Category: Pop Culture Page 16 of 74

Any trends or popular fads may be described, whether it would be something like the hula hoop or the pet rock or simply new slang.

I originally found out about Ivana Trump’s burial just off the 1st hole of Donald J. Trump’s New Jersey golf course from a Tweet, which seems somehow apropos. The tweet was accompanied by a copy of the New Jersey Tax Code (see below), to prove the argument that Ivana’s sad-looking grave plot was a tax scheme that The Donald thought up to save money. There were also allegations that Ivana’s estate was dunned as much as $150,000 for her final services. One article claimed that she was even charged, post mortem, for a membership, but that one may be overkill.

The entire contention gained steam when a Dartmouth professor (Brooke Harrington) published the New Jersey relevant tax code. “Vanity Fair” followed up with the (slightly abbreviated) article below.

We all knew DJT was capable of lots of shady behavior, but it is seriously sad that the grave of the woman who bore him three children and was an integral part of his empire for 14 years looks like someone’s pet is buried there. It’s too depressing to put a picture of her grave site here, but look it up for yourself if you doubt my description.

To wit, the “Vanity Fair” account:

“Insider reports that “the location of Ivana Trump’s grave—near the first hole of the golf course at Trump National Golf Club—may have tax implications for the business owned by the former president.” And by “tax implications,” the outlet obviously means burying his first wife on the property of his golf club may help minimize Trump’s tax bill. While ProPublica previously reported that Trump Family Trust tax documents show the family worked to establish a nonprofit cemetery company in Hackettstown, New Jersey—which, under the state’s tax code, would exempt the site from taxes, rates, and assessments, and the company from real estate taxes, rates, and assessments—that’s roughly 20 miles away from where Ivana was laid to rest. But according to one tax expert, the 45th president, who has a long history of getting creative with his taxes, may have found a way.

“As a tax researcher, I was skeptical of rumors Trump buried his ex-wife in that sad little plot of dirt on his Bedminster, NJ golf course just for tax breaks.” Dartmouth sociology professor Brooke Harrington,, tweeted on Saturday. “So I checked the NJ tax code & folks…it’s a trifecta of tax avoidance. Property, income & sales tax, all eliminated.” She noted that, according to state rules, there is “No stipulation regarding a minimum # of human remains necessary for the tax breaks to kick in–looks like one corpse will suffice to make at least 3 forms of tax vanish.”

Speaking to Salon’s Jon Skolnik, Jay Soled, director of Rutgers masters in taxation program, cast doubt on the idea that Trump would use his ex-wife’s burial for such self-serving means, calling the idea “a bit overkill.” On the other hand, it sounds…exactly like something Trump would do!

As Skolnik notes, in 2019, HuffPost reported that Trump was able to save nearly $90,000 a year on taxes by adding goats to the Bedminster golf club, which allowed him to classify the property as a farm. Meanwhile, as The New York Times reported in 2018, “Trump participated in dubious tax schemes during the 1990s, including instances of outright fraud.” In 2019, the ex-president’s former attorney Michael Cohen told Congress that Trump regularly inflated his assets “when it served his purpose”—like to obtain loans—and deflated them when it would similarly be advantageous—like to minimize his tax bill. In 2020, the Times revealed that Trump had paid $750 in federal income taxes in 2016, another $750 in 2017, and nothing whatsoever—as in zero, zilch, nada—in 10 of the previous 15 years.”

“Nope” Is Jordan Peele’s Summer Movie: Here Are Some Helpful Explanations

By Connie Wilson

On July 31, 2022

In Best Paranormal Stories Online to Read | Paranormal Podcast, Movies, Of Local (Quad Cities') Interest, Pop Culture, Reviews

I liked “Nope” and I’ve tried to explain it more for those who aren’t interested in researching all of the allusions and references to other films. Therefore, proceed at your own peril. I have tried not to reveal all of the mysteries of the plot, but there may be spoilers.

We journeyed out to the theater to see “Nope,” Jordan Peele’s latest film, starring Oscar-winner Daniel Kaluuya from “Get Out” and “Judas and the Black Messiah.” Peele is more political than M. Night Shymalan, whose films and themes Peele’s works most resemble (of directors working today). As such, much of the film is commentary on the film industry (spectacle), including the role of Blacks through the years. There is also commentary on the American emphasis on commercialism. (The coin in the plastic evidence bag is a subtle dig). It’s a veritable homage to alien encounter films throughout history, with horror/thriller films, especially Spielberg’s, entering in, as well. There is dialogue regarding possible proof of the existence of aliens and the value of such proof to anyone securing it: “People are gonna’ come and do what they always do. Try to take it for themselves.”

Thus begins the plan to capture pictures and video of the aliens, who seemingly are lurking behind a cloud that never moves above a remote far west ranch. Is that a spaceship in the night, or is it a marauding creature? Therein hangs the tale. The central plan to capture video of aliens that dominates “Nope” will be quite an adventure; the audience gets to go along for the ride. I enjoyed it more than my puzzled spouse, but I admit to having spent way more time watching the movies this film honors. It struck me as not unlike the the way that Mel Brooks satirized genre after genre with his humorous films. Only this movie is a cross between thriller/horror/science fiction, saluting those genres. (There are plenty of alien encounter movies to draw from.)

Special kudos go to the sound engineers overseeing the sound effects, the score by Michael Abels, and the cinematographer shooting what appears to be a silver disc in the sky, Hoyt van Hoytema. A prophetic quote from the Book of Nahum (3.6) starts us off: “It will cast abominable filth at you, make you vile, and make you a spectacle.” Literally.

The characters who lead us on the adventure are a brother and sister (Daniel Kaluuya and Keke Palmer) who have inherited a horse farm that provides trained horses for Hollywood productions. Haywood’s Hollywood Horses was founded by Otis Haywood, Sr. When Otis, Sr., dies in a strange fashion—seemingly shot by objects that fall from the sky without warning—Otis, Jr., known as O.J. dedicates himself to carrying on the Haywood tradition. Young O.J. wants to continue training horses as an animal wrangler and also wants to buy back some of the horses the ranch has had to sell to a neighboring circus-like attraction, Jupiter’s Claim, to stay financially afloat.

O.J. (Daniel Kaluuya) is the son who understands animal behavior and tries to warn others about not looking an animal in the eye and remaining calm, etc.; his sister Emerald (Keke Palmer) is O.J.’s somewhat unreliable sidekick. Emerald does not see the horse farm as her future. She constantly inserts personal promos for her many other skills, which range from motorcycle riding to acting. Emerald is more extroverted, but O.J. is the one who negotiates with Jupe (Steven Yeun) to provide horses for his attraction, Jupiter’s Claim. It is also Emerald who, upon agreeing that aliens might be visiting the nearby remote landscape, wants to secure definitive proof via photographs and video as a money-maker.

Emerald contacts Cinematographer Antlers Holst (Michael Wincott), a crack videotographer,who lugs what appears to be an old IMAX camera out to the remote western site, to assist the young video salesman Angel Torres who originally hooked up photographic equipment the duo bought. The video sales guy is played by Brandon Perea as Angel Torres and he contribute much in the area of comic relief. While I enjoyed Angel’s contribution, we had difficulty understanding TV “Password” hostess Keke Palmer’s dialogue.

O.J. feels it important to keep alive the tradition and history of the (fictitious) relative Emerald says was the Black Bahamian jockey shown in a few minutes of film thought to be the very first moving picture image ever captured. The short piece of film was captured by 19^th century inventor and adventurer Eadweard Muybridge in 1878. Muybridge had been commissioned to study the movement of a galloping horse; the name of the Black Bahamian jockey was lost to history, but, for purposes of this film, Jordan Peele has created a fictitious identity for the rider—Alistair Haywood, the family’s horse ranch founder. O.J. Sr,—presumably Alistair’s son and heir— is played by veteran horror actor Keith David, who appeared in “Armageddon” (1998) and “Dante’s Peak” (1997) over his long career.

Here are some of the homages to other cinematic moments:

.When Keke Palmer slides on the motorcycle, it is a reference to a classic anime film, “Akira.” It’s been referenced in dozens of movie for the last 30 years.

.When a character says, “They’re here,” it’s an homage to “Poltergeist.” Easter egg references (“Spielbergian,” said one critic) abound, but the “Nope” plot is definitely original.

.There is the opening reference to a chimp attack during the filming of a TV show called “Gordy’s Home” in 1996. A real chimp attack was featured on Oprah’s syndicated TV show. Charla Nash, a woman who was mauled and disfigured by her chimp Travis appeared on Oprah. When Jupe’s former co-star Mary Jo (Sophia Coto) from “Gordy’s Home” visits Jupiter’s Claim, she is wearing a hat and veil to hide her scars from the chimpanzee attack. Both the scars and the outfit resemble Nash during her real-life interview with Oprah.

.OJ and Emerald visit a Fry’s Electronics store to purchase the surveillance equipment they hope to use in their efforts to capture the alien on film, where they meet employee and alien enthusiast Angel (Brandon Perea). Each Fry’s location featured a unique theme before the family-owned chain when out of business in 2021. Burbank’s Fry’s Electronics store had an alien theme.

.”The Wizard of Oz” has been named as a big influence by Peele. The way in which the alien uploads “food” via dust tornadoes reflects that, as well as the name Emerald and her repetitive wearing of the color green.

.O.J. wears orange, in tribute to his name. The hooded orange sweatshirt that says “Crew” is identical to those worn on the set of the Rock’s film “The Scorpion King.” There is also a poster of the 1972 film “Buck and the Preacher,” Sidney Poitier’s directorial debut, seen in the film.

.Every famous movie about alien encounters that you can think of is referenced, directly or indirectly. The fist bump between child and chimp reminds a bit of the E.T./Elliot finger connection. Even the film’s title of “Nope” is similar to “E.T.,” since E.T. meant extra terrestrial and some have said that “Nope” means “Not of This Planet.” On the other hand, the phrase is spoken throughout the movie. There is one point where our hero (Daniel Kaluuya) opens the truck door, looks out, murmurs “Nope” and re-enters the vehicle. Every major alien encounter film—“E.T.,” “Close Encounters of the Third Kind,” “War of the Worlds,” “Invasion of the Body Snatchers,” “Arrival” receives attention. This isn’t even throwing in the “B” movie efforts like 1998’s “The Faculty” or films like “Alien Autopsy” (2006), “The Mothman Prophecies” (2002); “Ancient Aliens” (2009); “The Blob” (1958); “The Thing”; “District 9” (2009); “Indiana Jones and the Kingdom of the Crystal Skull” (2008) or any number of lesser movies.

.Antlers Holst (Michael Wincott) reminds of other key characters in Spielberg films, like Quinn in Spielberg’s “Jaws” or Bob Peck’s Muldoon from “Jurassic Park.” I found his grizzled presence reminiscent of Lance Henriksen, a veteran presence in numerous horror films. Wincott’s decision to venture out and film the creature in a climactic scene seems to be his desire to get “the impossible shot.” As Antlers told Emerald when she approached him to help them film the encounter, “Horse Girl, this is a dream you’re chasing. The one where you end up at the top of the mountain—all eyes on you. It’s the dream you never wake up from.”

I found the movie to be quite original and unique. Like Peele’s other films, you can peel the plot layers back like an onion. Most fun I’ve had at the movies this summer, because English majors always want to explore symbolism and themes that are buried beneath the surface, and that is what Peele incorporates in his films, which I enjoy. You can still enjoy it on the surface as a thriller, without the deep dive, however.

Two Rentable New Films: “The Forgiven” & “Abandoned” (Rent or Pass?)

By Connie Wilson

On July 28, 2022

In Best Paranormal Stories Online to Read | Paranormal Podcast, Movies, Of Local (Quad Cities') Interest, Pop Culture, Reviews

We checked out two new films recently, I’ll give you an idea about them to save you the time.

After checking out the trailers on my Guide movie-for rent list, I narrowed the choices to “The Forgiven” or “Abandoned.”

“The Forgiven” starred Ralph Fiennes and Jessica Chastain, a big plus. It was on Amazon Prime and the price of each was $7.95 to rent. The rating by the audience on IMDB was only 5.8 out of 10, but these two are Oscar caliber actors. Plus, I liked another co-star, Christopher Abbott, who dallies with the married Jo Henninger in the film while her husband is away.

“Abandoned” is a horror thriller starring Emma Roberts, John Gallagher, Jr. (“Network News”) and one of my all-time favorites, Michael Shannon.

We watched “The Forgiven” first, and that ended up being the better choice. It is a well-crafted film with a plot set in Morocco and examining what happens when a couple on their way to a wedding accidentally hits and kills a young man on the dark highway who is selling fossils. (Apparently, selling fossils is a big industry for the locals. Who knew?) It also had an appearance by Christopher Abbott, who I knew from “James White,” where he played Cynthia Nixon’s son, and “It Comes At Night” in 2017—a horror movie that never quite delivered on the successful atmospheric brooding cinematography of Director Trey Edward Shults.

IMDB describes the plot this way: “The Forgiven takes place over a weekend in the High Atlas Mountains of Morocco, and explores the reverberations of a random accident on the lives of both the local Muslims, and Western visitors to a house party in a grand villa.: Director James Michael McDonagh filmed on location; we get an inside look at the Arabic culture in what appears to be one of those countries that our former president described as “a s***ole country,” The folks flocking to the villa in the middle of nowhere appear to be either Euro-trash or, as one is identified, the style editor from a famous women’s magazine, which shall be nameless for the intention of this review.

Jessica (Chastain) and Ralph (Fiennes) are an unhappily married couple, Jo and David Henninger, on the verge of divorce. After David hits and kills the young native boy, the authorities are contacted. The boy’s father comes to the villa and demands that Ralph accompany him back to the desolate village from whence he came. We learn that the young man (Driss) might have been planning to rob some of the rich party-goers with another youth.

Should Ralph Fiennes’ character of David Henninger accompany the dead boy’s father back to Driss’ village? If he does, what will happen? Fiennes does accompany Driss’ dad, but what happens after that, while a satisfactory surprise ending, is still one that I am processing.

“Abandoned,” on the other hand, held the promise of a young woman (Emma Roberts) suffering from post-partum depression who has recently given birth and moves, with her husband (John Gallagher, Jr.) to a remote haunted house (which, the end-of-film credits tell us, was located in Smithfield, North Carolina.)

The house had a history, but the price was right. The previous family had a psychotic father who impregnated his underage daughter three times; it is hinted that he had a way with an axe. An old wardrobe in the house seems to be the entryway to a portion of the house where some of the offspring of the underage daughter of the house live on as ghosts, [as in “American Horror Story.”]

Most of the film consists of the vulnerable Emma (Roberts) trying to work through her depression and deal with her infant son, who has a bad case of colic. Michael Shannon enters for roughly 20 minutes of film time, which is a crime in and of itself. Shannon plays the brother of the poor underage sister and he shares the couch with Emma Roberts discussing his life in the house before its occupants met untimely ends.

The movie is a total waste of the talents of an actor as talented as Michael Shannon. For that matter, the script did no favors to the young couple, both of whom are good actors.

I am glad we began our viewing with “The Forgiven,” which at least had a structure that merited sticking with it to the end, but I cannot give a thumbs-up to “Abandoned.” The films rented for $7.95. In one case it was money well spent. In the other it was a waste of time and money.

Birthday Events in Chicago: July 23rd Weekend

By Connie Wilson

On July 24, 2022

In Editorial, Education, Local, News, Pop Culture, travel

I’ve been in Chicago for a few days and have discovered that this may be one of the coolest cities of those I track. It was 101 in Austin (Tx), but my son and family were here with me. It was 100 in Nashville, but, likewise, my daughter flew in to join the group of 7 of us celebrating my birthday and attending a concert at Wrigley Field. The Chris Stapleton fans did that on Saturday night.

We also managed to have a wonderful dinner on the 70th floor of the Lake Point Tower restaurant,with a phenomenal view of the city and, afterwards, we were able to stroll over to Navy Pier and check on the fantastic growth of the small trees mid-plaza. I think it’s been a while since I hit Navy Pier and the trees have really matured.

Lastly, Stacey, Ava and Elise and Craig attended the Monet Immersive Exhibit with me and we dined, afterwards, at Corcoran’s Bar & Grill. Expect to see pictures from the fantastic Monet Exhibit for some time, as I took so many that my new phone may be full. We had taken in the Van Gogh Exhibit, and this one was just as impressive.

So, with those explanations, here are some photos from Wednesday through Saturday.

At the Germanium Club and the Monet Immersive Exhibit.

Did Chuck Grassley Collude with the January 6th Trump Insurrection?

By Connie Wilson

On July 19, 2022

In Editorial, Essays on Politics: Best Political Essays & Ideology, Local, Of Local (Quad Cities') Interest, Politics, Pop Culture

Since we are on the border with Iowa, it is important to present this Mark Karlin article that ran on “Daily Kos.” Karlin’s point that the Secret Service should know enough not to delete phone text messages sent on one of the most momentous days in our country’s history, January 6, 2021 is common sense. The possible involvement of 88-year-old Iowa Republican Senator Charles Grassley in Trump’s plot is something to consider if you are an Iowa voter going to the polls at mid-terms. This year, Admiral Franken (Grassley’s probable opponent) is a charismatic alternative to the 88-year-old Chuck Grassley and—if Grassley’s slip of the tongue is legitimately a sign of Grassley’s allegiance to DJT, do you want to support a candidate willing to overthrow democratic elections who may not support the democratic principle of the peaceful transition of power?

***

By Mark Karlin

The bombshell that the pro-Trump Secret Service deleted crucial text messages from January 5 and January 6, 2021, may be a “connect the dots” moment. It’s not just that this excised communication could have corroborated Cassidy Hutchinson’s second-hand account of Trump lunging for the steering wheel and grabbing a Secret Service member to try and compel them to drive him to the Capitol after the January 6 rally.

There might be something much more profoundly concerning: there might be Secret Service collaborators in Trump’s coup plot.

Let’s begin with a July 16, 2021, article from the Independent that is entitled, “Mike Pence refused to get in car in the midst of the January 6th riots, fearing Secret Service ‘conspiracy’, reports claim”:
Former Vice President Mike Pence purportedly refused to get into a vehicle with Secret Service agents amid the 6 January riots out of fear there was a “conspiracy” to “vindicate the insurrection”….
Mr Pence refused to evacuate the Capitol a number of additional times on January 6th as pro-Trump rioters stormed the building in a bid to prevent the certification of the 2020 election results.
In the midst of the riots, Mr. Pence was evacuated from the Senate chamber to his ceremonial office, where he remained protected by Secret Service agents alongside members of his family present that day. He was also the only elected executive branch member calling for help for the besieged Capitol, as President Trump did nothing for hours. (This will be the subject of the next January 6th Commission hearing in prime time this week.)

Then, let’s move to an eye-raising detail involving the oldest member of the Senate, Charles Grassley (R-IA), about a January 5, 2021, comment he quickly backtracked on. Heather Cox Richardson recalled the short-lived claim in her July 13 column:
On January 5, Senator Charles Grassley (R-IA), who was the president pro tempore of the Senate, the second highest-ranking person in the Senate after the vice president, talking to reporters about the next day, said: “Well, first of all, I will be—if the Vice President isn’t there and we don’t expect him to be there— I will be presiding over the Senate.”

Grassley’s office immediately clarified that Grassley meant only that he would preside over counting of the Electoral Votes only if Vice President Mike Pence “had to step away during Wednesday’s proceedings,” and that “‘[e]very indication we have is that the vice president will be there.”

Richardson writes that the largely forgotten “we don’t expect him [Pence] to be there” statement combined with Grassley’s claim that he would then preside over the electoral count “continues to bother” her, as it should. Grassley’s statement appears, given that democracy was at stake, as something more than casual. It seems to reflect the possibility of someone who knew of Trump-world plans, but was quickly told to retract his “prediction.”

Charles “Chuck” Grassley (age 88)

Who knows if Grassley would have accepted the Biden electors in the swing states, given the strenuous pressure from team Trump, if he had been presiding over the electoral count? His eye-popping statement of January 5 certainly raises that question. Why would Pence need “to step away”? Why would Grassley even consider such a possibility the day before the count and insurrection unless he knew more than he was saying? Why was Pence fearful of the Secret Service driving him from the Capitol, with the result being, amidst the mob activity still in full swing at the time, that the electoral count would be delayed indefinitely or Grassley would preside over it when it resumed if Pence had complied?

This leads to the erasure of Secret Service texts from January 5 and 6 in 2021. According to a July 15 article in The Washington Post:
A government watchdog accused the U.S. Secret Service of erasing texts from Jan. 5 and 6, 2021, after his office requested them as part of an inquiry into the U.S. Capitol attack, according to a letter sent to lawmakers this week.

Joseph V. Cuffari, head of the Department of Homeland Security’s Office of Inspector General, wrote to the leaders of the House and Senate Homeland Security committees indicating that the text messages have vanished and that efforts to investigate the Jan. 6, 2021, attack were being hindered….
Cuffari emphasized that the erasures came “after” the Office of Inspector General requested copies of the text messages for its own investigation..

Weird Wilsonisms for Today

By Connie Wilson

On July 18, 2022

In Humor and Weird Wilson-isms, Local, News, Of Local (Quad Cities') Interest, Pop Culture, Science and Medicine

Two-year-old Barrett Golden grabbed his mom’s phone and—-hungry for a cheeseburger—used DoorDash to order 31 McDonald’s cheeseburgers. DoorDash delivered and Barrett ate only half of one, so, for $91.70, Barrett’s mother, Kelsey Golden, offered the neighbors free lunch on social media.

In Texarkana, Texas, fish fell from the sky. A meteorologist at NWS in Shreveport said, “We’re kind of confused as to how it happened as well, to be honest.” First, the theory was that a waterspout had picked up the fish from a nearby water source, but the National Weather Service reported no such weather activity near Texarkana, according to the “Dallas Morning News” at the time of the January event. Flooding was mentioned, but the fish were on rooftops and truck beds. Evidence ultimately pointed to birds, specifically cormorants, which must have regurgitated the fish or dropped them while flying over the town with the shad in their beaks. The entire episode made me think of Tom Cruise’s film “Magnolia.”

A California court has ruled that bees are fish. Bumblebees are “invertebrates,” that lack spines and Endangered Species Act environmental lawyers argued that, because the law defines “fish” as “invertebrate,” bees should be included. A state appeals court agreed, allowing the bumblebees to be protected by the Environmental Species Act.

Ivana Trump Dies At 73; Words of Wisdom from Charles Schulz

By Connie Wilson

On July 14, 2022

In Editorial, Health/Medicine, Local, News, Of Local (Quad Cities') Interest, Pop Culture

I’ve been saving these Charles Schulz “Charlie Brown” Words of Wisdom for a slow news day, one where no insurrections have occurred and no hearings air on television concerning Donald J. Trump’s attempts to overthrow the United States government. But you know The Donald; it’s hard to keep his name out of the news. I’m not writing an entire piece about Wife Number One, but news is news.

Ivana Trump in 2007

Today, the news is that Ivana Trump, mother of Ivanka, Eric and Donald, Jr., fell downstairs in her New York City townhouse and died. She missed her hair appointment. (She was planning on jetting off to St. Tropez or another exotic port of call). A wellness check found her at the bottom of the staircase, unresponsive. [I wish I hadn’t just watched “The Staircase” because that is all I could think of when I heard the news]. Ivana was only 73 and had been a word class athlete—skiier, I think— in her prime. She was also instrumental in helping run some of The Donald’s hotels during his New York City run.

To the best of my knowledge, no other famous actors or actresses shuffled off this mortal coil today, so today is as good a time as any to share the winsome wisdom of one of our favorite cartoon characters, as voiced by Charlie Brown.

Therefore, here are CHARLIE BROWN WORDS OF WISDOM:

See the source image Happiness is anyone and anything at all that’s loved by you.

In the book of life, the answers aren’t in the back.

Sometimes I lie awake at night and ask, “Where have I gone wrong?” Then a voice says to me, “This is going to take more than one night.”

Love is being able to spot her clear across the playground among four hundred other kids.

A dog doesn’t try to give advice, or judge you; they just love you for who you are. It’s nice to have someone who will just sit and listen to you.

Grownups are the ones who puzzle me at Christmastime… Who, but a grownup, would ruin a beautiful holiday season for himself by suddenly attempting to correspond with four hundred people he doesn’t see all year?

If it goes without saying, why did you say it?

Dear Pencil-pal, did you have a nice summer? Mine could have been better, but it could have been worse. For me, that’s good.

I’m going to give up everything, and devote my life to making my dog happy!

Ah, there’s the bell! One more lunch hour out of the way. Two thousand, one hundred and twenty to go!

Real love is standing behind a tree so you can see her when she leaves her house. Of course it can sometimes be embarrassing. Like when you discover you’ve been standing on the wrong side of the tree.

Charlie Brown

Nothing takes the taste out of peanut butter like unrequited love.

Whenever I feel really alone, I just sit and stare into the night sky. I’ve always thought that one of those stars was my star, and at moments like this, I know that my star will always be there for me. Like a comfortable voice saying, “Don’t give up, kid.”

There must be millions of people all over the world who never get any love letters. I could be their leader.

I don’t care what Lucy says. I may have had troubles in the past, flying a kite. I may have never won a baseball game. But, it’s not for the lack of trying!

Lots of things have happened to me, and I’m glad I did what I did. You know, I was never sure how I’d be able to stand up under pressure and how I’d make decisions, and I feel good about myself for the first time in my life!

The Roaring Fork, Austin, Texas: Family Fest Farewell

By Connie Wilson

On July 10, 2022

In Editorial, Local, Movies, Of Local (Quad Cities') Interest, Pop Culture, Texas, travel

End of Family Fest 2022.

Time in Austin is dwindling and the return to the Midwest is upon us.

As a result we journeyed out to my favorite downtown restaurant, The Roaring Fork. I don’t often post pictures of food, but I’m going to post a picture of the dining room, the bar, and my favorite dish on the menu, the chicken with dressing and green beans, which retails for around $24 and is delicious!

When we headed downtown, we had planned to stroll around after dinner and see what might be going on downtown, but when the temperature hit 108 and it was still 95 degrees at 9 p.m., that plan died a grisly death.

The other random topic I want to address is the Minions fad of dressing up to attend the new Minions movie.

The Roaring Fork, Austin, Texas.

It immediately reminded me of a long-ago field trip with my class at Silvis Junior High School. We were going to be sharing the movie auditorium with another junior high school (John Deere Junior High) and I wanted my students to behave. It had not escaped my attention that the day we were set to make the field trip was also the day that our school normally had something called Dress Up Day.

So, on the blackboard of my classroom, I wrote “DUD Day” and explained that that meant Dress Up for Deere day.

The kids got behind the idea and showed up looking like they were going to Sunday church or out on a fancy date. The girls looked lovely; the boys were also dressed like those attending the Minions movie that I’ve seen. My students were very well-behaved, and I think their attire was part of that equation. John Deere Junior High’s? Not so much.

I was never so proud of my wonderful students as when they got behind the idea of DUD Day and behaved like the ladies and gentlemen I knew they could be. They were on their best behavior.

I think dressing up for movies and other formal occasions–something my generation did as a matter of course—is a wonderful idea. It’s nice to know that it’s not totally dead, even if the dressing up, this time, is for a totally digital online fad/reason. (And no throwing bananas if you’re dressed up at the Minions movie!)

The Roaring Fork’s chicken entree. Delicious!

Armie Hammer Is Now A Time-Share Salesman

By Connie Wilson

On July 9, 2022

In Humor and Weird Wilson-isms, Movies, Of Local (Quad Cities') Interest, Pop Culture, Reviews, Texas

Armie Hammer and wife (2018 SXSW Festival, photo by Connie Wilson)

I never thought I’d type the words “Armie Hammer is now working as a time-share salesman.” I’m guessing that Armie Hammer never thought he’d become one, either.

I met the actor at SXSW (with his then-wife) hyping a film directed by Stanley Tucci. The film, released in 2017, was “Final Portrait.” It was “the story of Swiss painter and sculptor Alberto Giacometti.” The movie starred Geoffrey Rush, Armie Hammer and Tony Shalhoub. It was written and directed by Stanley Tucci. Tucci—who is, also, coincidentally, the brother-in-law of “A Quiet Place” star Emily Blunt (married to her sister)—was not there in person, but he sent Armie Hammer and it was shown in the theater right next door to the Paramount, the Stateside (formerly the State Theater) on Opening Night, a theater where I had previously seen a troupe of trained cats entertain my granddaughters. [Some of the cats escaped during the show and we were cautioned about opening the door to the lobby.]

“Final Portrait” Red Carpet at SXSW.

This theater was built in 1935 and, after renovations through the years, what remains looks every one of those 86 years of age. It comfortably seats 305 today. In 1950 it was announced that it seated 997; I cannot imagine how that was possible, unless the patrons were stacked like cordwood. The theater itself fell on hard times in the 70s and suffered a water main break in June of 2006 that delayed its 70-year anniversary celebration.

“A Quiet Place” was going to be opening the festival next door at the Paramount. I had secured a ticket to “A Quiet Place” because the writers of that film were Bettendorf (IA) natives Scott Beck and Bryan Woods. I decided to see if I could hit both at once, leaving “Final Portrait” early because, honestly, I had little interest in this obscure Italian painter and sculptor, but was intensely interested in how “A Quiet Place” would do as Paramount’s Opening Night Film at SXSW. It was a wise decision.

Armie Hammer at the Red Carpet at the Stateside Theater in Austin (Tx) for Final Portrait, Stanley Tucci’s directorial debut. (Photo by Connie Wilson).

Troubles began immediately. We were all crowded into a tiny lobby of the Stateside Theater, but the projector wasn’t operative or the film was flawed or some other technical problem was causing those in charge to attempt to carry a laptop computer to the control booth. The plan, as I overheard it, was to show us the film from the computer stream. That didn’t sound like the Opening Night experience I had in mind, so, after meeting and greeting the extremely handsome Armie Hammer, I split for “A Quiet Place” next door at the Paramount—but not before taking the pictures you see here.

Then came news of Armie’s infidelities and his texts about cannibalism and other such revelations. Still, he was the “star” of “Death on the Nile” and was in too many scenes to remove him, so Armie had another day in the sun. And Armie’s family is extremely wealthy, as profiled in a “Vanity Fair” article.

Now, according to the “Daily Globe,” Armie’s days in the sun are spent in the Cayman Islands selling time shares for $2,000 a week or $21,000 for 10 years at Morritt’s Resort. At least, he was spotted there in June pricing a unit with potential buyers, although his agent denied this when asked.

In another weird story, Elon Musk is not going to spend $44 billion buying Twitter and will probably be sued for backing out of the deal.

I was tempted to entitle this story “Death in the Caymans” (but you’d have to be aware that Armie Hammer was in that 2022 movie).

After all, Armie’s family is still filthy rich and he’s still extremely handsome, so it’s hard to feel too sorry for him, even now. His downfall was caused by inappropriate texting, a fascination with cannibalism, and infidelity; hard to blame anyone but Armie for his demise.

Actor James Caan Dead at 82

By Connie Wilson

On July 8, 2022

In Movies, Of Local (Quad Cities') Interest, Pop Culture, Reviews, Television

James caan High Resolution Stock Photography and Images - Alamy

James Caan ( Dreamstime)

In 1977, Caan rated several of his Top Ten movies: – The Godfather (1972) , Freebie and the Bean (1974), Cinderella Liberty (1973) , The Gambler (1974), Funny Lady (1975), Rollerball (1975), The Killer Elite (1975), Harry and Walter Go to New York (1976) , Slither (1973), A Bridge Too Far (1977), and Another Man, Another Chance (1977) . He also liked his performances in The Rain People (1969) and Thief (1981). I would add “Misery” and his television lead as Brian Piccolo in “Brian’s Song” to Caan’s own list.

When I heard that tough guy Jimmy Caan—the actor who moved into the Playboy Mansion for a while during a divorce—was dead, I immediately thought of the loss just days ago of another such film stalwart, Ray Liotta. Both were the kind of actors who brought believability to their roles and were much in demand, although, in Caan’s case, he seemed to have a way of shooting himself in the foot by not accepting Oscar-making roles.

There were at least 3 Richard Dreyfuss roles that Jimmy Caan turned down: “Close Encounters of the Third Kind,” “The Good-Bye Girl,” and “What About Bob?” In two of those instances, the lead was in the running for an Oscar. (Caan was nominated only as Best Supporting Actor for his portrayal of Sonny Corleone in 1972’s “The Godfather.”)

James Caan was often honored by Italian/American groups and commented that he wasn’t even Italian (he was Jewish and his father was a Queens butcher), but that they wouldn’t allow him to turn down the honors. Caan also played football at Michigan State in his youth and attended (but did not graduate from) Hofstra or MSU.

JAMES CAAN AUTOGRAPHED 12X18 MISERY MOVIE POSTER BECKETT BAS STOCK #192596 | eBay

Caan turned down the lead role in “Kramer vs. Kramer” (Dustin Hoffman) and “One Flew Over the Cuckoo’s Nest,” a film which swept the Oscars and earned Jack Nicholson an Oscar. When the part was offered to Caan, he said something derogatory about a film that would take place largely within the walls of a mental institution, but he learned his lesson from turning down that Oscar part, later accepting the lead role in 1990’s “Misery,” which was directed by his good friend Rob Reiner.

In various articles James Caan holds out that last role as an offering from Reiner to help Caan out of a deep depression, precipitated by the death of his sister from leukemia at only 38 (she was working for Caan at the time). Caan talked openly about his battle with depression. He also battled a cocaine addiction for a while and, while considered for both the role of Travis Bickle in “Taxi Driver”(1976) and Axel Foley in “Beverley Hills Cop” (1984), there were times when getting him insured was a crap shoot, much like the situation with Robert Downey, Jr., during Downey’s bad years flirting with drug disaster.

After the sixties spent learning his craft and appearing on television shows such as “Dr. Kildare” (1963), “Ben Casey” (1963), “The Untouchables” (1962) and “The Naked City” (1961) Caan broke through in 1972 as Sonny Corleone in Francis Ford Coppola’s “The Godfather.” He would make 4 films with Francis Ford Coppola.

Slated to play Michael Corleone in “The Godfather” first, Sonny was the part that cemented James Caan in the public’s consciousness as the hot-headed Italian brother of Michael who dies a grisly death during a toll booth assassination. Once considered for Gene Hackman’s role in “The French Connection” (1971), for Stallone’s role in “Rocky” (1976) and for Ryan O’Neal’s role in 1970’s “Love Story,” James Caan’s 137 credits included a lot of major missed opportunities. One story said that, when offered a role in “Apocalypse Now,” his agent said Jimmy would read it only if guaranteed $1 million. The small role went to Harrison Ford. And then there was the point when Caan discovered, to his dismay, that his money was gone and he was flat broke.

Moving past that set-back, James Caan would end life valued at $20 million, having started out with a $35,000 salary for his storied role in “The Godfather” (1972). He reprised his role, uncredited, in the 1974 “The Godfather II” for the same amount. In 2013, the rough-and-tough James Caan earned $75,000 for a role, an amount which did not appropriately reflect his impact on American cinema.

It seemed incongruous, to me, that, when he died, one obituary mainly mentioned Caan’s role in “Elf” opposite Will Ferrell. That role did earn him $140,000 in residuals but it was far from his most memorable or his best work.

For 9 years this Jewish cowboy from Queens rode on the rodeo circuit, with a clause that allowed him to pass if he was shooting a movie. He once described massive numbers of screws (14 in one spot) and other medical measures, the result of doing many of his own stunts and his own daredevil attitude.

It was this attitude that his many friends commented upon, including his great sense of humor. Along with comments that he was seen being pushed in a wheelchair by one of his sons in 2021 and using a walker when out to dinner in the last year, came the remarks about his appearance at “The Godfather” 50th anniversary celebration. Time, the critics said, had not been kind to Jimmy Caan.

Still, for me, I remember the four-times married James Caan as the very definition of “a man’s man.” His appearance as Brian Piccolo in television’s “Brian’s Song” (1972), or his 1975 appearance in “Rollerball” and “Misery” in 1990 were epic. Less epic was the song-and-dance-man role opposite Bette Midler in “For the Boys” (1991) or his role as Mr. Henry in the indie film “Bottle Rocket” (1996) or as Frank Vitale in “Mickey Blue Eyes” (1999), that last role playing off his role as a Mob guy.

Jimmy Caan was “in” to women and karate and was married four times, producing 5 children. Most of his marriages did not last long, with 5 years being the norm for two of them, but the marriage to Sheila Ryan that produced acting son Scott Caan (“Hawaii Five-Oh”) lasted only from January 12, 1976 to December 7, 1976, which is not even one year. His final marriage commenced in 1995, but was failing and a divorce was in the works when Caan died on July 6th, 2022.

I will not remember Jimmy Caan as the Dad from “Elf.” I will have many much more intense memories of much more memorable films that he gave us during his 137 outings. Thank you for those many memorable films, James Caan.