Category: Music Page 1 of 19

Connie plays 4 musical instruments and her daughter is a graduate of Belmont University in Nashville with a degree in Music Business and once worked for Taylor Swift. She may comment on concerts or reminisce on concerts of old.

2025 Oscars Are In the Books

By Connie Wilson

On March 3, 2025

In Movies, Music, Pop Culture, Television

The Oscars

The 97th Academy Awards are in the books.

“Anora” came on strong at the finish to snag a Best Actress award for new-comer Mikey Madison.The shift towards “Anora” prompted the best line of the evening, when Conan O’Brien (the host) said, “Apparently Americans like seeing someone stand up to a powerful Russian.” Anora won five awards, total: Best Picture, Best Director, Best Actress, Best Original Screenplay and Editing. It cost about $6 million to make (an independent film).

The way the night went reminded me of other “sweep” years, like the Oscars in 1978 for the 1977 film “The Turning Point” when that film was nominated for 11 awards and came up about as empty as this year’s nominees “Emilia Perez” (nominated for 13; won two) or “A Complete Unknown” (nominated for 8; won none).

If you go with the wrong movie to sweep, you are in for a world of hurt. I was so impressed with “The Brutalist” that I went with it most of the time. Also an independent film, it was amazing that it could be made for $10 million, but it did get some kick-back for using A.I. technology to “tweak” the Hungarian dialogue and help create some settings.

The daughter got 18 correct when she correctly supported “Anora” in our annual predicting extravaganza, which had six participants this year. While I was struggling to break into double digits, she nailed most of the major categories (one notable exception being Best Actress). At the time of the Awards celebration, she was flying to Wichita, but her ballot spoke loudly!

This has been my most recent experience with the Oscars. They don’t seem similar to the Oscars I was “in tune” with in years of yore, but, still, I finished with a respectable score, as I did not look up any “predicting” gurus, relying instead on having seen 9 of the nominated films. That refusal to consult will have to be rethought for future Academy Awards celebrations, which now number almost 70 for me. I was amused to hear June Squibb admit that the year she was born, 1929, was the first year the Oscars were awarded. Ms. Squibb was Oscar-nominated for “Nebraska” in 2013. She got laughs for saying that Alexander Saarsgard was portraying her whenever you saw her out and about. She looked very festive for a 95-year-old woman. (Birthdate: Nov. 6, 1929). Her dress was very sparkly.

THE HOST

How did the host do?

I thought Conan O’Brien’s hosting was fine, but I would say that his promise not to “waste time” led into the song-and-dance number he participated in, which was a waste of time. His wit was, as usual, sharp, and he seemed to be genuinely happy to be there.

He shared some random facts, such as the factoid that there were 479 “F” words in “Anora.”

His wit, as with the “stand up to a strong Russian” was evident and the bit with Adam Sandler dressed casually made me think that he could have gotten a quick bit about the outfit’s resemblance to that of a Senator (John Fetterman). Maybe next time.

MUSIC

I went to the trouble of finding every single nominated song and listening to each one. I would have been happy with Diane Warren or Elton John winning. Instead, it was the song from “Emilia Perez.” Maybe it was throwing that film a bone, since it was shut out except for Best Supporting Actress Zoe Saldana? Then, again, the music expert in our household is the daughter who triumphed tonight.

ACCEPTANCES

Adrian Brody wins his second Oscar as Best Actor for “The Brutalist.”

My favorite acceptance speech event was the sinister-looking composer of the score for “The Brutalist,” Daniel Blumberg. He resembles DJT’s henchman, Steve Miller, shaved head and all. When they began playing him off he abruptly quit, mid-sentence and retreated like a small creature scurrying for cover. It made me smile. (You had to be there to appreciate the expression on his face as he bolted backstage.)

Adrian Brody, however, basically told those trying to play him off to stop, saying he had “done this before” and it was “not my first rodeo.” He then promised to be brief with his additional remarks. He was not that brief, but you had to admire his chutzpah. (Anybody but me notice his girlfriend in the audience trying to remind him to thank his Mother?)

UPSETS

I thought that Mikey Madison—who was cast in Quentin Tarantino’s “Once Upon A Time in Hollywood” and, I think, was the Manson family member set afire by a flame thrower wielded by Leonardo DeCaprio poolside in that film—was an upset winner. She was very good in the film and, as I mentioned in an earlier post, the Academy does not like to award Oscars to horror films, which “The Substance” was. Too bad for Demi Moore, but I would guess that she still will enjoy a resurgence of role offers. Imagine how Mikey Madison’s star will rise!

Given how well “Conclave” did at the BAFTAs, I was surprised it didn’t do better this night. Aside from Adapted Screenplay, it won no other Oscars and nominee Ralph Fiennes may be being called “Ralph” rather than “Rafe” if he lost again this time, his third nomination. (A small joke that Conan made, which caused Fiennes to laugh aloud in the audience.) Fiennes was nominated in 1994 for “Schindler’s List,” and in 1997 for “The English Patient.”

FIRSTS

Anora” director Sean Baker became the first person to win four Oscars in the same year for the same film. In that respect, he tied with Walt Disney, although, in Disney’s case, it was for four different films in 1953—not 4 Oscars for the same film in the same year. Other Disney nominations in 1953 were for “Ben and Me” and “Rugged Bear.”

Hollywood sign

When Baker accepted the award for Best Director, he thanked the Academy for recognizing an independent film like “Anora.” “We’re all here tonight and watching this broadcast because we love movies. Where did we fall in love with the movies? At the movie theater,” Baker said. He made an impassioned plea for people to return to theaters, noting that over 1,000 independent screens were lost last year as movie theaters struggle to stay alive.

This concerns me. First, my country is led by someone who wants us to abandon our roots as fighters for democracy and freedom and follow a Soviet strongman who invaded a peaceful neighboring country without cause. Then my favorite past-time (going to the movies) is threatened.

True fact: the only movie theater in Moline, Illinois was shut for over a year after the pandemic. It used to be a Regal 8. It is now open again, but it was a long dry spell for someone like me. I literally had to drive to another state (Iowa) to see a movie. (*This by way of excuse if I am asked why I didn’t see that 10th nominated film.) Also, when I’m in Chicago, the Icon Theaters near me closed, but, thankfully, not for an entire year. (They are open again off Roosevelt Road downtown.)

Another first was the first Black man to win an award for his costuming expertise, Paul Taswell, whom Bowen Yang referred to as a legend. Other interesting costuming tid-bits that were dropped during the evening’s program were that Timothee Chalamet had 67 different costume changes for “A Complete Unknown” and there were 103 Cardinals to be costumed by Missy Crystal for “Conclave.”

The Latvian couple who accepted their Oscar for “Flow” were charming as they shared the fact that they had had difficulties getting Visas to get in the country to potentially accept their award and had then apparently come straight from the airport, landing just a few hours earlier.

All-in-all, an enjoyable—if overlong–viewing experience. At the post-Oscars “Vanity Fair” party, it was possible to see that there was a 3.9 earthquake happening in Hollywood.

One last reminder: this time next week there will be reviews of films premiering at SXSW here in Austin, so check back as the Red Carpet here in Austin (where I’ll be) will feature stars like Nicole Kidman, Matthew McConaughey, and Seth Rogen.

Last-Minute Musing(s) on the 2025 Oscars

By Connie Wilson

On March 2, 2025

In Movies, Music, News, Pop Culture, Reviews, Television

It’s only a few hours from the Oscars. The ballots are out (you know who you are) and the Prognosticator trophy is at stake.

Since this is Oscar Sunday, I am going to (stream-of-consciousness) run through the nominees, in the hopes that some of you are doing the same thing right about now. The Red Carpet is about to start, and who is going to win? (The tension mounts.)

Our ballots are distributed to the Usual Suspects and the traveling trophy of Most Accurate Prognosticator sits proudly on the mantel—errr, glass table—near our TV set. In other years, I’d be giving out freebie movie tickets to students at my Sylvan Learning Center (only the winners, of course) but, this year, it’s just old Oscar (the trophy) and bragging rights. Pay no attention to my last post about the nominated films I, personally, liked the most because I have not “liked” the Best Picture winner in the past few years. So, you’re warned.

I’m going beyond the 5 main categories to discuss those that almost nobody sees, live-action shorts. I actually reviewed many of the “live action” shorts, and a Mindy Kahling produced film about India called “Anuja,” which I liked. However, I liked a different one better from China about fishing for corpses in the river, so… But how many of you have seen “A Lien,” “I’m Not A Robot,” “The Last Ranger,” or “The Man Who Could Not Remain Silent?” Yeah. That’s what I thought.

Original Screenplay nominees are “Anora,”, “The Brutalist,” “A Real Pain,” “September 5,” “The Substance.” I have actually seen all of these. “A Real Pain” is the front-runner, supposedly, but I like nearly any other script better. I’m thinking that, if a sweep starts with either “Anora” or “The Brutalist,” it might garner a vote in this category, too. (Lots of talk about how “Anora,” the film about a U.S. strip tease dancer marrying the son of a Russian oligarch and the fall-out that represents is gaining on the previous front-runners.) We liked Mikey Madison’s performance in “Anora” but—after her Russian husband takes a powder—the film becomes a repetitive search film where they attempt to locate him. Mikey Madison was great in her part, and the somewhat open-ended interpretation we are left with at the end was a plus. I could see new-comers to the voting ranks giving Madison the BEST ACTRESS trophy, if they don’t decide to honor Demi Moore for her long career.

BEST DIRECTORS

Nominated directors for the Oscars, 2025

Nominated directors for the 2025 Oscars

Jacques Audliard (“Emilia Perez”); Sean Baker (“Anora”); Brady Corbet (“The Brutalist”); Coralie Fargeat (“The Substance”); James Mangold “A Complete Unknown”. The two in the lead are Sean Baker and Brady Corbet. I also would like to heartily endorse James Mangold, primarily because I loved “Ford vs. Ferrari.” I am sticking with “The Brutalist” because it was such an achievement on just a $10 million budget.

DEMI MOORE/ORIGINAL SCREENPLAY AWARDS

Why would Demi Moore NOT win? (1) “The Substance” was a horror movie and, historically, the Academy has not wanted to honor them with the top prize. (2) The ending may have turned some viewers off (3) The voter has to be willing to honor age and experience over the youthful new-on-the-scene Mikey Madison. It’s a close call with so many members of the Academy now voting being newcomers. Both women have been doing well at the other awards ceremonies that lead up to the Oscars. I can’t see the trans-gender lead (Karla Sofia Gascon) pulling this one out of the fire and Fernanda Torres’ “I’m Still Here” is probably the film least viewed of the 10 nominees (It’s the only one I missed).

So, take your pick between the old-timer and the new-comer or give your vote to Cynthia Erivo for “Wicked.” For me, I’ll go with the old-timer for the Best Actress award, and I’ll go with “The Brutalist” over “A Real Pain” for original screenplay. Jesse Eisenberg will continue writing scripts and I hope they continue to receive accolades. For me, the best script this year was for “Heretic” from (Scott) Beck and (Bryan) Woods, which didn’t make the cut at all.

James Mangold (“A Complete Unknown.”).

ADAPTED SCREENPLAY

Nominees are “Conclave,” “A Complete Unknown,” “Emilia Perez,” “Nickel Boys,” “Sing Sing.” Given its BAFTA showings, “Conclave” must move up on the list of potential winners. For me, it’s “A Complete Unknown,” but the experts are leaning towards “Conclave.”

ANIMATED FEATURE

Nominees are “Flow,” “Inside Out 2,” “Memoir of a Snail,” “Wallace & Gromit: Vengeance Most Fowl,” “The Wild Robot”

There was a big push to have all the critics see “Memoir of a Snail.” I did. It was weird, but well-done, so I’ll go with that. I think that “Flow” is the favorite.

PRODUCTION DESIGN

“The Brutalist,” “Conclave,” “Dune: Part Two,” “Nosferatu,” “Wicked.”

For me, “The Brutalist” really delivered on the architect immigrant in America theme. “Wicked” and “Dune” are possible winners, but I was so impressed by the architecture in “The Brutalist” that I’ll stick with my favorite picture of those nominated this year.

COSTUME DESIGN

“Wicked”

“Wicked” co-stars.

CINEMATOGRAPHY

“The Brutalist.” A close second, for me, would be “Dune: Part Two,” but the almost picture-perfect moon over the water and the shots taking us down the railroad tracks and the unique look at the Statue of Liberty at the beginning all point me to “The Brutalist.”

EDITING

“Conclave,” in deference to the BAFTA nods.

MAKEUP & HAIRSTYLING

“Wicked,” although “The Substance” has a shot.

SOUND

The 2 musically inclined films are “A Complete Unknown” and “Wicked.” Take your pick. Mine is “Wicked.”

VISUAL EFFECTS

“Dune: Part Two”with “Wicked as a close second.

ORIGINAL SCORE

“The Brutalist”

Oscar predicting trophy

ORIGINAL SONG

Have you heard all 5 of the nominated songs? Well, I have. It took some sleuthing, but, after listening to all of them, I would say the battle is between honoring Elton John for “Never Too Late,” which has a typical Elton John sound and is possibly the finale entry from this talented songsmith. But I’ll vote for Dianne Warren’s 16th nomination for “The Journey” from “The Six Triple Eight.” When you hear the lyrics, you’ll see why. It’s become a hymn for the fire-ravaged Los Angeles community, and isn’t it about time that Diane Warren got the little gold guy?

DOCUMENTARY FEATURE

I’m going with “Porcelain War,” even though it echoes last year’s Ukraine-themed winner. I realize that DJT doesn’t want us supporting Ukraine any more, since he’s all in for Russia, but I’m voting for it based on having seen it.

INTERNATIONAL FEATURE

“Emilia Perez” from France—which was supposed to win it all until recent tweets resurfaced.

ANIMATED SHORT

“Yuck”

Oscar Prognosticator Trophy

DOCUMENTARY SHORT

“The Only Girl in the Orchestra”

LIVE-ACTION SHORT

Since I saw “Anuja,” I’m voting for it, even though I’ve not read that it is favored. (“A Lien” got that honor from one predictor.)

There’s a tie-breaker on our competition. You have to make a pick in all categories and tell which film will win the most Oscars, and how many. For me, based on this stream-of-consciousness

“Retirement Plan:” The 7-Minute Short That Tells the Truth

By Connie Wilson

On February 20, 2025

In Editorial, Humor and Weird Wilson-isms, Movies, Music, Politics, Pop Culture, Reviews

“Retirement Plan Plan:” A 7-minute short from Screen Ireland featuring Domhnall Gleeson.

I recently had the pleasure of viewing a 7-minute short that is to screen at SXSW in March entitled “Retirement Plan.” From Fis Eireann/Screen Ireland. It was written by John Kelly and Tara Lawall and was an absolute delight. If you have the opportunity, don’t miss it. It is narrated by Domhnall Gleason (Bill Weasley in the “Harry Potter” franchise) and shows a man of retirement age musing about all the great things he is going to do in retirement. Meanwhile, in the background, John Carroll Kirby’s simple piano tunes tinkle pleasantly, with the song “Walking Through A House Where A Family Has Lived” giving you another idea about the light-hearted tone of the short piece.

My favorite exchanges were the narrator saying, “I will paraglide.”

In the next frame, he is shown with a walker and says, “I will NOT paraglide.”

The animated character that animators Marah Curran and Eamonn O’Neill present to us in the short muses on many things he will do in retirement: He will read 35 years of books that he has been putting off reading. He will clean his desktop. He will birdwatch. He will swim every morning. He will hike (“Camping is HORRIBLE!”) The camping line made me think of Woody Allen’s famous line about how his idea of “roughing it” was watching black-and-white TV. [Agreed.]

I’ve been retired for 22 years. I joined a gym with a pool in November. It is almost March. I have yet to swim even once. While I did swim (4 times) last year, the chlorine was so bad that I thought I was going to sink to the bottom of the pool, unnoticed, and drown. (Nobody else is swimming during a weekday afternoon; there is no lifeguard). I only learned on a Monday last year when they canceled the children’s swimming class that the chlorine ratio was totally screwed up. So much for, “No, Doc, I don’t know why I get dizzy and almost pass out while swimming. That never happened to me before I retired.” (It could be because L.A. Fitness didn’t bother to check their chlorine levels; some of the kiddies ALSO almost —or did?—pass out. THEN they fixed it!)

HOUSTON ART GALLERY

Lolita at the Houston Art Gallery.

I related to the cartoon character’s comment that he would go to an art gallery and “I will want to be there.”

I recently went on a 3-day trip to see Gauguin paintings at the Houston Art Museum. A really unpleasant woman within the Museum followed me for 4 rooms because I leaned against a wall in the first room. I was severely chastised for same. (There were no paintings nearby or on the wall). She finally cornered me in the fourth room, asking me if I “wanted to talk to her manager.”

My response was, “No. I don’t want to talk to your manager. And I don’t want to talk to you, either. I just want to get out of here. I have a bad knee and I felt dizzy. Which would you rather have had me do? Lean on the wall or pass out on the floor?”

Lolita and I were not destined to become buddies.

I enjoyed the trip, overall, but found myself (once again) trying out a retirement activity with a downside.

OTHER THINGS TO TRY IN RETIREMENT

What other relatable activities does our retired figure discuss?

“I will take better care of myself.” Right. I spend one day a week visiting doctors. (Today: bloodwork; tomorrow, the endocrinologist). This is my Most Normal Retirement Activity: visiting doctors’ offices. Oncologist. Endocrinologist. Heptologist. Dentist. Oral Surgeon. Podiatrist. Dermatologist. Primary Care Physician. I read an article recently that said that this is common in we “mature” individuals and doctors make no effort to help you consolidate the MANY appointments. Today, I was told that an A1C would cost me, personally, $84, because “you’ve had too many tests and your insurance won’t cover it.” [No kidding. I thought I was simply in training to become a human pin cushion.]

Elise Wilson in action. (This is how I envisioned my volleyball playing would appear. It did not.)

“I will finally find my sport.” That’s not gonna’ happen, either. While playing volleyball in a co-ed league, a demented stork-like 6′ 5″ person (male) on the other side of the net spiked it down, hard, on 5′ 2″ me. My left elbow dislocated as I turned a backwards somersault. A nice nurse in the gym ran over and said, “I think you just broke your arm.” We went to the emergency room where I was injected with intravenous valium and X-rayed to see if I HAD broken my arm. (No, but I still have bone chips in my left elbow and it aches when it rains.) I spent 6 months in a sling, invested many dollars in front-closing bras and capes, and had to go to physical therapy to address the torn ligaments and tendons. Not fun for me. The insertion of the elbow back into the socket was not fun for the 2 men attempting that task, nor for me. (The spouse waited in the hall). The little blonde diving in the clip above is my 16-year-old granddaughter, Elise. This is how I envision my volleyball playing looked. Sadly, it did not.

“I will completely nail my final words.”Probably not happening, either. I always liked the guy that wrote, on his tombstone, “I can’t be dead. I still have checks.” That retort has not aged well. There’s always W.C. Fields’ “All in all, I’d rather be in Philadelphia” for a final greeting from the grave.

BEST LINES

From the 7-minute short “Retirement Plan” from Screen Ireland.

In addition to the line “CAMPING IS HORRIBLE” and “I will not paraglide,” I laughed the hardest at the vow to “haunt the absolute shit” out of an enemy. As the author of “Ghostly Tales of Route 66” I hope this option is open to me in the after-life. I have a couple of “friends” (I use the term loosely) and relatives who, after 35 to 60 years of faithful friendship and loyalty on MY part, backstabbed me into wanting to come back as one of the ghosts of Route 66 and give them a little taste of the misery they’ve visited upon me since 2005 (YOU KNOW WHO YOU ARE!)

CONCLUSION

I honestly have not laughed so hard at a 7-minute bit in a long time. I would like to thank Fis Eireann/Screen Ireland for this truly delightful (and accurate) presentation on retirement. As someone who loved her job and didn’t really want to retire in 2003, [but did], I salute you.

Retirement sucks, basically.

It means you have to actively seek out things to do and “travel more” and “birdwatching” and “gong to plays” (“I will find out if I like plays”) isn’t cutting it. (I have learned I prefer movies to plays. Hell, I prefer shorts like this one to most plays.)

Retirement was the worst idea I have had—if it was even MY idea. I seem to remember my spouse of 57 years suggesting we would travel more, blah, blah, blah, but that went out the window when he began playing golf locally in multiple golf leagues with his old high school, elementary school, and work colleagues. The last time we traveled anywhere was before the pandemic. (I’m not counting the time shares bought in the nineties, because we go to those every year as our “home away from home.”) Me? I did not grow up in his home town and, post-work, it’s been unfun and dull. I hear that the Governor of Iowa has just declared all of Iowa a disaster area because of the bird flu, and we’re very close to Iowa. I would really like to leave any disaster area before disaster strikes (and they closed the only theater on the Illinois side of the Mississippi for over a year!)

VACATIONS?

The previous owners of Royal Resorts properties in Cancun (we owned at the Sands and the Islander) dumped it into the Holiday Inn Vacation Club All Inclusive world recently. That is a special kind of backstabbing. They built a kiddies’ pool right outside of our first floor digs. Now I get to listen to screaming kiddies knocking themselves out on the water slide at the crack of dawn. I can hardly wait. Does that sound like fun in retirement? [Just shoot me now.]

From the short “Retirement Plan”(Fis Eireann/Screen Ireland).

If I were to be asked what I would recommend people do in retirement, I would recommend that they watch this 7-minute film, because it has summed up my own reaction(s) perfectly, including the line “I will find out what a pension is.” I have. It’s not great. Between the taking of half of my Social Security moneys because I had been a teacher and we had a state pension system (I spent more time in the private sector, but Social Security still took half) and the potential insolvency of the Illinois TRS (Teachers’ Retirement System), who knows? I may be back at work before long.

Don’t give up your day job, but do try to see this wonderfully honest and creative short 7-mnute film. After all, if you’re retired, that still means that for that retirement day, instead of having 1,440 minutes to fill with useless activities, many of which you won’t enjoy, you will only have 1,433 minutes to fill.

Five Oscar-Eligible Shorts

By Connie Wilson

On November 10, 2024

In Movies, Music, Of Local (Quad Cities') Interest, Pop Culture, Reviews

Here are 5 more Oscar-eligible shorts in an attempt to acquaint audiences with some of the contenders for this year’s Academy Awards: “Moeder,” “Then Comes the Body,” “Fireline,” “Will I See You Again?” and “Sunflower.”

“Moeder”
– This 20 minute film, directed by Salomon Ligthelm focused on the deaths of 298 civilian passengers when the Russians shot down Malaysian Airlines MH17 on 7/17/2014. The flight, filled with civilians who were primarily Dutch citizens, was 50 kilometers from the Russian/Ukrainian border in Donetsk when a surface-to-air missile took it down, killing all aboard. Apparently, the Russians thought the plane might have arms or ammunition aboard, as it was close to the fighting. A phone from the plane fell to Earth and landed in the back yard of one of the locals. Vitalik Ivanov picks it up and hears a woman’s voice say (in Dutch), “Daniel, can you hear me?” The fellow who found the still operative phone (and the corpse?) of a Dutch victim in his back yard is a Rozspyne miner. He and his fellow miners are sent out into the fields to locate the bodies of the victims and to mark them with long white-flagged poles. The hero of this film finds a dying horse fatally wounded by falling debris. Vitalik has to finish the job the Russians started and dispatch the injured animal, which is traumatic for him. None of Vitalik’s co-workers (miners) are happy about being assigned this non-work-related task, either. One of them mutters, “We’re miners, not soldiers.”
“Moeder”

The landscape for all of this action is like a background for a Ukrainian Gothic portrait in the manner of American Gothic. It is a beautifully photographed bucolic, pastoral setting. In just the opening moments there is a shot of the miner, smoking, silhouetted in the frame of the back door of his home, a beautifully composed shot. Vitalik has just heard the sounds of bombs or falling debris hitting the ground. His wife (Yeva) says, “It sounded like the end of the world. And perhaps it was, for some.” The sound effects were exceptionally well-done. The couple is offered $100 for an interview. Yeva is pregnant. She says, “We can use the money.” Vitalik struggles unsuccessfully to remain composed throughout the interview. He ultimately translates a few Ukrainian words into Russian and sends the mother of the Dutch victim (“Moeder” translates to “Mother”) the bad news of her son’s death in his back yard, via the phone that fell from Flight MH17.This was a riveting, well-done, timely short. It made me feel even more concern for Ukraine after our November 5^th Presidential election. The sound, cinematography, and acting were all top notch.

Nigerian ballet dancer dancing atop the roofs of busses.

- Nigerian ballet dancers in “Then Comes the Body.”
  “Then Comes the Body” – Jacob Krupnick has filmed the story of ballet in Nigeria. The enterprising individual who taught himself ballet from YouTube videos has founded a Nigerian Classical Ballet Company in Lagos, Nigeria, called Leap of Dance, to teach ballet to other Nigerian children. Daniel Owosoni Ajala has taught several talented Nigerian youth to dance, and they have become so good that other nations are offering them scholarships to study ballet in places like Belgium and South Africa. The film had its World Premiere at Tribeca in 2023, It had its International Premiere in Melbourne and its European Premiere at Cameraimage. It was named Best Short non-fiction and short shorts in Tokyo and Krupnick’s work became a viral sensation during the pandemic. The 14 minute, 44 second short had excellent sound, edited and mixed by Zach Egan, with a score by Martin Veloz. The primary dancers are Olamide Olarwe and Precious Duru. The film’s message: “First comes the heart; then comes the body.” That message has been my guide in selecting which of these 5 Oscar-eligible shorts is most impressive. “Then Comes the Body” has heart and plenty of it. The last few in this set of 5 films didn’t have as much “heart.” They were done well, but the top two had way more heart.
- “Fireline” short.
  3 inmate firefighters in “Fireline”
- “Fireline” – “Fireline” was a 13 minute 23 second short about incarcerated firefighters. It was directed by Robin Takao D’Oench, a Japanese American writer/ director/ producer from NYC. Robin is a Film Independent Project Involve Directing Fellow and a graduate of New York University’s Tisch School of the Arts. These Wildland firefighters were photographed by Ming Jue Hu and the script was written and directed by Robin Takao D’oenoh. Lena Waithe (and 3 others) executive produced this story of Otto Reyes (Bobby Soto), an incarcerated inmate who has just learned that his request for parole has been denied. Not long after learning that he is not getting out of prison early, he and the others are called to go battle a fire. Joshua Caleb Johnson portrayed Shawn Davies and Fabian Alomar was Primo. Otto has secured an illegal cell phone, which he wants to use to call his daughter to wish her a happy birthday. The visual effects of a fire bearing down on the firefighters are excellent. It seemed very short in comparison to the others, which, in fact, it was. This film was presented at the Tribeca Film Festival and was part of the official selection at HollyShorts, and was made as part of Indeed’s Rising Voices program – an initiative set up to discover, invest in and share stories created by BIPOC filmmakers and storytellers. Rising Voices was created in collaboration with Lena Waithe, Hillman Grad Productions, Ventureland and 271 Films. “Fireline” has qualified to be considered for the 2025 Oscars®. Robin is a Film Independent Project Involve Directing Fellow and a graduate of New York University’s Tisch School of the Arts. The acting was fine. The special visual effects were better than in the Angelina Jolie 2021 film “Those Who Wished Me Dead” and on a par with 2018’s “Wildlife.” (Cary Mulligan and Jake Gyllenhaal).

Nick Wechsler as Paul Jensen.

“Will I See You Again?” – Michael Perez-Lindsey, a queer Mexican-American director, has helmed a well-acted vignette that depicts the funeral of a former friend that brings two former lovers back together after many years. The deceased friend, Jim Turner (Robert Okumu) has left an inheritance for the two former lovers, but they can only inherit it if they each answer 5 questions honestly while hooked up to lie detectors. [What could be unrealistic about that scenario—right?] The Black former lover is portrayed by Hosea Chanchez as Max Palmer. His former white love, Paul Jensen, is portrayed by Nick Wechsler. These two gave it their best shot, but the entire set-up seemed hokey, to me. The song that played at the end, performed by Jalen Ngonda, who co-wrote it with Mike Buckley, was similarly cheesy. It was a very Barry White-esque rendition of “Come Around and Love Me,” which seemed desperate. Having the two leads grasp each other’s fore-arms at film’s end (24 minutes 13 seconds) might have represented a happy ending, but the best way to sum up what was not working with this one would be to use the words of “Then Comes the Body”: “First comes the heart.” This one lacked a realistic premise. I don’t read (or write) heterosexual romances because they are too cheesy for my tastes, so I was not the right audience for this sentimental-but-unrealistic project. That said, it had a very professional sheen and the gay community certainly might enjoy the theme of reconciliation and love recovered despite 20 years of alienation.
“Sunflower” short
Sunflower – This 16 minute, 26 second short from Mateusz Balcerek was based on a true story about Danuta Gorecka, the director’s grandmother, and what happened to her during WWII in 1944 as a child. (Poland, Italy, the United Kingdom and the U.S. collaborated). The little girl who played Danuta (Martyna Zazula) was very cute and did a very credible acting job. She was told to hide under the bed while soldiers entered her home and shot her grandfather dead. There is another close call in the yard, when Danuta and her mother Alicia (Sylwia Boron) are almost apprehended while building something that I suspect was a coffin for the dead grandfather. The music by Roberto Mengoli was good. The Guildhall London Symphony Orchestra and the London Music Central Kids’ Choir performed beautifully. The motif of a sunflower (Slonecznik) used animation and repeated as a linking motif throughout the film.

“They All Came Out to Montreux” and “The Black Sea” at Nashville Film Festival 2024

By Connie Wilson

On September 23, 2024

In Humor and Weird Wilson-isms, Movies, Music, Pop Culture, Reviews

Two documentaries at the Nashville Film Festival caught my eye on Sunday and Monday, September 22 and 23. The first was “They All Came Out to Montreux,” followed by “The Black Sea.”“They All Came Out to Montreux” was a love letter to the man responsible for creating, founding and sustaining the Montreux Jazz Festival, Claude Nobbs. Oliver Murray created this documentary as a tribute to Claude Nobbs. Nobbs dedicated his entire life to making Montreaux, Switzerland, his home town, a premier destination for the very best musicians in the world. Claude and his partner showcased the Shakespeares and Picassos of Jazz and, over time, branched out to include other forms of music.

Nobbs was so devoted to musicians and helping preserve their work that he and his partner since 1987, Thierry Ansalm, digitally preserved every concert ever given there from 1970 on. (There are even a few from 1968 and 1969). They created a huge archive collection of the premier performers of the past 60 years. On this documentary there were many famous musicians either performing or talking about Claude—a wealth of talent from jazz, rock, blues, and beyond.

CLAUDE’S INFLUENCE

Claude was universally loved by all the musicians whom he encountered, although some of the locals in Montreux (Switzerland) on Lake Geneva (the Swiss Riviera) were not keen on having a bunch of hippies pitch tents on their well-manicured lawns. There was even an arrest of Claude based on his homosexuality that represented a trumped-up charge designed to stop his quest to make Montreux into a must-stop destination for World Class musicians.

Quincy Jones produced the festival for at least 3 years, with Miles Davis appointed as an honorary greeter. The voices we hear talking about the legendary Claude Andre Nobbs include Keith Richards of the Rolling Stones, who lived nearby for some time and considered Claude’s archived music collection an oasis in the desert. Here is a (partial) list of the renowned names who either testify to Claude’s supremely enthusiastic vision or actually perform onscreen in short vignettes: Jack White; Wyclef Jean, George Clinton, Lizzo, Questlove, Carlos Santana, James Brown, Marvin Gaye, B.B. King, Ray Charles, Roberta Flack, Nina Simone, Herbie Hancock, Van Morrison, Sting, Carol King, Queen, AC/DC, Deep Purple, Muddy Waters, Aretha Franklin, Ella Fitzgerald, Joan Baez, Shania Twain, Z.Z. Topp, Elvis Costello, Dizzy Gillespie and Frank Zappa. And many, many more.

CATASTROPHE

During Frank Zappa’s show, an audience member fired a flare gun towards the ceiling of the casino. The casino caught fire and burned to the ground. Claude personally rescued some teenagers from the burning structure. The song “Smoke on the Water” was composed to describe the incident. The fire didn’t stop Claude. He directed his irresistible enthusiasm and passion to the project of rebuilding. Three years later, there was a new casino for performers to utilize.

Nesuhi Ertegan, head of Capital Records, offered Claude a full-time job during the period that represented the manufactured gay charges, but Claude did not want to leave his home town. He was enthusiastic to the point that one admirer said, “Claude was too much.” He cared deeply about the music and the musicians. One voice on the film says, “When I started in the Music Business 35 years ago, the emphasis was on the 2 words The Music. Now it’s on the 2 words The Business.” Many said that Claude was fighting for the human factor of the music business and would be very unhappy with the trend today toward monetizing music. “His passion was deep. His whole life resolved around the festival.”

Claude was killed in a skiing accident on Dec. 24, 2012. He fell into a coma and died on January 10th, 2013 at age 76. But Claude’s friends and supporters like Quincy Jones (a producer of the film) collated this film to honor him and his irrepressible enthusiasm and passion for music and life.

“The Black Sea”

“The Black Sea”

The second documentary that we saw on Monday, September 23, chronicled a charming man who could also bring others together, even if he didn’t speak their language. That was the film “The Black Sea” which told the story of a Black guy from Brooklyn who ends up in Bulgaria with no money and no passport.

The synopsis reads: “Khalid, a charismatic big dreamer from Brooklyn gets stuck in a small Bulgarian resort town on the Black Sea after chasing a fast cash opportunity that goes awry. As the only Black guy around, he becomes the center of the town’s curiosity. His New York City street hip-hop rap is all he has to survive and figure out how to get home. But in his pursuit he finds connections in a way he never expected.”

The film showcased Derrick B. Harden as Khaled (who also did the rap music) and Ina, played by Irmena Chichikova . Crystal Moselle and Derrick B. Harden are the movers and shakers on this one, which has been picked up by Metrograph Pictures for distribution,. It had no real script and was shot during the pandemic, apparently in Bulgaria with cinematography by

The film was promising when Derrick arrives in Bulgaria only to learn that he has no passport, no money and no ability to communicate with the locals. It’s an absolutely terrifying feeling, which I have experienced. Derrick reminds of a younger version of J.B. Smoove and he uses his charismatic personality to figure it out (much like Claude Nobbs did in the Montreux documentary).

The lack of a plan for what happens next begins to pull the story down after that; the end of the film is not entirely satisfactory, but congratulations to the makers of this small film. The setting was beautiful in both films and there is a common thread beyond the beautiful geography and that is but one of their similarities. Both Claude Nobbs and Derrick B. Harden were positive people who had the charisma to organize others and that means a lot.

“DEVO” Opens the 55th Nashville Film Festival on 9/19/2024

By Connie Wilson

On September 19, 2024

In Movies, Music, Pop Culture, Reviews

Opening night of the 55^th Nashville Film Festival on September 19, 2024, highlighted a documentary, DEVO, directed by Chad Smith, which premiered originally on January 21, 2024 at Sundance. As it was introduced to the audience at the Belcourt Theater, the comment was: “So insightful in ways that I never thought it would be.” The “Whip It” creators formed DEVO in 1973 in Akron, Ohio. They still seem to be ready and willing to continue as a band, if not as able as they were in the 70s and 80s. The dedication at documentary’s end was to three members of the group who are dead. At film’s end three of the surviving members—Bob Mothersbaugh, Mark Mothersbaugh and Gerard Casale—answered questions from the audience via zoom screen.

At the Opening of the 55th Nashville Film Festival.

The band credits the impetus for their formation to the political unrest at Kent State, Ohio, that led to the May 4, 1970 deaths of 4 students (and the wounding of 30) who were demonstrating against the Vietnam War. As someone who took part in demonstrations of the era at Berkeley, I can remember and relate to the horror the members of the group experienced at this historic mis-use of power in the United States. Nixon had expanded the war in Vietnam without an act of Congress; my generation’s young men were being sent to Vietnam to die in a war that was ill-advised and unwinnable. The draft was in full swing; we were mad as hell and not going to take it any more. The students had set fire to the ROTC headquarters on campus and burned that building down. President Richard Nixon decided to send in the National Guard, who opened fire on the unarmed students.

AHEAD OF THEIR TIME

DEVO:
photographed in Holland, 1978 by Barry Schulz.

Through the years, the band doggedly worked to satirize society and, as they admit, “We did some absurd things.” In explaining the famous “energy hats,” as well as the lacquered hair-dos that the band wore (based on JFK, not Reagan), the group admitted, “We like ironic humor.” They also said that the masks and hats and odd costumes were “a way to amuse ourselves—a very Meta idea.” DEVO was anti-punk rock, saying, “We’re the fluid in the punk enema bag.” Over the years, the group saw the future of film in music and began making music videos which were shown on MTV (MTV didn’t exist when the band first formed). Casale went on to helm music videos for current groups like Dave Grohl’s Foo Fighters and Soundgarden.

Not only was the band way ahead of the curve in using music videos to promote themselves (most of which were directed by Gerard Casale), but they contributed to the birth of electronic music. Jim Mothersbaugh created circuit bending before there was a name for that process. Jim Mothersbaugh went to a muffler shop to build a guitar that was the precursor of the Moog synthesizer. In this respect, the film reminded me of the SXSW documentary “Resynator,” ,helmed by Alyson Tavel, which catalogued her father Don’s similar pioneering attempts to create the Moog synthesizer. (Highly recommended). DEVO has been nominated for the Rock and Roll Hall of Fame in 2018, 2021 and 2022.

FAMOUS FANS

Audience members at DEVO at the Nashville Film Festival on 9/19/2024.

After a video that the band submitted won an award at the Ann Arbor Film Festival their fortunes took a turn upwards. Famous fans included David Bowie, Iggy Pop, Jack Nicholson, Mick Jagger, Dennis Hopper, Leonard Cohen and Neil Young. Over the years, the band made appearances on “Saturday Night Live,” David Letterman’s “Tonight” show, daytime talk shows like Merv Griffin’s, “American Bandstand” and many others. Neil Young put them in a movie entitled “Human Highway” in 1977 (released in 1982) where the members of the group wrote their own parts and portrayed nuclear garbagemen.

However, the group said, “Being self-aware put us in a delicate position” and added, “How soon will you become the people you hated?”

Q&A

During the post-film conversation with three members of DEVO the trio shared some amusing details of what they term the “headache” solo. This episode is shown onscreen. The small audience of 12 people dwindled to 6 people when all the band played were electronic high-pitched sounds. As Mark said, “The guitar players backstage were having a horrible time trying to tune their guitars. The bit ran five times as long as we thought it would. It was Supreme Dada—like Andy Kaufman performance art.”

Bob Mothersbaugh, Mark Mothersbaugh, and Gerard Casale during the zoom interview after the documentary DEVO.

CONCLUSION

This documentary about a band best-known for their #14 Billboard Hit “Whip It” was quite interesting. It drives home the need for good marketing, good management, and good legal advice in areas like the music, publishing and entertainment businesses. While DEVO’s video marketing was good, it was ahead of its time as MTV did not yet exist. The management and the legal advice seem to have been spectacularly MIA.

That, as much as anything else, led to the death of DEVO—(if they are really and truly dead.) As Mark Mothersbaugh said, “Somebody decided that DEVO should die. We succumbed to the same reality we were satirizing.” He added, “DEVO didn’t officially end” and said, perhaps prophetically, “It’s better to burn out than to fade away.”

A solid opening to the 55th Nashville Film Festival.

“Melissa Etheridge: I’m Not Broken” on 9/22 at Nashville Film Festival

By Connie Wilson

On September 9, 2024

In Editorial, Movies, Music, Pop Culture, Reviews, Television

Melissa Etheridge appears in a series streaming on Paramount Plus as of July 7^th, entitled “Melissa Etheridge: I’m Not Broken.” The two episodes are being shown on Sunday, September 22, from 7 to 9 p.m. as part of the Nashville Film Festival.

Young Melissa Etheridge.

A native of Leavenworth, Kansas, Etheridge is shown visiting the Topeka Correctional Facility for Women, after having corresponded with many of the inmates for 9 months prior. It was a homecoming of sorts for the singer, as, like Johnny Cash, she had performed at a Kansas prison when she was only 12 years old, in 1973. Brian Morrow and Amy Scott directed the series and five of the inmates of the prison are shown reading the letters they wrote to Etheridge. Etheridge talks with the five women and performs for them.

Saying that their letters inspired her, Melissa wrote some original music for the concert and said, “I realize I can’t save anyone, but I’m looking to inspire.”

HIGH POINTS

The Mayor of Leavenworth, Jermaine Wilson, who did 3 years in prison himself, is shown talking with Etheridge about the upcoming concert. Wilson and Etheridge, together, stressed that they wanted to inspire and encourage the imprisoned felons, saying, “Mistakes don’t define you. You are not a failure. You are not a mistake. You were created on purpose for a purpose.”

Mayor Jermaine Wilson of Leavenworth, KS.

Mayor Jermaine Wilson of Leavenworth, Kansas.

In addition to much charitable work, Melissa also founded the Etheridge Foundation which attempts to legalize cannabis and other drugs that might be useful for therapeutic purposes. She shared with the crowd of women—many of them incarcerated specifically for selling, using, or possession of drugs—that she once had an arrest as she entered the U.S. from Canada through North Dakota, where cannabis was illegal. “The best I can do is to be an example—a light that holds you up and says you matter.”

PRISON STATISTICS

Meghan Davis, an employee of the facility, said that the likelihood of a woman being the victim of a crime never drops for women as it does for men. Women do not grow up and become less likely to become victims of crime. In fact, over the last 40 years, there has been an 84% increase in women convicted of crimes and imprisoned, many of them crimes that originated with a drug habit.

Of the 760 women incarcerated in Topeka, 500 are mothers or grandmothers. Prison employee Dani Essman talked about how many of the imprisoned women lose their identity. One of the women expressed gratitude for Etheridge’s actions, saying, “We were just grateful that she gave a shit.”

POIGNANT SHARE

Melissa and her then-partner Julie Cypher had 2 children. Cypher gave birth to Bailey Jean and Beckett.^[⁶⁵^] Cypher became pregnant via artificial insemination using sperm donated by musician David Crosby.^[⁶⁶^] Cypher and Etheridge separated in 2000. On May 13, 2020, Etheridge announced on Twitter that her son with Cypher, Beckett, had died at the age of 21 of a drug overdose related to opioid addiction. (Her daughter, Bailey Jean, graduated from Columbia in 2019).

Beckett and sister Bailey.

When Etheridge shared this personal heartbreak with the crowd, she sang the song “Shadow of a Black Crow,” which she said she seldom performs. One of the lines in the song is, “I would rather die fast than ever drive slow. Father, forgive me, for what my mother don’t know.”

Etheridge—speaking to so many women who know only too well the curse of addiction—said, “He (Beckett) was either gonna’ find his way out or not, and in his case not.” Referencing the lyric “The scratch marks on my soul from the shadow of a black crow” Etheridge said, “I miss him here, but I know he is here (gesturing upwards).”

SECOND HALF

In the second episode of the Melissa Etheridge Paramount Plus offering “I’m Not Broken” Ms. Etheridge composed a song especially for the inmates of the Topeka State Prison. We witnessed the actual creative process as Etheridge discusses the evolution of the song. Band member Joe Ayoub tells us that they worked up the band’s part from Friday to Sunday.

Onstage.

particularly heartbreaking story, told by one of the five women spotlighted in the special (Andrea, Cierra, Jessica, Kristi and Leigh) shared with the viewers was that she became hooked on drugs and was pregnant by 19. Her baby died ten minutes before she gave birth.

Etheridge opened up about her son Beckett’s death on May 13, 2020. Beckett was born on November 18, 1998. Etheridge explained his addiction as stemming from Vicodin administered after a snowboarding accident. His addiction quickly spiraled out of control.

Beckett was 21 when the police found him dead after a wellness check that Melissa and her former partner Julie Cypher requested.

THE ODD

Beckett and Bailey.

I found Melissa Etheridge’s sharing of her personal trauma brave, but odd.

Melissa and son Beckett.

She said, “I do not let it take me out of my own sense of well-being. You can accept a person’s choices and it doesn’t have to destroy you.” She seemed remarkably calm and distanced from grief at the death of her son. I couldn’t help but wonder if, like the devotees of the new meditation start-up Jhourney, Etheridge has internalized the life rule “true peace comes from accepting things just as they are.” I admit that I was taken aback at the calm way Etheridge discussed the death of her 21-year-old son, Beckett. It was shocking and surprising; she seemed somewhat clinically detached. The death had taken place three years prior so that may help explain the low-key dispassionate discussion the film showcases.

CONCLUSION

The 2 part serial look into Melissa Etheridge’s life and creative process was interesting, but repetitive. There were too many shots of Etheridge performing on the temporary stage set up outside the prison walls. The interviews with the five inmates (Andrea, Cierra, Jessica, Kristi and Leigh) were conducted in less-than-optimal settings and there were a lot of those table shots. Perhaps film of the five inmates establishing the women’s relationships with their families of origin before they were incarcerated would have helped?

Onstage.

What comes through loud and clear is that Melissa Etheridge is a time-tested talent. She asks the assembled women if they are familiar with her music. Some are not. For them she described her audience as those aged 50 and up, as her Grammy-winning years were approximately 1993 through 2007. That’s a pity, as she is just as talented now as she was in earlier years— more seasoned and just as creative. She continues to write. This series is a tribute to a true talent trying to bring redemption and empowerment to incarcerated female prisoners. It is a wonderful humanitarian concept.

Melissa Etheridge onstage.

What else could have been done to liven up the many scenes of Ms. Etheridge talking with the inmates? The library setting was used repeatedly. Melissa performing onstage was entertaining, but also repetitive. Those were the weak points of the two-episode series, which will screen at the Nashville Film Festival on Sunday, September 22^nd, from 7 to 9 p.m., and on Paramount Plus.

THE GOAL

The goal of bringing hope to the incarcerated women of the Topeka Correctional Facility for Women was worthwhile and deserving of support. The plea for accepting drugs for therapeutic purposes is also a progressive step forward, just as Etheridge’s original song “I Need to Wake Up” for Al Gore’s 2007 documentary “An Inconvenient Truth,” which won the Academy Award, was part of a good cause, trying to alert the world to the dangers of global warming. (I can’t help but regret how our weather patterns might be different if Florida and the candidate’s brother had not been allowed to prevail in the hanging chads election of 2000. A candidate whose party had no plan at all to address global warming—and still does not—was declared the winner. Al Gore, who was extremely concerned about our stewardship of the planet, stepped aside with decorum. How times change!)

Reservations aside, it’s a pleasure to watch a Top-Notch Singer/Songwriter writing and performing her work. Etheridge’s social conscience cannot be denied. This two-part Paramount Plus series is a testament to that .

“The Day the Music Stopped” to Screen at Nashville Film Festival on 9/20/2024

By Connie Wilson

On September 7, 2024

In Editorial, Music, News, Pop Culture, travel

THE EXIT/IN

Exit/In bar in Nashville, Tennessee

“The Day the Music Stopped,” directed by Patrick Sheehan is a 95 minute film that explores the end of an iconic Nashville indie music venue, the Exit/In. Last year’s Nashville Film Festival ended with a buffet meal at the Exit/In. It was great. The Big Names who have played at the iconic Exit/In venue appeared on plaques that literally filled the walls.

The room hosted its last indie concert on November 23, 2022. Fifty-one years of music as an independent venue stopped when Goliath beat David. As Wikipedia explained, Exit/In’s demise, it had 25 different owners over the years from 1971 to 2022 and was not continuously open, but it definitely was a place where many big names in music either got their start or performed over the years. It even served vegetarian food for a brief period. Comedian Steve Martin performed there while climbing the ladder of success.

LAST INDIE OWNERS LOSE

The final owners before the Big Boys of Music moved in and took over were Chris Cobb and his wife, Teisha, who put up a valiant fight to keep the venue independent. However, on November 14, 2022, club operators, Chris and Telisha Cobb, announced their departure.^[^2] In December 2022 AJ Capital Partners, was announced as the new purchasers and operators of the venue.^[^3]^[^4] The venue was listed on the National Register of Historic Places in 2023. There are still shows at Exit/In and the Rock Block, but admission prices to the 500-seat space have, no doubt, increased. (There was even talk of how Live Nation would charge musicians a fee simply to use their lights.) There is a hopeful bit of film showcasing (Attorney General) Merrick Garland at the very end of the film that would probably bring forth a cheer from the group assembled in the photo below this paragraph.

Exit/In’s last indie show in 2022.

This film depicts the tumultuous last show as an indie venue and also charts a path forward that gives a glimmer of hope—a national movement, Save our Stages. Watching the crowd surfing group revel one last time you could feel the joy and also the sadness in the room.

The city and the state face the reality that capitalistic greed is destroying the music culture created in Nashville over decades. As Chris Cobb of the Exit/In said, “The winds of charge are certainly upon us.” Much of the fight centers on who owns the brand name “Exit/In.” (Still unresolved). A.J. Capital Partners (of Chicago) is the villain of the piece, especially when we learn that they are in business with Live Nation. It seems to be only a matter of time before the Big Boys gobble up all of the small venues that used to provide platforms for the future Taylor Swifts and Garth Brooks of the music business.

One by one, iconic venues are listed and (mostly) shown going under—Mercy Lounge (closed May 19, 2022), Douglas Corners, Exit/In, Lindsay Corners (saw Low Cut Connie there the last time I was in town), the Bluebird Cafe. The music business is still very unstable post-pandemic. Although Exit/In closed for what they thought would only be 3 months during the pandemic, the iconic venue once reopened in 1981 by Chuck Berry which spawned so many big names through the years is one of the casualties of what is described as “a corporate takeover of America by capitalists.” Exit/In still open, but it’s not the same.

THE OLD DAYS

Up-and-coming Nashville.

Many in the documentary talk about how, if you arrived in Nashville before 2012 or 2013, Nashville was a very different town. My daughter selected Nashville as her college town in 2005 (Belmont College). She can testify to the many changes that the city has experienced.

The film does a good job of explaining why 43 buildings on Music Row were demolished between 2013 and 2018. It also lays bare the dilemma that Nashville faces. “It truly is a crisis situation here in Music City.” As the Mayor outlined “an unparalleled series of challenges for cities with only a few million in cash reserves” the picture begins to focus. It’s not good news for those who considered Exit/In “a sacred space for Nashville.”

John Cooper, Mayor of Nashville.

John Cooper, the Mayor of Nashville, explains that, although Nashville has certainly enjoyed a booming economy, “We had not been a good steward of our finances.” When tough times hit, Nashville only had a few million dollars in its contingency fund, not enough to handle the crises that beset the city, beginning in 2010.

THE FLOOD, THE STORM, COVID & OTHER CATASTROPHES

Nashville flood of 2010.

First, there was the flood of 2010, which ruined downtown Nashville.

Then came the deadliest tornado on record on March 2, 2020 (25 people died). (There’s been another since then that killed 3 people on the block where my daughter lives in December of 2023.)

Just one week later, Covid struck the nation and the world.

Indie music venues were impacted very negatively. Even today, “a lot of clubs are in limbo.” It is an eco-system that cannot survive without assistance. The Exit/In closed for what they thought would be 3 months.

Add to the natural disasters the 63-year-old Nashville resident, Anthony Quinn Walker, who blew himself up inside an RV parked outside an AT&T building on December 25^th of 2020, taking most of historic 2^nd Avenue with him, and you have the makings of the dilemma that haunts creatives in Nashville now. As the film points out so well, the residents of Nashville have to ask themselves “Where are we heading?”

A GLIMMER OF HOPE

Famous spokespeople like Ben Folds speak out about the potential closing of RCA Studio A, the studio where Chet Atkins and Elvis recorded. It was established on June 20, 1924. It almost met the wrecking ball on Chet Atkins’ 90^th birthday, until some notable names like Ben Folds and Keith Urban stepped up and made efforts to save the iconic studio.

Erica Wollam, General Manager & Chief Operating Officer Bluebird Cafe.

Throughout the film there is much information about the fight to keep the Exit/In out of the hands of Live Nation. But Live Nation bought Ticketmaster and, as one executive told the owner of the venue, “In 10 years we’ll control the business from the top to the bottom.” A 2021 Live Nation document is shown onscreen that spells out how, if an artist were to cancel his or her Live Nation concert, “the artist will pay promoters double the artist fee.” It also highlighted how the cost of insurance to artists increased from 0% to 100% and, all-in-all, while getting only 40 cents on the dollar from any gig they might play in Music City under the auspices of the big music biz entrepreneurs, it has become more and more difficult to make a living as a musician—not that it was ever easy.

There are those who are fighting to save the stages. Jeff Syracuse, a BMI executive, is a City Councilman who is well aware of the competition for space in Nashville and how new talent is struggling to find a launching pad amongst dwindling indie clubs. Mike Curb, Chuck Elcan, Chris Cobb, Representative Johnny Garrett (R, Goodlettsville) are all shown working to pass a state-wide live music fund, the first in the nation, that would help struggling indie venues, which seems to be meeting some success by film’s end.

Honky Tonk Central.

Near the end of the film Chris Cobb (last owner of the Exit/In) is awarded the Blayne Tucker Advocacy Award for his work with Save Our Stages. I’ve never heard of Blayne Tucker. But I could relate to the talking head in the film who said “Money is gonna’ win a lot of the time.”

Patrick Sheehan, Stephen Thompson, Ian Criswell (Cinematographers/Director) and Michael Gomez (Photography), with editing by Sheehan have done a great job with this film. It sounds very familiar to an Austin (Tx) resident to learn that the music industry is not a straight-arrow biz. But it does have people within it who really love what they do and want to preserve music culture in their city for all the right reasons.

And then there are the others who just want to make as much money as they can as fast as they can; they don’t seem to care about much else. The creators of “The Day the Music Stopped,” both onscreen and behind the camera compiling this engaging documentary, obviously do care. With this documentary they are trying to help preserve the true spirit of Nashville. It’s a sobering look at greed spurred by the competition for space in Nashville. I hope those fighting the good fight catch a break in their struggle. Stay tuned for further developments in Nashville and nationwide.

Wild Bill & the Bruisers Rock Austin on August 30th, 2024

By Connie Wilson

On September 1, 2024

In Editorial, Music, Pop Culture

As part of our annual Wilson Family Fest, some of us journeyed out to hear Nashville band “Wild Bill and the Bruisers” at a bar in Austin, Texas, that was literally less than 5 minutes from our south Austin home. The Nashville-based band that plays on Broadway at various venues was only supposed to be the opening band for a band that had double-booked themselves, leading to the band playing from 8 p.m. until midnight at Sam’s Town Point at 2115 Allred Drive on Friday, August 30th.

Son Scott, Wild Bill (Will Allison), me on Friday night in Austin.

Since the daughter (Stacey) is a Nashville resident, and a graduate of Belmont University just like band leader Will Allison (aka, Wild Bill) she knew them all. Also in the 3-member band are lead guitar and vocals Ryan Hartman and Roger Ross on drums.

The band has an infectious enthusiasm; the crowd this night got into the spirit quickly. The band is releasing an album of their original songs. I think they announced the album would drop on September 14th, but don’t hold me to that. (Some of us were imbibing and dancing at the time.) I learned that my daughter has been doing the two-step a lot, and the rest of the crew (me included) certainly saw some accomplished dancers sweating up a storm in the low-ceilinged and hot Sam’s Town Point. If you look up “dive” in the dictionary, after the verb definition, you might find a picture of Sam’s Town Point, but it’s hard to fault the performance of the three musicians or the response of the crowd.

A friend of Will’s asked me to dance “the two-step,” a dance which I had never seen, let alone danced. Houston (my dance partner) informed me that the rules for this dance were: “Don’t look at your feet. Two steps left and one step right. Keep it close, like you’re in a closet.” I had just drunk my third or fourth Diet Coke (yes, I was drinking plain Diet Coke; after all, I’m here for the Texas Liver Institute to figure out why my liver enzymes are sky high, and your liver hates alcohol.) So, at least I was sober. (As Bill Murray would say, “At least I had that going for me,”)

Will Allison, aka Wild Bill of Wild Bill and the Bruisers

I was intent on hearing the band, as I had seen video of the lead on the bass throwing that thing around like it was a child’s toy. Will (Bill) needs a fairly high ceiling to do it justice and said he had developed a bit of a bad knee from going down on one knee to hoist the rather large fiddle into the air.

All-in-all, it was very entertaining. The honky-tonk and country tunes were big crowd-pleasers. I haven’t thought of the name Conway Twitty since the movie “Bye, Bye Birdie,” where it was changed to Conrad Birdie. That was 1963 and I was a senior in high school, so I was definitely not “up” on the catalogue of tunes that the band covered, but the original song “Do You Want to Dance With Me?” (on the new album) had a Huey Lewis and the News vibe. I certainly know who Johnny Cash was, but my knowledge of honky tonk and/or country music is seriously impaired by devotion to rock-and-roll. Enjoyed the Johnny Cash song Wild Bill selected, as he sold it well.

If you’re going to be in Nashville, check them out by checking their blog for dates and places, https://www.wildbillandthebruisers.com/

You won’t be disappointed.

Guitarist Ryan Hartman at Sam’s Town Point in Austin, Texas, on August 30, 2024.

The Rolling Stones Play Soldier Field on June 27, 2024

By Connie Wilson

On June 28, 2024

In Music, Pop Culture, Reviews

The Rolling Stones play Soldier Field on June 27, 2024.

The Rolling Stones played at Soldier Field (across the street from me) tonight, Thursday, June 27th.

We were 3 rows from the top of the stadium until the $16 beer my spouse had consumed drove us to lower levels to seek a rest room.

I was quite happy to move from the top section, because a man (who had to go at least 300 pounds) was sitting ON me. I can’t remember a time that was worse, except for the play “Tommy” when a very large lady sat on me,,,and it wasn’t even her seat!. There was also the air trip back from Europe when a very large crippled man sat ON me. I am not small, myself—(although I’m 50 lbs. lighter than in the past)—but I seem to be a magnet for extremely heavy people to come sit ON me, literally.

But I digress.

The last time we saw the Rolling Stones at Soldier Field nobody stood up and blocked the view of other people. That was not the case this time, which I think was because the audience seemed to be composed, that last time, of oldsters like us, but a lot of younger fans were there this night, who danced throughout. Unfortunately, two of the non-stop dancers were standing right in front of us. One of them had no sense of rhythm and reminded of the Elaine episode on “Seinfeld.”

Keith Richard, Ronnie Wood and Mick Jagger at the Chicago show in 2024.

Mick. Ronnie & Mick.

The Stones opened with “Start Me Up” and the first four songs were among their top hits.

Things slowed down a bit after that, with songs that either were newer or were not as well-known.

Near the end, while singing “Just a Shot Away”, a very impressive female singer was highlighted and sang with Mick on the stage that leads into the audience. Chanel Haynes was terrific! She immediately reminded me of the documentary about Mick’s previous Black female back-up singer. Both of these women have voices that are so powerful that they literally can blow the roof off the place! Amazing!

Near the end of the concert we made an early trip to the rest rooms and, following that, chose to watch the finale songs from seats that were not sold, for reasons that we did not understand. The entire section was vacant, and all of the seats were quite close to the stage, (although off to the left.) We sat in the front row near the stage for “I Can’t Get No Satisfaction” and “Jumping Jack Flash” and other big hits.

The entire show was very enjoyable, except for the two girls that blocked our view of the stage most of the time..

Mick Jagger, Ronnie Wood, and Keith Richards onstage in Chicago on June 27, 2024.

This was the view from the seats NOT sold near the left side of the stage.

The weather was cooperative, cooling to the sixties and seventies. It was so much cooler that I had to dig out a very old coat that I leave here for emergencies.

After we made it to our section (435) we had to climb 35 rows to seats 9 and 10. Since I generally was not able to walk at all at this time in 2022 and parts of 2023, I felt very happy that I was able to not only walk to the stadium, but also to climb multiple stairs to our seats and then down to the rest room areas on the ground floor. We didn’t spend long at the concession stand, where shirts were going for $50.

I’ve seen the Rolling Stones every tour since 1982, which is 32 straight years, but they have actually been touring for 62 years and this was their 40th show in Chicago. They bemoaned the possible destruction of Soldier Field (to be replaced with a newer stadium, ostensibly). I don’t think I’ve seen Keith Richards smile as much at any concert in those 32 years.

The other thing that made an impression on me was the new Black drummer, Steve Jordan, who replaced Charlie Watts. Very impressive that this band is still going strong after all these years, going back to my college years. I still remember hearing “Hey, You, Get Offa My Cloud!” as I walked through the student union on campus at the University of Iowa as a freshman, a song that they played tonight with a Reggae influence. I’ve been listening to the Rolling Stones ever since and—after the Beatles broke up (saw them in 1965 at the San Francisco Cow Palace)—I switched to following the Stones “live” when they tour.

Mick Jagger and his new Black back-up singer.

Mick Jagger and his Black back-up singer onstage in Chicago.

I still think their best tour was “Steel Wheels,” which I saw in Ames, but I remember the Voodoo Lounge, Bridges to Babylon, No Security and the very first one at the University of Northern Iowa Uni-Dome, when Mick and the boys dressed in American football outfits and he used a cherry-picker to float above the crowd. The worst show of theirs was the one that was held in Austin at a place (Circuit C? in 2022 that is normally used for road races. It was a disaster because of the venue. People could not make it to the place and turned around and went home. That was the last time before this one. One of the most memorable was when my daughter took me to the Indianapolis 500 race track for my 75th birthday celebration. It was held near the Fourth of July in 2020 and fireworks burst overhead as it ended.

I always wonder if I’m seeing the Stones on their final tour. How can Mick Jagger continue to perform at this level when he was born in 1943 (July 26) and is 81 years old next month? If only Joe Biden looked as fit and capable as Mick did this night. Instead, our president looked very frail. Jagger referred to the debate as “Viagarapalooze,” We were missing the debate between Biden and Trump this night and, after we saw it on tape afterwards, I am glad. It was so sad for such a good man, who seemed to have no voice at all this night to be attacked by DJT. I’m glad I was not there “live.”