Welcome to WeeklyWilson.com, where author/film critic Connie (Corcoran) Wilson avoids totally losing her marbles in semi-retirement by writing about film (see the Chicago Film Festival reviews and SXSW), politics and books----her own books and those of other people. You'll also find her diverging frequently to share humorous (or not-so-humorous) anecdotes and concerns. Try it! You'll like it!

Category: Music

Connie plays 4 musical instruments and her daughter is a graduate of Belmont University in Nashville with a degree in Music Business and once worked for Taylor Swift. She may comment on concerts or reminisce on concerts of old.

Kevin Costner and Band to Tour: A Sign of the Apocalypse?

Kevin Costner and wife ChristineI just read that Christine, Kevin Costner’s wife, who is now pregnant with their second child, encouraged him to take his band (Modern West, I believe) and to appear in some Nashville singing gigs. I can forgive Christine this indiscretion, as she is, after all, preggers, and the hormones must be raging.

But I would advise the rest of you to rent “The Postman” in which Kevin sings to a donkey (or perhaps it was a mule…I can never tell them apart, and they never answer me when I ask.)

This was, without a doubt, one of the most unintentionally hilarious scenes I have ever had the misfortune to sit through during my movie reviewing days (which were long and unproductive, but lots of fun). Kevin does not have much of a voice, and he goes right up there with the others that Jeff Daniels (who actually CAN sing) made fun of in his self-written song (“If William Shatner Can, I Can, Too”): Rusell Crowe, Adam Sandler, the Olson Twins, Gina Gershon, Juliette Lewis and the ever memorable William Shatner.

Jeff Daniels just completed a run at the Goodman Theater in Chicago of a play entitled “Turn of the Century.” He and a lovely singer played “Billy Clarke” and (?) Wilson, a piano player and a singer (she being the singer) who are transported back through time from the Y2K New’s Year Eve to 100 years prior. They promptly begin ripping off the “greats” of the next 100 years, including, but not limited to, Irving Berlin and Billy Joel. It was a novel idea, written by Marshall Brickman (who often collaborated with Woody Allen) and choreographed by Tommy Tune. I enjoyed it, but even Daniels’ pleasant tenor didn’t stack up against the woman he played opposite, who had the real set of pipes.

Trust me on this: Kevin Costner really does not have much of a voice. If you don’t believe me, rent “The Postman.” And, while you’re watching that scene with the donkey/mule, check out how his hair looks in the scene where he crosses a huge mountain gorge with the wind ruffling his thinning-even-then locks. Kevin! Kevin! How could you! We are your FANS! We don’t want to see thinning hair and hear off-key melodies sung to a donkey, for crying out loud!

Again, I urge you to rent “The Postman” and stick it out to the bitter (and it will be bitter…trust me on that) end before you shell out hard, cold cash to hear Kevin and his band play in Nashville (or anywhere else).

There are REAL STRUGGLING musicians out there, who are GOOD. Give us all a break, Kevin, and let the real musicians among us get a life, while you pursue yours, which seems pretty full with movies, a new baby on the way, that large ranch I am always seeing pictures of, and anything…please…anything BUT singing.

I did not add Bruce Willis to the list of singers-who-cannot-sing, because he and Daniels actually sound “okay” when they wander away from their chosen profession for some harmonica-playing on Letterman or wherever. Stay tuned for judgment on Joaquin Phoenix, who, apparently, is our next star-turned-singer.

Live Music from the River Music Experience on Veterans’ Day

The second night of “live” bands performing took place at the River Music Experience’s Mojo Coffee House on Tuesday, November 11, 2008 (Veteran’s Day). The weather was horrible outside, so this may have had an effect on the crowd that was smaller than it had been on Monday night.

The first band (which I missed) was Fire Sale. I did meet a very cute young blonde person who told me this was his band. I’m sure they were awesome.

livemusic2-0061The second band, a heavy metal group called “Through Terror,” were the showmen of the night. Lead vocalist Mike Saviano has been doing his study of classic heavy metal rock showmen. Other members of the band were Brooks Swanson on lead guitar; Chris Kostielney on drums; Jsin Grievous (lead guitar); and Sean Deppe on Bass. The group has played together for about 2 years.

I asked the group if they had day jobs. Jsin works at a guitar center and O’Tool Design; Sean (Deppe) works at Honda; Mike Saviano works at a metal shop (appropriate); Chris Kostielney plays drums; and Brooks Swanson (lead guitar) is working on an engineering degree to help implement solar panel technology as an alternative energy source.

danilynn-howeThe Dani Lynn Howe Band featured lead singer Dani Lynn Howe (from near Cedar Falls, IA) who has been singing since she was 13. The group has been named favorite C&W group for the past 5 years by the “River City Reader” and Dani Lynne’s alto was very pleasant, with excellent back-up from her band.

“Tapped out!” was a more mature group with Brandon Brown on lead vocals. Brandon had one of the better voices of the night and was ably backed by Kirk Wood on guitar and vocals; Tim Olson on bass guitar; Tom Zick on drums; Steve Svec on guitar and vocals; and Rich Kraves handling sound. “Tapped Out,” which has been together since 2006, played “Just Got Back from Baby’s,” “Smokin in the Boys Room,” “Rebel Yell,” “The Other Side” (by the Red Hot Chili Peppers); and “China Grove.” A very enjoyable group.

livemusic2-012The last group of the night, The Ron LaPuma Band, have opened for Blues Traveller, Corey Stevens and Foghat. The group plays a lot of biker gigs and will soon appear (January 31) at McCormick Place at the Chicago Bike & Parts Expo. They will also appear at the Iron Horse Music and Bike Fest in Sabula, Iowa. LaPuma grew up in Chicago at Clark & Diversey and has worked with B.B. King (Ron says he has a guitar signed by B.B. King). Certainly Ron was a guitar virtuouso. The other two members of the band were Steve Hintze and Jimmy VanHyfte. The group played “Choo Choo Mama,” “You Got Me Runnin'”; “I Just Want to Make Love to You,”; “Voodoo Child” and a tribute of “All Along the Watchtower” (Neil Young), which I think they dedicated to Stevie Ray Vaughan. The lead guitar was fantastic and had a great voice. Both of the other 2 backing musicians were very good.

For sheer thrashing showmanship, the young charismatic heavy metal dudes (especially Mike Saviano) scored big, but for musicianship, Ron LaPuma and “Tapped Out” get my vote, with a nod to the pleasant voice of Dani Lynne Howe and her band.

River Music Experience Hosts and Films Local Bands “Live” (Monday, Nov. 10 and Tuesday, Nov. 11)

The UnforgivenThe River Music Experience hosted “live” sessions of five bands on Monday, November 10, 2008 and the sessions were filmed by the Quad City Times for online posting. Arts and entertainment editor David Burke was there to cover the event, which promises to become even better on Tuesday, when the live sessions continue.

I missed the very first band because of an accident on the bridge and the slow traffic on the one-lane River Drive. They were listed as Sinjo Thraw Mash (noise).

Next up were The Unforgiven, consisting of Emily Majetic on guitar and vocals, Paige Kakert on bass guitar, Kayline Malzewski, and Austin Drake on drums. Austin is an 8th grader at Wilson Junior High School in Moline, and both Emily and Kayline are also Wilson Junior High School students. Paige attends Wood Intermediate School in Davenport. All very cute kids. Lots of chutzpah to get up there and sing when they are so young.

livebands-004Second band was “Bumper Crop,” featuring Craig Smith on vocals and guitar, Justin Moulton on guitar and backing vocals; Dustin Roelle on bass guitar, Joe Hale on drums and Adam Smith on samples and turntables. One of the band members was holding an ice pack to his face moments before showtime and said he’d shut the car door on his head. The drummer for this group was especially good.

livebands-005“40 Minute Detour” played next, featuring lead singer Chad Clarke, drummer Josh Morrissey and bass player Josh Elmer (AKA, “the new guy”). Josh Morrissey graduated from Wethersfield High School in Kewanee. He spent some time at Augustana before moving to DeKalb and attending Northern Illinois University, majoring in audio engineering. He has a physics degree in that field. When I said I didn’t know that Northern Illinois had an engineering program, he said he had constructed a contract major field where you write up your own major and submit it to the Powers-that-Be and that the field was mostly a physics degree. What does Josh do now for a day job? He works as a metal artist in Bishop Hill, Illinois. Josh is 30 years old, is very cute, and is unmarried.

I asked if he might not find that he has to move to a larger city to pursue his field and he did acknowledge, “I might have to move somewhere else.” One of the band members lives in Port Byron and they practice there “one to two times a week.” When asked what gigs they have played, Josh mentioned the River Music Experience and (in days of yore) the Brew ‘N View (Rock Island.) Both “Bumper Crop” and “40 Minute Detour” (so named because lead singer and songwriter Chad Clarke gets lost a lot and may suffer from “directional dyslexia”) were very good bands.

Also excellent was the evening’s closing act, Tennessee Tony Cavett and Greg Wilde on harmonica. Tennessee Tony has only been in the area about 4 years but that was long enough for him to meet and marry Connie, who works as a surgical nurse at the River Bend Animal Clinic. Born in Chattanooga, Tony said he had been playing music “since I was about 10.”

Tony’s grandmother was the bartender at the only bar at the Nashville airport and, as such, she met a lot of famous singers. She used to take pity on the struggling singers and songwriters she met and she ended up handling all RCA parties for FanFair. “One morning I came downstairs and there was Kris Kristofferson, passed out on our pool table,” said Tony, adding that this was before Kristofferson had made it big. He also reminisced about the time that Brenda Lee sang “Happy Birthday” to him on his 13th birthday.  He has met many of the greats in Tennessee, such as Willie Nelson and Ray Charles.

livebands-012How, exactly, did Tennessee Tony end up in Moline, Illinois?

It’s a long story that involves Hurricane Ike, the Rick Etheridge Tree Service in Moline, Tony’s being out of work and heading to the storm-ravaged area seeking employment. He didn’t find much work, but he met Rick and Rick invited him to come visit in Moline, Illinois if he ever got up here. (Tony was heading to Chicago at the time). One thing led to another and Tony spent the summer in Moline before meeting the lovely Connie and finding employment with a Wisconsin-based telecommunications firm called Network Engineering Techniques, which does all the telecommunications work for Sam’s Club and Walmarts in the Midwest. Tony mentioned “Jason and the Scorchers,” a band that was big in the seventies, and now is in to alternative C&W rock. The “Times” just did a story on them recently.

Tony’s set list, before he left with his lovely bride, included covers of “Midnight Special,” “Singin’ the Blues,” “Talk to Your Daughter,” “Ever Seen the Rain,” “Long Gone Loves Blues,” “You Ain’t Goin Nowhere,” “Hopelessly Hoping” and “Can’t Find My Way Home.” Two original songs that he and his partner sang were entitled “Surrender’s Ferry Lane” and “Painkillers.”

If you read this on Tuesday, stop on down to the River Music Experience where there will be another set of 4 to 5 bands playing “live” and being filmed for the internet. The price was right (i.e., FREE.)

Another attraction will be co-author Mike McCarty (Bram Stoker Finalist, 2005, and Midwest Writing Center Writer of the Year) and me selling and signing copies of our two new books: Ghostly Tales of Route 66 and the sci-fi thriller/romance/adventure novel Out of Time. (For more information on us, go to www.outoftimethenovel.com.) These will make great gifts for those hard-to-buy-for friends, are only $10 and $15 (respectively) and we’ll sign them. (Heck! I’ll even draw a picture of Snoopy on the inside cover if you ask me nicely!) How many other local authors with 80,000 word novels in print can you find while listening to at least five bands absolutely free. With the money you save on a cover charge, BUY A BOOK! (You KNOW you want to!!!)

John Williams and Yo Yo Ma Earn Five “Standing O’s” in Chicago Appearance

John Williams & Yo Yo Ma

Five “standing O’s” is a lot, but that’s what John Williams and Yo Yo Ma, backed by the Chicago Symphony Orchestra, earned for their efforts at Symphony Hall in Chicago on Thursday, August 21st. Orchestra Hall was packed for the prolific composer of themes from “Close Encounters of the Third Kind,” “Star Wars,” “E.T.”, and the “Indiana Jones” series. And Williams delivered all of them, including the Superman theme, in performing encore after encore for the packed and delighted house.

Unlike many other Symphony Hall concerts I have attended, the patrons did not start streaming for the exits as soon as the final number (“Flying Theme from E.T.: The Extra-Terrestrial”) concluded. The crowd is generally more mature (read old), but not this night, and there are often empty seats, but, again, not this night.

The opening sequence featured the theme that John Williams wrote for the Olympics, which most of us have heard multiple times since 8/08/08. A sequence of Olympic scenes, including Michael Phelps in action, were synchronized to go with the “Bugler’s Dream/Olympic Fanfare and Theme.” When Williams—who looked a bit like Colonel Sanders with his white goatee, white hair, white jacket and black tie—directed the Symphony in the Spielberg themes he has composed over the past 35 years of working with the renowned director, clips from “Close Encounters of the Third Kind,” “Indiana Jones” (new and old) and other films for which Williams has composed the music were shown on a large screen above the Orchestra.

Yo Yo Ma, the world’s greatest living cellist (and Pablo Casals succssor for that title) was a joy playing Suite for Cello and Orchestra, the music from “Memoirs of a Geisha.” He seemed to be genuinely enjoying himself and he and Williams hugged repeatedly following the performances, with the audience refusing to let the symphony, which Williams pronounced “Arguably the greatest Symphony Orchestra in the world,” leave the stage without encore after encore. The program, which began at 7:30 p.m., ran on until nearly 10:00 p.m., as applause and “bravos” from the audience kept the performers onstage long after they usually exit. Truly a memorable night with Yo Yo Ma and John Williams, who has been nominated for 45 Oscars and won seven.

Williams has composed the music for over 100 movies, including “War of the Worlds,” “Catch Me If You Can,” “The Patriot,” “Angela’s Ashes,” “Saving Private Ryan,” “Amistad,” “Seven Years in Tibet,” “Sabrina,” “Schindler’s List,” “Jurassic Park,” “Presumed Innocent,” the “Indiana Jones” trilogy, the “Star Wars” trilogy, “The Witches of Eastwick” and “Jaws.” A student at Julliard, Williams was a jazz pianist in New York City after he studied privately with Rosina Levhinne.

In Los Angeles, his career included working with Bernard Herrmann, Alfred Newman, and Franz Waxman. During the sixties, Williams won four Emmys for his music for television. In addition to his multiple Academy Awards, he has received 7 BAFTAs (British Academy Awards), 20 Grammys, 4 Golden Globes, and numerous gold and platinum records. After 14 seasons as conductor of the Boston Pops, Williams retired to become Boston Pops Laureate Conductor and artist-in-residence at Tanglewood and has continued to score nearly all of Steven Spielberg’s films, which saw him write over 350 different versions of the 5-note musical “greeting” used in “Close Encounters” before he and Spielberg settled on the final sequence.

Truly a memorable night with two musical geniuses.

David Cook Bests David Archuleta in Surprise American Idol Final

david-cook2    The vote is in for “American Idol” and the outcome is as surprising as the 2000 Presidential election (and, if you believe Archuleta’s voice coach, who is on the Internet saying “the fix is in,” possibly was just as legitimate.)

     My good friend Pamela, an astute observer of the “American Idol” season, has very cogently argued that David Cook would win for some very good reasons. David Cook has the maturity that goes with his age advantage and, therefore, often seems more poised during interview opportunities. There is also the matter of David Archuleta’s meddling father, which finally culminated in the senior Archuleta being banned from the backstage area(s) of the show completely. (He cost the show money when he insisted that his son insert lyrics from a second song into the song David was to sing, even though he had been specifically warned not to do so.)

     David Archuleta seemed to have the Big Mo, i.e., Momentum, working in his favor. However, having said that, David Cook took a big chance on the final night of competition with his Collective Soul choice, and, although Simon proclaimed the night a “Knockout” for David Archuleta, Cowell reneged on that comment on Results Night on Wednesday, apologizing to David Cook and admitting that, in rewatching the show, he might have been disrespectful to David Cook and have misspoken. (Earlier in the day, Cowell had predicted a win for Cook over Archuleta.)

    Cowell (unlike my firm conviction that David Archuleta’s young fans would bring him home the win) had vacillated. I never vacillated in my belief that the younger of the two contestants had the best pipes, and I still feel that way. Having said that, I can understand why the show might prefer the older, more seasoned contestant with the gritty distinctive sound of a Daughtry. He’s not in high school and they don’t have to worry about meddling parents or tutors for the lad.

     Having given my reasons for understanding the choice the show claims was made nationally, I’d like to recap the action of the night.

    Opening: The final 12, all clad in white outfits, came out and sang “Get Ready ‘Cause Here I Come” with contestants from the show “So You Think You Can Dance” providing some dance moves. Up tempo. Interesting. Great to see the Final Twelve again.

    Then, the Davids dueted on “Hero” by Chad Krueger. Truly enjoyable. David Archuleta sang harmony; David Cook sang melody.

    Next up was a humorous bit advertising Mike Myers’ new film “The Love Guru.” The film also has a cameo by Stephen Colbert and Jessica Biel co-stars, but Myers was tonight’s big draw, constantly using MariskaHargitay as a greeting and mocking the Maharishi of the Beatles years. As Guru Piti, he suggested a shave for David Cook and gave out loopy advice to David Archuleta like “Make a boom boom in your pull-ups,” which seemed to have the younger David on the verge of outright laughter throughout the bit.

     Syesha and Seal sang “I Have Been Waiting for You” while Ryan Seacrest said, “Your results are coming up in a …..well, nevermind,” as the show dragged on for a full two hours before winding down.

     Jason Castro sang “Alleluia.” Two Escape Hybrid cars were gifted to the two finalists (keys handed to the happy contestants onstage.) All six of the final female contestants sang Donna Summer songs and Donna Summer herself descended the steps and sang with Syesha Mercado, the last girl standing. (“She Works Hard for Her Money,” “Hot Stuff”).

     Carly Smithson and Michael Johns sang “The Letter”, while Jimmy Kimmel asked, “How much should I tip Sanjaya,” implying that Sanjaya was parking cars outside the Nokia Theater. (Shot of Sanjaya in the audience, laughing at the joke at his expense.)

     Michael Johns and the other male contestants sang a medley of Bryan Adams songs, followed by Bryan Adams, himself, singing songs such as “Summer of ’69.”
    David Cook sang “Sharp Dressed Man” with Z. Z. Topp,  a great combination.

     Brooke White sang “Teach the Children Well” with Graham Nash.

     Ads using the Tom Cruise version of “Old Time Rock and Roll” from “Risky Business” utilized both of the Davids, recapping the famous scene where Cruise sang in his boxers in his living room. (Here, David Cook seemed to do a better job of recapping Cruise’s dance moves.)

     The Jonas Brothers came out and sang a song. One Republic performed “Apologize” and David Archuleta joined the pianist/lead vocalist to good effect.

     Ben Stiller, Jack Black and Robert Downey, Jr., did a humorous skit with Gladys Knight that purported to show her early days of selecting the Pips. At one point, Jack Black ended up being depantsed. (Some may not know it, but Robert Downey, Jr., has an album of his own and was once asked to open for “Duran, Duran” on tour.)

    Carrie Underwood sang “Last Name” and looked lovely in white.

    George Michael emerged after a medley of his songs was sung (Michael Johns was particularly good here) and sang.

    The judges commented, Paula burbling, “You two are truly amazing. It’s the start of the destinies of your careers.”

     The vote was announced as having been 12 million votes more for David Cook than for David Archuleta, with something like 56 million for the winner and 44 million for the second place finisher. 

    I hesitate to use the term “loser.” If this season is anything like the other seasons, the “winner” will do less well than the “loser” overall (Taylor Hicks, anyone?). Daughtry only finished fourth, but is a bigger star than that year’s winner. Clay Aiken has a career on Broadway, while this is the first time most of us have seen Reuben Stoddard since his win over Aiken.

    For my money, Archuleta “won” the final night’s competition, but the competition was not just decided on the basis of one night’s performing. Archuleta has an amazing voice and  a great future, if Dad doesn’t get in the way. David Cook will now be promoted by the label that signs and promotes all “American Idol” winners and he is an interesting, innovative, poised performer. Neither is a dud, and both should do well.

    Either way, it is going to be fun to watch both their careers unfold (And, for the record, I still don’t believe that George W. Bush won over Al Gore in Florida either, if anyone out there cares.)

Teddy Bear of Talent Will Take the Top Prize

David ArchuletaNobody was surprised when Syesha Mercado went home, and nobody should be surprised when David Archuleta bests David Cook on Wednesday on “American Idol.”

Jason Castro, “the Loopster” Departs “American Idol” on May 7th

Jason Castro, AKA \

I’ve taken to calling Jason Castro “the loopster.” His loopy answers and attitude perhaps coincide well with his comment that “I’m a fun guy. I hope I can convey that to the American public.” After that video clip on the Wednesday night show, Jason is seen saying, “These are terrible answers.” He proves that his answers were, indeed, terrible, by saying (of the song from Andrew Lloyd Webber week), “I didn’t know a cat was singing it. Oh, boy!” Maybe a good idea to look into the origin of the song you are singing, from the musical “Cats!” which might have provided the Loopster with his first clue.

Earlier on May 7th‘s “American Idol,” the four contestants remaining (David Archuleta, David Cook, Syesha Mercado and Jason Castro) were flown to Las Vegas’ Mirage Hotel to see “Love,” the Beatles extravaganza on a private jet. Jason is shown reclining on a bed in the back of the private plane saying something about how it is so cool. (spelled “kewl,” in the Loopster’s case).

A large portion of the show was taken up with callers, ranging from 24-year-old Emily in Pittsburgh, Pennsylvania, who asked David Cook out on a date when the “American Idol” tour hits her town (David said, “We’ll see.” My mom always said that when she meant no.) to 45-year-old Marla who told Simon Cowell he was “sexy and intriguing” and should be “the next James Bond.”

The performing group for the night was “Maroon Five,” and the soloist who returned to “American Idol” from a previous year’s competition was Bo Bice, who announced that he and his wife are having (or have?) a new son.

The Loopster got in a few good lines before departing. As Ryan Seacrest introduced him as having sung “most of Tambourine Man,” he said, “Somebody told me I shot the Tambourine Man,” (a reference to the two songs he selected on Rock & Roll Week, “I Shot the Sheriff” and “Mr. Tambourine Man.”)

Jason seemed genuinely glad to be leaving and left with the comment that he thought “My inexperience has just been coming through” and “Dreams do come true, so dream big.”

David Archuleta Emerges as Frontrunner After May 6th “Idol”

david_archuleta36_large4 David Archuleta Emerges As Clear Front-Runner After May 6th “Idol”

Not that this will surprise anyone, but David Archuleta has to be considered the front-runner after all three judges praised his vocal prowess and he blew away the competition with his renditions of “Love Me Tender” and “Stand By Me” during Rock & Roll Hall of Fame week. The big loser: the dreadlocked Jason Castro, who forgot the words to Bob Dylan’s “Mr. Tambourine Man,” looked as awful as usual, and earned, from Simon this succinct review: “Jason, I’d pack your suitcase.” (Ouch!)

Most of us have been saying, “Jason, pack your suitcase for weeks now, so the Castro kid is beginning to remind a bit of that lesser talent, Sanjia Malakar, who consistently made it through after inferior performances. His gimmick: his hair. I’d think about a haircut, were I Jason, but, failing that, at least get Bob Marley’s music right. Simon summed up his performance of Marley’s “I Shot the Sheriff” as “utterly atrocious” and something that was more like the open auditions days, not the final four. The ending of the “Mr. Tambourine Man” song sounded horrible, the guitar Jason clutched seem to really be just a prop, and from his breathy opening to his weak close, Jason was outclasses. The lyric he sang that applies? “If I am guilty, I will pay.” He was definitely guilty of all the above, and I have a feeling he will pay.

Most improved of the four remaining performers, as was the case last week, was Syesha Mercado, who came out and did “Proud Mary” proud, followed by Sam Cooke’s “A Change Is Gonna’ Come.” Randy reduced Syesha to tears by brusquely criticizing her red-hot vocals, and Ryan Seacrest got a laugh by saying, “Well, Randy. Thanks for the buzz kill.” When Randy attempted to explain his overly harsh criticism of one of the night’s outstanding performers and two of the night’s most consistently good performances (2nd only to David Archuleta’s), Seacrest cut him off, saying, “We’re running out of time. ‘Hell’s Kitchen”s gonna start.”

David Cook performed his first song, Duran Duran’s “Hungry Like the Wolf” to criticism from Randy (“Just an OK choice”) that was echoed by the others, and, later, said he agreed with the judges and would wipe the memory of his first song away by performing more strongly on his second song, which, unfortunately, was a Who song that, aside from it use on “C.S.I.” episodes, is not that big a crowd-pleaser and ended with the words “Teenage waste” or “Teen waste,” hardly an uplifting image.

For me, there was no stronger performer for the evening than the other David (Archuleta), followed by Syesha, David Cook and…last and certainly least, Jason Castro, who has overstayed his welcome and should have been gone long before Carly Smithson, Michael Johns and/or Brooke White.

Actor Jeff Daniels Visits Rock Island, Illinois, to Raise Money for Michigan Theater

Jeff DanielsActor Jeff Daniels, the actor we know from films like “Dumb and Dumber” and “The Purple Rose of Cairo,” traveled from the Upper Peninsula of Michigan to Rock Island, Illinois’ Circa Dinner Theater to play acoustic guitar and sing his own songs for a small but enthusiastic audience on Thursday, May 1st. The performance was a fund-raiser for the small theater back home, dubbed the Purple Rose in honor of the Woody Allen film “The Purple Rose of Cairo” in which he starred.

Daniels is well-known from his roles in such films as “Dumb and Dumber,” “The Purple Rose of Cairo” and “The Squid and the Whale.” He’s made 45 films and will soon be heard as the voice of an animated character in “Space Chimps” (for which, he humorously remarked to the crowd, he had recently been offered…and turned down… a star on Hollywood’s Walk of Fame.)

To be honest, I didn’t expect much in the way of musical excellence when I decided to take a chance and attend the concert on a Thursday night. I just knew that Daniels is a very fine actor and seems to be a very “centered” regular guy, in appearances such as one he recently made on “David Letterman.” As the former “Times” movie critic and a bona fide movie fan, I went to see Jeff Bridges, the actor, and the fact that he was just as talented, musically, as he is gifted, dramatically, was the frosting on the cake.

I was unable to convince either my husband (who refused, outright, to go) or my friend (who voted for the Rolling Stones documentary “Shine A Light,” instead) to accompany me, so I went alone, entering after the performance had begun.

Daniels, clad in jeans, a rumpled flannel shirt and a battered brown hat, asked the crowd at the outset, “How many of you have no idea what I’m about to do?” I had a vague idea: he was going to sing songs he had written in an attempt to raise money for his Michigan Purple Rose Theatre through the $25.50 ticket price. You could also purchase either of his two CD’s, one of which, “Jeff Daniels Live and Unplugged To Benefit the Purple Rose Theatre” I bought. It is very good and the material is extremely clever.

It turned out that Jeff can both play and sing with proficiency and that his material is entertaining in the best sense of that word. When asked by David Burke of the Quad City Times about the difference between his movie career and his sidelight, singing, Daniels responded, “The thing about the singing that I enjoy a lot is that, especially when you’re writing, you’re in complete control of everything. It’s the exact opposite of the movie actor…It’s just that it’s (a movie) out of your control creatively. (Here) I’m the writer, I’m the director, I’m the editor, I’m the entertainer, I’m the performer, and all those people who I’ve been and am are out there with me…Plus, the fact that, with me, they (audiences) expect the worst. ‘Oh, yeah, another actor/singer/songwriter who sucks.'” (with sarcasm).

As it turns out, Daniels does not suck. His songs are clever slices of life, such as his song about actors who think they can sing, simply because they are actors, entitled “If William Shatner Can, I Can Too,” which mentions actor/singers ranging from Shatner to Russell Crowe to Adam Sandler. (Bruce Willis and Johnny Depp are not mentioned, but the Olson Twins are.)

Daniels is loose onstage, singing songs about the time he “accidentally” lost his wife, Kathy, at a truck stop in Erie, Pennsylvania, entitled “Recreational Vehicle,” and musing on the many common rites of passage in life, such as teaching his daughter to drive, his love affair with the Detroit Tigers baseball team and his first car (a blue Valiant) and/or growing old.

While in the Quad Cities, Daniels stopped at a local analog recording studio to record his song(s) “Are You As Excited About Me As I Am?” that reminded of the theme of Bruce Springsteen’s “Glory Days” and “The Dirty Harry Blues,” about playing the villain opposite Clint Eastwood’s good guy, in the film “Bloodwork.” Daniels said he was inspired to write the first song mentioned after walking the red carpet at an Awards night. Sample lyric(s): “I was everything to everyone, Just for a moment, I’m who I used to be. Shine like a diamond, bright as the sun, I used to be everything to everyone.”

His “Dirty Harry Blues” contained a killer impression of Eastwood calling him up on the phone and asking him to play the villain in “Bloodwork.” The denouement was his shooting death (in the film) at Eastwood’s hands, after his make-up girl told him, “It’s a good day to die.”

Daniels called to his “roadie” (his son) to help him involve audience members in performing what he dubbed “Doing the Big Bay Shuffle” and in playing a wooden train whistle on the song “I’m on a Detroit Train.” The audience gave Daniels several standing ovations and seemed to really enjoy his show, from start to finish.

Daniels mused about aging, saying, “You do have regrets when you’re 50. I’m 50 years old…I’m old. Not falling apart, just going downhill and every other week you’re updating your will.” He reminisced about hearing Mary Hart telling the world on Entertainment Weekly that he was fifty years old that day. Research into Ms. Hart’s birth date revealed that she was born November 8, 1950, making her a full 7 years older than Daniels…a fact he seemed to revel in discovering.

Daniels name-dropped a bit, but in a humble way. In addition to the Eastwood story, which never implied that he and Clint were good friends, Daniels told the story of working with stars like Eastwood and Jim Carrey with humility and mentioned the making of two Civil War films, “Gettysburg” and “Gods and Generals.” In describing Ted Turner, Daniels said, with affection, “If it’s on his mind, it’s out of his mouth,” and told the story of Turner coming up to him, onset, in full costume, saluting him (also in unform) and saying, “Colonel: hold at all costs.”

When the actor mentioned the offer of a star on Hollywood’s Walk of Fame (which Turner has been given), Daniels reminisced about seeing old-time movie stars Esther Williams and Margaret O’Brien that day, actresses who really represented their era of movie stars with class and glamour. They were there to meet and greet Turner (who was receiving his star) and told Daniels how grateful they were to Turner for his television movie channel. They said, “We get to see who we used to be.” Sad commentary on the fleeting nature of fame and “all that crap,” as Jeff Daniels referred to it. He seems very “grounded” about his Hollywood persona, unlike many others.

Jeff Daniels’ frequent references to his “twenty-eight foot Jayko” RV, his family, his home state of Michigan, his humble gratitude that his parents supported his acting aspirations, his interest in the great American pastime (i.e., baseball, specifically the Detroit Tigers) made him seem like the regular, ordinary guy next door.

Reviews in the next day’s paper locally were glowing, with Sean Leary of the (Moline, Illinois) Daily Dispatch suggesting that Daniels could be “the next Jimmy Buffett. Leary hailed Daniels’ performance as “loose and funny” and lauded the performer as “natural and humble.”

David Burke of the (Davenport, Iowa) Quad City Times told me that Jeff and his son (and his son’s two college-age friends) had driven all the way to Rock Island from Michigan in the aforementioned RV, and shared several heart-warming incidents from their interview, displaying as much awe at meeting Daniels as Daniels showed when he talked about the time he met George Harrison, (who signed his guitar.)

The suggestion was made that, if Daniels decides to make the trip this way again, the hall won’t be half empty as it was this night. Word travels fast in smaller towns, and the word on Jeff Daniels and his singing talent was all good.

“Shine A Light” Shines A Light on the Rolling Stones

Shine A Light One of my favorite parts of Martin Scorsese’s documentary film focusing on the Rolling Stones occurs before the music even starts. Mick Jagger calls up Scorsese to express his concern over the large tracking cameras that will be used (nearly 24 cameras were employed in the filming) and whether they will intrude on the audience’s appreciation of their benefit concert for Bill Clinton’s foundation at the Beacon Theater in New York.

Filmed in 2006, the small ornate venue offered a great deal more intimacy than the Stones’ stadium shows, which generally seat thousands. (The only small show I attended, the “No Security” tour, took place at the United Center in Chicago; my friend was hit in the head by a drumstick that Charlie Watts pitched into the crowd and still managed not to catch it! Charlie’s drumsticks, I can report, have his name burned into the side, so they would have made a great souvenir, but it was not to be, despite my friend’s goose-egg on her forehead. I remember saying, “Didn’t you ever play softball?”)

As a long-time Stones fan, I have seen them “live” on every tour since 1982. “Steel Wheels” was the best, when I saw them in Ames, Iowa. An absolutely awesome experience. That tour was followed by the “Voodoo Lounge” tour (Chicago), the “Bridges to Babylon” tour (2x, Ames and Minneapolis), a smaller more intimate show in Chicago at the United Center dubbed the “No Security” tour, and their most recent outing two times in Chicago, “A Bigger Bang.” [I will say that I have never been colder in my life than at the fall Soldier Field concert this last time. Elvis Costello opened for the Stones this last time ( opening acts I have seen include Lenny Kravitz, Blues Traveler, and the Goo Goo Dolls, among others.]

Scorsese is noticeably frazzled on film by the Stones’ failure to know exactly what the order of their set is going to be until the last minute. We see shots of Mick on an airplane, going over the set list and then shots of Scorsese being given a “late-breaking” bulletin of the order of the songs. He wants to know so he can have the right camera in the right place at the right time, but, like the rest of us, he is clueless until the concert actually begins.

Scorsese really gets in close on the band, wrinkles and all, with Oscar-winning cinematographer Robert Richardson (“The Aviator,” “J.F.K.”) overseeing a nineteen-person team boasting three multiple Oscar winners in addition to Albert Maysles. Albert Maysles and his brother, David, made the Stones’ tour documentary “Gimme Shelter” in 1969, which became famous for the Hell’s Angels incident (the Hell’s Angels were hired to provide “security”) that caused the death of an audience member.

The Stones perform 19 songs, delivering some seldom-performed gems like “She Was Hot,” “All Down the Line,” and a country-flavored “Loving Cup,” which was a duet with Jack White of the White Stripes. Jagger also brought out Christina Aguilera to duet with him on “Live With Me,” which involved a bumping and grinding dance, with Christina clad in what appeared to be black tights and a man’s shirt, wearing a black formal tux tie loosely draped around her neck, untied. Another guest performing onstage was Buddy Guy, blues icon from Chicago, who sang “Champagne & Reefer” with Mick.

My favorite parts of the IMAX film involved the old archival footage of the Stones being interviewed as young men just starting out in the business. Charlie Watts, now the white-haired grizzled drummer, talks in his salad days about how he would have liked to have been a painter, but didn’t have the vision, so he could only aspire to be a “designer” (if he hadn’t become a member of the band). I would have enjoyed three times the quantity of “clips” of the early Stones that Scorsese included, but he’s the Oscar-winning director, and I’m just an audience member who is fascinated by strolling down memory lane.( I couldn’t help but compare the scarcity of clips with a brilliant documentary on Freddie Mercury I saw at the Chicago Film Festival this past fall that had ten times the amount of personal clips.) I also enjoyed the classics included like “Brown Sugar,” “I Can’t Get No Satisfaction” (the Stones’ first Number One hit in this country back in 1965) and “Start Me Up.”

Also interesting was the appearance of the Clintons (yes, those Clintons), Bill, Hillary and Hillary’s mother, who came onstage before the show to introduce the Stones. Bill announced that, for his sixtieth birthday, he wanted to “open for the Stones” and, by introducing them, he got his wish. The Clintons had at least 30 family members and friends present in the lower balcony of the small theater. Since the “f” bomb was unleashed at least three or four times during the concert, and Mick’s dancing has always been suggestive, I couldn’t help but think that, —if the tables were turned, and Obama played as dirty as Hillary in her campaigning—-Obama would be mentioning the Clintons participation in the concert with a holier-than-thou attitude, tsk-tsking all the way to the polls. (It’s certainly what Hillary has done with the Reverend Wright and his Wrong-headed ranting.)

A friend of mine, with whom I play Trivia in Pub Quiz (a British chat room online) told a story of meeting Charlie Watts and his Mrs., along with Keith Richards and Ronnie Wood (and families) at a posh restaurant in London one night. He described Charlie Watts as being as nice as could be, and described Ronnie and Keith as “borrowing” the waiters’ jackets and passing a cheese tray, to the amusement of their party.

I still remember walking through what was then the Union’s “River Room” at the University of Iowa in 1963 and hearing “Hey, You! Get Offa’ My Cloud” blasting from an old style juke box with colored lights. The Stones signed with Decca Records that year, later touring the United Kingdom with the Everly Brothers and Bo Diddley. In 1964, the Stones released their first album, “England’s Newest Hit Makers.” They also toured the United States for the first time that year and appeared on the Ed Sullivan Show.

In 1971, Rolling Stones Records released the “Sticky Fingers” LP, with a cover design by Andy Warhol that is now iconic. The Stones received a Grammy Lifetime Achievement Award in 1986 and were inducted into the Rock and Roll Hall of Fame in 1989. The “Bigger Bang” tour of 2005 grossed half a billion dollars, with paid attendance of 4.68 billion, according to George Varga’s “Mature Focus'” May issue (p.56), and I attended two of those “live” concerts.

During their long career, the Stones have undertaken some fantastic tours and released notable albums. In the sixties it was:” The Rolling Stones, Now!” followed by “Their Satanic Majesties Request,” Beggars Banquet,” “Let It Bleed.” In the seventies, with “Sticky Fingers” “Exile on Main Street” and “It’s Only Rock & Roll”, the Stones were still hot. The eighties brought us “Some Girls” (the Stones sang at least 3 of the songs from the album during the IMAX event), “Emotional Rescue,” “Tattoo You,” and “Still Life.”

The latest release from the Kings of Rock & Roll and the greatest arena band ever is the soundtrack to the film “Shine A Light,” (now showing at an IMAX Theater near you.) I admire the fact that Keith, Mick, Charlie and Ronnie ( assisted by the nine members in their touring ensemble group, such as Lisa Fisher of Brooklyn) have let it all hang out in the aging department. After seeing the horror-show that now is Kenny Rogers’ face, I appreciate the fact that the Stones still enjoy what they are doing, do it well, don’t seem to have lost a step, and are letting themselves mature naturally. When you see Mick Jagger doing his chicken-on-acid dancing, non-stop, while wearing a long blue-black coat that seems to have been made of ostrich feathers, never stopping to rest, it is difficult to believe that the man was 62 when this was filmed.

As for Martin Scorsese’s filming them onstage at the Beacon Theatre in 2006, who better than the man who was assistant director of the Oscar-winning documentary “Woodstock” forty years ago, and also directed “The Last Waltz,” the story of The Band’s 1976 all-star farewell performance?

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