Category: Of Local (Quad Cities’) Interest Page 10 of 53

The category is self-explanatory, but it would include new or old businesses, political elections, trends, restaurants in town, entertainment in town, etc.

Christie in 2022

Frank Bruni is a contributing Opinion writer who was on the staff of The Times for more than 25 years. He wrote a June 21^st opinion about Chris Christie’s recent remarks during his CNN Town Hall appearance. Mr. Bruni found Christie’s remarks as refreshing and as necessary as I did, in watching this appearance.

I had also just completed reading Margaret Haberman’s book on Donald J. Trump. Haberman, the New York Times writer assigned to cover Trump over decades, interviewed hundreds of personal friends of DJT and related that Christie was very definitely trying to snag the VP nomination for himself during 2016.

Most of us who watched Mr. Christie during his Sunday morning talk show appearances know that he was the politician tapped to “prep” Donald J. Trump for debates during his run, although DJT was not a willing student at all times. One of the more startling facts that Haberman rehashed was how Trump, himself, kept Christie wondering about who would ultimately be his running mate. The three finalists were said to be Pence, Christie and Newt Gingrich. Trump called up the Indiana Senator and told him to fly out for the announcement, and Christie got wind of the Pence family’s arrival in Teterboro, N.J. It was not a happy conversation when Christie realized that Trump had been jacking him around for literally months, I’m sure.

Here’s what Frank Bruni had to say: “Chris Christie made a complete fool of himself back in 2016, fan-dancing obsequiously around Donald Trump, angling for a crucial role in his administration, nattering on about their friendship, pretending or possibly even convincing himself that Trump could restrain his ego, check his nastiness, suspend his grift and, well, serve America. But then Christie, a former two-term governor of New Jersey, had plenty of company. And he never did style himself as a saint.

It’s all water under the George Washington Bridge now. The Chris Christie of the current moment is magnificent. I don’t mean magnificent as in, “He’s going to win the Republican presidential nomination.” I don’t mean I am rooting for a Christie presidency and regard him as the country’s possible saviour.

But what he’s doing in this Republican primary contest is very, very important. It also couldn’t be more emotionally gratifying to behold. He’s telling the unvarnished truth about Trump, and he’s the only candidate doing that. A former prosecutor, he’s artfully, aggressively and comprehensively making the case against Trump, knocking down all the rationalizations Trump has mustered and all the diversions he has contrived since his 37-count federal indictment.”

In a poll released on Friday by The New Hampshire Journal, Christie had pulled into third place among Republicans in the state, far behind Trump, who had 47 percent of the vote, but not far behind Ron DeSantis, who had just 13. Christie had 9, followed by Mike Pence with 5. That partly reflects Christie’s decision to make his initial stand, so to speak, in New Hampshire. But it also reflects something else: He’s excellent at this.

Christie is to DeSantis what a Roman candle is to a scented votive. He explodes in a riot of color. DeSantis, on his best days, flickers.”

I would like to add that Christie’s performance on that CNN Town Hall, was, indeed, more like a Roman candle than the halting delivery of second place runner Ron DeSantis. I found his one-on-one answers to members of the audience to be spot-on, even when one asked about the infamous Bridgegate controversy that ended his time in New Jersey politics.

My enchantment with Christie’s fireworks makes me a cliché. In an observant and witty analysis in The Atlantic on Monday with the headline “Chris Christie, Liberal Hero,” David Graham inventoried the adoring media coverage Christie has garnered, noting that while there’s zero evidence that Christie could actually win the contest he has entered, “pundits are swooning.” It should be noted here that hard-core GOP voters were less thrilled with Christie’s sudden emergence as one of the few Republicans to let the truth prevail. Many of the most faithful Republicans—up to 70% in one poll—said they would not vote for him.

But the swoon isn’t about Christie’s prospects. It’s about the hugely valuable contrast to other Republican presidential candidates that he’s providing. And about this: The health of American democracy hinges on a reckoning within the Republican Party, and that won’t come from Democrats saying the kinds of things that Christie is now saying. They’ve been doing that for years. It’ll come — if it even can — from the words and warnings of longtime Republicans who know how to get and use the spotlight.

Did you see Christie’s CNN town hall last week? Have you watched or listened to any of his interviews? He’s funny. He’s lively. He’s crisp. And he’s right. Over the past few weeks, he has described Trump’s behavior as “vanity run amok.” Trump himself is “a petulant child.”

At the town hall: “He is voluntarily putting our country through this. If at any point before the search in August of ’22 he had just done what anyone, I suspect, in this audience would have done, which is: said, ‘All right, you’re serious? You’re serving a grand jury subpoena? Let me just give the documents back,’ he wouldn’t have been charged. Wouldn’t have been charged with anything, even though he had kept them for almost a year and a half.”

Other candidates, who prefer not to talk about the charges against Trump, are reportedly worried that his indictment will mean ceaseless chatter about him and extra difficulty promoting their own (muted and muddled) messages. Josh Barro, in his Substack newsletter Very Serious, nailed the absurdity of that, pointing out that Trump’s front-runner status and enormous lead over all of them guarantee that he’ll always monopolize the conversation, indictment or no indictment.

“The Republican nomination campaign cannot — and will not — be about anything but Donald Trump, and the media is not going to invite them on TV to talk about topics other than Donald Trump,” Barro wrote. “So, since they are going to talk about Donald Trump all the time, they had better talk about why he should not be nominated.” Christie is getting invitations and attention because he is doing precisely that. Maybe, just maybe, some of them will take note and wise up.

To the conundrum of what, if Christie qualifies for the Republican primary debates, he’ll do about the required pledge that he support whoever winds up getting the party’s nomination, he has apparently found a solution that’s suited to Republicans’ willful and nihilistic captivity to Trump, the stupidity of the pledge and the stakes of the race: He’ll sign what he must and later act as he pleases.

“I will do what I need to do to be up on that stage to try to save my party and save my democracy,” he told Jake Tapper on CNN’s “State of the Union” on Sunday morning.

Let’s pivot from Trump and Trump analogues to Trump sycophants. In The Atlantic, Tom Nichols described how J.D. Vance, who once spoke with such disparaging and devastating accuracy about Trump, did a self-serving about-face in his 2022 Senate race in Ohio and, reprogrammed by that victory, never looked back: “What he once wore as electoral camouflage is now tattooed all over him, in yet another fulfillment of the late Kurt Vonnegut’s warning that, eventually, ‘we are what we pretend to be.’”

Chris Christie, superhero? He has his own supersize vanity. He is arguably playing the only part in the crowded primary field available to him. And those dynamics may have as much to do with his assault on Trump as moral indignation does. Even so, saving his party and country agrees with him.

DeSantis, Pence, Tim Scott, Nikki Haley and other Republican presidential candidates are clearly telling themselves that they can’t do any good down the road if at this intersection they provoke Trump and run afoul of his supporters.

Where have we heard that before? It’s a version of what Christie said to himself in 2016. He now sees the folly of that fable.

“The Boogeyman:” Stephen King Redux

By Connie Wilson

On June 19, 2023

In Best Paranormal Stories Online to Read | Paranormal Podcast, Movies, Of Local (Quad Cities') Interest, Pop Culture, Reviews, Scary stories

We were desperate for a movie to see at the theater on a weekend. The ones offered were grim.

Then, I noticed that the screenwriters (Scott Beck and Bryan Woods) behind “A Quiet Place” had collaborated with a third writer (Mark Heyman) and taken an old Stephen King short story (from his “Night Shift” collection) and amplified it into a PG horror film. The second thing it had going for it was its lead, Chris Messina, whom I enjoyed in “Damages” (and “Argo” and “Air”). It was directed by Rob Savage who has been making films since he was eighteen that won him a “Star of Tomorrow” award.

Off we went to enjoy a truly good ensemble cast, which included Sophie Thatcher as Messina’s teenaged daughter Sadie Harper and Vivien Lyra Blair as her younger sister, Sawyer. Marin Ireland as Rita Billings has a nice cameo-length appearance as the deranged wife of Lester Billings (from the short story). Lester was portrayed by David Dastmalchian, who wanders into therapist Will Harper’s home office, tells him a harrowing story about his children dying one after another, and then, without enough of a preamble for the act, offs himself in a nearby closet.

Not since Jeffrey Epstein have we had a suicide as poorly explained. In fact—although I’ve read that the very act of barging in and killing himself in their house dooms the Harper family to what happens thereafter—I admit I don’t remember it from the source material. This explanation is not emphasized enough to satisfy me as the why for all that occurs after Lester’s untimely demise.

THE GOOD

I’m glad I saw this film in a theater, because it’s so dark that when it streams, the dark images will be difficult to decipher. The cast is uniformly excellent. The production designer (Jeremy Woodward) and the cinematographer (Eli Born) have worked together to use negative space and darkness beautifully. Since one of the lines from the film is “It needs the dark to stay hidden,” the framing and continual use of darkness is extremely well-done.

Most of us, as small children, had a fear of the dark. All of us, at any age, have a fear of what goes bump in the night. I was particularly struck by the sounds that foster the mood. I grew up in a very old house that had a heating system along the baseboards that pumped heated water to warm the rooms upstairs. The baseboard heating system made all sorts of ungodly noises. Id you were home alone, it was only a short putt from the strange gurgling noises to paranoia and incipient terror. So, well done, sound people!

I was impressed by the ominous music in the therapist scenes and elsewhere. Sometimes, the background noises are of a beating heart gradually slowing. Music is by Patrick Jonsson. Yes, the movie is more dependent on sounds and jump scares than on gory images, at least until the finale “Alien-like” scenes, but that was just fine with me. The “thing” that lurked in the closet and under the bed was well done when it finally is seen up close, but I’m partial to the build up of suspense by subtler means.

THE BAD

I had never seen a giant white ball that lights up in the possession of a child or an adult. It was an interesting prop for the “fear of the dark” theme, but, still, it seemed very unusual. While I loved the scene where the younger daughter uses the white ball to try to see the boogeyman, it was not a universal toy.

The grief that the family is experiencing, because of the death of the girls’ mother in a car accident only months prior, makes for a troubled backdrop for the teenager Sadie, in particular. Her friends at school, with the exception of one closer friend, seem like the cast of “Mean Girls.” When the wound of a lost parent is so fresh for the troubled teenager I found the extreme nastiness of 90% of her friends to be questionable, but, then, this is the age of Facebook shaming, so color me Old School. (Shame on them, by the way!)

I wondered, when Sophie goes to Lester Billings’ house, if you could really walk right in, as she does. The candles in the hallway, while a nicely spooky touch, seemed completely unsafe, but the scenes featuring Lester’s widow (Marin Ireland) were top-notch, as she attempts to lure the Shadow Monster from the dark using Sophie as unwilling bait. The dialogue made me smile, as when Sawyer, the younger child, says, “Just trying not to die.”

The old Polaroid camera in the closet, while a nice touch, was an anachronism. Who still sells or uses Polaroid cameras, and what, exactly, was the camera going to do to help Mrs. Billingsley? Sony got a nice product placement with a Sony Infolithium System. Use of the old Irish song “Tura Lura Lura” never seemed to be tied into the plot well, just as Lester Billingsley’s sudden suicide seemed precipitous and poorly explained. I blame this on my memory of the short story, which I read many years ago (and have not revisited.)

Lines that I liked (“The thing that comes for your kids when you’re not paying attention,” and “”Sometimes it’s better to have something to blame than to accept things that happen”) were offset by the ubiquitous “You got this.” (That’s probably just me; I’m really sick of that catch phrase.)

Overall, while I agree that no new horror ground was broken by the film, the normal scary territory was well served. We enjoyed the film, especially glad that we had actually been able to see it because of the big screen. We’ve been watching “The Invasion” on Apple + and it’s so dark in the monster sequences that, frequently, we don’t know exactly what we’re watching.

Will the Real Ron DeSantis Please Stand Up

By Connie Wilson

On June 13, 2023

In Editorial, News, Of Local (Quad Cities') Interest, Politics, Pop Culture

Excerpts from “Mother Jones” DeSantis Article

(“Laboratory of Autocracy” by Pema Levy)

The following are some quotes from the “Mother Jones” article by Pema Levy, the July and August (2023) issue. It is important to learn these things about the second most popular Republican nominee, especially since the leader of that pack is Donald J. Trump, who was arraigned on 37 felony charges today in Miami. (No, that is not a joke.)

“DeSantis has demonstrated a path to power based on circumventing the democratic process and preying on fear of minorities—a template that is already being adopted by GOP legislatures around the country. If DeSantis becomes president in 2 years, critics warn, his brand of authoritarianism could take hold from Washington, D.C. ‘If you’re uncomfortable with the book banning, imagine giving him the keys to the U.S. Department of Education. If you’re uncomfortable with the migrant flights dumping people in a deserted parking lot somewhere, imagine giving him the keys to Border Patrol and ICE. If you’re uncomfortable with the way he goes after voting rights, imagine the same conversation that Donald Trump was having with Georgia election officials, demanding they “find” votes he needed, but it’s Ron DeSantis on a call that’s not being recorded. DeSantis would finish what Trump started, which is wrecking our democracy.”

That was the closing statement of this article, but the evidence in the article demonstrates that “his governing style is the logical evolution of Trumpism, from a chaotic politics of reprisal to a calculated system of repression and power-grabbing.” Florida Watch’s Anders Croy says, “This really is what’s coming to the country. Florida, essentially, is a laboratory of authoritarianism right now.”

Early on, DeSantis won a fight to take over the power to dictate maps for voting, and dismantled 2 majority Black districts. He appeared at the Villages, the massive retirement community and Republican stronghold that covers 32 square miles of central Florida and touted his “Freedom First Budget.” He bragged about his cuts, his latest show of power. “While the governor’s office defends the cuts as fiscally responsible decisions, critics believe that DeSantis was making an example out of them for opposing his redistricting takeover.” As one observer (a Democrat who served in the state House until last November) said, “I’ve never seen a group of people so willing to give a governor a blank check.” The GOP super majority retroactively authorized DeSantis’ Fox-ready stunt of flying asylum seekers from Texas to Martha’s Vineyard. They also gave DeSantis the power to appoint the board that would oversee municipal affairs at Disney World. This is all part of Disney’s escalating feud over DeSantis’ “Don’t Say Gay” law.

Many have commented on DeSantis’ lack of charm. He is not a back slapper and does not seem comfortable trying to become one. Therefore, “the only way that he’s going to be able to move his agenda is through fear and intimidation.” The former agricultural commissioner who served alongside DeSantis in the Florida Cabinet said DeSantis never joined in when other fellow members bantered about their families or exchanged pleasantries. In 2019 when on a trade mission to Israel DeSantis always stood apart from the 3 other members and never rode in a vehicle with them. He wouldn’t engage in friendly chit chat in the elevator, either.

As the article describes, authoritarian personalities are not always charismatic. Putin is an example. Turkey’s Erdogan, likewise. As a New York University historian (author of “Strongmen: Mussolini to the Present”) said, “People who come from the realm of bureaucracy don’t necessarily have to be charismatic because they want to be feared and not loved. Now, somebody like Trump needs to be loved as well as feared, but DeSantis just wants to be feared. His remoteness is actually a shield which helps him to be ruthless and dominant.”

A baseball player and fraternity brother at Yale recalls DeSantis as “so charmless.” After he graduated from Harvard Law School he served as a Navy attorney at Guantanamo Bay and Iraq. In 2008, back in Florida, he took an assignment as a federal prosecutor and ran for Congress in 2012. He spent 3 House terms as “a loner” and a “backbencher.” When the opportunity to run for Governor arose, he sucked up to Trump on Fox News for his primary endorsement.

Trump gets by mostly by saying stuff, not doing stuff. DJT talks much more than he throws punches. He throws more punches than he lands. Says this former colleague, “DeSantis can’t win that way. He has to do stuff. DeSantis has hollowed out state government, filling out key posts with loyalists, which is similar to DJT. The academic term is “autocratic capture.” During his first term in office, DeSantis installed 75% more donors in senior government roles than his predecessor Rick Scott had done in the same time span. These sorts of power grabs are “a cornerstone of authoritarianism” and certainly we saw it with Trump in office.

DeSantis in 2021

FROM WIKIPEDIA: DeSantis signed a 2013 “No Climate Tax Pledge” against any tax hikes to fight global warming.^[50] He voted in favor of H.R. 45, which would have repealed the Affordable Care Act in 2013.^[51] DeSantis introduced a bill in 2014 that would have required the Justice Department to report to Congress whenever any federal agency refrains from enforcing laws.^[52]^[53]^[54] In 2015, DeSantis was a founding member of the Freedom Caucus, a group of congressional conservatives and libertarians.^[33]^[55]^[56]

DeSantis opposes gun control, and received an A+ rating from the National Rifle Association.^[57] He has said, “Very rarely do firearms restrictions affect criminals. They really only affect law-abiding citizens.”^[58]

DeSantis was a critic of Obama’s immigration policies, including deferred action legislation (DACA and DAPA), accusing Obama of failing to enforce immigration laws.^[59]^[60] In 2015 he co-sponsored Kate’s Law, which would have increased penalties for aliens who unlawfully reenter the U.S. after being removed.^[61] DeSantis encouraged Florida sheriffs to cooperate with the federal government on immigration-related issues.^[62]

In 2016, DeSantis introduced the Higher Education Reform and Opportunity Act, which would have allowed states to create their own accreditation systems. He said this legislation would also give students “access to federal loan money to put towards non-traditional educational opportunities, such as online learning courses, vocational schools, and apprenticeships in skilled trades”.^[63]

In 2016, DeSantis received a “0” rating from the Human Rights Campaign on LGBT-related legislation.^[64]^[65] Two years later, he told the Sun-Sentinel that he “doesn’t want any discrimination in Florida, I want people to be able to live their life, whether you’re gay or whether you’re religious.”^[66]

DeSantis proposed legislation that would have ended funding by November of that year for the Mueller investigation of President Trump.^[68] He said that the May 17, 2017, order that initiated the probe “didn’t identify a crime to be investigated” and was likely to start a fishing expedition.^[69]^[70]

DeSantis’ Books:

DeSantis released a book in February called “The Courage to be Free” in which he said: “American has entered a post-Constitutional order where federal agencies have become an all-powerful 4^th branch of government that must be “brought to heel” to restore democracy. This is, in effect, declaring war on our judicial system and our voting system. Says the author Levitsky, “In almost every autocracy, we find one of the first moves is to pack the state—whatever state agencies exist.”

DeSantis championed an Orwellian 2022 law known as the Individual Freedom Act, also referred to as HB 7. It restricted educators’ ability to teach concepts like critical race theory, structural racism, sex discrimination, white or male privilege and affirmative action. The law limits how private employers can discuss such issues. The law is generally referred to as the Stop WOKE Act. There is a threat in college classrooms that students might turn in their teachers. The law was passed by the Republican dominated House in 2021, intending to combat perceived discrimination against campus conservatives by authorizing students to secretly record professors in order to bring lawsuits or report them to school authorities. With that kind of Big Brother Is Watching mentality, it has become more difficult to attract top-notch talent to teach in Florida’s schools and colleges. Students are asked to fill out an annual Intellectual Freedom and Viewpoint Diversity survey as an oversight tool. “These efforts call to mind a surveillance state, where snitching is encouraged, the government keeps enemies lists, and free speech is censored.”

DeSantis orchestrated a take-over of New College, a small Florida liberal arts school. He installed culture war provocateur Chris Rufo on its board. Republican Senator Ben Sasse of Nebraska ended up in charge of the University of Florida without any disclosure of the process. A secret search continues at New College for a new president and DeSantis’ handpicked board fired its president, naming the Governor’s former Commissioner of Education as its interim leader. A quote: “They want the hiring process to be about who politically toes the governors’ line.”

As the article says, “DeSantis’ attack on academic freedom has already taken a toll. Despite years of growth in the center’s graduate program, Morse says, this fall enrollment will go down by more than half, as many admitted students declined offers, usually citing Florida’s political climate. And departments without enough enrollment get closed. As long as they just scare people away and make Florida a hostile area for this kind of work, that can achieve the same goal as an outright ban. The onslaught of rules, surveillance, lawsuits, lists, and bans has created an atmosphere of chaos and fear on Florida campuses.

Trump was known for whipping up political mayhem, but on a day-to-day basis he seemed to largely unleash it on his inner circle. DeSantis, by contrast, strategically deploys chaos to advance his political priorities.

In November, Judge Mark Walker blocked the Stop WOKE Act in higher education, writing that “one of the 8 prohibited concepts is mired in obscurity, bordering on the unintelligible and features a rarely seen triple negative, resulting in a cacophony of confusion.”

University of Law Professor Mary Anne Franks says, “DeSantis, we need to remember, is a product of Harvard Law School. His attempts to punish Disney, for instance, his attempts to restrict what private employers are doing—he knows that that violates the First Amendment. What he is trying to figure out is, can he remake the law? Can the new far-right conservative movement, which seems to be a kind of might-makes-right movement, can he put that into effect?”

People are now refusing to communicate in certain ways. The House speaker requested that e-mails be turned over. “By starting with the list-making and searching people’s e-mails, now, people are on edge. Graduates have contacted the program asking to be removed from alumni lists. Everyone is starting to see the possibility for increased surveillance.” Said one Florida department chair, “A few people have come out to me, some of them department chairs, who said, ‘We’re not getting candidates for our searches.’” As the article concludes, “DeSantis is willing to burn this entire system in the fire of his own political ambition. But the mess he’s creating with these attacks on public ed, both K-12 and higher ed, are going to significantly and deeply harm Florida for decades.”

After Disney came out against the “Don’t Say Gay” bill, the governor responded, “There is a new sheriff in town and accountability will be the order of the day.” Disney felt that it was “left with no choice but to sue over DeSantis’ targeted campaign of government retaliation.” (Disney World was hosting its first Pride night in June.) “DeSantis’ willingness to bend the power of government to punish Disney for having an opinion always meant that he would be willing to do that to individuals and small businesses, too.” DeSantis has been at the vanguard of the nationwide assault on transgender people and has gone after small businesses that host drag shows.

A University of Michigan sociologist who studies corporate political behavior describes what is happening because of DeSantis as “an existential crisis regarding the future of American democracy.”

DeSantis staged an attack on the voting rights of people with felony convictions. The law had changed 5 years ago to allow most felons who had paid their debt to society to vote, but DeSantis, after taking office, immediately set out to undermine the amendment. The system is impossible to navigate, but DeSantis said that the new voters must first pay all of their legal fines, fees and restitution, but did not make it possible for its citizens to find out if they have any such debts. Ex-felons who were trying to vote were arrested, including Nathan Hart. They had served their time and believed their voting rights had been restored. People convicted of murder or sex felonies were not allowed to vote.

Quote from the article: “He likes to call us the Free State of Florida, but that freedom only applies to people that look like him and that think like him. And if you don’t, then this state is not free at all.”

“After Democrats surpassed Republicans in voting by mail during the 2020 election, DeSantis signed a law that made postal ballots harder to obtain, limited drop boxes, restricted third-party registration efforts, and banned providing food and water to waiting voters. Signing up to vote by mail now requires more forms of identification, and the request must be renewed every two years. The March municipal elections in Broward County fell by half from 2021 and the drop-off is predicted to drop off in 2024.

In conclusion, when I sold my businesses in 2003, my husband asked why I didn’t buy a second vacation home in Florida, rather than investing in a condo in downtown Chicago. I explained that my son and grand daughters and daughter-in-law lived in Chicago, whereas I know no one in Florida. “I would have to buy a ticket to fly to Florida, but I can hop in the car and be in Chicago in 3 hours, so why would I want to buy a place in Florida?” I also would add, “The only way I’d purchase a place in Florida is if I wanted to travel back in time.”

Quad City Senior Olympics, Restaurants, and The Search for Euchre in the Q.C.

By Connie Wilson

On June 10, 2023

In Local, News, Of Local (Quad Cities') Interest

It’s been a semi-busy Friday/Saturday weekend. We had no plans at all until Wednesday or Thursday, when, for the first time in the 30+ years of the Quad City Senior Olympics, I read about it BEFORE it was over. Usually, I have read about the events (usually at Augustana) and thought, “Oh. Wish I had known about that before it was all over.”

I didn’t see the article about this year’s events until Wednesday and sign-up deadline was by 5 p.m., so I signed up at 3 p.m. for the two that didn’t require me to run or swim or do anything even remotely athletic, since I couldn’t even walk for about half of the last year, due to the side effects from cancer medication. (Maybe next year?) I noticed the “low impact” area had Literary events (which I still do not understand nor know about), a Spelling Bee and a euchre tournament. So, why not?

We drove to Ridgecrest Village and I participated in the Spelling Bee, coming in second of about 10 contestants. I unwisely spelled “vacuousness” with 2 c’s, but it was all in fun and I was awarded a Silver Medal. Then, we learned that we might have the opportunity to play euchre with 3 or 4 other tables of people for a “contest” of some sort to be held beginning at 5 p.m. on Friday. ($5 per person). I had paid $35 for a shirt, which I never got, because, apparently, one needed to attend the Opening Ceremonies, which were over before I even read about the event.

So, we went back on Friday and played euchre from 5 to 8 p.m. Much like bridge tallies, one did not play with one’s spouse or friend but on a schedule and they set it up for us to deal 2 times around and then quit and mark down a score (8 rounds). Although my spouse and I were never paired, we were tied at 16 points about halfway through the evening. It was then that I began taking note of the higher scores (Betty, #1, and Herman, #2) and realized that I was not likely to reach the 39 points of Betty nor the 37 of Herman. I did have 34 points, however, and, when I asked my husband how many points he had, he said “33.”

So, it was surprising that my husband was announced as the third place finisher, but—hey—it’s all in the family and, this way, we ould each have a medal (a silver and bronze.) It was a kick. Thanks to the organizers, who also provided some soft drinks and bags of chips to the contestants.

I wanted to find a regular, reliable night that we could play euchre, as we have done in Austin for 6 years. There, we simply show up at the Waterloo Ice House and it goes on from 7-ish to 9. We have to drive a long way to get there, but we always order food and eat. as do most of the other card players. The players are of all ages and stations in life. Last time we played, our opponents were a female fire fighter and her date (who had never played previously). It was a hoot!

I spent quite a bit of time trying to find any place that has a regular, recurring euchre game that doesn’t require membership in another group and/or doesn’t charge an entry fee. If you know of one, let me know, because I have come up empty. I did find that a tavern at 3rd and Pine in Davenport named “Gilly’s” seemed to have a game that began at 5;30 on Thursdays (although this post did not have a year on it, so that may be old information). However, recently, two patrons of Gilly’s were involved in a fatal shooting. The City Council subsequently canceled Gilly’s liquor license, so are they still having euchre games? And is it safe to go in there? The owner of Gilly’s testified at the hearing that she had hired security to “wand” people for guns, which did not sound ideal. (I just want to play euchre—not be involved in a confrontation involving guns.) Some have mentioned the Vikings Club (Moline) or the Elks or CASI. I remember playing at CASI with my dear departed friend David Dorris, but I also remember that it was not a very chummy feeling, as he was late once and they berated him for his delay. Plus I think there was a charge. All in all, I’m still looking for a weekly euchre game like the one we participate in in Texas.

(L to R) Marvis and Bob Hafner and Bob DeJonghe

On Friday night, we tried out Hemisphere (formerly the Red Crow) in Davenport. A very lovely ambiance and good service, but it was cold in there, to the point that my husband agreed it was too cold. Everything was also too salty. We had the crab cake appetizer (small, salty) and then we had the overly salty bone-in pork chop. It was not a cheap evening, as the bone in pork chop is $28, but the good news is that it comes with 2 sides, which, in my case, were roasted carrots and very salty fingerling potatoes. (Spouse had cauliflower and rice). Quite a bit of difference between the meal at the Mexican spot, with tacos at $7.50.

So, Saturday night we met up with old friends Bob and Judy DeJonghe and Bob and Marvis Hafner and it was a pleasant evening outdoors (except for the part where the train came through. Ha!) Bob will be having some surgeries beginning on Tuesday, so it was nice to be able to see them prior to his kidney and back surgeries. Always great to see good friends of so many years.

Picture (to the left) “the rest of the table” with husband Craig and Judy (DeJonghe).

Tacos were very good and only $7.50 for three. They were made like real hard tacos are served in Mexico, in sort of a rolled-up tube presentation. Also had part of a chicken enchilada, but too full to finish either.

Tucker Carlson Out at Fox: Memories of His Bow-Tie Days

By Connie Wilson

On April 25, 2023

In Essays on Politics: Best Political Essays & Ideology, Local, News, Of Local (Quad Cities') Interest, Politics

Tucker’s last segment on Fox was about eating bugs. And then he said he’d be back on Monday (another lie). I had the misfortune to see Tucker “live” in 2008 when he was one of the speakers at the Libertarian convention in Minneapolis (MN), held at the very same time as the GOP convention in St. Paul. He was still in his bow tie phase and looked and acted like a total doofus, but the entire convention ($17 for entry; I was press) was a surreal experience. Alongside Tucker onstage were Ron Paul (Sr.), former Governor of Minnesota Jessie Ventura and Barry Goldwater, Jr., who was the spitting image of his father. It was a totally weird experience, which I will explore in greater depth on my WeeklyWilson blog, because I still marvel that I was there at all.

I had no intention of attending the Libertarian convention, which was dubbed something like “Rally for the Republic.” The entire reason for my presence can be summed up by one name: Phil Bennett.

Who is Phil Bennett, I hear you say. Well, at the time, I had paid Phil to come to my humble abode and teach me how to post using a WordPress blog and this was truly not my forte then or now. Phil had to come back three times to “fix” various problems I had, including placement of my pictures, and, at one point, he became so exasperated that—knowing I would be going to Minneapolis to cover the GOP convention in St. Paul—-he requested (demanded?) that I attend the Libertarian rally, which he knew was being held across town in Minneapolis at the same time. Phil had the power, as I knew I’d be calling on hm, sooner or later, and I wanted to be blogging more expertly from that point (2007) on.

So, I applied for and got Press Credentials for the Ron Paul Rally for the Republic Libertarian Convention and, oh, my! It was definitely an out-of-body experience.

Ron Paul, Sr., was then the presidential candidate and hopeful of the Libertarians (about whom I knew next to nothing) and he stood, center stage, while a hastily hung banner behind him fell to the floor. He had an aide standing directly behind him, a slightly portly fellow in a suit, who was glued to his cell phone the entire time the boss was talking. He was visible throughout Senator Paul’s speech, but acted as though he was texting his girlfriend back home.

Inside the Democratic National Convention of 2008 (Pepsi Center) in Denver, Colorado.

Onstage with Tucker and his bow tie, as noted above, was Jesse Ventura, the former Governor of Minnesota and co-star of “Predator,” who claimed that he was going to run for president in 2012. As we now know, that didn’t happen, and neither did the legalization of hemp, which seemed to be the chief plank in the Libertarian platform.

I was immediately led down front to the press box, where I found myself surrounded by a bevy of men who spoke English with a definite German accent and were trying to explain to me the basic tenets of Libertarianism. I also noticed a well-dressed young man wearing a badge to the real Republican convention, then going on across town in St. Paul. I finally asked him, “Why are you here? Aren’t you supposed to be across town at the Republican convention?” His response? “This is where the real action is.”

I still remember how much Barry Goldwater, Jr., looked like his father, the Arizona Senator. And, since I remembered Barry’s run for the roses and the slogan, “In your heart you know he’s right—far right,” seeing the young doppelganger onstage was a surreal experience, as was the entire convention.

During the breaks in the speeches the group of attendees, who closely resembled the Oath Keepers and Proud Boys we saw storming the Capitol on January 6^th, would assemble in the bar and hold forth on a variety of topics, none of them concepts with which I could identity at all.

It was truly a remarkable memory of my 2008 cross-country coverage of th: e presidential season, which began in Iowa, included Florida (Rudy Giuiliani’s “run” or “trot”), involved entrance to both the DNC and the RNC conventions in Denver and St. Paul, and also involved the Belmont Town Hall meeting in Nashville, Tennessee.

For a more up-close-and-personal view of that adventure, which earned me the title Yahoo Content Producer of the Year for Politics, I recommend “Obama’s Odyssey”, volumes I and II, both available on Amazon and both exceedingly readable.

If I can find pictures from that campaign experience of 15 years ago, I’ll include them with this article on my still-in-existence blog, but, otherwise, it’s strictly going to be pictures of Tucker Carlson.

“A Small Light” at SXSW is National Geographic Series Rediscovering the Anne Frank Story

By Connie Wilson

On April 24, 2023

In Of Local (Quad Cities') Interest, Reviews, Television

The official synopsis for “A Small Light:” “Based on an inspiring true story, Miep Gies was young, carefree and opinionated — at a time when opinions got you killed ― when Otto Frank asked her to help hide his family from the Nazis during WWII. Told with a modern sensibility, A SMALL LIGHT shakes the cobwebs off history and makes Miep’s story feel relevant, forcing audiences to ask themselves what they would have done in Miep’s shoes; and in modern times, asking if they would have the courage to stand up to hatred. Some stood by, Miep stood up.” The powerful, eight-part limited series is produced by ABC Signature and Keshet Studios and will begin airing on May 1st. (See last paragraph for channels and times).

Bel Powley as Miep Gies. (Photo by Connie Wilson).

The series stars Bel Powley as Miep and Liev Schreiber as Otto Frank. Anne Frank is portrayed by 17-year-old British actress Billie Boulet (“The Worst Witch,” “The Power”) and her older sister, Margot, is portrayed by Ashley Brooke (“The White House Plumbers,” “Troop Zero”). Ashley shared during the Q&A that her own grandmother was a Holocaust concentration camp survivor.

The opening episodes of the series build the character of Miep. “A Small Light” is the story of Miep Gies ; Born. Hermine Santruschitz. 15 February 1909. Vienna, Austria-Hungary (Now Austria) ; Died, 11 January 2010 (2010-01-11) (aged 100). Hoorn, Netherlands. Miep was sent from her native Vienna, Austria to be raised by the Gies family because her health was fragile. Her nuclear family felt it was in her best interests to relocate her to Amsterdam, so that she could receive medical care and a generally better quality of life. She remained in Amsterdam for the rest of her life.

Bel Powley as Miep Gies. (Photo by Connie Wilson).

Miep, as portrayd by Bel Powley (“The Morning Show,” “The King of Staten Island,” “White Boy Rick“) seems carefree and lighthearted and not that interested in either working or settling down. Her adopted family actually has conversations about the possibility of her marrying her adopted brother, to alleviate the hardship for the family unit continuing to support Miep in war-time.

This detail about Miep’s potential marriage to someone she regarded as her brother was true. It was researched by show creators Tony Phelan and Joan Rater, who are a married couple. The brother being gay, however, was poetic license, based on the gay community’s support for the Resistance in Amsterdam in WWII. The co-creators also shared that their diligent research for the series was all donated to the Anne Frank House/Museum after filming was completed.

Joan arrived late for the Q&A due to flight delays at SXSW. She explained that she and her husband were touring the Anne Frank home in Amsterdam when they became intrigued by the untold story of Miep Gies, the young woman who stepped up to help hide Otto Frank and his family when the Nazis invaded the Netherlands. The sets were exact recreations of the space in which the Franks hid.

Ashley Brooks and Billie Boullet (Margot and Anne Frank) at SXSW. (Photo by Connie Wilson).

It is clear that Miep is somewhat naïve about how bad things will become for Jewish residents of the Netherlands. (“Hitler won’t come here. We’re neutral.”) She is among those Dutch citizens who cannot believe that the Germans will invade their peaceful city and country. Others, who are more practical, are convinced that he will, in fact, invade.

May 10-15, 1940: The Queen fled to London and the Netherlands fell to the Nazis in five days.

Miep is proven wrong in her optimistic belief that “all will be well.” She then becomes very active in helping Jews go into hiding, not only helping the Franks build a secret hideaway above Otto’s Opetka office, with a staircase hidden behind a fake bookcase, but also helped to hide other Jewish families in the city.

Miep also has a romance with a bookish young man named Jan, played by Joe Cole (“Peaky Blinders”). Jan tells Miep that he is actually already married to someone else, but just doesn’t have enough money to finalize the divorce. That was an odd beginning to their courtship. Miep is shown ditching Jan at a club, as she found his bookish ways (he is reading Franz Kafka’s “Metamorphosis”) boring, initially. Ultimately, the couple discover they have many shared interests and—despite his horrible period haircut—they become a couple. Jan is played by Joe Cole (“Against the Ice,” “The Ipcress File”).

Co-creator Tony Phelan. (Photo by Connie Wilson).

As the couple become more and more involved in the Dutch Resistance—Miep in their neighborhood and Jan banding together with like-minded co-workers (he is a social worker)—the couple work together to solve problems such as how to secure extra ration books in order to feed the nine people hiding in the upper area above Otto Frank’s Opetka jam business.

It falls to the efforts and good will and chutzpah of Good Samaritans such as Miep and Jan to hide and provide for the persecuted Jews. Miep hid the Franks for over 2 years. The Franks went into hiding on July 5, 1942.

During that time, Miep was also helping hide other families. At one point, the Franks’ Jewish dentist, Dr. Pfeffer (Noah Taylor) must go into hiding with the Franks and their guests, the Van Pels family. A line in the script, when husband Jan suggests that Miep should have shared her decision with him before saying yes to Otto Frank (Liev Schreiber with his hair shaved back to mid-pate), Miep responds, “I didn’t think I needed to consult you before agreeing to save someone’s life.”

Director Susanna Fogel of “A Small Light” (Photo by Connie Wilson).

From the stage during the Q&A Joan Rater shared with the audience that she and her husband (co-creator Tony Phelan, who directed 3 episodes and scripted others) have a son about the age that Miep was when she was asked to help hide the Franks. It was being in Amsterdam and thinking about the way in which their own son might react that got them thinking about the largely untold story of Miep Gies.

POTENTIAL SPOILERS

Most of us are familiar with “The Diary of Anne Frank.” Only Otto survived being imprisoned. Edith (the mother) died at Auschwitz. Anne and Margot were transferred to Birkenau and died there of typhus.

As for Miep Gies, the focus of this film, she lived to be almost 101. When the Franks were arrested in August of 1944, possibly turned in by neighbors or by the cleaning person at Otto’s business, Miep Gies and Bep Voskuijl were not arrested. Miep managed to excuse herself by saying she knew nothing of those in hiding. Miep and two others would rescue Anne’s diary before the Nazis cleared out the hiding place. They would eventually return the papers to Otto Frank. Anne’s father would see that Anne’s diary was published (initially as “Diary of a Young Girl”).

“A Small Light,” an 8 part series, premieres Monday, May 1, at 9/8c on National Geographic with two back-to-back episodes. New episodes will debut every Monday at 9/8c and 10/9c on National Geographic and will stream the next day on Disney +. The timeliness of the script, plus the excellent performances and on-site location shoot, have this series marked for nominations during awards season.

Listen to part of my interview with the actresses Ashley Brooke, who played Margot Frank, and 17-year-old Billie Burke, who plays Anne Frank in the 8-part National Geographic series now airing. (Ashley is also appearing in “The White House Plumbers” as Alexandra Liddy, daughter of Justin Theroux’s character of E. Gordon Liddy.) Connie met with the two stars of “A Small Light” for a one-on-one interview just prior to the film’s premiere at SXSW.

Cancun (April 9-16) at the Royal Sands

By Connie Wilson

On April 15, 2023

In Local, Mexico, Of Local (Quad Cities') Interest, travel

We’ve been in Cancun for a week, a week which ended today.

It’s hard to describe the beauty of Cancun in words; pictures do a much better job.

There were eleven of us until today, when departures took place.

I am posting some photos of our week, to date, with more to come.

Ava, me, Stacey, Elise (windy!).

Elise and Ava (in pink) at the Royal Sands.

Elise, (Aunt) Stacey, and Ava at Captain’s Cove.

Bob Odenkirk Rides Again: “Lucky Hank” Premieres at SXSW and Streams (AMC+) on March 19th, 2023.

By Connie Wilson

On March 28, 2023

In Books, Of Local (Quad Cities') Interest, Pop Culture, Reviews, Television, Texas

“Lucky Hank” is Bob Odenkirk, in his first television outing since leaving “Better Call Saul.” The premiere episode of the AMC+ series premiered at SXSW on March 12^th (Oscar day), showing once and once only at the Stateside Theater in Austin.

Bob Odenkirk and cast members of “Lucky Hank”, streaming on AMC+ on March 19th.

The series owes much to the Pulitzer Prize-winning book on which it is based, “Straight Man,” by Richard Russo.

The synopsis for the series reads: “An English department chairman at an underfunded college, Professor Hank Devereaux toes the line between midlife crisis and full-blown meltdown, navigating the offbeat chaos in his personal and professional life.” As IMDB further says, William Henry Devereaux, Jr., spiritually suited to playing left field but forced by a bad hamstring to try first base, is the unlikely chairman of the English department at Railton East University. Over the course of a single convoluted week, he threatens to execute a duck, has his nose slashed by a feminist poet, discovers that his secretary writes better fiction than he does, suspects his wife of having an affair with his dean, and finally confronts his philandering elderly father, the one-time king of American Literary Theory, at an abandoned amusement park”

If this all sounds like a great vehicle for Bob Odenkirk, you’re right. The humor and sarcasm are on full display in this clip.

THE GOOD

The cast, headed by Odenkirk, is stellar. Mirielle Enos (“World War Z,” “The Killing”) plays Hanks’ wife, Lily, and she is a revelation. In the Q&A following the screening, she admitted that she “wanted to play a less closeted woman.” Her serious role in “The Killing” made her a natural choice for screenwriters Paul Lieberstein and Aaron Zelman, who had worked with her on “The Killing.” Those representing the premiere in Austin referred to the cast as “spectacular.”

The writers are similarly spectacular. Although credit must also be given to the source material, as the writers admit that they constantly “went back to the book” while also adding depth to Hank’s character.

Bob Odnkirk and Mirielle Enos onstage at the Stateside Theater in Austin, Texas, at SXSW, on March 11, 2023.

Bob Odenkirk, onstage after the screening, talked about how he ended up working this hard so soon after “Better Call Saul” ended. “I had said yes to the show. I really thought it would take forever. It didn’t.” Factor in a heart attack that Odenkirk described as, “what happens when you don’t take your heart medication” and here he is in an 8-episode series that he praised as “A place for everyone to do their best” and “A lot of variety on a journey that goes somewhere.” Odenkirk added that it was “Great use of modern TV. We had 4 different directors and travel alterations. The stories and characters progress and it is more like an 8-episode movie.”

He also praised the dream cast and said, of his character, “He’s so different from Saul, who was a loner. There are people in the right relationships. You love your wife and then, if you’re married long enough, you hate them.” (This brought laughter and an admonition from the writers, “Bob! Your wife is in the audience.”) Odenkirk continued, “If it’s a great relationship, you find your way back and you don’t even know how.” He felt that Saul and Kim in “Better Call Saul” were loners, but “I liked the way this guy relates to other people.” Pointing out the fundamental differences between his Saul character and Hank he said, “It’s fun to do wildly different things. It’s one of the reasons I went into this business.”

THE BAD

For me, the bad is that I currently don’t have AMC+. In order to watch this wildly entertaining series, I am going to have to subscribe, which means that my spouse (of 55 years) is going to be gifted with a subscription to the series (which premieres on March 19^th). Since his birthday is March 21^st, thank you, Hank, for figuring out what to give the man who has everything. This looks like a totally enjoyable, witty, well-written and well-acted 8-episode series that will entertain mightily.

“65” by Scott Beck & Bryan Woods Is Well-Acted, Entertaining Sci-Fi Thriller

By Connie Wilson

On March 24, 2023

In Local, Movies, Of Local (Quad Cities') Interest, Pop Culture, Reviews

(Scott) Beck and (Bryan) Woods, the boys from Bettendorf (Iowa) ,have created another great film in their latest offering, “65.” The film stars Adam Driver as Mills, the pilot of a space craft from the planet Somaris, who is embarking on a 2-year run when his spaceship encounters cryogenic failure during an asteroid shower and crash lands on a planet that we will soon find out is Earth, 65 million years ago.

The ship had been carrying passengers in pods, but eleven of the passengers are dead after the crash, including the family of a young girl about the same age as Mills’ (Adam Driver’s) own daughter back on Solaris. Chloe Coleman plays Nevine, Mills’ ailing daughter. He’s being paid three times the going rate to make this long trip; his hope is to earn enough to save Nevine’s life. Alas, that is not in the cards, but the surviving pod person on his ship, Koa (Ariana Greenblatt) will, in time, grow close to Mills, despite their inability to easily communicate.

The acting in the film is terrific. Adam Driver selects interesting roles and this is an interesting role, dealing with two people who are trying to come to terms with deep grief, while also staying alive on a planet inhabited by dangerous dinosaurs. Filmed largely in Louisiana and in Coos Bay, Oregon, the end credits also mention Ireland and Australia. Wherever they found the realistic-looking caverns and mountains, the “sets” (if one can call them that) are truly fantastic.

More importantly, the suspenseful beats that beset the characters while they attempt to make it to a still-working escape pod that has landed far from the impact point of the rest of the ship, are truly terrifying. The chasms they encounter look real. The attack by a velociraptor looks real. The imagined encounters—including Koa swallowing a large insect while asleep—are creative and original.

That is the best thing about this “Jurassic Park/Alien/Star Wars” combination movie: it does not feel derivative. It feels real and fresh and new. I’ve now been at this since 1970; trust me. Check it out!

All of the above are “the good.” I enjoyed this film more than the much more generic “Haunt” that the team of Beck & Woods followed up “A Quiet Place” with in 2019. In a month that saw sequels (“Creed,” and “Scream”) galore, this film is the rare indie, stand-alone, not-part-of-a-franchise.

A thinking man (or woman’s) film; I thoroughly enjoyed it. It is also family friendly with a PG-13 rating,

THE BAD

The “bad” of “65” is not the writer/directors’ fault.

The movie got pushed back in its release date from April of 2022 to March 10 of 2023 by Covid. Then, Sony, which budgeted it at $91 million, did not market it properly. I heard almost nothing about the film before it actually launched, slated to open against the franchise sequels mentioned in the paragraph above. It should have premiered at Sundance or at SXSW, like “A Quiet Place” did in 2018.

Some have mentioned that the title (“65”) did not help the film. It tells you nothing about the theme. I was not a fan of the information projected onscreen. Yes, I know that “Star Wars” did it, but saying “Prior to the advent of mankind in the infinity of the universe, other civilizations explored the universe” seemed about as cutting edge as using a voice-over to give us essential information, which generally is not done in modern-day movies nearly as much as in years of yore.

Others have pointed to Adam Drver’s last few films as not box office catnip. They mentioned “Annette,” “The Last Duel” and “White Noise.” With the exception of “The Last Duel,” which looked like a real lemon from the get-go, both “Annette” and “White Noise” will find fans when they stream, IMHO.

Scott Beck and Bryan Woods, screenwriters of “A Quiet Place,” the morning after the film opened SXSW in 2018 with Connie at Starbucks.

I also wanted to share these insights from Beck & Woods in an interview with“The Hollywood Reporter,” because it underscores why “65” deserves to find its following.

Bryan Woods told the “Hollywood Reporter, “In order to sleep at night, we have to believe in a world where a great idea, if executed well, can still break out and get people talking about it. And I do believe that. I absolutely think that can still happen. Inevitably, there will be franchise fatigue. It’s just inevitable when you think about comic book movies, which we’re fans of. They’re done at such a scale that’s mind blowing, and they’re executed so well most of the time. They’ve had a stranglehold on the box office for 20 or 30 years, but there was 70 years of cinema where the only thing people would go see was the Western. The Western dominated 70 years of cinema, and then one day, people were like, “I’m done with the Western. I don’t want to see the Western ever again.” And now there’s only a couple that come out a year, so it’s all cyclical. Things will change, but I believe that there’s always room for a splashy concept that’s executed well.”

From Scott Beck: “And just the little that we can do as filmmakers, we’re always going to be interested in trying to carve our own path and make something new, and not necessarily stand on the shoulders of sequels or remakes.”

Q: You guys said something to THR years ago that’s stuck with me ever since. It was on the subject of John Krasinski getting the spotlight on A Quiet Place, and your thinking at the time was that he’d paid his dues for a long time to get that moment. And in due time, the two of you might find yourselves in a similar position to get a moment like that. Where did you guys develop such a mature mindset about all that? Is it your Midwestern values?

Beck: “Well, thanks for saying so. We had to develop thick skin early on, but we brought it upon ourselves. In high school, when we made these short films and feature films for no money, we would test screen them at the local community college. And we will never forget our first scathing review of one of our films. We were 17 or 18 years old, and at that age, you’re incredibly vulnerable while still trying to find your voice.

And yet it opened our eyes to criticism. You can learn from it as long as it’s a critique. There’s something to pull out of that, and that’s coming from two people who’ve read film criticism for ages from many different outlets. You also learn that you can’t please everybody, and things are not always within your control.”

“65” is a good movie. It will ultimately find its fans. Check it out!

“Swarm,” New Donald Glover Project, Premiered at SXSW on March 10, 2023

By Connie Wilson

On March 20, 2023

In Music, Of Local (Quad Cities') Interest, Pop Culture, Reviews, Television

Donald Glover (“Atlanta”) and Janine Nabers, are the creative forces behind a new Amazon Prime series called “Swarm.” The series is set in Houston, until it takes our heroine on the road to a variety of cities, seemingly summoning memories of real-life fan-obsessed happenings in those cities. (The episodes are represented by a date and a label.)

It is a super violent series starring Dominique Fishback (“Judas and the Black Messiah”) as an obsessed fan of a Black singer obviously modeled on Beyonce. The series contains the message upfront, “This is not a work of fiction. Any similarity to people living and dead is intentional.”

The Black songstress, Ni’Jah Hutton (Nirine S. Brown) is about to embark on the Evolution Tour. Dre (Dominique Fishback) is so obsessed with Ni’Jah that any criticism or failure to appreciate the singer’s work as spectacular personally offends Dre, to the point of no return for the critical fan.

The first episode, which screened at SXSW on March 10th, built the relationship between Dre, her longtime best friend and roommate Marissa (Chloe Bailey) and Marissa’s boyfriend Khalid (Damson Idris). Marissa has achieved success as a make-up artist and Khalid—although he does not live with the girls—is always around. Dre’s reaction to a sex scene she unintentionally witnesses between Marissa and Khalid gives us a hint about Dre’s disdain for such emotional entanglements.

THE GOOD

“Swarm” on Amazon Prime video.

The cast, especially Dominique Fishback (“Judas and the Black Messiah”), is good. Dre (Dominique Fishback) has some serious mental issues, not the least of which is the ability to kill very energetically without much provocation. Watching someone bludgeoning another human being to death, especially those who have done nothing to deserve it, is not my idea of “entertainment.” [If it were, we would all be enjoying the mass shootings that seem to have reached epidemic proportions in the United States]. Yes, the victim failed to properly appreciate Dre’s singer of choice, but that hardly seems to merit death—except in “Swarm.” Social commentary, yes, and a good thing for this generation of social media-obsessed youth to ponder.

Call me old-fashioned. Or ask if you, too, want a modicum of violence, but not in such huge gratuitous doses with the violence being the entire plot focus. When I’m watching a character serially murder others with very little emotion (“Henry, Portrait of a Serial Killer”), I want to feel that the victim has done something to deserve it (even though that is not usually the case). Yes, I know that the Jeffrey Dahmer/Ted Bundy stories have been ratings winners. I’m just not a huge fan of mindless gore or violence for the sake of gratuitous gore or violence (which is why I disliked “Evil Dead Rise,” another SXSW film.). I’m a former active voting member of Horror Writers’ Association, so it’s not that I can’t handle blood and gore in moderation. (My novel series: “The Color of Evil.”) But I also swore off 80s slasher films after a while.
There is a lot of mindless violence in this series. Later in the series, I have read, we are going to learn more about the motivation for Dre’s devotion to mayhem, but all we saw on March 10^th was a proclamation that Dre has eschewed sex and its ability to control as counter-productive, probably because of the influence of her roommate Marissa.

The theme of unbridled fan enthusiasm is a good new one to explore. The Taylor Swift ticket fiasco even provoked Congressional hearings, and my daughter used to work for Ms. Swift. I’m all for unbridled fan enthusiasm, Beehive or Swifty, and the music is great from the outset, as are the costumes. The camerawork on film by Drew Daniels is excellent as is the direction by Donald Glover, Adamma Ebo (“Honk for Jesus. Save Your Soul”), Ibra Ake, and Stephen Glover. In the series’ sometimes intentionally campy fashion, it will play buzzing sounds when Dre is ramping up for the next violent act. The score by Michael Uzowuru is great.

THE BAD

While the acting is fine, there is a lot of what I will call “stunt casting.” Paris Jackson (daughter of Michael Jackson) has a substantial role in the first episode. Billie Eilish is in one episode as Eva and shows real promise. Rory Culkin, brother of Macauley, shows up (sans clothing) as a one-night stand of Dre’s. Stephen Glover, who also appeared in “Atlanta,” is a presence and wrote two episodes.

And while we’re mentioning the writing, Malia Obama worked with Nabers to pen the episode “Girl, Bye.” She is credited as a staff writer.

CONCLUSION

I am not the target audience for this series. I found myself wondering about such practicalities as the disposal of bodies. That is probably from writing novels, where you realize that a keen reader will be calling you out on “plot holes.” We’re all aware of the clean-up of mayhem that we’ve seen Liev Schreiber and Harvey Keitel handle as “fixers” (“Ray Donovan,” “Pulp Fiction”). Even in “The Sopranos” murders would lead to giving Tony Soprano a call to help with clean-up.

In the episodes of “Swarm” that I saw there was little forethought or planning prior to the murders; therefore, there were many plot holes that pointed to potential problems for the perpetrator. I can’t imagine that we are going to be following obsessed fan Dre into prison, but, judging from the lack of any meaningful plotting before she commits the murder, that would be a logical conclusion for the 7 episode series.

“Swarm” will air on Prime Video. The Amazon project premiered at SXSW on Friday, March 10was being released everywhere a week later.