Category: News Page 2 of 25

This category will, no doubt, be spending time reporting on the antics of the Trump Administration, but natural disasters and other such news will also qualify.

Icon Theater in Chicago’s South Loop To Close on June 30th, 2024

By Connie Wilson

On June 30, 2024

In Editorial, Local, Movies, News, Pop Culture

“Icon” Theater in Chicago going under. Be warned.

Since we were in Chicago for the Rolling Stones on June 27 (Thursday), and went to the Sundance showing of the Luther Vandross documentary on Friday (June 28), today (Saturday, June 29^th) we went to the Icon Theater located near us at 1011 Delano Court in the South Loop.

We bought our tickets on Fandango and there was no mention of the sale of the Icon to AMC. In fact, there were still tickets being sold, despite the fact that the staff—(very few of them)—working tonight said that the theater as the Icon was closing the next day at 6 p.m. Later, I read that Fandango would simply say that a future booking was “sold out” and another patron who had bought tickets for July 27^th had his money refunded with no explanation.

One patron wrote: “I had tickets for a July 27th showing of Deadpool, and I can’t make it so I went to the box office to get a refund. Lady at the register tells me, ‘Good thing you came because theater was just sold and Sunday, June 30, is the last day we’re open.’ I am devastated as I love going to the movies there. She did say that AMC had bought them, but she was unsure when they’ll open back up. If you have tickets go get your refunds.” AMC bought the Kerasotes Theaters in 2010; Kerasotes were the owners of the ShowPlace Theaters. AMC bought all but 4 Kerasotes Theaters and it was rumored that the Icon was one of the four that they did NOT buy.

So, what’s going on Icon Theater in Chicago? And why don’t they let their customers know? No confirmation that they have been bought by AMC or anyone else, but here’s something that came to my attention as I researched this:

“A movie theater in St. Louis Park (Minneapolis) is seeing a change of operations beginning of next month. Marcus Theatres announced Thursday that it will take over the Showplace ICON Theatre & Kitchen after the doors close on Sunday. The theatre will reopen to customers on July 8 as the Marcus West End Cinema.”

It was clear that things were not “right” at the Icon Theater in Chicago. We had planned to order food in the VIP section. Although we haven’t been here since wintering from Thanksgiving 2023 on in Texas, there used to be a variety of dine-in food options that were delivered to your seat. I seem to remember dining in for the last Tom Cruise outing of “Maverick.”

My spouse had been snacking throughout the afternoon and announced that he wasn’t really that hungry, so he was going to forgo ordering an entrée and just have popcorn. I had also picked up a box of Milk Duds at the grocery store, with the intention of sharing them at the movies. It’s a good thing, because—although I got my steak tacos and a Diet Coke ($24), he never did get any popcorn or any soft drink. And he tried so long that he missed the first 5 minutes of the movie.

We went upstairs and learned that the ONLY food items available for order were tacos or nachos. I asked why and got a mumbled excuse about “inventory” that made no sense. I ordered the tacos. My husband went back downstairs in search of popcorn and a soft drink.

There were two kiosks that you had to use to get popcorn. One was broken. No popcorn. No soft drink, either, when he returned to me in the VIP lounge, where I had ordered the tacos, but did not know the seats that the staff would bring them to, because that information was on my husband’s phone and he was downstairs trying to get popcorn, unsuccessfully.

The women’s bathroom on the VIP level has two rest room stalls. One was inoperative in a way that screamed “CALL A PLUMBER!”

Underground parking at the Icon Theater in Chicago's South Loop.

Underground parking at the Icon Theater in Chicago. 1011 South Delano Court.

This is a huge theater with a massive amount of parking (we were charged $11, despite the fact that it says you get 2 free hours of parking if you are at a movie. We arrived at 5 minutes of 8 and left at 5 minutes of 10, but it still cost $11 to park, which, in Chicago, is cheap—except that means that we got NO “2 hours free parking.”

Chicago’s parking situation has been deplorable ever since Mayor Richard Daley sold all of the parking in the city of Chicago. Fourteen years ago the City Council, at the urging of then-Mayor Richard M. Daley, sold the city’s street parking meter system to the private company Chicago Parking Meters LLC for $1.15 billion. I may have mentioned paying $67.50 to park my car (overnight) when I went to see the play “Six.”

The upper level of the theater was almost totally deserted. I counted fewer than 10 people.

Others have said that they were told that they were closing the very next day (Sunday, June 30^th). I asked one of the waitresses in the VIP area whether she still had a job with the theater. She said, “They haven’t told us, but they said we can apply for unemployment. I’m worried because that runs out after a while.” The entire “closed without warning” idea reminded of what happened with the Signature restaurant on the 95^th floor of the Hancock Building, which closed so quickly and without 30 days notice that the employees are currently suing.

So, is it true that the AMC bought the ICON chain? Unlikely since they were struggling when the pandemic hit, because they had just invested a large amount in upgrading their theaters, which was a bad coincidence.

If anyone knows, tell the rest of the Chicago neighborhood, because some of us would have liked to know in advance. (This is now the second theater I have attended on its last day of operation, the first one being the Regal Theater in Moline, Illinois, where we saw Russell Crowe’s movie “Unhinged.”

Icon Theater in the South Loop on June 29, 2024, one day before its closing.

Icon Theater at 1011 South Delano Ct. in Chicago’s South Loop. (Closed on June 30th and becoming what?)

“Unhinged,” about a truck driver with road rage, was the first movie to enter wide theatrical release in the USA after the closure of most theaters due to the COVID-19 pandemic. Between the March 13th, 2020 releases of Bloodshot (2020), The Hunt (2020), and I Still Believe (2020) and the August 21st expansion of this film into 1,823 North American theaters, there was a gap of over five months with no new wide theatrical releases at all. No wonder that it killed the Moline Regal Theater.

I wonder about the cause of the Icon’s demise in Chicago? On previous visits it appeared that management was trying hard to automate everything from ticket sales to the concession stand. It wasn’t a good theater-going experience for the customer. It appeared that they were trying to scale back to a skeleton crew, much like the Steak ‘N Shake chain seems to be trying to throw the entire weight of ordering, serving and paying onto machines.

It’s a Brave New World. Tonight’s Icon experience explains why so many people are opting to watch their movies at home via streaming.

Gold Coast Art Show, 2024, Is A Hot One!

By Connie Wilson

On June 17, 2024

In Humor and Weird Wilson-isms, Local, News, Of Local (Quad Cities') Interest, Pop Culture, travel

Mark Ferguson of Asymmetrical Jewelry and me, at the Gold Coast Art Show on Sunday, June 16, 2024.

Today was Sunday, June 16, 2024, the last day of the 2024 Gold Coast Art Fair in Chicago. I only learned that it was going on this weekend when we drove by Grant Park on our way to see Seth Meyer’s stand-up show at the Vic. I immediately began saying I wanted to go. The Gold Coast Art Show is always wonderful—for me. For my spouse? Not so much. He isn’t really in to strolling past 250 booths and debating the merits of various purchases I make. Plus, he thought the Cubs were playing (although it turned out that, for mysterious reasons) the Cubs were playing the Cardinals only on Roku. (W-H-A-A-T?)

My husband urged me to go “early.” As anyone who knows me knows, “early” for me is any time before noon. However, I promised to be readying myself no later than the time I get up to play Hand-and-Foot Canasta in Austin, Texas. That is 9 a.m., so I was up “early” and getting ready to walk to the park. I was very tired, because I am a Night Owl of the First Magnitude and being able to fall asleep earlier than 2 a.m. is often difficult. Keep in mind that I write, and—[in my defense]—I write at night. So, promising to get “up and at ’em” by 10-ish was early, for me. It would not have been my first choice of times to attend. But, aware that we faced a 3 and 1/2 hour drive home to the Illinois Quad Cities, I agreed that I would attempt to hit Grant Park at 10-ish.

66th Gold Coast Art Show in Chicago, June 16, 2024

My impatient husband offered to drive me down to the Park, which was very nice of him. In years of yore I routinely walked to the Art Institute and back, but that was before one full year of cancer treatment, which blew out my left knee and put me in a wheelchair or hobbling with a cane from September of 2022 until March of 2023. (Thanks to the Oak Brook Joint Pain Clinic for the 32 m. of anti-inflammatory injections and 6 ml of Durolane, which helped restore me…sort of.)

Another of Mark’s Asymmetrical pieces. ([email protected]).

The adjuvant therapy pills (specifically, Anastrozole) have not been “berry, berry good” to me. Let’s not forget that—thanks to Mom and heredity,— I was diagnosed with Type II diabetes in 2017 and have to doctor for that, too. Minor ailments (fibromyalgia, asthma, osteoarthritis) I shall set aside for the moment. Either of the major ailments would make me vulnerable to extreme heat, And I honestly think that the excessive heat was primarily responsible for chatting with Mark about how he and his hosts went to the Red-Headed Piano Bar and a blues club the preceding night. At one point, in our car on the long drive home, the thermometer said 97 degrees. Yikes!

I remember in high school, when I (unwisely) I played intramural basketball (I’m so old that the game was 6 on 6) and—right before I would become so fatigued that I’d pass out—I’d turn beet red, except for the area right next to my nose, which would be stark white. Below is a picture taken less than 24 hours earlier, at the Seth Meyer show at the Vic Theater, for contrast. I do not appear to be beet red and disheveled in that one, do I?

AT SETH MEYERS on JUNE 14, 2024

Connie Wilson with BEE GONE book at the June 14th Seth Meyer stand-up show

Waiting at the Vic Theater in Chicago to give Seth Meyer a copy of BEE GONE after his June 14, 2024 show.

I direct your attention to the picture atop this page. Who knows what was going on with my blood sugar? I didn’t take the time to eat anything prior to being delivered to Jackson intersection (a fairly long way from the entrance. I should have gotten off at Madison). You can compare the picture from Friday night when I look fairly happy and healthy with the sweaty, overheated shopper who, after about 30 booths, became dizzy as hell and nearly passed out. Okay. Maybe I DID pass out (briefly), but I was seated at the time. I believe that Mark is too kind and honest to make up the nodding off that he says occurred right after I commandeered his chair for my own purposes. (Ahem).

I had purchased many items by that point, and I was aware that the temperature was REALLY REALLY HOT. I attempted to buy something cold at a small booth nearby that had a bunch of beverages for sale in cans, but the beverages all were warm and had alcohol in them, which is pretty much verboten. Plus, the only one I would have liked (Sangria) was warm. Warm sangria in a can for $10 did not sound appealing. So, yes, I was not very well hydrated, I was tired, and BOY, was I HOT!

GOLD COAST PURCHASES

My kind husband and I sought Madison futilely on our way down, because I had read online that it was the entrance. Of course, I had also read online that admission was $5, which may have been true if you bought tickets in advance. That left me out. Admission was $15. At least I managed to find an entrance from the Jackson intersection and I proceeded to quickly determine that (a) there were a lot of paintings (b) many of them cost $1,800 and up and (c) Boy! It was hot in the sun! (I haven’t felt that hot since I tried to bicycle to Willow Springs on a similarly hot day many moons ago and collapsed in someone’s front yard. Those people weren’t nearly as kind to me as Mark. As I recall, the lady of the house yelled, “Don’t go near her. You don’t know where she’s been!” The husband had to come and pick up me and my bicycle and ferry us home. (Is there a pattern here?))

Necklace from Asymmetrical. ([email protected])

By the time I had bought several pairs of earrings for various birthdays and my own use, I began to feel dizzy.

I was only about 1/3 or 1/4 of the way through my planned circuit of all 200+ booths, but I honestly thought I might pass out. I had just found a booth operated by a lovely British gentleman, Mark Ferguson of Manchester, England, who can be contacted at [email protected]. I saw that Mark had an empty chair (for himself, of course) behind the counter of his booth. Since I felt as though I might collapse at any moment, I asked if I could temporarily occupy Mark’s chair.

HEAT HITS HOME!

He was so great about my near collapse at his booth! THANK YOU, MARK! Not only did he get me some water (and a fan, which he borrowed!) he swears that I passed out as soon as I sat down in HIS chair. This may be true. I would not know, as I was (apparently) unconscious. Just what every jeweler hopes for: a customer who stops by, takes their chair, and then passes out in it!

Now came the security person, wanting to know if I wanted to be taken to a hospital.

Uhhhhh…that would be a resounding NO,

Mark Ferguson (of Suzanne & Mark Ferguson Asymmetrical Jewelry) at his booth on Sunday, June 16, 2024.

But I did think that calling my husband (of 56 years) might be a good idea and, between Mark and a very nice lady who gave my husband directions about how to find Madison entrance (which we never did find initially) I was spared the necessity of walking a couple of football fields back to the Jackson intersection that we had originally agreed I would phone him from for pick-up.

MANY THANKS to Mark Ferguson (and Suzanne) of Manchester, England. If you see some things that speak to you in these photos, you can probably contact them at [email protected]. I had already bought three pair of earrings before unceremoniously commandeering Mark’s chair, so I can attest that his “asymmetrical” idea of not having to “pair” earrings is a godsend. My daughter will be the beneficiary of the earrings that I got before I collapsed and left poor Mark to deal with me. He even escorted me to my spouse’s car. (Husband Craig did find the Madison entrance after the nice lady told him how to get there.)

I haven’t been so embarrassed since I missed a step at the Chicago International Film Festival, fell, and hit my head (and my bad knee). That didn’t lead to the hospital, either, but it did cause me to go have X-rays of the bum left knee when I made it back to the Quad Cities. That knee is going to be bad for the rest of time, I fear.

Here are some additional photos of Mark and Suzanne’s reasonably-priced and creative jewelry items, including some Cubs earrings (I bought 2 pair) and others. Not sure what the delivery options are, but, if you see something you can’t live without, the Fergusons have relatives in the Chicago area and perhaps you can contact them at [email protected] and make arrangements for mail delivery.

Asymmetrical Jewelry ([email protected])

Thanks, again, Mark!

“Stormy” Documentary World Premiere on March 8th at SXSW Is Cautionary Tale About Crossing DJT

By Connie Wilson

On March 10, 2024

In Essays on Politics: Best Political Essays & Ideology, Movies, News, Of Local (Quad Cities') Interest, Politics, Pop Culture, Reviews

Executive Producer Judd Apatow.

The documentary “Stormy” had its World Premiere on Friday, March 8^th, at SXSW in Austin, Texas. Directed by Sarah Gibson and executive produced by Judd Apatow, the film was a sympathetic look at the Stormy Daniels saga. It was comprised of film that Stephanie Clifford (Daniels’ real name) shot previously in an attempt to do her own documentary combined with new footage.

Sara Bernstein Executive Produced, while Erin Lee Carr Produced, and Editor Ben Kaplan and Inbal B. Lessner did great editing work. The score was provided by Jeff Morrow for this 104 minute film. With the Stormy Daniels “Hussia” (hush money) case set to go to court on March 25^th this is indeed a timely film. And a good one. Don’t miss it.

When porno actress Stormy Daniels met Donald J. Trump at a golf outing in July of 2006 at Lake Tahoe, Nevada, she couldn’t have known that her association with the man who was then the star of “The Apprentice” would lead to financial ruin, the end of her marriage and non-stop death threats. She was 27; he was 60. Stormy’s daughter from her third marriage was then seven.

Donald J. Trump invited Stormy to dinner. She arrived at the door to The Donald’s hotel room early. He was attired in black satin pajamas. Stormy said, “Go put some clothes on. Hefner wants his pajamas back.” Trump did, and they talked for three hours, but when Stormy emerged from Trump’s bathroom (where she noticed gold things everywhere and Old Spice cologne) Trump made a move on her, sexually, and she didn’t say no (although she wishes she had). No dinner was had.

Stormy Daniels at the Stateside Theater on March 8, 2024 at SXSW.

Trump told Stormy he wanted to put her on his TV show, “The Apprentice.” From her book “Full Disclosure” we learn that the two watched “Shark Week” together in The Donald’s hotel room and Hillary Clinton called during the program. The Donald told Stormy that he wanted to put her on his TV show “The Apprentice.” Trump called her for months thereafter, stringing her along with that promise and suggesting more meetings, but finally admitted that he couldn’t put her on his show. Stormy quit taking his calls after 18 months, saying, “I thought we were done.” The story began in 2006, when Barron Trump was 4 months old (Melania Trump had just given birth to their now-7-foot tall son.) Stormy was 27 and Donald Trump was 60.The story re-surfaced in 2011.

Stormy grew up in Baton Rouge, Louisiana, with a somewhat indifferent mother in a father-absent home. (She hasn’t talked to her father since she was 17). Throughout life, Stormy has seemed to look for love in all the wrong places. She says, “I’ve gotten ripped off by everybody.” We learn that one of her better friends tried to sell the Stormy/Trump story to the tabloids. Her first attorney, Michael Avenatti, who got her the book deal in September of 2018, stole $300,000 of Stacey’s book profits. Avenatti ended up in prison for 4 years for defrauding Stormy and received more time for defrauding Nike and other clients. He has been in prison since February 7, 2022.

Judd Appatow, Erin Lee Car and Sarah Gibson at SXSW

Judd Apatow (Executive Producer), Erin Lee Carr (Producer) and Director/Producer Sarah Gibson at the World Premiere of the documentary “Stormy.”

On December 5, 2022, Avenatti was sentenced to an additional 14 years for stealing millions from clients, bringing his total sentence to 19 years without the possibility of parole.

The betrayal by Stormy’s supposed friend and by her first attorney lend credence to her charge that she has been ripped off by everyone. Throughout the film, Stormy’s love and concern for her third husband Brendon Miller and her daughter are an ongoing theme.

Stormy’s husband took responsibility for the care and feeding of their daughter, when Stormy went on gigs, including her “Making America Horny Again” tour. A rift developed when Stormy’s husband learned that she actually did have sex with Donald J. Trump, something she had previously denied. Stormy was set up for arrest after playing a gig at the Siren’s Club in Columbus, Ohio, when 2 female officers attended her show and then contacted authorities to have her arrested, charging assault. The charges were dismissed within 24 hours when it became clear that the female officers were MAGA supporters of Donald J. Trump. Stormy’s lawsuit against the city of Columbus resulted in a $450,000 payout when the bias of the officers was revealed. Stormy also related being threatened by an unknown man in the parking garage while she was with her 7-year-old daughter. (She passed a lie detector test alleging this.)

Director/Producer of "Stormy" Sarah Gibson at SXSW on March 8, 2024.

Director/Producer of “Stormy” Sarah Gibson on March 8, Friday, at the SXSW World Premiere at the Stateside Theater in Austin, Texas.

There was an incident that took place at the Canadian border when border patrol said Stormy could not enter the country because she had 17 assault charges in her FBI file. It became evident that Stormy’s FBI file had been tampered with. This occurred during Trump’s presidency. It is yet another example of why Michael Cohen, who went to prison for making the hush money payments to Stormy Daniels, texted her and told her he was seriously concerned for her safety.

The photos of Stormy Daniels onstage show a woman under a great deal of stress. She came late, surrounded by some very large bodyguards. She has been threatened continuously since the rendezvous with Trump emerged in 2011. Those threats have escalated as the trial looms close later this month.

Stormy herself, onstage at the Stateside Theater, used the adjectives “ridiculous, terrifying, and pointless… I have no hope about it any more.” She described the current situation in 2024, when compared with the saga from 2011 and beyond this way: “It is different from 2018. I have more knowledge, but the threats have become more violent.” Her once promising career as a director of porno flicks dried up by 2019. She has given up full custody of her daughter to the child’s father, reasoning that their daughter will be safer with him. The threats against her life are not to be dismissed lightly. There are a lot of zealots in the MAGA camp; it only takes one.

Stormy Daniels in the Stateside Theater lobby before the World Premiere of the documentary "Stormy."

Stormy and cast and crew at the Stateside Theater on March 8, 2024 at SXSW.

She has been called every name in the book, but liar is one epithet she won’t take without fighting back. Said Daniels in this must-see documentary, “My soul is so tired. I’m out of f***. I won’t give up, because I’m telling the truth.”

During the Q&A that followed the impressive documentary Director Sara Gibson said she could not believe the level of stress that Stormy endured. “It makes it very hard to lead your life. I couldn’t believe how stressful this was for her.”

Commenting on the large amount of footage that the editors had to integrate with new film in a very short time, Apatow said he had known Stormy Daniels for a long time—ever since she had a small part in his 2006 film “Knocked Up.” He said that his goal was to “Tell an accurate, empathetic story of what she has really been through.”

When Ms. Daniels took the stage she recounted getting the part in Apatow’s movie, but then potentially losing it because of the death of her step-daughter when filming was to take place on this very date (March 8^th) many years ago. Apatow sent flowers to her home in sympathy. He changed the shooting schedule so she could still participate. For someone who expressed the opinion that “nobody ever helped me” and felt as though she were 9 years old again (the year she was repeatedly abused by a neighbor) you can tell that she was genuinely grateful.

Stormy Daniels onstage at the World Premiere of “Stormy” on March 8, 2024 at SXSW in Austin, Texas.

Stormy said, “Nobody cares what the truth is any more.” Describing a never-ending avalanche of court documents, this statement during the Q&A seemed fair: “She deserves to have a voice in a lot louder, larger way. She was a tax-paying American citizen, and she deserves better.”

“Stormy” is one of the investigative documentaries that the American public needs to see before November’s election. It is a Peacock original and will stream there beginning March 18th.

The "Stormy" team at SXSW on March 8, 2024.

The “Stormy” team at the world Premiere.

Stormy Daniels bodyguards on March 8 2024 at SXSW.

[Among the team producing “Stormy”: Director Sarah Gibson and Executive Producer Judd Apatow (“The 40-year-old Virgin,” “Knocked Up”) of Apatow Productions, Olivia Rosenblum, Erin Lee Carr (Producer), Sara Bernstein (Executive Producer), Meredith Kaulfers, Kelsey Field (Imagine Entertainment), Amanda Rohlke, Emelia Brown, Natalie Goldberg, Brooke Snyder, Ben Kaplan and Inbal Lessner (editors), Shiho Fukada, Jonathan Furmanski, Wolfgang Held, RA Barrett (Cinematography), Denver Nicks, Bob Rose, Jason Sager (Co-producer) and music by Jeff Morrow]

“Tired of Winning” by Jonathan Karl Tells It Like It Is

By Connie Wilson

On February 19, 2024

In Books, Essays on Politics: Best Political Essays & Ideology, News, Politics

Excerpts from “Tired of Winning: Donald Trump and the End of the Grand Old Party,” by Jonathan Karl of ABC News:

Jonathan Karl of ABC News

“He lacks any shred of human decency, humility, or caring,” a former White House official wrote of Trump, the man he had served for more than a year. “He is morally bankrupt, breathtakingly dishonest, lethally incompetent, and stunningly ignorant of virtually anything related to governing, history, geography, human events or world affairs. He is a traitor and a malignancy in our nation and represents a clear and present danger to our democracy and the rule of law.” (p. 263, Jonathan Karl, CBS Political Affairs Reporter)

“Tired of Winning: Donald Trump and the End of the Grand Old Party” by Jonathan Karl of ABC News.

“Two and a half years after January 6th, the man whom many of the rioters said was ultimately responsible for the carnage seemed on the way to finally being held accountable…He faces a maximum of 55 years in prison—the maximum in the documents case is higher—but because Trump stands accused of betraying the very oath of office he hopes to take once again. The charges include defrauding the United States and depriving Americans of their right to have their votes count—a right central to the meaning of democracy.” (p. 269)

“President Trump is practically and morally responsible for provoking the events of the day. No question about it.” (Mitch McConnell on Feb. 13, 2021.)

“Remnants of the Trump era will be a strange reminder of how Trump operated—his disregard for history and for the law—in this case, the Presidential Records Act of 1978—says that official presidential records are the property of the American people, not of any individual, not even a president. Trump destroyed some of them, others he took home to Mar-a-Lago as if they were personal souvenirs of his time as commander in chief. Fortunately for future historians—and current criminal investigators—many of the documents he attempted to pilfer were returned, and many of those he tried to destroy were gathered, taped back together, and preserved by government employees attempting to comply with a law their boss had no intention of following.” (p. 272).

The MITT ROMNEY IS A TOTAL LOSER napkin: “One of the more unusual documents now under seal at the National Archives is a paper napkin from Air Force One. The napkin—the existence of which has never been made public—is hardly a state secret, but it reveals much more than the words written on it by Donald Trump with a Black sharpie: MITT ROMNEY IS A TOTAL LOSER.” We don’t know the exact content of this presidential musing—or even the date it was retrieved—or why Trump chose to scrawl those words on a napkin. Did he write it after Romney became the only Republican to vote to convict him in his first impeachment trial? Or when Romney became one of seven Republicans to vote to impeach him in his second impeachment trial? Or maybe it was after Romney and his wife, Ann, congratulated Joe Biden and Kamala Harris on winning the 2020 election. “We know both of them as people of good will and admirable character,” Senator Romney said in a statement issued minutes after Biden and Harris were projected as winners of the election. “We pray that God may bless them in the days and years ahead.”

Trump had called Romney a loser many times, but the context of the words scrawled on the napkin—TOTAL LOSER—were different than those he blurted out on Twitter or during speeches. The napkin was a private note, probably one he had written to himself, and an indication Trump had Romney on his mind, and perhaps a reflection of the obsession with the man who won the Republican nomination four years before Trump did. Of course, the note wasn’t completely wrong—Romney, like Trump, was a loser. Both men had lost a presidential election. But, unlike Trump, Romney took his loss with grace and dignity. He did what Trump would never do. He congratulated his opponent—Barack Obama—and put the country above himself, offering words of support to the man who had defeated him.

Sam Houston, 1859–1861

SAM HOUSTON STORY: Sam Houston, the former Governor of Tennessee, battlefield hero, and founding father of Texas independence. Houston was the first president of the Independent Republic of Texas, the first senator from the state of Texas and one of the most independent, unique, popular, forceful and dramatic individuals ever to enter the Senate chamber. Houston put all of that on the line beginning with a vote he took in the Senate in 1854 against what would become the Kansas-Nebraska Act. To Houston’s fellow Democrats, it was a must-pass bill, a test of Southern unity and survival. Houston saw the bill for what it was—a way to reopen the the issue of expanding slavery that would set America on a path to civil war. Not a single Senate Democrat joined him in voting against it...His stand against Southern secession was so forceful, Houston received a few votes to be Abraham Lincoln’s vice president. He traveled around his state to make what had become a very unpopular case for Texas to remain in the Union. While he was campaigning in the city of Waco, a bomb exploded behind the hotel he was staying in—an unsuccessful attempt to either kill or intimidate him. He survived the bombing, but he lost the battle. And when Texas officially seceded from the Union and joined the Confederacy, Houston was once again defeated, removed from office after he refused to take the oath of the new Confederate state of Texas. Sam Houston was far from perfect, but at the end of his life, he stood up to the madness of his own party—and the madness of his own constituents. Despite the steep personal price he paid, his place in history was secure—and it started with a vote, an act of political courage—made inside the Senate Chamber.” (p. 279).

“Trump’s betrayal shows just how vulnerable our democracy is and how much it depends on people who are in positions of responsibility to act responsibly.” (p. 281).

“The President of the United States summoned this mob, assembled the mob, and lit the flame of this attack. Everything that followed (January 6th) was his doing. None of this would have happened without the President. There has never been a greater betrayal by a President of the United States of his office and his oath to the Constitution.” (Liz Cheney, R, Wyoming, while heading the January 6th Commission.) (p. 285).

Of the 10 Republicans who voted to impeach Trump the second time, the vote of Representative Tom Rice of South Carolina to impeach was among the most surprising. Rice’s reason for voting to impeach, articulated in Jonathan Karl’s book: “When Trump watched the Capitol, the People’s House, being sacked, when he watched the Capitol Police officers being beaten for those three or four hours and he lifted not one finger or did one thing to stop it—I was livid then and I’m livid today about it.” (p. 285)

How DJT Was Groomed By Russia; The Tragic End of Alexei Navalny

By Connie Wilson

On February 17, 2024

In Editorial, Essays on Politics: Best Political Essays & Ideology, Local, News, Of Local (Quad Cities') Interest, Politics, Uncategorized

https://www.youtube.com/watch?v=RXSVsfARLdk

“Porcelain War” Is Documentary Grand Jury Winner at Sundance, 2024

By Connie Wilson

On February 5, 2024

In Local, Movies, Music, News, Politics, Reviews

“Porcelain War” won the Grand Jury prize at Sundance 2024 and added to the ever-proliferating number of documentaries that are coming out of the horrific Russia/Ukraine War. The front-runner for an Oscar in the upcoming Academy Awards is “20 Days in Mariupol” from Ukrainian journalist Mstyslav Chernov. The “Porcelain War” is a joint project from Brendan Bellomo of the United States and Slava Leontyev, shooting inside Ukraine. Close friend Andrey Stefanov served as cameraman for the sequences within Ukraine and he and Slava deserve great admiration for their courage and resolve under pressure.

Having just seen “20 Days at Mariupol,” comparisons, for me, were inescapable. Plus, I am currently mid-way through a course at the University of Texas that traces Putin’s rise to power, leading to today’s invasion of Ukraine and the war that has dragged on since February 2022.

Both films show the “before” and “after” of a beautiful country now reduced to rubble. In the case of Mariupol (available on most major platforms and a “must see”) we see the city of Mariupol before it is totally ravaged by the Russians. The Writer/Director of “20 Days at Mariupol,” a Ukrainian AP reporter, chose to stay on with the troops and depict the true horrors of those left behind, including the young boy who was shooting baskets outdoors when a missile blew off his legs, ultimately killing him. The blood and grief mirror the scenes in Gaza that are horrifying in their brutality.

“Porcelain War” uses the metaphor of porcelain, which, as the film drives home relentlessly is this:

“Ukraine is like porcelain — easy to break, but impossible to destroy.”

This is because the Ukrainian participants we become acquainted with are artists who work in porcelain.

The United States director, Brendan Bellomo, won a student Academy Award when he was a student at NYU and his expertise is quite evident here.

THE BAD

Cast of “Porcelain War,” including co-directors (front) and Frodo, the dog..

For me, it is the very slickness of the porcelain metaphor and the well-done visual effects in “Porcelain War” that detract when compared with the effect that the raw footage of “20 Days in Mariupol” evokes. There is somewhat a looking away from the horrors of war a bit more in “Porcelain War” than in the shorter “20 Days in Mariupol” film. In “Porcelain War” we see idyllic footage of Ukrainian artists Slava, Anya, and Andrey coping with life in a war zone but also surrounded by great beauty. As “Variety” said in its review, “An accomplished visual effects supervisor whose credits include the 2012 Sundance smash ‘Beasts of the Southern Wild,’ Bellomo is attuned to the jolting sensations of combat both on the ground and above it.” It is precisely the excellence of Bellomo’s visual work in depicting the porcelain figures that takes away slightly from the less polished, but more visceral power of the shorter film (“20 Days in Mariupol.”) The porcelain work is beautiful and delicate. I, for one, wanted more of the brutal truth of war in Ukraine, to help me understand and process this latest aggression.

We do learn about the history of Russia’s land grab of Crimea in 2014. Ukraine gave up its nuclear weapons in exchange for promises of non-aggression from Russia, but those promises were bogus. Russia has a long history of not living up to its word. Putin seized Crimea in 2014 and collaborating director Slava Leontyev lived in Crimea at the time. He moved to Ukraine and he and others began re-establishing the military that they had abandoned when they believed Russia’s promises. So, for the past 10 years there has been an attempt to re-establish some kind of defense system for Ukraine, and Slava—who was present at Sundance along with Frodo, the dog in the film— has been instrumental in that effort, as we see.

A recent “New York Times” article speculated on the outcome of the Ukraine/Russia conflict. It said the Russian defense of parts of Ukraine it now occupies currently seems impenetrable. The war, it said, is beginning to resemble the WWI stalemate during which neither side seemed able to advance and the human toll inexorably rose. The article stated that Ukraine has lost 20% of its area and wants ALL of its country back. The odds of that happening (on Russia’s part) don’t seem good. With the Republican support for Ukraine seemingly mired in political gamesmanship that might re-install a leader who seems to think emulating Putin is a good thing, can we assume that our technical support and weaponry, that allowed Ukraine early in the fight to score some impressive wins, will continue after the November election if Trump were to win?

United States financial aid and expertise is necessary for Ukraine to move forward; there was a mention in the article of the potential firing of the Ukrainian Minister of Defense by Zelenskyy. If he IS fired, he was said to be the chief rival who might run against Zelenskyy. If Russia is feeling the crunch and would agree to settlement talks, said the article, it would almost certainly be predicated on Ukraine not joining NATO or other such groups. Meanwhile, Russia recruits from prison and will march those men forward to certain death simply to find out where their adversaries are concealed. The brutality of the Russian troops is legendary. The firsthand accounts of what has occurred are absolutely sickening; that, too, is not likely to improve over time.

Nobody trusts Putin to honor agreements he makes. The general feeling that would come from such a “settlement” would be anger that so many Ukrainians have given so much only to potentially be given back only a portion of their native land with conditions on how they might best defend themselves against future Russian aggression. The odds for the West and for democracy and for Europe are very large if you accept the premise that Putin will never stop his characteristic aggressive behavior and his dream of re-establishing the USSR as a Super Power. And, although Putin is 71, is a successor likely to be a change for the better? (Unlikely).

Ukraine’s largest military aid partner since the start of the war, the United States, has committed a total of €71.4 billion in aid to Ukraine when also considering financial and humanitarian support. Martin Armstrong on “Statista” (Dec. 13,2023) had these figures of support for Ukraine:

“Thanks chiefly to the €77.1 billion in pledged financial aid, European Union institutions are the largest aid donors to Ukraine. This is based on data from the IfW Kiel Ukraine Support Tracker which currently covers the period January 24, 2022 to October 31, 2023.

But will U.S. aid continue if Donald J. Trump is elected? And if Biden remains president, can he successfully negotiate continued support with the current GOP House and with the Senate’s current iteration?

All of these considerations enter into election year 2024. The analogy of porcelain (“Easy to break, but impossible to destroy”) may weaken in its appropriateness with the conflagration dragging on.

THE GOOD

Slava Leonytev is shown holding Frodo, the dog, with the cast of "Porcelain War."

Entire cast of “Porcelain War,” many of them direct from Ukraine.

Slava Leontyev became a weapons expert and has been training other civilians in how to load and fire weapons, in preparation for the war that Ukraine feared was coming. As one of the characters says, alluding to Russia’s history of aggression against the nations that broke away, “After 400 years we’re going to finally take care of it.” From watching Slava at work as a Ukrainian defense officer we get a better understanding of the reality of the current war.

The action in “Porcelain War” is centered in Kharkiv, which is 25 miles from the Russian border. In “Porcelain War,” we get to see the nuts-and-bolts of fighting the war in Ukraine. The emphasis on drone use is shown. We see “ordinary people in extraordinary situations” learning to fire weapons. We don’t see as much of the blood and guts and heartbreaking grief as in “20 Days in Mariupol,” but the horror of war is ubiquitous, emphasizing the message.

One line in the film is “Because of the invasion, we lost the substance of our lives.” Another analogy is that refugees are like snails without their shells. As Anya and Sonya are sent to Lithuania for their safety, their parents describe what an ordeal it was to get the girls out of the country by way of Poland. It reminded me of London residents, during the Blitz, sending their children to the countryside to protect them. As the family says, “What is absolutely predictable is death.” We see face-time chats between the family members. The Ukraine residents feel that, “We’re fighting against evil. This is a historic opportunity to destroy aggressors.” The script adds, “It will keep pushing until it reaches you.”

The music is particularly effective. It is a fevered, clattering score from DakhaBrakha, a self-described “ethnic chaos” band based in Kyiv. The musical refrain is “A time to laugh, a time to cry. A time to live. A time to die.”

This film gives us a focused look at how the local populace, with aid from the United States and the European Union, is responding to Russian aggression. As Slava says, “Crimea ended in the blink of an eye, and we retreated to Ukraine.” At another point, as the struggle drags on, the line is “Armageddon is happening in Bakhmut.”

The drone group, decorated by the local artists, is dubbed “Saigon.” The reference to that Vietnamese city seems to be a nod to the effective guerilla fighting that the local populace employed against a super power.

CONCLUSION:

This is a film that is well worth watching. I would suggest viewing “20 Days in Mariupol” at the same time. One will give a very polished look at the Ukraine/Russia war; the other is more visceral, but both are terrific.

The Eagles with Steely Dan in Austin at the Moody Center on Feb. 3, 2024

By Connie Wilson

On February 4, 2024

In Local, Music, News, Pop Culture, Texas

DeSantis Backs Down, Despite Slogan “Never Back Down” on January 21, 2024

By Connie Wilson

On January 21, 2024

In News, Politics, Television

Wasn’t Ron DeSantis’ slogan for his campaign “Never back down”?

Well, today (Sunday, January 21^st) he backed down.

I happened to be watching CNN when the live video of DeSantis—now back in much warmer Florida—kissed off the idea of being President in 2024. (Some sources say he’ll be back in 2028).

As I watched Dana Bash interview Nikki Haley in New Hampshire and listened to what DeSantis said in his closing statement, I felt very sorry for the last woman standing, who seems to be being treated particularly badly by the good old boy network.

Florida Governor Ron DeSantis speaks at the Republican Jewish Coalition Annual Leadership Meeting in Las Vegas, Nevada, on November 19, 2022. (Photo by Wade Vandervort / AFP) (Photo by WADE VANDERVORT/AFP via Getty Images)

Today, arch rival Ron DeSantis said as he quit the 2024 race: “We can’t go back to the old Republican guard of yesteryear, a repackaged form of warmed-over corporatism that Nikki Haley represents.”

Just quit, Ron. You backed down, Give it up like a gentleman.

First, Nikki has to contend with being female while running for the top office in the land. We all know how well that turned out for Hillary. It didn’t work out well for Geraldine Ferraro or Kamala Harris as VPs, either. So let’s just agree that there is a reluctance on the part of the electorate to vote for a woman.

Second, she and DeSantis have been going at one another for weeks in Iowa, so I can understand that there would be no love lost as he permanently departs. Hence, DeSantis’ parting shot, (which has little to no basis in fact.) But it still seemed unduly harsh to leave with a scathing assessment of Haley and an embrace of the crazy one in the race (DJT), even if it was simply repeating that he would vote for the eventual GOP nominee, as pledged.

Third (from Wikipedia): “Nikki Haley, who was then governor of South Carolina, appointed Scott to the U.S. Senate in 2013 to fill a vacancy. He retained his Senate seat after winning a special election in 2014, and was elected to a full term in 2016 and reelected in 2022. He became the first African-American senator to be elected from the Southern United States since the Reconstruction era.^[“

^{Tim Scott told CNN that he had contacted Nikki Haley’s team before endorsing Donald Trump for President. Dana Bash asked Ms. Haley if this was true, and received an emphatic “No.” When Dana followed up by asking if it was possible that Scott’s people had talked to Nikki Haley’s people, Haley once again answered no, and added that her campaign had attempted to touch bases Scott’s campaign workers, in the hopes that he might endorse her. Instead, Mr. Scott, who owed his Senate Seat to Nikki Haley chose to endorse the much-maligned and much-indicted DJT.}

^{Doesn’t seem fair or sporting, does it?}

2024 Presidential Campaign of Nikki Halley

^{I’m not a Nikki Haley fan, although I thought her answers to questions on the topic of abortion were much more reasonable, compassionate and logical than DeSantis’. DeSantis came out denouncing the U.N., which Haley was Ambassador to for Trump. Another bad mark for the Florida Governor who took many other bad stands before, during and after his brief campaign. People just did not seem to cotton to DeSantis, his team couldn’t get along, his Twitter announcement was a disaster, and his decision to put all his eggs in the Iowa basket may have been a bad one. Visiting all 99 Iowa counties during the worst winter in decades was not really something we can blame on bad decision-making, but let’s just say that DeSantis may be regretting all that effort expended in a losing cause during the worst caucus season in recorded history.}

^{But the concerted verbal attacks by Trump, coupled with DeSantis’ vindictive parting shot and Tim Scott’s lack of loyalty towards the woman who put him where he is tells me all any of us needs to know about the Republican party in 2024. It also tells us that the Good Old Boy Network is alive and well and bound and determined to keep a good woman down.}

^{Sad, that.}

Reflections on Barbra Streisand’s Autobiography “My Name Is Barbra”

By Connie Wilson

On January 19, 2024

In Books, Editorial, Local, Movies, Music, News, Of Local (Quad Cities') Interest, Politics, Pop Culture, Reviews

Barbra Streisand & Husband James Brolin.

Has unresolved issues about her mother.
Has issues regarding a “father figure.”
Somewhat downplays the gift her voice has been to her life path.
Seems to have OCD tendencies, even as to placement of flowers.
Naturally curious.
Seems to have built a “family” from those she found more supportive of her.
Takes a few swipes at good old “Marty” (her manager),and at Mandy Patimken and others. Seems to want to portray herself as someone who others were constantly seeking for intimacy, yet she doesn’t share much about her “lovers.” In fact, she seems to be rather coy about whether or not a certain famous individual was or was not someone with whom she shared physical intimacy.
James Newton Howard seems to re-surface as someone who had a crush on her.
The Jon Peters guy sounds like a real shyster and opportunist, and that seems to have been how he was viewed by the Hollywood community, as well.
Loyalty to Prince—now King—Charles and to Pierre Trudeau. Probably explains her views on Meghan Markle, recently articulated.
Doesn’t say much about Elliott Gould, with whom she shares her son, Jason. Kind of implies that they just drifted apart, he wasn’t good-looking enough, and he had a gambling problem and possibly a drug problem later in life. Discusses Jason’s homosexuality in passing and claims he has a phenomenal voice. Jason is now 58 years old and, while he did release an album some years ago and sang with his mother on one of her tours, he doesn’t seem to have done much creating, musically speaking.
Seems to have found a man in James Brolin who can take her independent attitude in stride.
Starred or appeared in 19 films, but sounds like she is done.
Music seems to be the thing that she might continue doing to the bitter end, a la Tony Bennett, especially if it doesn’t involve touring or appearing in person.
Very detail oriented, to the point that would drive many people insane. (Lighting, rewriting lyrics, etc.). She actually requested that famous songwriters like Stephen Sondheim rewrite song lyrics for various reasons and other “pushy” things.
Tells some interesting stories about her famous friends (Donna Karan is one, Prince Charles, Secretary of State Madeline Albright, the Clintons) but doesn’t really dish much new dirt. Before I read the book, the Big Story seemed to be her rejecting Mandy Patimkin as a potential fling, saying she did not find him attractive. The truth hurts, but good for you, Barbara. [Nobody finds Mandy Patimkin attractive.]
Mandy Patimken.

*Barbra’s father, Emmanuel Streisand, died at 35 and she was told by her cold mother that she kept waiting for him to return for days, sitting by the window. In her own words, “In some ways, I’m still waiting.”

*Her book is dedicated this way: “This book is dedicated to the father I never knew, and the mother I did…” She, basically, says she loved her mother but she didn’t “like” her. Her mother seems to have had serious jealousy issues about Barbra’s phenomenal success and hurt her many times, both intentionally and unintentionally. Fortunately, Babs bonded with many women who were older than she is and they served as “surrogate” mothers. One of the more famous was Bill Clinton’s mother.

*She talks about how she doesn’t really take care of her voice and doesn’t like to warm up, etc. She also has crippling stage fright, brought on by having forgotten the words to a song while performing at a free concert in Central Park.

*Outspoken – Recently, Babs came out swinging against Megan Markle. She criticized everything about the woman, from her acting prowess to her relationship with the Royal Family. It has made all the tabloids and seems to be a throwback to her great friendship with King Charles and loyalty to him. Barbara doesn’t say that she and Charles had “a fling,” but she tells a semi-racy story about his dog coming in to get in bed with her one morning when she is visiting England.

Barbra Streisand with her only child, Jason Gould (age 58).

Jason Gould and Mom Barbra Streisand.

*The Jon Peters romance (he was her hairdresser) was one of the chapters in her life that she attributes to her “hippy” phase. He sounds like a real piece of work! He is portrayed in the movie “Licorice Pizza” and it isn’t pretty. He did rise to become the head of a studio, but he sounds like a real insecure opportunist. One thing that attracted her to him was that they both had sons about the same age.

*Barbra seems to have a fairly ruthless way of dealing with disloyalty. In her own words, “When I’m done with something, I’m done!” She describes cutting Agent Sue Mengers out of her life when she suspected that the woman had leaked some things to the media.

*She reveals that she has heard weird noises in her head since childhood.

*Several times in the book Barbra repeats this line from George Bernard Shaw’s play “St. Joan:” “It is an old saying that he who tells too much truth is sure to be hanged.” She also says, “I’ve always believed in telling the truth, but it has gotten me in trouble over the years.” We saw Barbra in concert in Chicago right before a presidential election and her remarks to the audience supportive of the Democratic candidate caused the couple next to us to yell (loudly), “Just shut up and sing.” I happen to agree with most of her political opinions, so I’m not one of the MAGA crowd who would be this rude. It was an “okay” concert, but it was not the Experience of a Lifetime I had hoped it might be, as I had been a fan for years.

*The book goes down easy and is a good read, but she goes into detail after detail after detail about every outfit she ever wore in her life, which reminded me of my own dear mother, who resembled Barbra’s mom in that she was not one to praise or express warm, fuzzy things, but I have tried to understand her chilly treatment of me in light of her own career and its demands. Barbra has had years of therapy and she tries to be even-handed about her mother’s indifference or jealousy towards her.

There is no question that Barbra Streisand is a formidable talent. She is a lot. I love her singing; I like most of her movies, so I enjoyed reading the behind-the-scenes stuff but I felt she put entirely too much time describing every outfit she ever wore in her life and casting herself in the most positive light possible, with all kinds of effusive notes of praise and uber-flattering photos.

Iowa Caucuses (Jan. 15, 2024) Will Set Low Temperature Records

By Connie Wilson

On January 14, 2024

In Essays on Politics: Best Political Essays & Ideology, Local, News, Of Local (Quad Cities') Interest, Politics, Television

CNN Republican Presidential Debate (final one)

I am thinking back to the Iowa Caucus nights in 2004, 2008 and 2012that my college roommate and I went out to caucus at a local Des Moines high school when the temperature was 17 degrees (2004). It was, until now, the coldest caucus night in history. My hope was that Howard Dean was going to prevail, as he had been leading during the “sleepless summer,” as the press called it.

I dropped her off at the doorway and then had to drive blocks away to park my car. During that time, those in charge attempted to close the doors to late-comers, but she stood by the door to allow me to gain access. (They said they were running out of GOP ballots, for one thing.) Then we were thrown into the chaos of the classroom, with Democratic groups milling about trying to achieve the 15% viability that would allow them to continue. (The Republicans use paper ballots, but the Democrats, at that time, simply stand around in small clumps of people and it is sheer lunacy.)

The 2020 SNAFU in Iowa, when the results weren’t know for days, led to the resignation of the guy in charge, even though there still is debate as to whether an app called Shadow, Inc., developed by someone named Tara McGowan, was at fault. There were charges that both the Buttigieg campaign and the Hillary Clinton campaign had had dealings with the company that developed the app. The entire night was catastrophic for the Iowa caucuses and, this year, the Dems did not come. When you read that 8 precinct results went missing in 2012 and were never counted, you begin to get the idea that this entire throwback town hall meeting thing will soon cease. After all, the success rate of predicting who the standard bearer for each candidate will be is not great. The success rate for predicting the Democratic winner nationally is only 55% and for the GOP it is only 43%.

Is it any wonder that voices are being raised saying the caucuses in Iowa don’t “work” and should go the way of the Dodo bird? Illinois Senator Dick Durbin said, “I think the Democratic caucus in Iowa is a quirky, quaint tradition which should come to an end. As we try to make voting easier for people across America, the Iowa caucus is the most painful situation we currently face for voting.” Former presidential candidate Julian Castro said, “It’s a mess. What we saw out there and heard about are, consistently, errors in the way that this process was done, whether in the initial phase or the realignment. Inconsistencies in how it was done across precinct sites. It is a total mess.” And let’s not forget that campaigning in Iowa is probably not real pleasant when the weather in the Midwest doesn’t cooperate. DeSantis and Trump are from Florida. Haley is from South Carolina. Talk about culture shock!

So, how did this “total mess” come to be at all?

Nikki Haley on the GOP debate stage

One book written on the topic (“The Iowa Caucuses and the Presidential Nominating Process” by Peverill Squire of the University of Missouri) says, “Iowa became first in the nation pretty much as an accident of the calendar.” One explanation even blames the entire thing on the slow duplicating machine that Iowa used at the time, which required Iowa to set their voting date up earlier and earlier to make sure that materials could be turned out in time. Supposedly, the party wasn’t really angling to be “first in the nation” but that’s what happened.

As for the GOP, they used to use an August “straw poll” thing, which turned out to be totally unreliable and was discontinued. It became a question of who could buy the straw poll. You could argue that that is also true of the caucuses as they now exist, with huge amounts of money being spent by the candidates running in the state. It is easy to see why a state like Iowa would want to continue being the center of attention and raking in advertising (and other) dollars. But will that happen, given the deep freeze that Iowa is going to be on the night of the caucuses this year? Thirty and Forty below zero is life-threatening. Iowans are hardy souls and take politics seriously, but the turnout is definitely going to be affected.

In 1976 then-candidate Jimmy Carter used the Iowa caucuses to give himself the national recognition that he did not have prior to winning there. In 1972 George McGovern won the caucuses, but they had not yet turned into any kind of national launching pad. After Iowa, Carter received attention and invitations to speak and be interviewed that gave him the momentum he needed to go on to win the nomination and be elected as the party standard-bearer and win the presidency. Since then, candidates have been attempting to duplicate that feat, with Barack Obama actually achieving it in 2008, the year I followed the caucuses for 24 months and wrote 2 books on the experience. The Iowa caucuses actually predicted the eventual national nominee and winner twice: Obama in 2008 and Bush in 2000. In 2004 the caucus winner in Des Moines (John Kerry) did go on to become the national nominee, but he did not win office. It is particularly interesting when you learn that Jimmy Carter only campaigned for 17 days in the state in 1976.

Ron DeSantis.

I did not become involved in following the caucuses in person until 2004, which was the year that John Kerry won the Iowa caucuses, John Edwards came in second, and Howard Dean came in third. The Kerry forces double-miked Howard Dean’s impassioned plea to his followers at the post party (I was there) and made him look totally foolish by replaying it what seemed like millions of times on television.