Welcome to WeeklyWilson.com, where author/film critic Connie (Corcoran) Wilson avoids totally losing her marbles in semi-retirement by writing about film (see the Chicago Film Festival reviews and SXSW), politics and books----her own books and those of other people. You'll also find her diverging frequently to share humorous (or not-so-humorous) anecdotes and concerns. Try it! You'll like it!

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“The Piano Lesson” Opens 60th Chicago International Film Festival, October 16, 2024

John David Washington

John David Washington on the Red Carpet in Chicago on Opening Night of the Chicago International Film Festival (October 16, 2024).

Opening night of the 60th Chicago International Film Festival kicked off at the Music Box Theater in Chicago on Wednesday, October 16th, with the appearance of John David Washington (“Tenet,” “Black Klansman”) and his brother Malcolm, who directed and co-wrote (with Virgil Williams)  the screenplay for “The Piano Lesson,”  based on an August Wilson play. Both sons of Denzel Washington (who produced) showed up in Chicago to promote the 125 minute film, which was released on August 31st and will screen on Netflix after a November 22nd theatrical release.

The synopsis for the film says that the film (based on the August Wilson stage play) follows the lives of the Charles family as they deal with themes of family legacy and more, in deciding what to do with an heirloom, the family piano. Present this night to moderate the Q&A following the film was Ron O’Day Parsons, who has directed this particular play 4 times and was very familiar with the works of August Wilson and knew the playwright, himself.

THE GOOD

Malcolm Washington

Writer/Director Malcolm Washington in Chicago at the Music Box Theater on October 16, 2024, at the Opening of the 60th Chicago International Film Festival.

The cast was terrific, with John David Washington playing the male lead of Boy Willie. Samuel L Jackson is Uncle Doaker and Danielle Deadwyler (“Station 11,” “Till”) ably commanding the screen as Berniece, Boy Willie’s sister. Others supporting the two leads are Ray Fisher as Lyman, Boy Willie’s simple-minded friend, Corey Hawkins as Avery, the preacher-to-be who would like to marry Berniece, and Skylar Aleece Smith as Maretha, the young daughter of Berniece. Erykah Badu appears as Lucille. The films in which Samuel L. Jackson has appeared, including “Pulp Fiction,” have collectively grossed over 25 billion worldwide, making him, by some reckonings, the highest grossing actor of all time. Watching him work is always a pleasure.

In addition to the acting—which is good, (especially in the climactic scene depicting the blessing of Uncle Doaker’s house)—the music by Alexandre Desplat (“The King’s Speech,” “Argo”) is outstanding and the cinematography by Michael Gioulakis (“It Follows,” “Us”) is also top-notch.

FROM THE PODIUM

John David Washington and his brother Malcolm seemed genuinely grateful to be present this night to answer questions from the moderator and to show their film to an audience before it goes to theaters. While accepting an award from co-chairmen of the festival Mimi Plauche and Vivian Teng John David Washington seemed very genuine when he exclaimed, “I really love what I do, so thank you, Chicago, because this is a really big deal for me.”

(*Stay tuned for a transcription of the Q&A tomorrow. I’ll throw in my experience with August Wilson’s stage play “Fences,” before it became a big Denzel Washington film with Viola Davis.)

John David Washington (L) and Virgil Williams (R)

John David Washington and screenwriter Virgil Williams (a Chicago native) in foreground at the screening of their film “The Piano Lesson” on October 16, 2024, in Chicago at the 60th Chicago International Film Festival.

Chicago International Film Festival: 2016-2023 (Con’t).

(*Photos are nearly all mine, taken at the respective film festivals. Installment #2 describing festivals of the past 21 years I’ve attended.)

Peter Bogdanovich

Peter Bogdanovich.

2016:  Damien Chazelle showed up to promote “La La Land.” He was very gracious and friendly. I anticipated “La La Land” winning for Best Picture (and so did most of the Academy when the team of Warren Beatty and Faye Dunaway somehow announced the wrong film as Best Oscar winner that year), but it did not.  Peter Bogdanovich was given a Lifetime Achievement Award .  Also present were Geraldine Chaplin as the head of the jury, a Tribute to Director Steve McQueen, and Danny Glover appearing with the Nigerian film “93 Days” about the spread of the Ebola virus epidemic in Africa.  It was  bloody disappointing.  Both adjectives apply. Glover was presented a Visionary Award.

 

 

Geraldine Chaplin

Geraldine Chaplin.

 

Chadwick Boseman

Chadwick Boseman of “Black Panther”

Sterling K. Brown

Sterling K. Brown

 

 

 

 

 

 

 

 

Damien Chazelle

Damien Chazelle, Writer/Director of “La La Land” and “Whiplash.”

Michael Shannon

Closing night Tribute to Michael Shannon, along with showing of Guillermo del Toro’s “The Shape of Water.”

Tracy Letts

Playwright/actor (“August: Osage County”) Tracy Letts, at the showing of “Lady Bird” in Chicago in 2017.

 

 

 

 

 

 

 

 

2017:  The film “Marshall” was a big one this year, with Chadwick Boseman and Sterling K. Brown in attendance.  I had the opportunity to speak with Vanessa Redgrave about her direction of the film “Sea Sorrow,” concerning the immigrants washing up on the shores of countries like Greece.  Redgrave was there with her son and quoted former First Lady Eleanor Roosevelt, saying that the plan was to take countries like England to court to force them to deal with the immigrants flocking to their shores.  The films that impressed me this year were “Lady Bird” (Tracy Letts in attendance), Ruben Ostland’s Swedish film “The Square,” and Michael Shannon appearing on behalf of “The Shape of Water,” as was Michael Stuhlbarg (“Call Me By Your Name”). I remember chatting with Michael Stuhlbarg in the lobby area. As I spoke with Michael Shannon on the Red Carpet, he asked me, “How did you like me in ‘Hud?;” I attribute this to Shannon’s puckish sense of humor, as “Hud” was a 1963 Paul Newman vehicle, which I well knew. I also asked him what his favorite role was, and he said, without hesitation, “Take Shelter,” which also happens to be my favorite of his many fine films. I was surprised that he would answer the question at all, as it’s a little like asking someone which child is their favorite.

Steve Gukas and Danny Glover

Director Steve Gukas and star of “93 Days” Danny Glover.

 

Michael Stuhlbarg

Michael Stuhlbarg: Dr. Robert Hoffstetler (aka, Dmitri) in “The Shape of Water.”

Sir Patrick Stewart

Sir Patrick Stewart give Lifetime Tribute Award at the 53rd Chicago International Film Festival on October 25, 2017.

 

 

 

 

 

 

 

 

 

Viola Davis

Viola Davis.

Guillermo del Toro and Ron Perlman

Ron Perlman in the background and Guillermo del Toro on the Red Carpet at the Chicago Film Festival. (2010).

 

 

2018:  This year the U.K.’s Steve McQueen’s film “Widows” screened and he was given an award. Among those who appeared on behalf of the film were Viola Davis, Cynthia Erivo, and Brian Tyree Henry. (Seen more recently co-starring in the 2022 Jennifer Lawrence film “Causeway.”)  William Friedkin—the GREAT William Friedkin—appeared and was given a Lifetime Achievement Award. I had just heard him in Austin at the Alamo Drafthouse on Lamar talking about his film project, “The Devil and Father Amorph,” where he went in, solo, with a GoPro Camera and filmed a demonic possession and an exorcism. It was a far cry from “The French Connection” (1971), “The Exorcist” (1973) and “To Live and Die in L.A.” (1985), but it was a “local boy makes good” moment, as Friedkin began his career working for WGN and making documentaries. Carey Mulligan also received an Artistic Achievement Award and appeared to promote Paul Dano’s film “Wildlife.”

Helen Hunt

Helen Hunt at the screening of “The Sessions” on October 20th in Chicago.

Jason Reitman was on hand with “The Front Runner” about the ill-fated Gary Hart campaign for the Senate. When I spoke with Reitman in Nashville last month, where he was promoting his latest film “Saturday Night,” he made the humorous comment that I might be the only one in the theater during the Q&A who had seen “The Front Runner” and said, “I guess audiences are more enthused about SNL than about Gary Hart.” “The Hate U Give” showed this year as did Joel Edgerton’s “Boy Erased.” And—-most notably for me—Robert Forster was present with “What They Had,” a wonderful film that co-starred Michael Shannon and dealt with the effects of Alzheimer’s on the family unit.  I took the opportunity to tell Robert Forster how much I had enjoyed his 1969 appearance in “Medium Cool” for Haskell Wexler and he was very gracious in saying I was too young to have seen it when it was new (wrong.) I will always remember this exchange with Robert Forster, because he died exactly one year later to the day on October 11, 2019, a fact which has stuck with me.

Vanessa Redgrave and son being interviewed by Connie Wilson

Interviewing Vanessa Redgrave on the Red Carpet in Chicago.

Steve McQueen and (founder) Michael Kutza

Michael Kutza (CIFF founder) points out that the Black Perspectives Artistic Achievement award is one inch taller than the Oscar while awarding it in presenting it to Director Steve McQueen.

Robert Forster

Robert Forster, taken exactly one year to the day before his death.

 

 

 

 

 

 

 

 

 

 

 

Gael Garcia Bernal

Gael Garcia Bernal in Chicago to receive a Tribute and screen his second film on October 26th, 2019. (Photo by Connie Wilson).

 

 

 

 

 

2019:  The thing I remember the most about the 55th CIFF, besides the screening of “Clemency,” was the appearance of Gael Garcia Bernal with his directorial effort, “Chicuarotes.” This was the largest crowd I remember seeing crowded in to a theater, all to see Bernal. I had  a seat, but others were sitting on the steps to the theater. I left before the film ended; I felt bad that so many didn’t have a real seat.

2020:  This was the year of the pandemic. I watched “One Night in Miami” (Regina King) via streamer and others by streaming, like most of America.

 

 

Rebecca Hall

Rebecca Hall, director of “Passing,” in Chicago in 2021.

Kenneth Branagh

Kenneth Branaugh on October 21, 2021, with his Lifetime Achievement Award from the Chicago International Film Festival.(Photo by Connie Wilson.)

 

 

 

 

 

 

 

 

 

 

2021:  This was the year that Sir Kenneth Branagh showed up with “Belfast,” which seemed to have a good shot at winning an Oscar. Rebecca Hall also appeared, promoting her film “Passing,” about a Black woman passing for white.   For that one, I actually bought the book and read it, as it was short.  Todd Haynes “The Velvet Underground” also screened and the documentary “Punch 9 for Harold Washington,” which was a local success story about the election for Mayor.

58th Chicago International Film Festival

58th Chicago International Film Festival logo

 

 

 

2022:  The opening film was the documentary “A Compassionate Spy” by local director Steve James. His documentaries are great, but this one was a bit of a slog.  Kathryn Hahn received a Career Achievement Award and the film “Glass Onion: A Knives Out Mystery” was highlighted.  The Al Sharpton documentary “Loudmouth” gave us a look at the activist’s life, while “For Love & Life: No Ordinary Campaign” was promoted by Katie Couric and detailed the harrowing journey of Chicago attorney and Obama supporter Brian Wallach as he is diagnosed with Lou Gehrig’s Disease and fights for himself and other patients in the same boat.

John C. Reilly and film critic Connie Wilson

Connie Wilson with John C. Reilly at the 2011 Chicago Film Festival.

“We Need to Talk About Kevin” (2011) brought John C. Reilly to the CIFF AMC screening. He sat one seat from me (empty seat in-between) watching the Tilda Swinton co-starring film about a psychopathic school shooter. Watching him watch this intense hard-hitting film reminded me of sitting across from Nelson Algren at the Englert Theater in Iowa City, Iowa, watching him viewing the adaptation of his book “Walk on the Wild Side” (1962) for the first time. (Later that night, Nelson had a small brush with the law when he was caught smoking what we used to callditch weed” on a country road, but nevermind about that.) Watching someone see their creative effort onscreen for the first time is unique. I’ve never seen any of my screenplays put on the screen, but I’ve been present when they were given table reads at the Windy City Film Festival and the San Antonio Film Festival, and it’s an experience I can’t convey or describe well enough.

2023:   It was my 20th anniversary.  I was back where I started, which, was pretty much me buying my own tickets and attending and writing up my thoughts on the films (with memories of having done so for the past 50 years). In 20 years of attendance, I had only ever asked for one “free” ticket. I saw Michael Berg’s “We Grown Now,” which was fantastic in its recreation of the Cabrini-Green Housing Projects and Michael Shannon was present with his directorial debut, “Eric Larue.” Emerald Fennell appeared in support of “Saltburn,” which I liked very much. “The Bikeriders” brought Director Jeff Nichols to town, who directed Michael Shannon in “Take Shelter,” which he had told me many years before was his favorite role. Since Michael Shannon and Jeff Nichols are close, it was a good year for the festival, especially in terms of the top-notch films  secured, including “The Killer” (Michael Fassbender) and Clare Cooney’s full-length film “Departing Seniors.” My favorite film of the festival was “Dream Scenario” with Nicolas Cage, directed by newcomer Kristoffer Borgli. It was razor sharp and hilariously funny, while being a very smart satire on what sells in America. Cage deserved an Oscar nomination for his performance.

Natalie Portman and Julianne Moore

May December. (L to R) Natalie Portman as Elizabeth Berry and Julianne Moore as Gracie Atherton-Yoo in May December. (Cr. Francois Duhamel / courtesy of Netflix). My least favorite 2023 film.

Carey Mulligan

Carey Mulligan, appearing in support of “Wildfire” in 2018.

Emerald Fennell

Emerald Fennell at the Music Box Theater in Chicago at the 59th Chicago International Film Festival on October 20, 2023. (Photo by Connie Wilson).

Kristoffer Borgli

Director of “Dream Scenario,” Kristoffer Borglii at CIFF 2023.

Jeff Nichols

Jeff Nichols in Chicago at the closing night of the 59th Chicago International Film Festival on October 22, 2023.

Jason Reitman

Jason Reitman in Chicago with “The Front Runner,” closing film of the 54th Chicago International Film Festival. (Photo by Connie Wilson in 2018.

John Papsidera, Connie Wilson & Jason Reitman

(L to R) Casting Director John Papsidera, Connie Wilson, and Writer/Director Jason Reitman in Nashville at the Nashville Film Festival showing of “Saturday Night” on September 21, 2024,

60th Chicago International Film Festival: A Stroll Down Memory Lane – 21 Years of CIFF

CIFF 2015 poster

My first memory of attending a Chicago International Film Festival was  2003’s “The Human Stain”  at the Chicago Theater. The film was miscast from the get-go, featuring Anthony Hopkins as a (secretly) Black man and Nicole Kidman as a washer woman. I went to school with Nicholas Meyer (“Time After Time,” “Star Trek II:  The Wrath of Khan”) at the University of Iowa, who wrote the screenplay based on the Philip Roth book. [In fact, he dated my roommate.]  Robert Benton directed. The film had problems, not the least of which was being badly miscast. The fun part of the night was watching Harold Ramis come down the aisle and take his seat.  Leonard Maltin said it was “An exceptional film.” I agree with that. It was exceptional for all the wrong reasons. It reminds me of the couple whose  wife sent her spouse a bouquet of balloons with a card that read “Thank you for 20 Interesting Years.” You can take adjectives like “exceptional” and “interesting” and interpret then any way you want. Remember that trick (from a wordsmith with over 6 decades of published writing).

“The Human Stain” was 21 years ago.

It Came from the 70s: From The Godfather to Apocalypse Now

“It Came from the 70s: From The Godfather to Apocalypse Now”

I began writing print reviews in the Quad City Times in 1976 with “Lipstick,” a film featuring the Hemingway sisters, Margaux and Marielle. A book emerged: “It Came from the 70s: From The Godfather to Apocalypse Now.” The book contained my reviews of some of the best films of the decade, with interactive trivia and answers on the following page, upside down. It was published by a small Rhode Island press in 2016, long after my reviews went from real newspapers to digital, initially for Associated Content, for which I also covered politics during the Iowa primaries of 2000, 2004, 2008 and 2016. (Yahoo Content Producer of the Year for Politics in 2008). After my first CIFF in 2003, I attended and wrote reviews that appeared on Associated Content and other defunct digital outlets. I remember reviewing 2008’s “Synecdoche” and  Steve McQueen’s “Hunger.” I started blogging (www.WeeklyWilson.com) at my own blog in 2007 and began writing for www.TheMovieBlog.com soon after that.

2010: I met Alan Cumming, Guillermo del Toro and Forest Whitaker on the Red Carpet. Guillermo was also accompanied by his long-time friend Ron Perlman and were very kind and friendly at the after-party. Alan Cumming was not interested in speaking with those of us on the Red Carpet, but Guillermo could not have been nicer or more charming. I gifted Guillermo del Toro with a copy of “It Came from the 70’s.” He did not want to move on down the Red Carpet and began leafing through the book. At that point, he noticed that his shoe was untied and said, “Oh, no! Fat man with untied shoe,” and laughed.  His handlers came and hurried him down the runway. Forest Whitaker was delayed for a very long time when his suit had to be pressed. He was much trimmer and smaller than he appeared onscreen.

Connie Wilson, film reviewer, at the AMC on lower Illinois

At the former AMC Theater headquarters.

2011: Claude LeLouch (“A Man and A Woman”, 1966) attended.  He was accompanied by Valerie Perrine, to whom he has been married since June 13, 2023. Perrine is LeLouch’s fourth wife (He was divorced from wife #3 in 2009). LeLouch was 74 in 2011 and is 86 today.  In 1975, Perrine was nominated for the Academy Award for Best Actress[4] and the Golden Globe[5] for Best Motion Picture Actress (Drama) and won the Best Actress Award at the Cannes Film Festival for her role as comedian Lenny Bruce‘s wife, stripper Honey Bruce, in Bob Fosse‘s Lenny (1974). I recognized Valerie Perrine instantly. She was then 68 years old and as beautiful as ever.  She was diagnosed with Parkinson’s Disease in 2015. Another interesting Perrine fact is that she was the first to show her nipples on television (and did a fair amount of nudity on film) and that she was to have been  hairdresser Jay Sebring’s date at  Roman Polanski’s home (which belonged to Terry Melcher, son of Doris Day)  the night that the Manson family attacked and killed the residents, including the then-pregnant wife Sharon Tate on August 9, 1969. (She couldn’t go at the last minute). “The Last Rites of Joe May” featuring Dennis Farina was the Opening Night film. Farina brushed past anyone with a still camera to head directly towards the television cameras present, but Gary Cole (a co-star) was very gracious and spoke with us all.

Gary Cole at the AFS gathering of Risky Business' anniversary

Gary Cole (Photo by Connie Wilson).

2012:  Al Pacino, Christopher Walken and Alan Arkin showed up for the premiere of “Stand Up Guys.” Lana and Lily Wachowski showed up for “Cloud Atlas.” Helen Hunt was present and was terrific in “The Sessions.” “Holy Motors” came to us from Cannes with talking cars, which was not my favorite. Cannes’ films have a different sensibility, and this one certainly did.

Michael Shannon

Michael Shannon.

2013:  Bruce Dern showed up with “Nebraska.” He told a very funny story about working with Alfred Hitchcock, who got stuck in his chair when he attempted to rise. Dern was then 78 (he’s now 88) and was not as mobile as in his prime, but he is still working today.  Oscar Isaacs had his breakthrough role in “Inside Llewyn Davis: that year and was one of the nicest celebrities I’ve met, especially at the after party, where he chatted very sociably.  Dario Argento was also in town for the festival and “The Immigrant” screened.  Michael Shannon was there, and often is, which is a wonderful addition, always.

Haskell Wexler gave a presentation about his directing of films beyond 1969’s “Medium Cool.” He was instrumental in George Lucas going to film school. Wexler, a Chicago resident, is one of the 10 most influential cinematographers in Hollywood history. I’ll never forget seeing him covering the 2012 NATO demonstrations (with his granddaughter handling the camera work) in Grant Park when he was 90. Wexler won Oscars for his cinematography on Who’s Afraid of Virginia Woolf? (1966) and Bound for Glory (1976) and over the course of his 60 years behind the camera and worked with directors as diverse as Mike Nichols, John Cassavetes, Hal Ashby, John Sayles, Elia Kazan, Norman Jewison, Tony Richardson and many more. He was a well-known liberal activist and did documentaries that supported his views, which I admired. He also has the distinction of having been fired by Milos Forman and Francis Ford Coppola.

Haskell Wexler, 90, and me in 2012 in Grant Park at NATO demonstrations

Famed cinematographer Haskell Wexler in Grant Park during the NATO demonstrations in May, 2012.

When I saw him in Grant Park covering the NATO demonstrations, I quit, mid-interview, to streak across the park and get a picture of us together. Among his films that I admire greatly (besides “Medium Cool,”  1969) are “The Best Man” (1964), “In the Heat of the Night” (1967), “The Conversation” (1974), “One Flew Over the Cuckoo’s Nest” (1975) and “Coming Home” (1978). Haskell Wexler died in Santa Monica on December 27, 2015. He was a true visionary and his film “Medium Cool” (1969) featuring a young Robert Forster was set in the streets of Chicago in 1968 against the backdrop of the 1968 Democratic Convention.

2014:  This was a banner year, the 50th anniversary of CIFF. Liv Ullman came with “Miss Julia,” which she directed, and Colin Farrell and Jessica Chastain, the stars of the film, were here as well. I was sent over to Liv Ullman’s hotel suite to interview her. That morning, Rahm Emmanuel’s brother (the doctor) had written an editorial in the Chicago Tribune that advocated for everyone dying at 75. I took a copy to the interview and Liv and her elderly cinematographer and I had a spirited discussion of the piece. Also present that year were Kathleen Turner and Oliver Stone. Director Taylor Hackford came and reported to a headquarters temporarily rented for the 50th. Hackford was the star of a round table interview and later told me he was glad I was there, because the young journalists present were mainly interested in hearing about “Ray” (2004), whereas I go all the way back to “The Idolmaker”(1980)and “An Officer and a Gentleman.” (1982).

Liv Ullman and I during an interview for "Miss Julie"

Liv Ullman and me.

2015:  The famous guests who stick in my mind this year are Michael Moore with “Where to Invade Next?” (his first foray back to film in 6 years), Charlie Kaufman, and Howard Shore, the composer.

NEXT INSTALLMENT:  2016-2023

Walz versus Vance on CBS in VP Debate on 10/1/2024

 

J.D Vance & Tim Walz

J.D. Vance and Tim Walz debated on 10/1/2024 as Vice Presidential candidates on CBS.

I just watched the Vice Presidential debate between J.D. Vance and Tim Walz.The Talking Heads are suggesting that Walz may have been “in over his head” in debating the slick and chameleon-like Vance, who seems to have made a career of being all things to all people. Vance described Donald J. Trump as “America’s Hitler” in e-mail pronouncements of yore and severely criticized Trump’s performance in office, but tonight he was all in on supporting DJT.

Most people consider it a situation where the more experienced debater (Vance) performed better on style, but Walz did just as well (a tie) on substance.  Vance’s statements were often duplicitous and that of a chameleon who takes the position that he says what he thinks people want to hear. It reminded me of the recent Supreme Court candidates who answered Congress the way they thought would win them lifetime seats on the Court and then went ahead and did exactly what they planned to do all along, overturn Roe v. Wade.

I did my usual copious note-taking. I want to resurrect a couple of moments in the debate that stood out to me, just as the “eating dogs and cats” remarks in the last Harris/DJT debate stood out.

THE 2 WORST MOMENTS: WALZ & VANCE

VANCE 

J.D. Vance

J.D. Vance (GOP candidate for VP) and eyeliner.

For me, the worst moment from J.D. Vance was his failure to admit that Donald Trump lost the 2020 election. As Tim Walz said,“A President’s words matter. It is not right to deny what happened. 2020 was the first time that a President tried to overturn the peaceful transition of power. The winner has got to be the winner.” Walz called it “a damning non-answer.” He was right.

WALZ

For Governor Walz of Minnesota, his weakest moment was when he was called out on having said that he had been present in China during Tiananmen Square. Rather than wade into that murky water and admit that he misspoke or was caught in a situation that caused Brian Williams to be removed from his post as chief anchor (and end up much less visible on our TV screens), he gave an answer that David Axelrod said would have been more comprehensible if given in Chinese.[When  Vance at the outset after Question #1 was cornered, rather than answer the very first question that he was asked about Iran, he dodged and weaved and gave us 2 minutes about himself without answering the initial question.]

Tim Walz

Tim Walz, Governor of Minnesota and Democratic candidate for Vice President on 10/1/2024.

In the summer of ’89 Walz traveled to China, he told us. He also told us that he started a program to take kids to China.  “My community knows who I am. I’ve tried to do the best job I can. I was elected to Congress  12 times. Governor of Minnesota twice. To make sure that I make this right. (*Wasn’t the question about whether he was at Tiananmen Square protests? So far Walz hasn’t explained the discrepancy.) 

ABORTION

Vance said he “never supported a national ban,” a lie, because  he DID support a national abortion ban. In 2022 in an interview when he was running for the Senate he said, “I certainly would like abortion to be illegal nationally.” On his website, he said he was “100% pro-life” and GOP ” has got to earn people’s trust back.”   Tonight, he talked about how the GOP needed to “reach out,” which made no sense at all. This “softening” of his intractable anti-abortion stance was part of the plan to try to make DJT seem more “sane” and reasonable.

Here are a few lines that struck me beyond the ones mentioned above:

Walz on the Middle East and nuclear weapons: “Iran is closer to a nuclear weapon because Donald Trump nixed the plan we had and left nothing in its place.”

Walz on Climate Change and our changing weather patterns (especially as they apply to farmers):Our #1 export cannot be topsoil from these massive storms.”

Walz on statements that foster divisiveness: “This is what happens when you don’t want to solve it. The remarks about eating cats and dogs vilified a large number of people in Springfield, Ohio, who were in the country legally. The Governor had to send National Guard to escort first graders to school.”

I also enjoyed Walz’s response, “Just mind your own business. Things worked best when Roe v. Wade was the law.” Another good one-liner was when Walz gave an incredulous response to DJT’s “I have a concept of a plan” response about an overhaul of the Affordable Care Act that he now has had 9 and 1/2 years to develop. Walz  said, ““I have a concept of a plan. That cracked me up. I have a fourth grader who wouldn’t have given me that.”

Margaret Brennan

Margaret Brennan (“Face the Nation”) who moderated along with Norah O’Donnell on CBS.

After the scripture quote from Matthew (”What we do unto the least of our brethren,” etc.) by Walz, Vance commandeered the time  and ranted on virtually uninterruptedly. The female moderators (Nora O’Donnell and Margaret Brennan on CBS) finally cut his mike. You go, Girls! Vance’s Ivy League polish showed; the man’s not a dummy. The split screen favored him, not Walz, even though Walz is without a doubt the more genuine and truthful of the two.

About the Democratic party:  WALZ – “We’re pro women. We’re pro freedom.  We are pro freedom for women to make their own choices.” He cited the Democratic Party’s $6,000 child tax credit and Amber Thurman, who was made to drive 600 miles to get health care in North Carolina. 

Two Big Lies that Vance made were to say that DJT gave up power peacefully and that DJT saved Obamacare. Vance’s nose must have grown a foot, at least, after those remarks.

One good thing that everyone seemed to appreciate was the relative civility of the debate, “like the old days.” However, when one realizes that it was Vance’s Master Plan to lie to the public, just as happened with the testimony of the Supreme Court appointees who then went ahead to do what they had said, under oath, they would not do re Roe v. Wade, well—–

“Saturday Night” Lights Up the Screen at the Nashville Film Festival on 9/21/2024

 

Jason Reitman brought his newest film, “Saturday Night,” a re-enactment of the opening night (October 11, 1975) when “Saturday Night Live” went on the air “live” for the first time to the Nashville Film Festival on September 21, 2024. When “Saturday Night” played to a packed house at the Nashville Film Festival, Writer/Director Reitman brought casting director John Papsidera with him. That was a master stroke, because this re-enactment of the opening night of “Saturday Night Live,” boasts a star-studded cast. There are so many up-and-coming young talents (and established talents, like Willem Dafoe and J.K. Simmons) involved, that it is almost impossible to list them all.  But it’s worth trying, so you can keep an eye out for the identities of the over 80 speaking parts, figure out who that individual was (in historical terms), and marvel at the job that casting them all must have represented.

THE CAST

The plot is told through the eyes of the creator of “Saturday Night Live,” Lorne Michaels. Michaels is  played by Gabriel LaBelle, who was cast as young Steven Spielberg in “The Fabelmans” (2022).  Jon Batiste plays Billy Preston; Kaia Gerber (daughter of Cindy Crawford) is Jacqueline Carlin; Finn Wolfhard (“Stranger Things”) portrays an unnamed NBC page; Lamorne Morris (recent Emmy winner for “Fargo”) is Garrett Morris; Tommy Dewey (“Casual”) is head writer Michael O’Donoghue; Nicolas Braun (“Succession”) handles two roles, as Jim Henson and Andy Kaufman; Matthew Rhys (“The Americans”) is George Carlin; Cooper Hoffman (“Licorice Pizza”) plays Dick Ebersol; Andrew Barth Feldman (“No Hard Feelings”) is Neil Levy; Taylor Gray (“Star Wars: Rebels”) is Al Franken; Rachel Sennott (“Bottoms”) is Lorne Michaels’ first wife, Rosie Shuster, and Dylan O’Brien (“The Maze Runner,” 2014) is Dan Aykroyd. I’m certain I’ve failed to properly mention all of the up-and-coming stars of tomorrow in the film about 1975’s up-and-coming stars of tomorrow, but you’ll want to see how close the actors come, appearance-wise, to the real stars of “SNL.”

John Papsidera, Connie Wilson and Jason Reitman at the Nashville Film Festival.

(L to R) Casting Director John Papsidera, Connie Wilson, and Writer/Director Jason Reitman in Nashville at the Nashville Film Festival showing of “Saturday Night” on September 21, 2024.

 

There are over 80 speaking parts in the film. John Papsidera (a sometimes Nashville resident), who also worked on “Oppenheimer,” described that as a huge number. The most difficult cast member to decide upon turned out to be Dan Aykroyd,(said the duo in the Q&A after the screening). Finding the right actor to play Aykroyd took the longest and turned out to be the most difficult. With the others, they said, they “tried to find the essence of the person. The movie is about who they are.” The key was to find one main characteristic per character, so Chevy Chase was primarily portrayed as egotistical. Garrick Morris was trying to identify how he fit in amongst the cast. O’Donaghue displayed the ability to say the nastiest things but have them come from a place of humor. Gilda Radner was always taking care of others.

THE PERFECT DIRECTOR FOR THE FILM

Back in 2007, right after “Juno” had made waves for Reitman, garnering Best Director and Best Picture Oscar nominations, Jason was asked what he wanted to do next. He mentioned his desire to write for SNL (as well as continuing to direct.) Jason was given a one-night stand opportunity to participate in the behind-the-scenes goings on writing for one SNL episode. He shared that Ashton Kutcher was the host (and starred in the skit Reitman wrote, entitled “Death by Chocolate”) and Gnarls Barkley was the musical guest “which gives you an idea what decade it was,” laughed Reitman. The cast members were discouraged from interacting with their real-life counterparts during shooting—(assuming the original was still alive.)

SETS

Jason Reitman

Writer/Director Jason Reitman.

Reitman shared this,  “We rebuilt the 8th and 9th floors of Rockefeller Center from the original floor plans. We lived on that set for 2 months.” Various catastrophes present themselves in the hour leading up to the first broadcast. As the press notes say: “The writers are stoned.  The sound system is f*****. The actors are physically assaulting each other. The crew is in open revolt. They have 90 minutes to get their shit together or the network is pulling the plug.” It’s just a good thing that Lorne Michaels “believes in his vision and he doesn’t really bend.” Many wonder if the fabled creator of “SNL” will bend after this season and pass the torch to a new generation. After all, it’s been a good year for creative visionaries who believe in their visions to step back from power and hand off the baton to their subordinates.

THE SCORE

Jason Reitman & John Papsidera

Jason Reitman and John Papsidera in Nashville on September 21, 2024.

Jason Reitman:  “Jon Batiste is a genius unlike anyone I’ve ever met in my life.  He has a photographic memory of sound.  We decided we should try to do the sound track the way they did SNL: live. There is music in the movie that would never have been there if Jon hadn’t been giving it to me like that.” Batiste’s rendition of “Nothin’ from Nothin” that kicks off the first show is electric. Batiste’s interpretation of the Afro-haired musician Billy Preston (who actually wore wigs for his gigs) was spot-on. Steven Colbert had Batiste for a short time as his band leader; he seems destined for much more greatness. Another recommendation for those who love great documentaries would be the new one by Paris Barclay about Billy Preston’s life, entitled “That’s the Way God Planned It.” There’s an entire feature film in  there, for sure.

SCRIPT

The writing shows Reitman’s award-winning touch (Gil Kenan is co-writer.) Reitman’s film “Juno” won a nomination for Best Screenplay based on Diablo Cody’s collaboration on the script in 2007. “Up in the Air” won the Golden Globe in 2010 for Best Screenplay (based on the Sheldon Turner book). The script was also Oscar-nominated for an Oscar (2009) while winning the BAFTA that year. The script for “Saturday Night” has more zingers and one-liners than any film released this year.

Here’s just one quick example: “Let me know when my expectations exceed your capabilities” (to the light crew, after lights nearly fall on the performers.) Another good one, aimed at a meddling middle-aged female censor  (Catherine Curtin as Joan Carbunkle; no relation to Jane Curtin):  “I’ve heard that love is blind, and now I know why.” A continuing joke involves the cast trying to sneak sexual references into their scripts by misleading Carbunkle, the censor, as to what the phrases actually mean.

AWARDS

Jason Reitman

Writer/Director Jason Reitman of “Saturday Night” in Nashville on 9/21/2024.

Jason Reitman (born in 1977)  was on the set of “Animal House,” which his father directed, in 1978 He has been involved in making movies ever since, beginning with 6 short films submitted to  Sundance” in 1998. Reitman actually won the BAFTA in 2009 for Best Screenplay and has continued turning out truly enjoyable films like “Tully” (2018) and “The Front Runner,”(also 2018)  a story about the ill-fated Senatorial campaign of Gary Hart of Colorado which starred Hugh Jackman. If I see it is a Jason Reitman film, I’m in.

When I spoke with Reitman  and mentioned meeting him previously in Chicago the year of “The Front Runner” he suggested (ruefully) that I might be one of the few at tonight’s screening who had seen the film. (While I’m not sure about that, I have been reviewing since 1970, and that is 7 years before Reitman was born.) When I mentioned “The Front Runner” (Hugh Jackman starred) Reitman said, “It turns out that people were less interested in Gary Hart’s Senate campaign than in Saturday Night Live.” It’s a shame, as “The Front Runner” and “Up In the Air,” “Tully,” “Thank You for Smoking” and “Jennifer’s Body” are among my favorite films by any director working today.

More recently, Reitman directed “Ghostbusters: Afterlife” (released on November 11, 2021) and “Ghostbusters: Frozen Empire (2024), which co-writer and collaborator Gil Kenan went on to direct solo. Reitman also produced (but did not write or direct) the DuPlass Brothers comedy “Jeff, Who Lives At Home” with Susan Sarandon, Jason Seigel, and Ed Helms starring, an early film (2011) with a lesbian subplot (also remembered from the Chicago International Film Festival in 2011).

STYLE

John Papsidera and Jason Reitman at the Nashville Film Festival on 9/21/2024.

John Papsidera and Jason Reitman during the Nashville Q&A following the screening of “Saturday Night” on 9/21/2024 at the Nashville Film Festival.

There were discussions of trying to shoot the film in one long scene (as Hitchcock attempted with “Rope”). It didn’t work for Hitchcock in 1948, either.  Instead “Rope” is made up of several 8 minute continuous shots. This was the length of film that fit onto one reel then. That ambitious idea had to be shelved in 2024 as well.

“Saturday Night” is shot using 16 millimeter film. The pace of the film is the pace of the production that night, as the cast struggles to make the project gel before 11:30 p.m. on Saturday night.  That was a great idea to assist the pacing, which is frenetic. As we learn, Johnny Carson was NOT supportive of SNL (originally called just “Saturday Night”).  It represented the network (NBC) manipulating him during contract negotiations. The great (and oft-nominated Willem Dafoe) portrays David Tebet, the Chief Suit who will decide if “Saturday Night” goes on the air live or if canned re-runs of Carson’s “Tonight” show,  will bump it. Like “Apollo 13,” even though we know how that  plays out, it adds pacing and tension to the plot’s story and the show’s dilemma. (*I don’t know if that is true or creative license; it was a great idea and helps build the sense of confrontation.) Referencing the frenetic and often chaotic pace of the show on that night (and any Saturday night), the comment was made, jokingly, that the Michael Ritchie style was like “Robert Altman on amphetamines.”

KUDOS

Jason Reitman and John Papsidera

Jason Reitman and casting director John Papsidera.

This is such an ambitious project. Hats off to all involved.  “Saturday Night” is documenting the passing of the torch from one comedic generation to another. With the current political situation in the United States, movies about passing the torch from one generation to another are a hot commodity. With Jean Smart (“Hacks”) set to hostess the opening program of the 50th year of “Saturday Night Live” on October 11th, this edge-of-your-seat attempt to show who the original “Saturday Night Live” not-ready-for-prime-time players were yields  a great movie that makes you feel something.  As Reitman said, “It requires so much control to pull off the chaos.” He also pointed out “the distinction between simply telling a story and feeling something.” Paying tribute to his profession, he marveled, “It (filmmaking) draws on the talents of people in so many different disciplines.”

The film is “the prism that captures the light of an emerging generation.” The 50th season of “SNL” is upon us; the release date of October 11th is an homage to the television show’s debut date. Let the comedy begin

Does “Saturday Night” work?

Yes, it does. “Saturday Night” is hugely entertaining and never flags. Check it out at the theater on October 11, 2024,

“Will & Harper” At Nashville Film Festival on 9/20/2024

The Josh Greenbaum directed documentary “Will and Harper” is showing at select theaters now and will stream on Netflix beginning  September 27th. It showed at the Nashville Film Festival on Friday, 9/20/2024 having premiered, originally, at the 40th Sundance Film Festival in January, 2024.  The 114 minute documentary depicts Will Ferrell’s 17-day cross-country trip with his close friend of 30 years, Harper Steele, who has just come out as a transgender female. Over 250 hours of film was shot and then reduced to this  2-hour look at being transgender in America in 2024. Harper—who was head writer at “Saturday Night Live” and started the same week that Ferrell did in 1995—was born Andrew Steele in Iowa City, Iowa, one of five children of University of Iowa professors.

THE GOOD

The best thing about the unscripted 17-day trip from New York to Santa Monica, California was how authentic and genuine the emotional relationship between Ferrell and Steele is. Both of them are reduced to tears, and you will be, too. Viewers come away with the feeling that Will Ferrel in real life is very much like his character in “Elf:” one of the nicest guys you could know. I hope that is sincerely the real Will Ferrell because, as a stranger in an Oklahoma City, Oklahoma bar tells him, “I like your support for your friends.  There’s not a lot of it out there now.”  Many have commented on how brave Harper is to have come out. There should also be praise for Will Ferrell (and friends) for being so supportive of Harper in MAGA America.

The trailer for the film shows Ferrell reading from the e-mail he received from Steele. It informed him that his old buddy was undergoing transgender surgery and would now be called Harper. Ferrell realized, somewhat belatedly, that he didn’t really know much about the transgender community. He proposed a 17-day cross-country road trip in Steele’s vintage Jeep Wagoneer (remember the wood?) to re-acquaint the new old friends. They were followed, discreetly, by a camera crew. As the film defines the goal of the documentary, “What are the new ground rules? How much has changed? How much is the same?” Apparently Steele had a reputation as someone who loved to take cross-country trips that stopped at dive bars, diners, and other such places—all of which sound dicey for a transgender woman traveling solo in the United States in 2024.  Will would be able to run interference for his longtime friend as they criss-crossed America.

The music (Nathan Halpern) is very good, including the idea of having Kirsten Wiig write a “theme song” for their trip (She sings it at film’s end). The cinematography—including a stop at the Grand Canyon—is also wonderful.  Harper” is simply a real-life, honest comic gem amidst a sea of boring drek. Hopefully, it will do some good in the world in the ongoing fight against hate. We’ve had enough of divisive rhetoric and mean-spirited people who  want to make themselves feel powerful and others feel fearful. Let’s hear it for inclusivity and the love and good will towards others we are urged to practice by all religions.

THE STOPS

 

The pair set out from New York and made stops in Washington, D.C., Indianapolis, Iowa City, Oklahoma City, Amarillo, Las Vegas and various other cities, most of them in “red” states. They were received well everywhere but Texas, where rude tweets follow the duo’s appearance at a steakhouse (Ferrell dressed as Sherlock Holmes and attempting to eat a 72-ounce steak). One Texas tweet that commented on the stop the pair had just made at Harper’s sister Eleanor’s house in Iowa City, called  Ferrell “a Satanic illuminati pedophile in Iowa.” But the general reception was the opposite, although one critic has asked the obvious question if that is  because a celebrity was running interference for his old friend. (Others wondered about product placement, since Pringles and Duncan Donuts get a lot of conversational time,)

IOWA CITY & SORROW

Harper’s sister, Eleanor, when she received the same e-mail that Ferrell got, responded to him quickly, “Oh, good! I’ve always wanted a sister.” However, when the pair actually stops for the night at her home in my old college town, Ferrell asks her what her reaction was upon receiving the news. She admits that “I was totally surprised” and defines the emotion she felt as “sorrow.”

I felt that sorrow, too, when Harper shared journaling snippets of the pain experienced for decades: “It wasn’t about body parts.  It was about how I am in my head. Fix me or kill me,” is one entry. “A lot of transitioning is learning to accept yourself” is another truth shared in Peoria, Illinois, in a meeting with a 65-year-old transgender woman. “I dream of a world where I can lay my vulnerabilities out there for anyone…I knew something was weird in me growing up in Iowa, but it was impossible to think of doing anything about it.”

In a world where gay men are being executed in certain countries, you just want to repeat Rodney King’s mantra. May 1, 1992, King called a press conference in hopes of stopping the death and destruction after the L.A. riots. “I just want to say, you know, can we all get along? Can we stop making it horrible for the older people and the kids?”

CONCLUSION

This is a gem of a documentary, which contains so much pain and yet provokes so much laughter.  One can’t help but smile when Ferrell, asked about his share of piloting the vintage automobile cross country responds, “I’m a narcoleptic and I’m not a good driver.”

As the theme song for the documentary goes, “a friend is a friend is a friend till the end.”

Catch this one when it streams on Netflix beginning September 27th.

 

 

 

The Moose Is Loose on Friday the 13th (2024)

 

@trump_mania

President Trump stops by TreeHouse Pub in Bettendorf, Iowa! #trump #donaldtrump #donaldjtrump #trump2024 #trump #maga #makeamericagreatagain

♬ original sound – JH

Connie Wilson & Amanda Kelly

Amanda and I were mightily amused by the Moose. (It doesn’t take much to entertain us).

Harking back to my post-debate piece on the Harris/Trump September 10th debate, faithful readers—all 3 of you—will remember that I asked the question “IS LUCY SAFE?” regarding a pet cat that we were forced to re-home because of  our wintering in Texas. Lucy—like the pet cats and dogs that Donald J. Trump claimed during the September 10th debate are being kidnapped and eaten in Springfield, Ohio—was an indoor/outdoor cat, as she had come to us from the ravine behind our house. Could she have become a statistic in Trump’s always unreliable statistics?

The newspapers on the day after the debate, were filled with memes and comments on that unlikely topic of the debate, i.e., the kidnapping of cats and dogs in Springfield, Ohio and their alleged use as an entrée by Haitian immigrants. In Springfield (a town that Bart Simpson calls home)  it has apparently gotten so bad that the city fathers have asked for understanding. They have acknowledged that their city’s sudden fame and prominence has become a real problem, complete with bomb threats.

Taylor Swift and cats

Taylor Swift and cats

The dog/cat debate came on the heels of the RFK, Jr. revelation ( made to Roseanne Barr while on television) that he once picked up a dead bear that was road kill and took the animal with him to clean it and eat it. While this may be normal behavior for the Kennedy clan, most of us would not stop and scavenge a dead animal, taking it along to clean and eat later.

In the version I read, RFK, Jr.. then remembered that he had reservations at Peter Luger’s Steakhouse—an establishment I have actually eaten at once—and, therefore, decided to forgo cutting his own steaks from the dead bear. Instead, the young RFK, Jr., dumped the dead bear in Central Park, along with a bicycle. This may have been imeant to make others think the bear bicycled there and expired. (I’m not sure I understand the part where one stops and picks up road kill, saving it “for later,” but I definitely found the bear/bicycle story to be even more unbelievable than the Springfield cats & dogs story.) Also, I wondered if the Moosehead was much smaller than the whale head that RFK, Jr., is said to have cut off with an electric saw after the animal washed up on a beach.

Connie Wilson and Mr. Moose

Does this moosehead rival the whale head that RFK, Jr., also is said to have removed with a chain saw?

So, with the two paragraphs above as preamble, imagine my surprise when, upon leaving a restaurant known as the Treehouse, there was a $1,795 dollar moose head sitting outside the door in a flimsy wooden cage. Wow. This was random even on a Friday the 13th! And WHY was the moose head—worth nearly $2 grand—sitting there with no security and no obvious owner?  Was Brian Rashid planning on mounting it somewhere within the restaurant? Did it have anything to do with the Bull Moose Party? (That’s the last time a very questionable assassination attempt went awry when the bullet struck a copy of Teddy Roosevelt’s speech, as I understand it.)

THE TREEHOUSE

Brian Rashid

Brian Rashid, owner of “The Treehouse”

The Treehouse (Bettendorf, Iowa) is owned (or co-owned) by Brian Rashid, who is a big Donald J. Trump admirer. On September 20, 2023, DJT stopped by the Treehouse restaurant in Bettendorf, Iowa, after campaign stops in Maquoketa and Dubuque.  Articles online suggest Rashid has had 12 or 13 DUI arrests and may have been illegally triggering alarms to see if law enforcement responded promptly enough to suit him. It is somewhat remarkable that the GOP party in Scott County was not aware of all this about the owner of the Treehouse, since it isn’t what most campaigns would want associated with their candidate…unless the candidate is Donald J. Trump.  Trump handed out pizza to random patrons; he signed autographs for some of the lovelies assembled in the restaurant.

DJT at the Treehouse in Bettendorf, Iowa

Trump at work charming Iowans and signing…uh…autographs?

 

THE MOOSEHEAD

Moose head

The moose is loose.

 

As we were exiting the restaurant on September 13th (FRIDAY, the 13th), there was a large moose head immediately outside the door, with a price tag commensurate with the going rate on large moose heads: $1,795. (The moose is loose!). I couldn’t help but wonder if RJK, Jr., had a hand in this random moosehead situation right outside the door of one of the area’s most vocal Trump supporters.

DINING AT THE TREEHOUSE ON FRIDAY THE 13th

I cannot fault the food, (although the Scott County Health examiners have done so after inspections), but on Friday the 13th the women’s bathroom was tied up the entire night. No idea what, exactly, was going on in there, but there is only one rest room for the men (a one-holer) and one rest room for the women (also a one-holer). I stopped and tried to enter the women’s rest room on our way into the restaurant, as I had consumed two Diet Dr. Peppers prior to our trek across I-74 to dine.  A full 40 minutes later it was still impossible to gain entrance. Then our friends (a couple with two children, one a third-grade girl) arrived.

Isla wanted to wash her hands. I accompanied her to the rest room that had been “busy” when we entered.

It was still busy. At least 40 minutes had passed since my first futile attempt to use the rest room.

If you want a Moose head, be prepared to shell out Big Bucks. (But money well spent—right?)

I encouraged my small companion to give the door handle a good try. She certainly did.

Later, she announced her intention of standing by the door until the occupant emerged. (That was way more than I was willing to do.)

Soon, Isla returned to our table and shared the news that the toilet in the women’s rest room was “all backed up” and that she heard a woman “throwing up” behind the door. (She gave a very good imitation of the noise she heard. Bravo, Isla!).  She advised that any of us wanting to use the bathroom should try the men’s rest room. (Nothing like a smart third-grader to cut to the root of the problem and figure out what is going on behind a locked door.)

The food and service was satisfactory, but the rest room situation was not great. I told our server that the  women’s rest room had been continuously occupied for at least an hour and he acknowledged that it was “probably a staff member.” (Ewwww)

So ends my tale of the Treehouse Restaurant in Bettendorf, Iowa, (which offers the Plantation Salad, well-known in the area if you are  50 or older). And a story of cats, whales, moose, RFK, Jr., DJT and Friday the 13th, 2024.

“Luki & the Lights” Helps Foster Understanding of ALS

Luki the robot

Luki & the Lights robot Luki from the Oscar-eligible animated film

This ten and one-half minute short, “Luki and the Lights” came to my in-box.  I watched it while knowing that there would be no happy ending to this story. Here was the synopsis provided:”Toby Cochran’s LUKI & THE LIGHTS shares a charming and touching story of a robot named LUKi who is slowly starting to malfunction. But even with the struggles ahead, LUKi demonstrates unwavering resilience, painting a vivid portrait of what it means to truly live and the power to find light even in the darkest of times. This poignant animated short was made to raise awareness of ALS as well as to create a platform for children to understand what the disease is. It has qualified to be considered for the 2025 Oscars®.”

ALS ON FILM:

Sascha Groen and her husband, Anjo Snijders, were searching for a tool to help explain his recently-diagnosed terminal disease to their children. Director Toby Cochran is the founder and creative force behind Big Grin Productions. He has 20 years of animation and production expertise. Cochran’s roles span story artist, writer, and director and extends across various entertainment realms, including games, commercials, live-action, and animated series. His distinguished career includes collaborations with studios and companies such as Netflix, Marvel, Disney, ReelFX, Discovery Channel, Bill & Melinda Gates Foundation, Nestle, Lego Universe, and Kuku Studios.

THE SHORT FILM “LUKI & THE LIGHTS

The decision was made to have an active, charming upbeat robot named Luki shown being struck by ALS. Do robots get ALS? While I applaud the idea of helping children understand this horrible and debilitating disease, a robot is made by man and can be fixed by man. People are different from robots. Currently, the ability to “fix” a person who has ALS is beyond the reach of science.

This 10 and 1/2 minute short has won over 20 awards and claims the distinction of being “the first ever animated short film featuring the first-ever animated character to have ALS.” This sounds good until you stop and think that the “character” is not human, so it (he) could perhaps have been “fixed” by a trip back to the robot factory? Not the case with human beings.

 To date, the film has taken home twenty awards including the “Audience Award” at the Florida Film Festival, the “Audience Choice Award” at Indy Shorts International Film Festival and Siggraph Electronic Theater, the Children’s Audience Award at Animayo Gran Canaria, “Best Animated Short” at the Phoenix Film Festival, and the “FilmSlam Student Choice Award for Best Short” at Cleveland International Film Festival.

Producer Adrian Ochoa is an award-winning producer, prior to joining Big Grin, Adrian worked at Pixar Animation Studios, PlayStudios, and Penrose Studios. His credits include Toy Story 2, Monsters Inc., Finding Nemo, The Incredibles, Cars, Wall-E, Cars 2, Monsters University, Inside Out, and The Good Dinosaur. He also worked on various shorts including Cars Toons, live-action shorts, and the animated short Day and Night. He’s also produced over 45 mobile games, including three with Shaquille O’Neal and the award-winning VR animated short film Arden’s Wake.

Throughout the film, there is charming music, but there is no dialogue as such. More accurately, what we have as “dialogue” is mostly incomprehensible, just like the disease itself.

ALS PRIME DOCUMENTARY: “NO ORDINARY CAMPAIGN”

Back in 2022, Katie Couric produced an ALS documentary about the struggle of Brian Wallach, a worker in the Obama campaign who was a successful Chicago attorney at the time he was diagnosed with ALS.   Brian was only 37 years old and had just returned to home with a new child with his wife, Sandra Obrevaya. (They have two children.) Chris Burke, a friend who was a filmmaker, set out to make a film about Brian’s struggle as the couple are thrust into the medical system where they must advocate for themselves and, hopefully, for others.

By the time this film came out the “Ice Bucket Challenge” was 8 years in the rear view mirror (2014).  When diagnosed in 2017, Brian was given only 6 months to live. The couple chose to publicize Brian’s struggle to continue to survive by promoting a bill to fund research into this killer disease. He got some help from former President Barack Obama, who appears in the film. It was during Obama’s campaign in 2008 that Brian and Sandra had met while working to help elect our first Black president.

Normally, ALS kills you within 2 to 5 years. Brian has been fighting the good fight for the past 6 years. He is in the top 20% of survivors.  From their home in suburban Chicago, the couple has seen their efforts to pass “Act for ALS” turn into $100 million for research for the next 5 years.  Since Brian was diagnosed in 2017,and the law passed the Senate unanimously on December 16, 2021, is time running out on the additional funding to solve this huge problem?

If you are as sympathetic to this fight and for funding to continue as I am, you should follow up the 10 and 1/2 minute animated ALS short”Luki & The Lights” with the longer documentary. It is a Prime Video documentary entitled “For Love and Life: No Ordinary Campaign.”

 

Kamala Harris Emerges #1 with Swiftie Support

Kamala Harris

Presidential nominee Kamala Harris.

As the Trump/Harris debate wound down, I turned to my spouse and said, “I think Kamala Harris just talked herself into the White House.” I have liked her ever since Joe Biden selected her to be Vice President, so that’s fine by me, Boss.

She was definitely the more detailed of the two debaters.  I thought that DJT came off as a loon but he always does. Anyone who brings Hannibal Lecter and windmills onto the stage of a political rally is, well, weird—(to quote the next Vice President of the United States.)

Not since Pizzagate have I seen a loonier set of statements than Donald J. Trump talking about pets in Springfield, Ohio being kidnapped and eaten by out-of-control immigrants.

IS LUCY SAFE?

We had a cat named Lucy. She was a stray kitten whose mother had either abandoned her or been killed. She came to us from the ravine behind our house because my daughter began to feed her. As winter came on, nothing would do but we had to rescue Lucy and bring her inside. We did, indeed, feed her and she became a very fat cat.

This new cat adoption caused a great deal of stress, as we already had a cat named Kitty Kelly. I ended up writing 6 children’s books entitled “The Christmas Cats in Silly Hats.” (Available on Amazon). When we began spending winters in Texas, I actually paid a woman who worked at my veterinarian’s office $3,000 (plus a complete box of cat food and an automatic cat box) to take my indoor/outdoor cat and give her a good home where she could go in and out, as she had at our house.

Taylor Swift and cats

Taylor Swift and cats

Now I’m worried: HAVE HAITIAN IMMIGRANTS KIDNAPPED AND EATEN LUCY? “In Springfield, they’re eating the pets of the people that live there,” (a Trump quote). This ridiculous claim originated from a Facebook post. There are no credible reports of this happening. Even J.D. Vance admitted it might turn out to be viral nonsense.

 

SPECIFICS

Kamala Harris was very specific about her plans for bringing down the costs for middle class families. She talked about a $6,000 child tax credit and $25,000 credit for first-time home buyers, while DJT had the look of a puzzled puppy throughout. His worst answer was in regards to health care and a bill for same, which he claimed to be working on for 9 and ½ years (“we have some concepts”).

The Biden Harris camp was left with a 6.4% unemployment rate, but it was significantly down from 14% earlier in the pandemic. (Fact checker on CNN calling out the only falsehood that Kamala may have made during the debate, while DJT made at least 33 untruthful statements.)

TAYLOR SWIFT

The Christmas Cats in Silly Hats series

The Christmas Cats Fear for the Deer

I hope that Taylor Swift is holding onto her cat, Benjamin Button, very tightly tonight, especially since she endorsed Kamala Harris tonight, after a fake A.I. endorsement appeared on Trump’s site, which caused her to come out and transparently endorse Kamala Harris.

It appears that the GOP will now be whining about how “unfair” the moderators were tonight, because their guy did such a poor job.

Works for me.

Below this short recap are my typed notes on the debate of September 10th, with some interesting lines that struck me. Enjoy. Or not.

**************

 

 

MY NOTES ON THE DEBATE:

DJT:

“The tariff will be substantial in some cases…” (Trump, re China). “When I had it I had tariffs and yet I had no inflation.” Probably the worst inflation in our nation’s history. This has been a disaster for people. On top of that we have millions of people pouring in from mental institutions and taking jobs of African American and Hispanics. (Springfield, Ohio)

2025.” “Everybody knows what I’m going to do. Cut taxes. “We did a phenomenal job with the pandemic.” “Nobody’s ever seen anything like it. “We built ventilators for the world. “They don’t give me enough credit for the great job we did with the pandemic.”

HARRIS RESPONSE:

“I am offering an opportunity economy.” The best economists have reviewed our plan. Goldman/Sachs. Wharton School –DJT’s plan would explode the deficit. 16 Nobel laureates say it would increase inflation and invite a recession. “You just have to look at where we are and what we have to offer.”

TRUMP RESPONSE  – Many of those professors at Wharton think my plan is a brilliant plan. He has no plan for you…..”She doesn’t have a plan.”

Drill down on tariff: national sales tax

HARRIS RESPONSE:

Tariffs up to 20% on goods coming into this country would mean higher costs on gas, food, etc. $4,000 per family. All of the countries that have been ripping us off for years. Tariffs there 3 and ½ years now in place. “I had virtually no inflation.” “they’ve destroyed the economy.”

Keeping the tariffs in place: “The Trump policy = he ended up selling American ships to China to help them improve and modernize their military. We need to focus on American based technology, on what we need to do to support America’s work force, so that we don’t end up on the short end of the stick.”

President Chi thank you on Twitter mentioned by Harris.

DJT ATTACK:

“She’s a Marxist. Her father is a Marxist professor and he taught her well. Look at the millions of people pouring into our country daily. I believe it is 21 million.”

They’re criminals. I believe that many of these people are criminals.

HARRIS ATTACK:

Calling him out on his reversals on abortion (6 week ban in Florida). Why should they trust you?

“They have abortion in the 9th month. The previous governor of WV: “The baby will be born and we’ll decide what to do with the baby.”  DJT said (of Tim Walz) “He is REALLY out of it.”

Execution after birth. That’s not okay with me. Hence the vote (in Florida).

“Through the genius and heart and strength of 6 Supreme Court Justices we were able to get it.” (Roe v. Wade).

A 12 or 13-year old survivor of incest. I promise you I will proudly sign it into law. If DJ were to be elected, he will sign a national abortion ban. There will be a national monitor who will report on abortions.

DJT RESPONSE:

Trump: “We’ve gotten what everybody wanted. For 52 years this issue has torn our country apart. What she says is an absolute law. This issue has now been taken over by the states.

Went on about student loans:“All these students got taunted by this whole idea.”

“She’ll never be able to get it. (student loans) They could never get this approved.

HARRIS ATTACK:

Reinstating the protections of Roe v. Wade. “It’s insulting to the women of America.” People are being denied IVF treatment.

[Trump’s face: that of a puzzled dog.]

“The majority of Americans believe in the rights of women to make decisions about their own bodies.”

DJT RESPONSE:

Trump: “I’ve been a leader on fertilization and IVF.

Why did the administration wait until 6 months before now to act (on border bill)?

HARRIS RESPONSE (citing the bill that Trump killed):

Bill would have put 1,500 more border agents on the border. More resources to crack down on fentanyl.

He’d prefer to run on a problem instead of fixing a problem. A leader who actually addresses the problems at hand. People start leabing his rallies early because he talks about Hannibal Lecter and windmills. You deserve a president who puts you first.

Why did you kill that bill?

He refused and wanted to go on about his rally. “We’re a failing nation. Our country is being lost.” WWIII Border. In Springfield, they’re eating the pets of the people. (Kamala laughed).She’s destroying our country. If she becomes President: Venezuela on steroids.

Springfield, Ohio: dogs. “We’ll find out.”
Kamala: “talk about extreme!”

Kamala mentions the endorsement of 200 Republicans, including the VP alive. His former Chief of Staff: Kelly: contempt for the Constitution. Sec of Defense: The nation would never survive another Trump term.”

“I think the choices are clear in this election.”

DJT RESPONSE:

Trump:  “I’m a different kind of a person. I fired them not too graciously. When somebody does a bad job, I fire ‘em. Esper: fired. Wrote a book. They didn’t fire any of their people. I got more votes than any Republican in history by far.

Immigration – “the largest deportation move in history (11 million illegal immigrants). Question:

“They allowed terrorists, many many millions of terrorists.

They’re destroying the fabric of our country. (How would you get rid of them?)

Crime in this country: migrant crime.  The FBI has said no….”fraud”—

HARRIS ATTACK:

She brings up Trump’s many legal cases. Respect for the rule of law.

It is important that we move forward…that we turn the page and address the problems of the American public. Address bringing down the price of groceries. The American public is exhausted by thi same old tired playbook.

Trump tries to defend his  convictions in court. Every one of those cases was use of the justice department. Weapnization…fake cases.

“terminate” the Constitution of the U.S. Trump has openly expressed disdain for members of our military. Understand what it would be like if this man were back in the White House without any guard rails.

“I probably took a bullet to the head….

HARRIS RESPONSE:

Fracking….decriminalizing border crossings…”I will not ban fracking.” She was the tie-breaking vote on the inflation reduction act (IRA).

DJT:

Rambling on about solar and the desert.

Peaceful transfer of power: He tries to take the  debate away from the Capitol riot to the border.

Anything you regret Jan. 6thh? Minneapolis. Seattle.  (Repeated the question 2x) Trump claims that he offered 10,000 troops to Nancy Pelosi and the Mayor of Washington and they turned it down.

HARRIS ATTACK:

140 law enforcement officers were injured. Some died.  (Charlottesville is brought up by Kamala – there were fine people on each side. Proud Boys: Stand back and stand by.)

Stand for rule of law. Donald Trump the candidate has said there will be a bloodbath if you don’t like the outcome of this election.

Energy? Now he’s bringing up the border again.

DJT RESPONSE:

“She’s so bad. It’s been so ridiculous.” Get him out of bed at 4 o’clock in the afternoon. They have the right to do it (i.e., shut the border).

Truth in these times:  you won in a landslide. Are you now acknowledging that you lost the presidential race of 2020? We need good elections and walls/borders. (Anti immigrant blather)

DJT:

60 cases.  No judge looked at it. They said we didn’t have standing.

That’s old news. “We have a nation in decline and we have put it into decline.”

HARRIS ATTACK:

Donald Trump was fired by 81 million people and clearly he’s having a difficult time processing that.

World leaders are laughing at DJT. “They say you’re a disgrace.” We do not have the right temperament of the man to my right. (Victor Orban of Hungary)

Nordstream pipeline. Excel pipeline.

Israel/Hamas issue:

The NATO allies are so thankful that you are no longer President.

DJT RESPONSE:

“We have a President who doesn’t even know if he’s alive.”

HARRIS RESPONSE:

A dictator (Putin) who would eat you for lunch…

DJT:

Putin would be sitting in Moscow …he’s got nuclear weapons. (“Nobody ever thinks about that”). “Everything they said was weak and stupid.  The war stated 3 days later. She’s worse than Biden.”

Trump accused Kamala of causing the Ukraine war because of her poor negotiating. “The American people have a right to rely on a President who understands that we have stability and not sell them for the benefit of personal flattery.

Afghanistan – (Trump goes on about how “he got them to pay up.”  Re NATO.

HARRIS:

He does not understand the role of the American president and the work that we must do to uphold the respect of the role of the U.S. around the world. (Invited the Taliban to Camp David).  Abdul, the leader of the Taliban.

Negotiated an agreement. (She says the Taliban got 5,000 prisoners released.) The agreement was terminated by us because they didn’t do what they were supposed to do. “The most embarrassing moment in American history,” said DJT.

MODERATOR:

RACE – “Why do you think it is appropriate to weigh in on the racial identity of your opponent?”

Harris: I think it’s a tragedy that we have someone who uses race to divide the American people.  We don’t want this kind of approach that is constantly trying to divide us. (Brings up the failure to rent to Blacks and the full page ad about the Central Park Five and the birther thing against Obama.) We see in each other a friend, a neighbor, we don’t want a leader who is constantly having Americans point their fingers at each other.  (Confused dog lead)

DJT RESPONSE:

“There’s never been anything like it. Going back many, many years. Mayor Blomberg agreed with me. This is a person who has to stretch back 40 or 50 years because there’s nothing now.”

HARRIS RESPONSE:

Harris: Clearly I am not Joe Biden. What I do offer is a new generation of leadership for our country,. One no brings a sense of optimism. I believe in what we can do to strengthen small businesses. Let’s talk about our plans. I have a plan. I have a plan that is about allowing people to pursue the American dream.
Belittling, name-calling is all he has.

DJT:
She has a plan to confiscate everybody’s gun.

Repeal and replace the Affordable Care Act. (Obamacare)

CNN: 63% say Harris won the debate. 37% say DJT won the debate.

Pillars of Community—Church, Schools—In Decline

destroyed buildings

Madison, Tennessee

Alec McGillis in “The New Yorker” reported on the closing of eleven of Rochester, New York’s forty-five schools this way:

SCHOOLS IN CRISIS

“Four years ago, as the school year started with remote learning in many districts around the country, particularly in Democratic-leaning cities, I reported a piece for ProPublica and “The New Yorker” looking at what Zoom school was really like for disadvantaged students. The piece focused on Shemar, a seventh grader in Baltimore who had grown deeply isolated since schools had closed the previous March, and who only occasionally logged on to his online classes. “That homeschooling is not going to get it,” his grandmother said.

Shemar would not return to in-person schooling until the following year, the end of an almost-eighteen-month hiatus. His struggles to engage since then have been unsurprising, and have been shared by countless other students. I have written several more pieces for The New Yorker and ProPublica on the lingering consequences of the closures, including learning loss and chronic absenteeism.

DEC:LINING SCHOOL ENROLLMENT

Earlier this year, McGillis decided to report on another aftershock: declining enrollment that is forcing districts to close underpopulated schools on an unprecedented scale. Nationwide, public-school rolls have diminished by more than a million students, as many families have opted to leave for private schools or homeschooling. The declines are particularly stark in places where schools stayed closed the longest during the pandemic. (There is also the declining birth rate, which is plaguing many civilized countries. It is only because of the United States’ robust immigration numbers that our population numbers are not declining like those of nearly every other civilized nation in the world.

McGillis focused his reporting on one such city: Rochester, New York, where the district just decided to close eleven of its forty-five schools, a wrenching process that has caused disarray for families and left many neighborhoods without the hubs that sustained them for generations. “It’s like you’re watching institutions decline in real time,” one county legislator told me. “

Anchors of the community are disappearing.” This statement is very true. Placing unqualified people in positions of power, as happened in the first Trump administration, with Betsy DeVos as Secretary of Education and others with no expertise in their field(s) put in charge of those fields is another reason why institutions show decline. Placing the vaccine-denier Robert Kennedy, Jr., in a position in the Department of Health would be another such miscarriage of justice, but has been rumored to be the deal that RFK, Jr., sought in order to endorse Donald Trump.

The piece raises the crucial question: Can American public education survive its downsizing intact, or is there a tipping point beyond which the system starts to unravel?”

DECLINING CHURCH ATTENDANCE

church

church

At the same time that public schools, nationwide, are under attack, the Catholic Church has been consolidating parishes and cutting way, way back.

In St. Louis, Missouri, where my cousin has been active as an organist in a large parish for many decades, she described losing her position when her church was closed. She went on to talk about how difficult it has become for some of the older members of her original parish to make it to the church that remains open but is not nearby,. There was no gold watch or gesture of appreciation for her large and well-regarded choir that had as many as 40 members who participated. People came from other churches just to hear the excellent choir. The priest who made the call to tell the 85-year-old organist that the Diocese had decided it was going to be better to dump the choir and the organ music and have a guitar mass with him playing solo.

Kind of rips at the community fabric that church is supposed to represent, don’t you think?

In East Moline, Illinois, St. Anne’s School closed after many years, following on the heels of St. Mary’s Catholic School just across town that closed 40 years ago.  St. Anne’s was my husband’s childhood school. He went to school there from 1950 through 1958. Now, it is yet another empty building in an area full of empty buildings.

So, why are so many schools and churches closing?

On any given weekend only 3 in 10 U.S. adults attend religious services. This is down from 42% twenty years ago. Church attendance has declined across all U.S. religious groups and will almost certainly decline further in the future, given the fact that younger Americans have a weaker attachment to religion. The percentage of adults who say they never attend church has more than doubled over the past 22 years, going from 13% in 2000 to about 33% in 2023.  The percent of those who attended weekly has declined from 32% to 20% in 2022.

Between 2000 and 2015, the Presbyterian Church USA, the Episcopal Church, and the United Church of Christ lost 40% of their members. An elderly friend of mine who lived in Chicago at the time became an Episcopalian minister and returned to our mutual home town to take over the church that sits just one house from my childhood home. When she returned to take over these duties, the flock had dwindled to only 7 members and the church was in danger of being closed, but the strenuous efforts of my friend saved it from the chopping block. She remains its pastor at age 85 and has had some success in recruiting new members by instituting a weekly humanitarian effort they dub “Hot Dog Friday,” where free hot dogs are distributed to all takers.  She once jumped out of an airplane on her 80th birthday to raise funds to put a new roof on the very old church and St. James Episcopalian Church is much the better for her Herculean efforts to preserve it, even to the point that she was approached to run for Mayor of the town.

MILLENNIALS

“Many Millennials never had strong ties to religion in the first place. They were not brought up in the church in the same numbers as generations prior. This has left them without much connection to the church as they entered adulthood.  Millennials are also reportedly turned off by the high-profile church leadership scandals and the increasing political polarization in many American congregations, causing many to lose trust in churches and religious institutions altogether.” When the Supreme Court appears to have been stacked by a former president and the peaceful transfer of power is in danger of disappearing, distrust of many American institutions is rampant.

Hopeful Signs of Millennial Church Attendance

However, there are some hopeful signs. Thirty-nine percent of Millennials report attending church weekly, up from 21% in 2019. (Barna), Millennials make up the largest surge in returns to church as the pandemic has ended. We are entering crucial life stages that make us open to church as a way to connect and find guidance.

When Catholics are asked about their failure to faithfully attend church services, they have mentioned the Catholic Church’s many scandals. Some of the Catholic Church and school closings nave been tied to the pay-outs the church is making to victims of abuse. Closing a church or a school may be linked as much to money as to declining attendance.

CONCLUSION

Donald Trump

Donald Trump on January 6th

In a country where the schools, the post office, the Supreme Court and churches are under attack, the GOP  candidate for the presidency is the least religious candidate in decades. Trump has no moral center. It is largely because of DJT that the United States Post Office under DeJoy (who owns stock in the private mail delivery services) is on life support. He would cause irreparable harm to our country by appointing even more unqualified people to his administration.

We need to elect the alternative to Donald J. Trump, because DJT is an agent of chaos and we can expect these pillars of our communities to decline further if he is ever anywhere near power again.

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