Welcome to WeeklyWilson.com, where author/film critic Connie (Corcoran) Wilson avoids totally losing her marbles in semi-retirement by writing about film (see the Chicago Film Festival reviews and SXSW), politics and books----her own books and those of other people. You'll also find her diverging frequently to share humorous (or not-so-humorous) anecdotes and concerns. Try it! You'll like it!

Category: Music Page 18 of 19

Connie plays 4 musical instruments and her daughter is a graduate of Belmont University in Nashville with a degree in Music Business and once worked for Taylor Swift. She may comment on concerts or reminisce on concerts of old.

New Year’s Eve (Times Square): Freezing with Lionel Richie

nyelate-009Lionel Richie just completed his set and Kellie Pickler is hanging on to the iron barriers the police spent all afternoon setting up. The temperature, with wind chill, is around 5 degrees. Ryan Seacrest, in his earmuffs, looks better than Luke Russert and Carson Daley in hats.

Some time ago the daughter (and friends) took off for Madison Square Garden to hear “My Morning Jacket” play. I took her to hear them on a bill with Dave Matthews, Ben Harper & the Innocent Criminals, Jurassic5, and Neil Young during a MoveOn.org concert for Kerry lo those many years ago (Ames, Iowa). She saw them at Bonaroo. The friends from school traveled here by bus and train to hear them again and decided that freezing outside in the cold was less desirable than going to a concert at Madison Square Garden, so they are gone, having fun, we hope.

nyelate-002Before they left, via subway and bus, she delivered 2009 glasses ($6 a pair) purchased from vendor’s around Times Square.

We are fortunate because 7th Avenue, the street shut down for the festivities, with stages and the ball, itself, at the end near the DoubleTree Guest Quarters, will allow us outside the door to watch the ball drop soon, without our having to become penned cattle for the entire 8 hours of waiting that some have endured.

Here are a few shots of the night.

Tim Stopulos Plays Redstone Room on Dec. 19th

tim-stopulus1Tim Stopulos, a Davenport Assumption High School graduate who attended college in Wake Forest (Winston Salem, North Carolina) after graduation, was in town on December 19th, playing at the Redstone Room of the River Music Experience.

His tightly knit combo played some covers of Billy Joel and Elton John (“Don’t Let the Sun Go Down on Me”) on which Steven Kretschmer guested and sang harmony, but most of the songs were original compositions from Tim’s album “The Long Drive Home.”

Tim’s band consists of Justin Hooks on drums and percussion, Seville Lilly on keyboards and bass guitar, Michael Tahlier, lead guitar. Tim, himself, plays keyboards and guitar and sings lead vocals while composing many of the group’s songs. Born in 1983, the 25-year-old singer/songwriter says he has been influenced by everyone from Dave Matthews to John Mayer, Ben Folds, Coldplay, Billy Joel, Radiohead and Jeff Buckley. He began 15 years of piano instruction at the age of 6, and it has definitely paid off.

I spoke with Seville Lilly, the bass and keyboards player (and the thin guy wearing the hat) and he said, “Tim is the most complete musician I’ve met. He has it all. He sings, he composes, he can play all the instruments. I’ve been in 13 bands in and around Chicago. This CD is really well-produced. It was hearing this CD that convinced me to join the band.” Seville went on to note that he is not on the CD. He gave kudos to band organizer and “main man” Tim Stopulos, who seems very upbeat and energetic and dedicated to making it in the crazy and unpredictable music business.

tim-stopulos2I bought one of the CDs, in order to listen to: “Weak and Willing,” “Too Close,” “Pride and Prejudice,” “Love It or Leave It,” “Where I’m going,” “Loose Ends,” “Lie to Me” (I thought it was going to be Johnny Lang’s version; it wasn’t), “Wandering,” and “Wait it Out.”

What I liked best about the concert was that Stopulos is undeniably talented. I haven’t been as impressed with a keyboard player since I heard Joe Firstman open for Sheryl Crow and predicted a big career for the guy (who is now the house band on Carson Daley’s late night show). [22 years of piano instruction here, so there!]
The band’s members are mainly from the Chicago area, and they are playing in the Chicago area at the following places during the upcoming weeks:

December 20th – Bad Dog Tavern (solo) 9 p.m.

December 23rd – Nan’s Piano Bar (solo) 8:30 p.m.

December 27th – Reggie’s Music Joint

January 9, 2009 – 1:30 A, Bar Louise (solo)

January 16 – The Red Line Tap, 9 p.m.

January 31, Private party, 8 p.m.

Learn more about Tim Stopulos’ band, and vote for a name for the band, at his blog:www.timstopulos.com. It’s nice to hear a singer who can actually sing, for a change, and whose talent comes through loud and clear. Good luck to this  Iowa native as he takes on the world of entertainment.

River Music Experience “Live” Sessions Continue on December 8th

xmasbooksigningslivemusic-0081Another of the Quad City Times’ “live” music sessions went down at the River Music Experience’s Mojo Café on Monday, December 8th, 2008, kicking off at 5 p.m. with The Kaps, moving on to “Keep Off the Grass” from 6:40 to 6:20 p.m. and, at 6:20 p.m., the band Hugh Hefner.

The introduction that “Times” Arts & Entertainment editor David Burke gave the group pronounced their name as “huge,” not “Hugh.” They have been together a year and a half and covered groups like the Bangles “Walk Like an Egyptian” and “We Got the Beat,” which certainly had the volume. Hugh Hefner had a full-bodied rock sound and a female vocalist with a country twang. The drummer was on the money and the bass guitar support was full throttle full speed ahead.

Following Hugh Hefner was “Cosmic” from 7 to 7:40 p.m. There were 2 female vocalists who sang harmony well and whose voices meshed together well. “Cosmic” has been playing as a group for 6 years and, this night, they played (among others) “I Shot the Sheriff,” “Boogie Oogie Oogie,” and “A Bad Case of Lovin’ You.”

xmasbooksigningslivemusic-0111“Head Held High” played last from 7:40 to 8:20 p.m. They were very loud, flat, at times, and, although the drummer did yeoman’s work keeping the group on tempo, it was really more noise than music. At the risk of having the lead singer send hate mail, I have to say that there is a difference between screaming as loudly as you can and singing. The band literally emptied the joint. It was painful to listen to and each song ended with an off-key twanging sound from the guitarist. The lead singer attempted to make up for tonal quality by volume and by thrashing around onstage, neither one of which worked well. At the end of the set, there were only about 3 people left in the entire place, and I had moved as far away from the noise as possible and was still getting a headache.

There is no charge for listening to the five bands, however, so the price was right, and all bands are being filmed for later enjoyment at qctimes.com/goanddo. The “live” sessions continue on Tuesday, December 8th, and, again, in January, on the 12th and 13th (Monday and Tuesday.) I plan to be there with books from 6 p.m. to 8 p.m. on those nights.

Kevin Costner and Band to Tour: A Sign of the Apocalypse?

Kevin Costner and wife ChristineI just read that Christine, Kevin Costner’s wife, who is now pregnant with their second child, encouraged him to take his band (Modern West, I believe) and to appear in some Nashville singing gigs. I can forgive Christine this indiscretion, as she is, after all, preggers, and the hormones must be raging.

But I would advise the rest of you to rent “The Postman” in which Kevin sings to a donkey (or perhaps it was a mule…I can never tell them apart, and they never answer me when I ask.)

This was, without a doubt, one of the most unintentionally hilarious scenes I have ever had the misfortune to sit through during my movie reviewing days (which were long and unproductive, but lots of fun). Kevin does not have much of a voice, and he goes right up there with the others that Jeff Daniels (who actually CAN sing) made fun of in his self-written song (“If William Shatner Can, I Can, Too”): Rusell Crowe, Adam Sandler, the Olson Twins, Gina Gershon, Juliette Lewis and the ever memorable William Shatner.

Jeff Daniels just completed a run at the Goodman Theater in Chicago of a play entitled “Turn of the Century.” He and a lovely singer played “Billy Clarke” and (?) Wilson, a piano player and a singer (she being the singer) who are transported back through time from the Y2K New’s Year Eve to 100 years prior. They promptly begin ripping off the “greats” of the next 100 years, including, but not limited to, Irving Berlin and Billy Joel. It was a novel idea, written by Marshall Brickman (who often collaborated with Woody Allen) and choreographed by Tommy Tune. I enjoyed it, but even Daniels’ pleasant tenor didn’t stack up against the woman he played opposite, who had the real set of pipes.

Trust me on this: Kevin Costner really does not have much of a voice. If you don’t believe me, rent “The Postman.” And, while you’re watching that scene with the donkey/mule, check out how his hair looks in the scene where he crosses a huge mountain gorge with the wind ruffling his thinning-even-then locks. Kevin! Kevin! How could you! We are your FANS! We don’t want to see thinning hair and hear off-key melodies sung to a donkey, for crying out loud!

Again, I urge you to rent “The Postman” and stick it out to the bitter (and it will be bitter…trust me on that) end before you shell out hard, cold cash to hear Kevin and his band play in Nashville (or anywhere else).

There are REAL STRUGGLING musicians out there, who are GOOD. Give us all a break, Kevin, and let the real musicians among us get a life, while you pursue yours, which seems pretty full with movies, a new baby on the way, that large ranch I am always seeing pictures of, and anything…please…anything BUT singing.

I did not add Bruce Willis to the list of singers-who-cannot-sing, because he and Daniels actually sound “okay” when they wander away from their chosen profession for some harmonica-playing on Letterman or wherever. Stay tuned for judgment on Joaquin Phoenix, who, apparently, is our next star-turned-singer.

Live Music from the River Music Experience on Veterans’ Day

The second night of “live” bands performing took place at the River Music Experience’s Mojo Coffee House on Tuesday, November 11, 2008 (Veteran’s Day). The weather was horrible outside, so this may have had an effect on the crowd that was smaller than it had been on Monday night.

The first band (which I missed) was Fire Sale. I did meet a very cute young blonde person who told me this was his band. I’m sure they were awesome.

livemusic2-0061The second band, a heavy metal group called “Through Terror,” were the showmen of the night. Lead vocalist Mike Saviano has been doing his study of classic heavy metal rock showmen. Other members of the band were Brooks Swanson on lead guitar; Chris Kostielney on drums; Jsin Grievous (lead guitar); and Sean Deppe on Bass. The group has played together for about 2 years.

I asked the group if they had day jobs. Jsin works at a guitar center and O’Tool Design; Sean (Deppe) works at Honda; Mike Saviano works at a metal shop (appropriate); Chris Kostielney plays drums; and Brooks Swanson (lead guitar) is working on an engineering degree to help implement solar panel technology as an alternative energy source.

danilynn-howeThe Dani Lynn Howe Band featured lead singer Dani Lynn Howe (from near Cedar Falls, IA) who has been singing since she was 13. The group has been named favorite C&W group for the past 5 years by the “River City Reader” and Dani Lynne’s alto was very pleasant, with excellent back-up from her band.

“Tapped out!” was a more mature group with Brandon Brown on lead vocals. Brandon had one of the better voices of the night and was ably backed by Kirk Wood on guitar and vocals; Tim Olson on bass guitar; Tom Zick on drums; Steve Svec on guitar and vocals; and Rich Kraves handling sound. “Tapped Out,” which has been together since 2006, played “Just Got Back from Baby’s,” “Smokin in the Boys Room,” “Rebel Yell,” “The Other Side” (by the Red Hot Chili Peppers); and “China Grove.” A very enjoyable group.

livemusic2-012The last group of the night, The Ron LaPuma Band, have opened for Blues Traveller, Corey Stevens and Foghat. The group plays a lot of biker gigs and will soon appear (January 31) at McCormick Place at the Chicago Bike & Parts Expo. They will also appear at the Iron Horse Music and Bike Fest in Sabula, Iowa. LaPuma grew up in Chicago at Clark & Diversey and has worked with B.B. King (Ron says he has a guitar signed by B.B. King). Certainly Ron was a guitar virtuouso. The other two members of the band were Steve Hintze and Jimmy VanHyfte. The group played “Choo Choo Mama,” “You Got Me Runnin'”; “I Just Want to Make Love to You,”; “Voodoo Child” and a tribute of “All Along the Watchtower” (Neil Young), which I think they dedicated to Stevie Ray Vaughan. The lead guitar was fantastic and had a great voice. Both of the other 2 backing musicians were very good.

For sheer thrashing showmanship, the young charismatic heavy metal dudes (especially Mike Saviano) scored big, but for musicianship, Ron LaPuma and “Tapped Out” get my vote, with a nod to the pleasant voice of Dani Lynne Howe and her band.

River Music Experience Hosts and Films Local Bands “Live” (Monday, Nov. 10 and Tuesday, Nov. 11)

The UnforgivenThe River Music Experience hosted “live” sessions of five bands on Monday, November 10, 2008 and the sessions were filmed by the Quad City Times for online posting. Arts and entertainment editor David Burke was there to cover the event, which promises to become even better on Tuesday, when the live sessions continue.

I missed the very first band because of an accident on the bridge and the slow traffic on the one-lane River Drive. They were listed as Sinjo Thraw Mash (noise).

Next up were The Unforgiven, consisting of Emily Majetic on guitar and vocals, Paige Kakert on bass guitar, Kayline Malzewski, and Austin Drake on drums. Austin is an 8th grader at Wilson Junior High School in Moline, and both Emily and Kayline are also Wilson Junior High School students. Paige attends Wood Intermediate School in Davenport. All very cute kids. Lots of chutzpah to get up there and sing when they are so young.

livebands-004Second band was “Bumper Crop,” featuring Craig Smith on vocals and guitar, Justin Moulton on guitar and backing vocals; Dustin Roelle on bass guitar, Joe Hale on drums and Adam Smith on samples and turntables. One of the band members was holding an ice pack to his face moments before showtime and said he’d shut the car door on his head. The drummer for this group was especially good.

livebands-005“40 Minute Detour” played next, featuring lead singer Chad Clarke, drummer Josh Morrissey and bass player Josh Elmer (AKA, “the new guy”). Josh Morrissey graduated from Wethersfield High School in Kewanee. He spent some time at Augustana before moving to DeKalb and attending Northern Illinois University, majoring in audio engineering. He has a physics degree in that field. When I said I didn’t know that Northern Illinois had an engineering program, he said he had constructed a contract major field where you write up your own major and submit it to the Powers-that-Be and that the field was mostly a physics degree. What does Josh do now for a day job? He works as a metal artist in Bishop Hill, Illinois. Josh is 30 years old, is very cute, and is unmarried.

I asked if he might not find that he has to move to a larger city to pursue his field and he did acknowledge, “I might have to move somewhere else.” One of the band members lives in Port Byron and they practice there “one to two times a week.” When asked what gigs they have played, Josh mentioned the River Music Experience and (in days of yore) the Brew ‘N View (Rock Island.) Both “Bumper Crop” and “40 Minute Detour” (so named because lead singer and songwriter Chad Clarke gets lost a lot and may suffer from “directional dyslexia”) were very good bands.

Also excellent was the evening’s closing act, Tennessee Tony Cavett and Greg Wilde on harmonica. Tennessee Tony has only been in the area about 4 years but that was long enough for him to meet and marry Connie, who works as a surgical nurse at the River Bend Animal Clinic. Born in Chattanooga, Tony said he had been playing music “since I was about 10.”

Tony’s grandmother was the bartender at the only bar at the Nashville airport and, as such, she met a lot of famous singers. She used to take pity on the struggling singers and songwriters she met and she ended up handling all RCA parties for FanFair. “One morning I came downstairs and there was Kris Kristofferson, passed out on our pool table,” said Tony, adding that this was before Kristofferson had made it big. He also reminisced about the time that Brenda Lee sang “Happy Birthday” to him on his 13th birthday.  He has met many of the greats in Tennessee, such as Willie Nelson and Ray Charles.

livebands-012How, exactly, did Tennessee Tony end up in Moline, Illinois?

It’s a long story that involves Hurricane Ike, the Rick Etheridge Tree Service in Moline, Tony’s being out of work and heading to the storm-ravaged area seeking employment. He didn’t find much work, but he met Rick and Rick invited him to come visit in Moline, Illinois if he ever got up here. (Tony was heading to Chicago at the time). One thing led to another and Tony spent the summer in Moline before meeting the lovely Connie and finding employment with a Wisconsin-based telecommunications firm called Network Engineering Techniques, which does all the telecommunications work for Sam’s Club and Walmarts in the Midwest. Tony mentioned “Jason and the Scorchers,” a band that was big in the seventies, and now is in to alternative C&W rock. The “Times” just did a story on them recently.

Tony’s set list, before he left with his lovely bride, included covers of “Midnight Special,” “Singin’ the Blues,” “Talk to Your Daughter,” “Ever Seen the Rain,” “Long Gone Loves Blues,” “You Ain’t Goin Nowhere,” “Hopelessly Hoping” and “Can’t Find My Way Home.” Two original songs that he and his partner sang were entitled “Surrender’s Ferry Lane” and “Painkillers.”

If you read this on Tuesday, stop on down to the River Music Experience where there will be another set of 4 to 5 bands playing “live” and being filmed for the internet. The price was right (i.e., FREE.)

Another attraction will be co-author Mike McCarty (Bram Stoker Finalist, 2005, and Midwest Writing Center Writer of the Year) and me selling and signing copies of our two new books: Ghostly Tales of Route 66 and the sci-fi thriller/romance/adventure novel Out of Time. (For more information on us, go to www.outoftimethenovel.com.) These will make great gifts for those hard-to-buy-for friends, are only $10 and $15 (respectively) and we’ll sign them. (Heck! I’ll even draw a picture of Snoopy on the inside cover if you ask me nicely!) How many other local authors with 80,000 word novels in print can you find while listening to at least five bands absolutely free. With the money you save on a cover charge, BUY A BOOK! (You KNOW you want to!!!)

John Williams and Yo Yo Ma Earn Five “Standing O’s” in Chicago Appearance

John Williams & Yo Yo Ma

Five “standing O’s” is a lot, but that’s what John Williams and Yo Yo Ma, backed by the Chicago Symphony Orchestra, earned for their efforts at Symphony Hall in Chicago on Thursday, August 21st. Orchestra Hall was packed for the prolific composer of themes from “Close Encounters of the Third Kind,” “Star Wars,” “E.T.”, and the “Indiana Jones” series. And Williams delivered all of them, including the Superman theme, in performing encore after encore for the packed and delighted house.

Unlike many other Symphony Hall concerts I have attended, the patrons did not start streaming for the exits as soon as the final number (“Flying Theme from E.T.: The Extra-Terrestrial”) concluded. The crowd is generally more mature (read old), but not this night, and there are often empty seats, but, again, not this night.

The opening sequence featured the theme that John Williams wrote for the Olympics, which most of us have heard multiple times since 8/08/08. A sequence of Olympic scenes, including Michael Phelps in action, were synchronized to go with the “Bugler’s Dream/Olympic Fanfare and Theme.” When Williams—who looked a bit like Colonel Sanders with his white goatee, white hair, white jacket and black tie—directed the Symphony in the Spielberg themes he has composed over the past 35 years of working with the renowned director, clips from “Close Encounters of the Third Kind,” “Indiana Jones” (new and old) and other films for which Williams has composed the music were shown on a large screen above the Orchestra.

Yo Yo Ma, the world’s greatest living cellist (and Pablo Casals succssor for that title) was a joy playing Suite for Cello and Orchestra, the music from “Memoirs of a Geisha.” He seemed to be genuinely enjoying himself and he and Williams hugged repeatedly following the performances, with the audience refusing to let the symphony, which Williams pronounced “Arguably the greatest Symphony Orchestra in the world,” leave the stage without encore after encore. The program, which began at 7:30 p.m., ran on until nearly 10:00 p.m., as applause and “bravos” from the audience kept the performers onstage long after they usually exit. Truly a memorable night with Yo Yo Ma and John Williams, who has been nominated for 45 Oscars and won seven.

Williams has composed the music for over 100 movies, including “War of the Worlds,” “Catch Me If You Can,” “The Patriot,” “Angela’s Ashes,” “Saving Private Ryan,” “Amistad,” “Seven Years in Tibet,” “Sabrina,” “Schindler’s List,” “Jurassic Park,” “Presumed Innocent,” the “Indiana Jones” trilogy, the “Star Wars” trilogy, “The Witches of Eastwick” and “Jaws.” A student at Julliard, Williams was a jazz pianist in New York City after he studied privately with Rosina Levhinne.

In Los Angeles, his career included working with Bernard Herrmann, Alfred Newman, and Franz Waxman. During the sixties, Williams won four Emmys for his music for television. In addition to his multiple Academy Awards, he has received 7 BAFTAs (British Academy Awards), 20 Grammys, 4 Golden Globes, and numerous gold and platinum records. After 14 seasons as conductor of the Boston Pops, Williams retired to become Boston Pops Laureate Conductor and artist-in-residence at Tanglewood and has continued to score nearly all of Steven Spielberg’s films, which saw him write over 350 different versions of the 5-note musical “greeting” used in “Close Encounters” before he and Spielberg settled on the final sequence.

Truly a memorable night with two musical geniuses.

David Cook Bests David Archuleta in Surprise American Idol Final

david-cook2    The vote is in for “American Idol” and the outcome is as surprising as the 2000 Presidential election (and, if you believe Archuleta’s voice coach, who is on the Internet saying “the fix is in,” possibly was just as legitimate.)

     My good friend Pamela, an astute observer of the “American Idol” season, has very cogently argued that David Cook would win for some very good reasons. David Cook has the maturity that goes with his age advantage and, therefore, often seems more poised during interview opportunities. There is also the matter of David Archuleta’s meddling father, which finally culminated in the senior Archuleta being banned from the backstage area(s) of the show completely. (He cost the show money when he insisted that his son insert lyrics from a second song into the song David was to sing, even though he had been specifically warned not to do so.)

     David Archuleta seemed to have the Big Mo, i.e., Momentum, working in his favor. However, having said that, David Cook took a big chance on the final night of competition with his Collective Soul choice, and, although Simon proclaimed the night a “Knockout” for David Archuleta, Cowell reneged on that comment on Results Night on Wednesday, apologizing to David Cook and admitting that, in rewatching the show, he might have been disrespectful to David Cook and have misspoken. (Earlier in the day, Cowell had predicted a win for Cook over Archuleta.)

    Cowell (unlike my firm conviction that David Archuleta’s young fans would bring him home the win) had vacillated. I never vacillated in my belief that the younger of the two contestants had the best pipes, and I still feel that way. Having said that, I can understand why the show might prefer the older, more seasoned contestant with the gritty distinctive sound of a Daughtry. He’s not in high school and they don’t have to worry about meddling parents or tutors for the lad.

     Having given my reasons for understanding the choice the show claims was made nationally, I’d like to recap the action of the night.

    Opening: The final 12, all clad in white outfits, came out and sang “Get Ready ‘Cause Here I Come” with contestants from the show “So You Think You Can Dance” providing some dance moves. Up tempo. Interesting. Great to see the Final Twelve again.

    Then, the Davids dueted on “Hero” by Chad Krueger. Truly enjoyable. David Archuleta sang harmony; David Cook sang melody.

    Next up was a humorous bit advertising Mike Myers’ new film “The Love Guru.” The film also has a cameo by Stephen Colbert and Jessica Biel co-stars, but Myers was tonight’s big draw, constantly using MariskaHargitay as a greeting and mocking the Maharishi of the Beatles years. As Guru Piti, he suggested a shave for David Cook and gave out loopy advice to David Archuleta like “Make a boom boom in your pull-ups,” which seemed to have the younger David on the verge of outright laughter throughout the bit.

     Syesha and Seal sang “I Have Been Waiting for You” while Ryan Seacrest said, “Your results are coming up in a …..well, nevermind,” as the show dragged on for a full two hours before winding down.

     Jason Castro sang “Alleluia.” Two Escape Hybrid cars were gifted to the two finalists (keys handed to the happy contestants onstage.) All six of the final female contestants sang Donna Summer songs and Donna Summer herself descended the steps and sang with Syesha Mercado, the last girl standing. (“She Works Hard for Her Money,” “Hot Stuff”).

     Carly Smithson and Michael Johns sang “The Letter”, while Jimmy Kimmel asked, “How much should I tip Sanjaya,” implying that Sanjaya was parking cars outside the Nokia Theater. (Shot of Sanjaya in the audience, laughing at the joke at his expense.)

     Michael Johns and the other male contestants sang a medley of Bryan Adams songs, followed by Bryan Adams, himself, singing songs such as “Summer of ’69.”
    David Cook sang “Sharp Dressed Man” with Z. Z. Topp,  a great combination.

     Brooke White sang “Teach the Children Well” with Graham Nash.

     Ads using the Tom Cruise version of “Old Time Rock and Roll” from “Risky Business” utilized both of the Davids, recapping the famous scene where Cruise sang in his boxers in his living room. (Here, David Cook seemed to do a better job of recapping Cruise’s dance moves.)

     The Jonas Brothers came out and sang a song. One Republic performed “Apologize” and David Archuleta joined the pianist/lead vocalist to good effect.

     Ben Stiller, Jack Black and Robert Downey, Jr., did a humorous skit with Gladys Knight that purported to show her early days of selecting the Pips. At one point, Jack Black ended up being depantsed. (Some may not know it, but Robert Downey, Jr., has an album of his own and was once asked to open for “Duran, Duran” on tour.)

    Carrie Underwood sang “Last Name” and looked lovely in white.

    George Michael emerged after a medley of his songs was sung (Michael Johns was particularly good here) and sang.

    The judges commented, Paula burbling, “You two are truly amazing. It’s the start of the destinies of your careers.”

     The vote was announced as having been 12 million votes more for David Cook than for David Archuleta, with something like 56 million for the winner and 44 million for the second place finisher. 

    I hesitate to use the term “loser.” If this season is anything like the other seasons, the “winner” will do less well than the “loser” overall (Taylor Hicks, anyone?). Daughtry only finished fourth, but is a bigger star than that year’s winner. Clay Aiken has a career on Broadway, while this is the first time most of us have seen Reuben Stoddard since his win over Aiken.

    For my money, Archuleta “won” the final night’s competition, but the competition was not just decided on the basis of one night’s performing. Archuleta has an amazing voice and  a great future, if Dad doesn’t get in the way. David Cook will now be promoted by the label that signs and promotes all “American Idol” winners and he is an interesting, innovative, poised performer. Neither is a dud, and both should do well.

    Either way, it is going to be fun to watch both their careers unfold (And, for the record, I still don’t believe that George W. Bush won over Al Gore in Florida either, if anyone out there cares.)

Teddy Bear of Talent Will Take the Top Prize

David ArchuletaNobody was surprised when Syesha Mercado went home, and nobody should be surprised when David Archuleta bests David Cook on Wednesday on “American Idol.”

Jason Castro, “the Loopster” Departs “American Idol” on May 7th

Jason Castro, AKA \

I’ve taken to calling Jason Castro “the loopster.” His loopy answers and attitude perhaps coincide well with his comment that “I’m a fun guy. I hope I can convey that to the American public.” After that video clip on the Wednesday night show, Jason is seen saying, “These are terrible answers.” He proves that his answers were, indeed, terrible, by saying (of the song from Andrew Lloyd Webber week), “I didn’t know a cat was singing it. Oh, boy!” Maybe a good idea to look into the origin of the song you are singing, from the musical “Cats!” which might have provided the Loopster with his first clue.

Earlier on May 7th‘s “American Idol,” the four contestants remaining (David Archuleta, David Cook, Syesha Mercado and Jason Castro) were flown to Las Vegas’ Mirage Hotel to see “Love,” the Beatles extravaganza on a private jet. Jason is shown reclining on a bed in the back of the private plane saying something about how it is so cool. (spelled “kewl,” in the Loopster’s case).

A large portion of the show was taken up with callers, ranging from 24-year-old Emily in Pittsburgh, Pennsylvania, who asked David Cook out on a date when the “American Idol” tour hits her town (David said, “We’ll see.” My mom always said that when she meant no.) to 45-year-old Marla who told Simon Cowell he was “sexy and intriguing” and should be “the next James Bond.”

The performing group for the night was “Maroon Five,” and the soloist who returned to “American Idol” from a previous year’s competition was Bo Bice, who announced that he and his wife are having (or have?) a new son.

The Loopster got in a few good lines before departing. As Ryan Seacrest introduced him as having sung “most of Tambourine Man,” he said, “Somebody told me I shot the Tambourine Man,” (a reference to the two songs he selected on Rock & Roll Week, “I Shot the Sheriff” and “Mr. Tambourine Man.”)

Jason seemed genuinely glad to be leaving and left with the comment that he thought “My inexperience has just been coming through” and “Dreams do come true, so dream big.”

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