (Saiorse Ronan), a white worker in the factory making bombs for Britain, and the son of an absent father from Grenada, who is deported, leaving nothing behind for his wife and child but a St. Christopher Medal given him by his own mother. McQueen has said, in other interviews, “To some extent he (Elliott Heffernan) carries this movie.” Elliott was 9 when filming began. “He was 8 when he auditioned,” says McQueen. “So he was a little boy, and he auditioned because he’d never done acting before. As soon as I saw him, I thought, ‘Oh, he is the truth!’ He wasn’t going to pretend to be a child. He was a child.” (“Deadline” interview).
Also carrying the movie and singing in it, as well, is Saiorse Ronan (“The Lovely Bones,” “Brooklyn,”“Atonement”). McQueen’s lead actress has two strong films out this year with “The Outrun” receiving Oscar buzz. Says McQueen of Saoirse Ronan, “She’s like Bette Davis. She’s that good.” He called her “interesting” and “fascinating. “She makes the ordinary extraordinary, the arbitrary fascinating.” The eyelash scene, where Rita asks George to “make a wish” on an eyelash plucked from his cheek was actually something that occurred naturally between Saiorse and Elliott while they were bonding between scenes. McQueen chose to take the normal gesture and use it prominently in the film.
MUSIC
For composer Hans Zimmer, this is a deeply personal movie. His mother was evacuated from Germany and spent the war years in London. He remembered her stories about living in Mayfair, with bombs dropping all around. Zimmer reflected on his childhood when composing the score. He constructed it from a child’s perspective of terror and chaos, opening with an orchestra of children’s recorders. Zimmer’s score for this film is mentioned as a probable Oscar nominee. There are also many period songs utilized in the film and much (too much?) singing.
Back in 2016, when McQueen received the Artistic Vision Award here in Chicago, he said, “Sound is so important in film. People need to lean in to listen. It gives them something to do”.
CAST BASED ON REAL PEOPLE
Leigh Gill (“Joker,” “Game of Thrones”) portrayed “Mickey the Midget,” a Jewish East ender, Mickey Davies, a local optician and community organizer who stepped up to help make the time spent underground in the subway more humane. (Buckets for rest rooms, foropeners.) There was a movement to memorialize Mickey IRL, but it died when Boris Johnson was Mayor of London.
Benjamin Clementine (“Dune: Part One”) portrays Ife, who was based on the real-life E.I. EKpenyon, who was a law student from Nigeria who became an air warden in Marleybone. Ife (translated as “love” in Nigeria) teaches George to sing “Alleluia” as George accompanies him on his route, telling the locals to honor the blackout during the blitz. [Like all the horror movies where you know it’s a bad sign when someone is going to go to the attic or the basement, the well-meaning promises that Ife makes to George about returning him to his home the next day seem based on shifting sand.]
Paul Weller (“Grosse Pointe Blank”), a true musician, plays Gerald, or Grand-dad, as he is called. McQueen said seeing a picture of Paul McCartney with his father and a piano in Paul McCartney’s original house triggered the selection and one of the more haunting images (spoiler alert) is of Grand-dad’s dead body after he becomes one of the victims of the blitz. The camera lingers on his face in the rubble.
There were two Black clubs in London at the time. One was the Shim-Sham and, on the Piccadilly side, there was the Café de Paris, which the locals frequented because it was below ground and, therefore, considered safer. Onscreen, the local bandleader, Ken “Snakehips” Johnson is well-played by a young Black man in a white tux and tails who introduces a stunning Black singer in a white dress who sings “Oh, Johnny.” (Both were impressive.) Sadly, two bombs entered the ventilation shaft to the underground club and a scene is set in the remains of the club that involves young George, which seemed to be reaching a bit in depicting the adventures of the 9-year-old.
PICARESQUE HERO
Young George, with his mother and grand-dad, as he is leaving for the countryside.
Filmed at 13 locations around England and London, McQueen has said of “Blitz,” “It’s a very dark fairy tale. It’s the Brothers Grimm. And that’s the journey George goes on.” In the English-speaking world, the term “picaresque” is used loosely to refer to novels that contain some elements of this genre; e.g. an episodic recounting of adventures on the road. An English Literature major, I recognized enough picaresque elements of “Blitz” to recognize that the term applies to the adventures that young George has while trying to return home. While some of the adventures held your interest—especially the accurate re-creations of such things as the flooding of the tube (which actuallyoccurred and killed 34 people)—having them ALL happen to George on his journey seemed a bit much. (Mid-film I wrote, “Film needs a bit more to sustain it when it’s simply George being taken advantage of.”)
CONCLUSION
Saiorse Ronan and co-star Elliott Heffernan in Blitz.
In some ways, the comparisons to “Belfast,” which opened the 58th Chicago International Film Festival, are valid. Both turn the clock back on time, although “Blitz” does so in a much more arresting style, visually. The opening scene alone, where an old-style leaky canvas firehose is proving almost impossible to control while fighting the fires in the streets of London, is riveting. Others along the way, especially the scenes of how life went down in the tube (subway) are equally mesmerizing.
The attempts to recognize real heroes like Mickey Davies and to preach a bit in one subway scene (“We are allequal members of this country, willing or not…Treat each other with compassion and respect.”), while laudable, come off a bit obvious to everything going down around us in the world today. We can applaud the message and hope that it is internalized by everyone, but, in this country, at least, we are about to go to the polls to vote for a new President, and one of the candidates has made a mockery of that message. One critic used an expression “muffled by good intentions,” which applies, but even more than that, there was something so old-fashioned about the film that it surprised me it was a Steve McQueen film.
The movie opens in theaters on November 1st and will be streaming on Apple by November 22nd. There is also an Apple special that is a “behind-the-scenes” look at the making of “Blitz” that should be truly entertaining, just as researching some of the real-life background for the film proved to be.
It’s a powerful film. It will resonate with anyone who hopes we learn from the mistakes of our past and forge better paths to peace.
Amanda and I were mightily amused by the Moose. (It doesn’t take much to entertain us).
Harking back to my post-debate piece on the Harris/Trump September 10th debate, faithful readers—all 3 of you—will remember that I asked the question “IS LUCY SAFE?” regarding a pet cat that we were forced to re-home because of our wintering in Texas. Lucy—like the pet cats and dogs that Donald J. Trump claimed during the September 10th debate are being kidnapped and eaten in Springfield, Ohio—was an indoor/outdoor cat, as she had come to us from the ravine behind our house. Could she have become a statistic in Trump’s always unreliable statistics?
The newspapers on the day after the debate, were filled with memes and comments on that unlikely topic of the debate, i.e., the kidnapping of cats and dogs in Springfield, Ohio and their alleged use as an entrée by Haitian immigrants. In Springfield (a town that Bart Simpson callshome) it has apparently gotten so bad that the city fathers have asked for understanding. They have acknowledged that their city’s sudden fame and prominence has become a real problem, complete with bomb threats.
Taylor Swift and cats
The dog/cat debate came on the heels of the RFK, Jr. revelation ( made to Roseanne Barr while on television) that he once picked up a dead bear that was road kill and took the animal with him to clean it and eat it. While this may be normal behavior for the Kennedy clan, most of us would not stop and scavenge a dead animal, taking it along to clean and eat later.
In the version I read, RFK, Jr.. then remembered that he had reservations at Peter Luger’s Steakhouse—an establishment I have actually eaten at once—and, therefore, decided to forgo cutting his own steaks from the dead bear. Instead, the young RFK, Jr., dumped the dead bear in Central Park, along with a bicycle. This may have been imeant to make others think the bear bicycled there and expired. (I’m not sure I understand the part where one stops and picks up road kill, saving it “for later,” but I definitely found the bear/bicycle story to be even more unbelievable than the Springfield cats & dogs story.) Also, I wondered if the Moosehead was much smaller than the whale head that RFK, Jr., is said to have cut off with an electric saw after the animal washed up on a beach.
Does this moosehead rival the whale head that RFK, Jr., also is said to have removed with a chain saw?
So, with the two paragraphs above as preamble, imagine my surprise when, upon leaving a restaurant known as the Treehouse, there was a $1,795 dollar moose head sitting outside the door in a flimsy wooden cage. Wow. This was random even on a Friday the 13th! And WHY was the moose head—worth nearly $2 grand—sitting there with no security and no obvious owner? Was Brian Rashid planning on mounting it somewhere within the restaurant? Did it have anything to do with the Bull Moose Party? (That’s the last time a very questionable assassination attempt went awry when the bullet struck a copy of Teddy Roosevelt’s speech, as I understand it.)
THE TREEHOUSE
Brian Rashid, owner of “The Treehouse”
The Treehouse (Bettendorf, Iowa) is owned (or co-owned) by Brian Rashid, who is a big Donald J. Trump admirer. On September 20, 2023, DJT stopped by the Treehouse restaurant in Bettendorf, Iowa, after campaign stops in Maquoketa and Dubuque. Articles online suggest Rashid has had 12 or 13 DUI arrests and may have been illegally triggering alarms to see if law enforcement responded promptly enough to suit him. It is somewhat remarkable that the GOP party in Scott County was not aware of all this about the owner of the Treehouse, since it isn’t what most campaigns would want associated with their candidate…unless the candidate is Donald J. Trump. Trump handed out pizza to random patrons; he signed autographs for some of the lovelies assembled in the restaurant.
Trump at work charming Iowans and signing…uh…autographs?
THE MOOSEHEAD
The moose is loose.
As we were exiting the restaurant on September 13th (FRIDAY, the 13th), there was a large moose head immediately outside the door, with a price tag commensurate with the going rate on large moose heads: $1,795. (The moose is loose!). I couldn’t help but wonder if RJK, Jr., had a hand in this random moosehead situation right outside the door of one of the area’s most vocal Trump supporters.
DINING AT THE TREEHOUSE ON FRIDAY THE 13th
I cannot fault the food, (although the Scott County Health examiners have done so after inspections), but on Friday the 13th the women’s bathroom was tied up the entire night. No idea what, exactly, was going on in there, but there is only one rest room for the men (a one-holer) and one rest room for the women (also aone-holer). I stopped and tried to enter the women’s rest room on our way into the restaurant, as I had consumed two Diet Dr. Peppers prior to our trek across I-74 to dine. A full 40 minutes later it was still impossible to gain entrance. Then our friends (a couple with two children, one a third-grade girl) arrived.
Isla wanted to wash her hands. I accompanied her to the rest room that had been “busy” when we entered.
It was still busy. At least 40 minutes had passed since my first futile attempt to use the rest room.
If you want a Moose head, be prepared to shell out Big Bucks. (But money well spent—right?)
I encouraged my small companion to give the door handle a good try. She certainly did.
Later, she announced her intention of standing by the door until the occupant emerged. (That was way more than I was willing to do.)
Soon, Isla returned to our table and shared the news that the toilet in the women’s rest room was “all backed up” and that she heard a woman “throwing up” behind the door. (She gave a very good imitation of the noise she heard. Bravo, Isla!). She advised that any of us wanting to use the bathroom should try the men’s rest room. (Nothing like a smart third-grader to cut to the root of the problem and figure out what is going on behind a locked door.)
The food and service was satisfactory, but the rest room situation was not great. I told our server that the women’s rest room had been continuously occupied for at least an hour and he acknowledged that it was “probably a staff member.” (Ewwww)
So ends my tale of the Treehouse Restaurant in Bettendorf, Iowa, (which offers the Plantation Salad, well-known in the area if you are 50 or older).And a story of cats, whales, moose, RFK, Jr., DJT and Friday the 13th, 2024.
Alec McGillis in “The New Yorker” reported on the closing of eleven of Rochester, New York’s forty-five schools this way:
SCHOOLS IN CRISIS
“Four years ago, as the school year started with remote learning in many districts around the country, particularly in Democratic-leaning cities, I reported a piece for ProPublica and “The New Yorker” looking at what Zoom school was really like for disadvantaged students. The piece focused on Shemar, a seventh grader in Baltimore who had grown deeply isolated since schools had closed the previous March, and who only occasionally logged on to his online classes. “That homeschooling is not going to get it,” his grandmother said.
Shemar would not return to in-person schooling until the following year, the end of an almost-eighteen-month hiatus. His struggles to engage since then have been unsurprising, and have been shared by countless other students. I have written several more pieces for The New Yorker and ProPublica on the lingering consequences of the closures, including learning loss and chronic absenteeism.
DEC:LINING SCHOOL ENROLLMENT
Earlier this year, McGillis decided to report on another aftershock: declining enrollment that is forcing districts to close underpopulated schools on an unprecedented scale. Nationwide, public-school rolls have diminished by more than a million students, as many families have opted to leave for private schools or homeschooling. The declines are particularly stark in places where schools stayed closed the longest during the pandemic. (There is also the declining birth rate, which is plaguing many civilized countries. It is only because of the United States’ robust immigration numbers that our population numbers are not declining like those of nearly every other civilized nation in the world.
McGillis focused his reporting on one such city: Rochester, New York, where the district just decided to close eleven of its forty-five schools, a wrenching process that has caused disarray for families and left many neighborhoods without the hubs that sustained them for generations. “It’s like you’re watching institutions decline in real time,” one county legislator told me. “
Anchors of the community are disappearing.” This statement is very true. Placing unqualified people in positions of power, as happened in the first Trump administration, with Betsy DeVos as Secretary of Education and others with no expertise in their field(s) put in charge of those fields is another reason why institutions show decline. Placing the vaccine-denier Robert Kennedy, Jr., in a position in the Department of Health would be another such miscarriage of justice, but has been rumored to be the deal that RFK, Jr., sought in order to endorse Donald Trump.
The piece raises the crucial question: Can American public education survive its downsizing intact, or is there a tipping point beyond which the system starts to unravel?”
DECLINING CHURCH ATTENDANCE
church
At the same time that public schools, nationwide, are under attack, the Catholic Church has been consolidating parishes and cutting way, way back.
In St. Louis, Missouri, where my cousin has been active as an organist in a large parish for many decades, she described losing her position when her church was closed. She went on to talk about how difficult it has become for some of the older members of her original parish to make it to the church that remains open but is not nearby,. There was no gold watch or gesture of appreciation for her large and well-regarded choir that had as many as 40 members who participated. People came from other churches just to hear the excellent choir. The priest who made the call to tell the 85-year-old organist that the Diocese had decided it was going to be better to dump the choir and the organ music and have a guitar mass with him playing solo.
Kind of rips at the community fabric that church is supposed to represent, don’t you think?
In East Moline, Illinois, St. Anne’s School closed after many years, following on the heels of St. Mary’s Catholic School just across town that closed 40 years ago. St. Anne’s was my husband’s childhood school. He went to school there from 1950 through 1958. Now, it is yet another empty building in an area full of empty buildings.
So, why are so many schools and churches closing?
On any given weekend only 3 in 10 U.S. adults attend religious services. This is down from 42% twenty years ago. Church attendance has declined across all U.S. religious groups and will almost certainly decline further in the future, given the fact that younger Americans have a weaker attachment to religion. The percentage of adults who say they never attend church has more than doubled over the past 22 years, going from 13% in 2000 to about 33% in 2023. The percent of those who attended weekly has declined from 32% to 20% in 2022.
Between 2000 and 2015, the Presbyterian Church USA, the Episcopal Church, and the United Church of Christ lost 40% of their members. An elderly friend of mine who lived in Chicago at the time became an Episcopalian minister and returned to our mutual home town to take over the church that sits just one house from my childhood home. When she returned to take over these duties, the flock had dwindled to only 7 members and the church was in danger of being closed, but the strenuous efforts of my friend saved it from the chopping block. She remains its pastor at age 85 and has had some success in recruiting new members by instituting a weekly humanitarian effort they dub “Hot Dog Friday,” where free hot dogs are distributed to all takers. She once jumped out of an airplane on her 80th birthday to raise funds to put a new roof on the very old church and St. James Episcopalian Church is much the better for her Herculean efforts to preserve it, even to the point that she was approached to run for Mayor of the town.
MILLENNIALS
“Many Millennials never had strong ties to religion in the first place. They were not brought up in the church in the same numbers as generations prior. This has left them without much connection to the church as they entered adulthood. Millennials are also reportedly turned off by the high-profile church leadership scandals and the increasing political polarization in many American congregations, causing many to lose trust in churches and religious institutions altogether.” When the Supreme Court appears to have been stacked by a former president and the peaceful transfer of power is in danger of disappearing, distrust of many American institutions is rampant.
Hopeful Signs of Millennial Church Attendance
However, there are some hopeful signs. Thirty-nine percent of Millennials report attending church weekly, up from 21% in 2019. (Barna), Millennials make up the largest surge in returns to church as the pandemic has ended. We are entering crucial life stages that make us open to church as a way to connect and find guidance.
When Catholics are asked about their failure to faithfully attend church services, they have mentioned the Catholic Church’s many scandals. Some of the Catholic Church and school closings nave been tied to the pay-outs the church is making to victims of abuse. Closing a church or a school may be linked as much to money as to declining attendance.
CONCLUSION
Donald Trump on January 6th
In a country where the schools, the post office, the Supreme Court and churches are under attack, the GOP candidate for the presidency is the least religious candidate in decades. Trump has no moral center. It is largely because of DJT that the United States Post Office under DeJoy (who owns stock in the private mail delivery services) is on life support. He would cause irreparable harm to our country by appointing even more unqualified people to his administration.
We need to elect the alternative to Donald J. Trump, because DJT is an agent of chaos and we can expect these pillars of our communities to decline further if he is ever anywhere near power again.
Also present were many cars used in the Bond films, most of them Aston Martins (although there was one white car that was different.) There were motorcycles, waterskiing machines, and an assortment of smaller gadgets. I’ve taken quite a few pictures, which will not contain information on who, what, when, where or why because you will probably know these films as well as I do.
After we toured the 2 rooms that contain the James Bond memorabilia, we went through the room that has information about DNA and genetics and heredity. There were also small chicks hatching from eggs in that room.
The pictures tell the story:
I have to admit this made me think of DJT’s gold sneakers and gold toilet.
“Twisters,” the sequel to the 1996 film “Twister” opened today, yet another featuring Austin, Texas native Glen Powell in a film that opened at around $32 million after spending $200 million (budgeted at $150 million) on the follow-up to that iconic film. It was an enjoyable example of escapist entertainment for summer, 2024, opening not long after the second sequel to “A Quiet Place: Day One”, which also falls into that category. This will become a big summer crowd favorite.
The second “Twister” inspired me to revisit the original Bill Paxton/Helen Hunt vehicle to compare them. Both films give credit to Michael Crichton, who created the characters, although the “story” this time is said to be from Joseph Kosinski who scripted “Top Gun: Maverick” working with Mark L. Smith. Steven Spielberg executive-produced the new “Twisters” and “Minari” director Lee Isaac Chang directed.
For those who have been living under a rock since 1996 when the original “Twister” premiered in May, it starred Bill Paxton and Helen Hunt, ably assisted by Philip Seymour Hoffman, Cary Elwes (“Princess Bride”), Alan Ruck (“Ferris Bueller’s Day Off” and “Succession”), Jami Gertz and Lois Smith.
So, how are the two movies about chasing tornadoes and trying to “tame” them alike—or different?
THE OPENING SCENES
The original film opens with the devastating death of Helen Hunt’s father, who is sucked from their cellar by an EF5 tornado while trying to hold the door to the cellar shut against the storm. She is just a small child. We had a storm cellar door just like the one in the original “Twister.” I could relate—especially since I, too, lived through a tornado in my small Iowa hometown (Independence, Iowa) when only 2 years old. If you’re a regular blog follower, you will notice that my last post was about an EF1 tornado that we just lived through on Monday, July 16th, which left us without power for 4 days. In the tornado that I lived through at age 2, the roof of nearby St. John’s Church was ripped off and deposited in our back yard, where my dad built a playhouse for me from the lumber (which we called “the Hooky,” for reasons Icannot explain.) The EF5 tornado in the original “Twister”was filmed near Ames, Iowa. Because her father dies in the first film’s tornado, Helen Hunt’s character of Dr. Jo Harding spends her life trying to find a way to neutralize tornadoes. The film shares that the designations EF1 through EF5 are categorized not on wind speeds, but on the extent of the devastation that occurs as a result.
The new sequel “Twisters” also opens with the harrowing death of those close to Daisy Edgar-Jones (“Where the Crawdads Sing,” “Normal People”), including her boyfriend and other members of the storm chaser team. Kate is testing her latest theory for taming tornadoes in an attempt to win grant money. It’s a project which she seems to have been working on since a science fair in Middle School.
DAISY EDGAR-JONES
I did not know much about Ms. Edgar-Jones. I have learned that she is actually British, which is at least a testament to her ability to adopt a believable American accent. However, she didn’t have the grit of Helen Hunt; this part calls for grit. It is also difficult to believe that the very slight girl wouldn’t have been one of the first storm chasers to have been sucked up by the tornado while running for cover, but nevermind about that. She’s okay, but it’s Glen Powell I came to see.
GLEN POWELL
Starring opposite Daisy Edgar-Jones (Kate Cooper) as rowdy storm chaser Tyler Owens is the ubiquitous Glen Powell, who was also recently the lead in Richard Linklater’s “Hit Man,” which the New York Times named the Best Movie of the Year (so far) back when I attended its premiere in Austin, Texas in May. Powell is this generation’s answer to Tom Cruise, but taller. His scruffy group of storm chasers are described as “Hillbillies with a YouTube channel” and he dubs himself a “tornado wrangler.” He sells shirts with his picture on them that say, “This is not my first tornado.” (Mine, either.)
Powell is a handsome young man who played one of the volleyball crew on the beach in Tom Cruise’s “Top Gun: Maverick.” He has a mega-watt smile and a muscled torso that Tom Cruise would have killed for back when he was a mere 36 years old, (Powell’s age now). Cruise might also have liked some of Powell’s six foot height, since he’s only five feet seven inches. I am a Glen Powell fan. (I know: join the club).
I was present for his induction into the Texas Hall of Fame, where he thanked his first grade teacher, his fifth grade teacher and his high school counselor and gathered many family members (who tend to turn up in his movies). They all assembled for a group photo onstage at the end of the ceremony at Austin’s Paramount Theater. This young man is going to be a big star—if he isn’t one already. He’s been working towards films like this since the age of 13 or 14 and was first cast by Robert Rodriguez, who introduced him on the night of the induction. Even before that, young Glen was learning to write scripts in high school from Austin experts and, in fact, co-wrote the script for “Hit Man.” Although he acknowledged that one of his tornado stories made it into the script, this script by others is generally “meh.” I will say that the prophetic words “I’ve got you” during a race to safety were uttered just as everyone dies, which seemed apropos.
DISAPPOINTING
Glen Powell onstage at the Paramount Theater in Austin, Texas, at the screening of his new film “Hit Man” on May 15th, 2024.
One of the obvious storylines in each “Twister” iteration is the romance between the leads. In fact, in the original “Twister,” Bill Paxton and Helen Hunt are actually a married couple on the verge of divorce. Paxton’s stint in therapy has led him to a romance with Jamie Gertz, who is portrayed as a scaredy-cat. Gertz is not a good fit for the adventurous Bill Harding of “Twister” and Bill must, somehow, find his way back to Helen Hunt. (Spoiler alert: Paxton and Hunt reconcile and share a kiss at film’s end. Unfortunately for the audience, in the new “Twisters” there is not even a hug or a kiss at any point in the new film. Was this bad decision made because the studio envisioned audiences filled with small children? It makes no sense. You take two handsome people like Glen Powell and Daisy Ridley-Jones and build a romantic scenario, yet they never get to lock lips. Big disappointment. I would recommend “Hit Man” if you’d like to see a Glen Powell movie with a much better romance.)
Also disappointing, the MIA flying cow. Doesn’t everyone love the flying cow of the original film? Not present or accounted for in this one.
Also disappointing was the failure to make a statement about global warming and climate change, which is causing us to have more storms of every kind. If a film with the title “Twisters” is not an opportunity to decry our lack of progress on curbing the horrible weather that global weather is causing, what film would be better?
There were 10 tornadoes sighted here in the Iowa/Illinois Quad Cities this past Monday. One of them left us without power for four days, and that was just an EF1. Everyone preparing to vote for a president should make themselves aware that one side wants to “Drill, baby, drill,” which means more pollution from gas-burning vehicles and more damage to the atmosphere, and the other side has vowed to try to do something about global warming—although it appears every day that we’ve gone too far to turn back and restore normal temperatures and return to the days of relatively storm-free devastation. The best we might be able to do is stop where we are now, which was 105 heat index last Monday in East Moline, Illinois, which is normally about 80 degrees this time of year.
We’re seeing more storms and they are more severe, and that extends to tornadoes, hurricanes, cyclones, floods and all other devastating acts of nature. Wouldn’t it have been a good idea to at least give a nod to this problem that is destroying our planet? Apparently Hollywood didn’t think so, probably because we have a party that has no intention of trying to change the trajectory of climate damage. Right now, that party is not in the lead. Wouldn’t do to tick off the Republicans, the PTB may have reasoned. After all, the MAGA hordes go to the movies, too, and—while you’re at it—take out any of that smoochy stuff so it’s good clean fun for the whole family.
Big oil wants to keep drilling and keep turning out plastic products that are polluting our rivers and our bodies; that seems just hunky dory with the GOP. Wise up and think about whether you’d like to live through the devastation pictured onscreen, which recently killed 5 people and injured 35 others in Greenfield, Iowa. So, disappointingly, there was not a single nod to one of the largest crises of our time—climate change—which the Republican party seems oblivious to and has no plans to counteract.
It’s nice that the fictional heroines of each film find ways to prevent tornadoes from succeeding in killing us all, but that is fiction, at the moment. The rest of climate damage—like warming seas that are killing our coral—is ignored to focus on things that blow up and trucks driven by crazed stormchasers. And don’t get me started on forest fires and Paradise, California.
MUSIC
The music in both the original film and the remake was outstanding. In the original, we were given artists like Shania Twain and Stevie Nicks, plus the original Broadway ballad “Oklahoma.” In this remake it’s much heavier in to country music, with Miranda Lambert singing “Ain’t in Kansas Any More” and Luke Combs singing “Ain’t No Love in Oklahoma,” among many others.
CINEMATOGRAPHY
I have to give the edge to cinematographer Dan Mindel. There are some perfectly beautiful scenes involving Daisy and fields. The opening shot was beautiful. The city model where Kate has been researching her technique for disarming storms is a step up from the barn in the original film, which the duo exit just in time to observe it being totally destroyed. The storms and explosions are very cinematic.
However, the unpleasant to watch jerkiness of the camerawork causes me to say that it’s a draw between new and old films. I especially enjoyed the destruction of a lot of International Harvester red equipment in the 1996 original “Twister” because my husband worked for Deere for many years. A Deere tractor is highlighted in an early scene and, since IH is gone, no red farm equipment is destroyed in this one.
THEATER SCENES
In the original film a drive-in is blown away by a tornado. The film that is showing is “The Shining.”
In the sequel the small town of (Fort) El Reno, Oklahoma is being destroyed by a tornado when the do-gooders Kate and Tyler, joined by the newly converted Javi (who has a massive crush on Kate) rushes into town to save the townsfolk by herding them into a theater that is showing “Frankenstein.” I have to say that the use of “Frankenstein” was a better choice than “The Shining,” given the pyrotechnics going on onscreen when the entire wall is blown away.
There is also a noteworthy scene where Kate herds the potential victims into an empty swimming pool to save them from the storm’s fury.
FORT EL RENO
A bit of drama was provided, for me, by the use of Fort El Reno, Oklahoma as one of the cities that is struck by the storm. When I drove from Chicago to Santa Monica on Route 66 gathering “Ghostly Tales of Route 66,” Fort El Reno was a major stop, with its fort and its stories of hauntings. Rommel’s men from WWII were taken back to Fort El Reno and imprisoned there. It’s a very small town with a lot of history and seeing its water tower fall and pin our hero was cinematically riveting. It took me back to my evening joining the Ghost Tour that was put on especially for me. Every year the Fort El Reno bookstore ordered multiple copies of that particular volume of “Ghostly Tales of Route 66,” published by Quixote Press and still available on Amazon in both paperback and e-book versions. (Get the e-book version; it’s is a better bang for your buck).
BIG SUMMER PICTURE
This is going to be a big summer picture. The tornado visual effects are fantastic, but the special effects in the 1996 “Twister” weren’t too shabby, either. Watching things either combust or blow up and be reduced to rubble can get repetitive, but it’s well done.
I’ll be watching Glenn Powell’s career as it skyrockets, as it surely will. After experiencing what he and Richard Linklater wrote in collaboration for “Hit Man,” I hope he writes a lot more of his scripts, as this one was somewhat pedantic with lines like “You don’t face your fears. You ride ‘em.” I’m a fan of Powell’s script (with Linklater) as superior to this one, but Powell will be offered a lot of good material going forward, and I hope to see him knock it out of the park.
Do yourself a favor, however. Re-visit the original “Twister” so you can see the parallels, where they exist, and how well the original film with its top-notch cast still holds up. Too bad that Bill Paxton, who tried for years to create a sequel, didn’t get the job done before he was taken from us at the age of 61 on February 26, 2017.
An EF1 tornado swept through our East Moline court on Monday night at 7:37 p.m. It took out a large tree, which, in turn, took out all of the power. A picture of the 6 trucks that showed up to try to restore power would have been nice, but when I went outside to get one I stayed outside in the 105 heat index too long and ended up passing out on the neighbor’s driveway, (much like my story about the Gold Coast Art Fair.)
This will teach me to start talking while standing around in the blazing sun on any concrete surface! My slump down the side of a red truck with a flat tire that is parked in their driveway (not really a “fall”) was brief and surprising, especially for neighbor Norma, with whom I had obviously spent too long chatting in the sun.
All’s well that ends well, since my “fall” was me feeling dizzy for a few seconds and slumping to the driveway without incident. I can accurately report that the most damage was to my bony arthritic knees when I regained my feet. I had to put pressure on my bum left knee AND my “good” right knee to get to my feet quickly so I would not die of embarrassment. (*Note: I regained my feet without any assistance in each case, but I definitely needed to cool down. Our house was a hot box, which means that we ended up in a local motel where I spent the evening in the hot tub soaking my now very sore arthritic knees while surrounded by very young girls on some kind of party.)
The young girls were sharing stories about how ill-behaved the students in some local high schools have become. One girl—who looked about 14—turned out to be a teacher in Perry, Iowa. She said she would never go above teaching students in 5th grade after being told by her companion that 2 high school students were tasered in the hallways of a local school, their alma mater. Guess I’ll quit telling people who are unemployed but have degrees to re-train as teachers, since it sounds considerably more confrontational in today’s schools than in years of yore. (And I’ve seen some pretty dramatic cat-fights between Silvis Junior High School girls, which easily would give you a black eye if you got in too close while trying to break it up! )
One truck broke and another had to be sent. Soon, six were there. Then the tree people managed to pull all of the wires out of the house 2 doors down while cutting up the large tree.
So, we came back to our house after checking out of Stony Creek Hotel and I have been catching up on the lengthy RNC convention on television. The only part of the RNC I was able to take in before the power failed involved a lot of unknown Black legislators who were also veterans. None were people any of us had heard of, but the message was very definitely an attempt to appeal to young Black males. I know, from chatting with the young Black jocks who run L.A. Fitness in Austin that they were keen on Trump, because he has inaccurately portrayed himself as “strong” and “macho,” even though, to me, he looks like I could take him one-on-one (and I am ridiculously weak and frail.)
Having missed most of the lead-up to Donald J. Trump’s big appearance on this last night of the convention I ended up listening to Stephen Colbert dissect some of the weirder aspects of the night. Aside from Tucker Carlson’s remarks, apparently Congressman Matt Gaetz had some work done on his face. Colbert’s remarks regarding Gaetz’s new look were:
Gaetz looks like a flame-broiled Donnie Osmond .
Gaetz looks like a wax drag queen from Whoville.
Gaetz looks like he is appearing in a business school production of “Cats.”
This is what it would look like if the Joker worked at Sephora.
This is what it would look like if Pennywise went to law school.
Gaetz looks like his plastic surgeon went to med school on a riverboa t.
So, what did I notice about small amount of the RNC that I saw, other than a deranged, red-faced guy chanting and sweating in the crowd? Well, I noticed that Barron Trump was nowhere to be seen (and you’d see this tall lad easily) and Melanie Trump appeared but did not speak, which apparently broke a tradition that had gone on for something like 32 years.
First, I noticed that, just like he tried to engineer a photo op on the steps of the White House when he returned from being treated for Covid. This time, Trump had a mock-up of a firefighter’s outfit set up to represent the firefighter who died at his rally. At 9:45 p.m. in Milwaukee, DJT strolled over and kissed the helmet of firefighter Cory Compertore, referring to the poor guy as “our friend Cory.” He also mentioned the two others who were wounded, David Cutch and James Copenhaver. This is known as milking the moment.
Trumpth on Jan. 6
Trump also made several remarks about the crowd’s behavior after the shooting attempt, saying this at 9:45 p.m. in Milwaukee. Trump claimed that the crowd (which he vastly over-estimated at “tens of thousands”) automatically stood up looking for the sniper and pointing at him. “Most thought I was dead. They thought it was a shot to the head. This beautiful crowd didn’t want to leave me. You could see that love written all over their faces. Bullets were flying all over us, and yet I felt serene. Bullets were flying right over them.” I wasn’t there; I think all of us have seen the video of the crowd, who were obviously shocked and frozen and ducking in most instances (as well they should have been.)
Trump went on in his historically longest acceptance speech in history (93 minutes) and recounted how, “The sniper with one bullet took the assassin’s life. “I’m not supposed to be here tonight.” Also part of Trump’s normal meandering remarks: “The crowd roared with pride for our country like no crowd I have ever heard before.” (Also unable to be determined from the replay.) Trump referenced the crowd as “A giant audience of patriots” and referred to the Butler (PA) rally as “a fateful evening.”
January 6th.
To quote one thing that DJT said on the last night of the RNC with which I actually agree: “This election should be about the issues facing ourcountry and how to make America safe and free again.”
This is true. So, where was the discussion of the issues that really matter? I mainly heard “the border” (over and over again), a lot of anti-immigrant rhetoric alleging that immigrants are taking the jobs of Black people, and remarks that don’t bode well for anyone who is not a straight heterosexual American.
Following on the heels of Trump’s own remark about how the election should be about issues, Stephen Colbert had Senator Bernie Sanders as a guest on his Thursday night show. Here are some of Bernie’s comments regarding what we had all just seen, prefaced by his off-the-cuff remark, “Two o’clock in the morning. Who’s listening?” Hopefully thoughtful voters who recognize that the speeches up to that point had been all style and no substance. (The Screaming Mimi fiancee of Don, Jr., was at it again, screaming at the crowd. Hard to believe she was once married to Governor Newsom of California.)
Bernie was alarmed at how little the real problems of the world were addressed. One that he stressed, which certainly concerns me after hearing chants of “Drill, baby, drill” and realizing that nothing will be done to alleviate climate change if Republicans take control of government: Climate change has cost more than $25 billion dollars so far this year, with the most expensive season yet to come. There is worry that FEMA may run out of money before the end of the summer. Said Bernie: “If we don’t get our act together, the planet we are going to be leaving our kids and our grandfathers is going to be increasingly unhabitable… Think about the future of this planet if we don’t get our act together. Just on the basis of that fact alone nobody should be voting for Trump.” Do you enjoy going almost a week without power? I did not. Insurance has soared 20% from 2021 to 2023 because of the natural disasters everywhere and insurance companies are abandoning some states, if the risk is growing quickly in certain areas. Do you worry about attending any event where, thanks to Trump’s flouting of the normal rules of polite society, we are no longer safe? Are you a gun enthusiast who wants everyone to have automatic weapons? Then don’t attend concerts, parades, rallies, or any other gathering where someone with one a weapon could shoot at you, as they did at Donald J. Trump. The rest of us who are not gun enthusiasts would like some reasonable restraint on things like bump stocks and AR15s.
Insurrection of Jan. 6th.
Bernie went on to say, “Anyone who has any illusion that the GOP will do anything to benefit the working man is sorely mistaken.” Concerning Elon Musk giving money to Trump, “Thank Musk for making this issue so obvious. What we have in America now is a corrupt political system. We live in a semi-democracy. We have the right to vote, but a billionaire has the right to spend hundreds of millions of dollars to further their aims because the billionaires know that they’ll get tax breaks. ..To Biden’s credit, he knows that we have to overturn this disastrous Supreme Court decision Citizens’ United that allowed large corporations to give big amounts of money to control the political process.
In continuing his remarks after a commercial break, Bernie Sanders told Democrats to “stop the bickering.” Of Biden he said, “I am aware that he has been the strongest, most progressive president in my lifetime.” Bernie mentioned the picket line, prescription drugs, rebuilding the country’s crumbling infrastructure, debt relief for students, and recently his 100-day agenda. “You’ve got half of the people on Social Security trying to make it on $30,000 a year or less and you’ve got Republicans talking about cutting Social Security,” said Bernie Sanders. He then praised Biden’s attempts to initiate a rent hike revision. He commented that banks are buying up housing all over the place and that Biden is in favor of building millions of affordable houses. Bernie specifically mentioned housing in Las Vegas, but houses are bought up in Austin, as well.
Donald Trump
In regards to the proposal to institute a code of conduct and ethics for the Supreme Court, he agrees. “If you’re an elderly person today you can’t afford medical care, dental or vision care.” Bernie pointed out that Biden has managed to get the cost of insulin down and that he proposes that Social Security pick up dental and vision care, while the Republicans want to cut Social Security in some way.
Bernie said, “Our medical system is broken. A quarter of the people who get cancer end up going broken and losing their homes because of the expense. Biden is in favor of eliminating all medical debt. “That’s the right thing to do.” I’m not sure how, exactly, this could be instituted, but it is worth noting that NONE of the things that Trump has proposed and said would happen nearly immediately were promised in a logical way that makes one think there is any real concrete plan to achieve same. I would say the same critical thing about Bernie’s off-the-cuff remark. Many of us remember how hard it was to get the Affordable Care Act passed and how relentlessly the GOP has worked to try to eliminate it ever since. I don’t think that the idea is a bad idea, when expressed by either party, but talk is cheap and this plan would not be.
Senator Bernie Sanders
Bernie spoke of the elderly in this richest country on Earth and decried 60% of people living paycheck to paycheck. “People are hurting and they are looking to Washington and they are not getting much of a response. We need a nonviolent political revolution in getting billionaires out of politics. Our job right now is to defeat Trump. We need to transform the Democratic party so that ordinary people can come in and drive a new agenda so that we get income equality. We’re not going to have housing and college unaffordable. Our job is to make government work for everybody and not just the billionaire class.” On another positive front, Sanders mentioned the successful fights against homophobia, sexism and racism that have come a long way. He did not mention how many steps backwards we will take if Trump and company, with Stephen Miller and Steve Bannon as advisors, regain power, but any DJT administration will almost certainly be kinder to the rich and do little for the poor. Plus, a woman’s right to control her own reproductive system will be seriously compromised as, indeed, it already has been by the reversal of Roe v. Wade.
I would add that the GOP programs sound like a giant step backward in being a welcoming country with promise for all that has always defined us. Project 2025 from the Heritage Foundation, widely considered to be the platform that Trump will be adopting if elected, does many things; most of them are horrible for veterans (cutting benefits, etc,) and very anti-immigrant. It moves in the direction of forcing Christianity into the public schools, which has always been one of our Constitutional foundations, separation of church and state. Louisiana has already gone so far as to insist that the Ten Commandments be displayed in schools, which the founding fathers would probably not approve of at all.
Senator Bernie Sanders
We all saw the big chart about border crossings that Trump says saved his life when he did not turn completely to view it. It was about border crossings being lower back in the Trump era when the Trump administration was separating small children from their parents and not keeping good records of where the youngsters ended up. It was totally inhumane in so many ways. Where was the chart about the climate crisis, which experts say we can only avert by cutting down on carbon emissions? (And this must be a world-wide effort.) As the experts have said, if we all hit the guidelines that were adopted long ago the best we could do would be to stop the weather anomalies where they are now. Our weather cannot return to “the way it was.” It can, however, get much much worse. We had 10 tornadoes in our area just 4 days ago. In August of 2020 we had the first “derecho” of my entire nearly 80 years on the planet. I am seriously lobbying for the purchase of a generator after the week we just spent without lights or air conditioning.
Tucker Carlson showed up at the RNC and said, “I do think the entire point of the escalator ride has been to remind us of one fact.” That fact should be that Donald J. Trump was the worst president in history, inherited a good Obama economy (which he rode to relative prosperity), and totally bungled the Covid crisis. He is going to make all of the valid charges against himself disappear and probably pardon everyone he incited to storm the Capitol and threaten his vice president and other elected lawmakers. His flouting of decorum (refused to attend a ceremony at Normandy) and rude remarks (military personnel are “losers” and “suckers,” a remark he made within earshot of Four-Star General Kelly) are the absolute worst example of someone we want representing our nation abroad.
Donald J. Trump
Presidents Biden & Trump
Please, people. Substance over style. Let’s get it together and avoid this con-man like the plague that he presided over. Our nation will not be the same if we don’t and—unlike the crowd that wants to leave Ukraine in the lurch, abandon NATO, and let the planet burn without attempting to solve the very real problem of climate change that DJT has decried for years–. we must think rationally about what DJT really represents and what kind of man he has demonstrated himself to be.
Instead of doing a sexist smear job on our current Vice President, (which was about as fair as insisting that Hilary Clinton was running a sex ring out of a pizza parlor), let’s really think about the “platforms” that currently face us under the two main political powers. A Screaming Mimi telling us to “fight” and shouting slogans is not a platform. Last time out, Trump had NO platform. This time he is expected to follow the Project 2025 manifesto, especially since 31 of the 38 people who put this 900 page document together worked under him in the Trump administration. Get a copy and think long and hard about what Project 2025 says before you vote.
In the spirit of this blog’s name (Weekly Wilson) I have a stream-of-consciousness review of tonight’s film, “Fly Me to the Moon,” which opened tonight at the newly-revamped VIP14 theater (previously Regal 8) in Moline, Illinois. It’s 6 days since my last post.
Readers will remember that I was mourning the loss of the only theater on the Illinois side of the Quad Cities and memorializing the closing of the Icon Theater in the South Loop of Chicago.
Fly me to the Moon
Scarlett Johansson’s executive-produced outing as the P.R. woman tasked with filming a “fake” moon launch is an Apple project, which was filmed on locations in Georgia and Savannah, as well as in Florida at Cape Canaveral. The production was actually able to capture a real launch when filming at the Kennedy Space Center.
THE GOOD
VIP14 in Moline, Illinois.
Director Greg Berlanti, working from a script by Rose Gilroy (and Keenan Flynn and Bill Kirstein), has concocted a rom-com with comedic elements. Jim Rash, portraying the fictional director Lance Vespertine, is terrific. Woody Harrelson is the White House operative who enlists Johansson to make the Apollo 11 mission to the moon popular, Moe Berkus. Ray Romano portrays Henry Smalls, who is working with Channing Tatum portraying Launch Director Cole Davis.
Moe Berkus lays out the task to Scarlett Johansson’s character of Kelly Jones (who later says her real name is Winnie): she must film a fake landing on the moon, which will be broadcast as the real deal. When she shows up at NASA, she tells Channing Tatum’s character of Cole Davis: “Americans are long over their expensive love affair with space and I’m here to remind them why they fell in love in the first place.” We are reminded that during its first 29 missions, NASA had only a 48% success rate. The efforts to convince key Senators to support the space program financially is well portrayed, since the battle for funding is never-ending.
Channing Tatum, who portrays Cole Davis, is not happy about lying to the American public. Woody shuts him down quickly, saying, “She’s made you (NASA) the Belle of the Ball. Just slip on your tutu and do some dancing.” The film recaps some of the clever ways that public relations tie-ins are utilized, such as the use of Omega watches or Tang tie-ins. As is the case right now with our upcoming presidential race, “This isn’t just a race for the moon. It’s a race to see which ideology governs.”
THE BAD
VIP14 in Moline, Illinois.
As another critic has expressed, he became less interested in the actual moon launch and more interested in the budding romance between the main characters.
The other flaw, which may not matter if you’re streaming it at home, is that, at 2 hours and 12 minutes (plus previews) this seemed like an overly long movie. At the point where we are landing on the moon, I was ready to be done. It was opening night for this theater’s new management and I did not pace my pop-drinking as I would have done for “Barbie” or “Oppenheimer.” (My bad).
This one should be a hit when it streams. It was fun to see Johansson’s real-life husband, Colin Jost (of SNL), portraying Senator Cook of South Carolina, articulating the line about a Killer Lunar Laser Eliminator.
We moseyed over to the 
e pictures tell the story:
