Weekly Wilson - Blog of Author Connie C. Wilson

Welcome to WeeklyWilson.com, where author/film critic Connie (Corcoran) Wilson avoids totally losing her marbles in semi-retirement by writing about film (see the Chicago Film Festival reviews and SXSW), politics and books—-her own books and those of other people. You'll also find her diverging frequently to share humorous (or not-so-humorous) anecdotes and concerns. Try it! You'll like it!

Category: Local Page 2 of 19

Sarah Huckabee Sanders to Leave White House Post

                Sarah Huckabee Sanders

OPEN ON C-SPAN LOGO OVER CAPITOL:
ANNCR. V.O.: Earlier today former White House press secretary Sarah Huckabee Sanders testified before the House Special Committee on Impeachment. Ms. Sanders was questioned by Judiciary Chairman Jerry Nadler of New York about various statements she has made to the media that she later acknowledged were not true.
FADE IN: HOUSE HEARING ROOM. SFX: CAMERA SHUTTERS.
SARAH SANDERS IS IN THE WITNESS CHAIR AND IS EXTREMELY UNCOMFORTABLE.
MR. NADLER: Ms. Sanders, thank you for responding to the court order that you appear.
MS. SANDERS: Well, it was a court order.
MR. NADLER: And had you not obeyed it, you could have gone to prison. Is that why you came today?
MS. SANDERS: …yes.
MR. NADLER: Ms. Sanders, the Mueller Report quotes you as acknowledging to the Special Counsel that you lied to the White House press corps about why the president fired FBI Director Comey. Is that correct?
MS. SANDERS: Yes.
MR. NADLER: You told the White House press corps that the reason the president fired Mr. Comey was that the rank and file of the FBI had lost confidence in Comey. Was that a true statement?
MS. SANDERS: No.
NADLER: And what did you tell Mr. Mueller about why you had told the press corps that “the rank-and-file of the FBI had lost confidence in Comey?
SHE IS SQUIRMING.
SANDERS: I told Mr. Mueller that I had said that, quote, “in the heat of the moment.”
NADLER: And was that statement true? That you lied to the press corps in the heat of the moment?
SANDERS: Yes. It…it was in the heat of the moment. That happens. People blurt out untrue things in the heat of the moment all the time.
NADLER: Now, you told the Special Counsel something else about that untrue statement, didn’t you?
MS. SANDER: Yes. I admitted that saying that Comey had lost the support of rank-and-file members was, quote, “not founded in anything whatsoever.”
MR. NADLER: You also told the Special Counsel that when you told the White House press corps that you personally had been contacted by “countless members of the FBI,” that had been, quote, “a slip of the tongue.”
MS. SANDERS: Yes. A slip of the tongue.
MR. NADLER: And, in fact, you told my staff in a pre-interview that you had not been contacted by countless members of the FBI complaining about their lack of confidence in Director Comey.
MS. SANDERS: Yes, that had been an outright lie. And I admitted that to Special Counsel Mueller and to your staff.
MR. NADLER: In fact, you admitted that you had been contacted by exactly zero members of the FBI.
SANDERS: Yes. Not one.
NADLER: And you also told us that you felt compelled to tell the truth to the Special Counsel because your testimony to him was given under penalty of perjury?
SANDERS: Yes.
MR. NADLER: And that the reason you told the truth in that instance was that you were afraid of going to prison?
SANDERS: Yes. Very much so.
MR. NADLER: And you know the testimony you’re giving before this committee is also under penalty of perjury.
SANDERS: Yes.
MR. NADLER: And the reason you are telling us the truth right now also is that you are afraid of going to prison?
SANDERS: Yes. I am very, very afraid of going to prison.
MR. NADLER: And yet, two days after the Mueller Report came out saying that you had admitted lying repeatedly to the media, you lied to the media again?
SANDERS: Yes. I lied to George Stephanopoulos.
MR. NADLER: You told Mr. Stephanopoulos that when you lied about the reason Director Comey was fired that, quote: “It was in the heat of the moment, meaning that it wasn’t a scripted talking point. I’m sorry I wasn’t a robot like the Democratic Party.” Am I quoting you accurately?
SANDERS: Yes.
MR. NADLER: But what you told Mr. Stephanopoulos was not true, was it?
SANDERS: No.
MR. NADLER: And it was a lie because, in fact, it had been a talking point, hadn’t it?
SANDERS: Yes.
MR. NADLER: And are you admitting that only because you are under oath here, and you knew if you lied, you could go to prison?
SANDERS CONSULTS WITH HER ATTORNEY
SANDERS: Yes. That is correct.
NADLER: And why, after admitting in the Mueller Report that you had lied to the White House press corps, did you lie to Mr. Stephanopoulos?
SANDERS: I misspoke because I was freaked out and didn’t know what I was saying.
NADLER: You were freaked out?
SANDERS: Yes, I was.
NADLER: Are you freaked out now, Ms. Sanders?
HER ATTORNEY LEANS IN AND WHISPERS IN HER EAR. SHE WHISPERS BACK. THERE ARE A FEW BACK AND FORTHS. NADLER WAITS IMPATIENTLY.
SANDERS: Let me clarify. I was freaked out when I lied to Mr. Stephanopoulos. I am a little freaked out now, but not as freaked out as I was when I was on with Mr. Stephanopoulos.
HER ATTORNEY NODS
NADLER: Ms. Sanders, you swore to tell the truth to this committee.
SANDERS: Yes. And I have. To the best of my ability. Really, Mr. Chairman. I am not good at this. And that is the honest truth.
NADLER: I believe you. But you know that being freaked out is not a legal defense if you lie to the committee?
SANDERS: Yes. And that is why I am just trying so very, very hard to be truthful.
NADLER: So you don’t go to prison?
SANDLER: Yes. That is why I’m freaked out. Because I so, so do not want to go to prison. And I am doing the very best I can to be every bit as honest as I know how. (CORRECTING HERSELF) I mean, even more honest than that. I really don’t want to go to prison.
NADLER: Well then just tell us the truth.
SANDERS: Okay. The truth is I am especially scared of people who do not look like me.
NADLER: Oh, no, no, no. No. You don’t have to bare your soul. Just answer the questions truthfully.
SANDERS: Oh. So, I probably shouldn’t have said that?
NADLER: Well…what you said is very ugly and sad. But I know it was honest.
SANDERS: Thank you. I can’t tell you how much that means to me.
NADLER: Right. Let me ask you something. You’re about to leave the White House, and I imagine you are looking for a job with some public relations firm or maybe setting up your own shop. Do you intend to continue lying to the public and to the media wherever it is you land?
SANDERS CONSULTS WITH HER ATTORNEY. THIS IS A LONG ONE. FINALLY…
SANDERS: Yes. But only if there is no other way to help my clients.
NADLER: Okay. Just know that if you lie again publicly that we reserve the right to call you back.
SANDERS: I understand.
NADLER: But it would be great not to have to call you again.
SANDERS: Tell me about it.
NADLER: You may be excused.
SANDERS: Thank you. Am I still under oath?
NADLER: Actually, no.
SANDERS: Great! (TURNS UGLY) This whole hearing is a witch hunt! The ones you should be investigating are the lefty SPIES in the FBI who bugged Trump Tower!
NADLER: Oh boy. We will stand adjourned until tomorrow morning.
HE HITS THE GAVEL. AS A FOX NEWS CAMERAMAN STEPS IN WITH HIS HANDHELD CAMERA POINTED AT SARAH…
SANDERS: You ought to be ashamed of yourself, Mr. Chairman! To insinuate that I had been lying when this president is presiding over the strongest economy in the history of humankind!
SHE ADDRESSES THE FOX CAMERAMAN
SANDERS (CONT’D): You got that?
AS HE GIVES HER THE THUMBS UP…
FADE

(*The above courtesy of former Senator Al Franken’s Facebook Page).

My Paul McCartney Concert Experiences To Date

Sir Paul McCartney onstage at the Taxslayer Center in Moline (IL) on Tuesday, June 11, 2019.

My first “live” Paul McCartney concert experience was in 1965 at the San Francisco Cow Palace when he played and sang with a little group called the Beatles. My boyfriend of the time and I had cut class  at Berkeley and drove up on his purple Czechoslovokian motorcyle. We had no tickets. We got there and were able to purchase 2 seats on the end of the 7th row on the floor for $7 apiece. That concert was a classic and deserves its own column, so, moving on.

My second “live” Paul McCartney concert experience was when he was singing with “Wings” and played in Ames at the Hilton Colisseum. By the luck of the draw, my name was drawn first for tickets in the state of Iowa in a drawing that took place outside the Younkers entrance at Duck Creek Mall. Paula Sands (KWQC anchor) came over to me and asked me to purchase 4 tickets (there was an 8-ticket limit) and sell 4 to she and husband, David Sands,which I did. It was a great concert and we were very close to the front.

My third “live” Paul McCartney concert experience was at Wrigley Field a few years ago with my daughter. We were in the upper bowl, but the seats were tiered and were good. I knew every song he played and the fireworks at the end were great. The concert was well worth the money. Interestingly enough, all of the anecdotal stuff he mentioned in concert in Moline he had (also) mentioned in Chicago. He also had exactly the same band with him on Tuesday as he had at Wrigley Field.

Pictures of the Beatles and of Paul in younger days were projected in the background throughout the concert.

My most recent “live” Paul McCartney experience was at the TaxSlayer Center (previously the Mark of the Quad Cities) ,on Tuesday night. I’ve seen so many glowing accounts of the concert—most of which I agree with—that I thought I’d throw in “another country heard from.” I sat down when I reached home and wrote this account of Tuesday night’s concert—where I knew 75% of the songs, as opposed to 100% at the others—to my son and daughter, to let them know how the concert went. So far, no comment from them. [Perhaps they, too, have had to put up with a Bobblehead who just won’t quit and semi-ruins their concert experience.]

I got in on a pre-sale for concert tickets, so our tickets in Section 213, row 11, seats 3 and 4, cost us $213 apiece. While this is not “cheap,” our upper tier seats were definitely not the ones that people were paying thousands of dollars to secure. We climbed 45 stairs to reach the 11th row in the upper bowl. As luck would have it, the 2 seats next to us remained empty and we moved over into seats 2 and 3, leaving a seat on each end (1 and 4), which made us feel less like sardines.

Getting into the venue was not that difficult. We were “wanded” and purses were checked, but it did not take that long and it was not that onerous.

The first sign of trouble came with the realization that a First Class Bobblehead was going to sit directly in front of me for the entire concert. A bobblehead, as you all probably know, is someone who never sits down, screams loudly all the time, is constantly waving fists and arms in the air, and generally seems to have not received enough attention from his or her parental unit as an infant. The one in front of me resembled a small creature that might live on the back of a rhinoceros, to make an animal allusion, because of the size differential between him and the man on the end of the aisle. I say this because the gentleman on the end of the row in front of us (Row 10) was really, really large. He had a very hard time making it up to his seat. I say this with empathy, as I have a bad left knee and am no Birdwoman, myself. He was a red-head and fair and overweight and the SHAKING of his entire body was really concerning, to me. I am not joking about this; he was in distress.

This was my view of the Paul McCartney Concert on June 11th , for 3 hours.

I was very concerned that the man on the end of Row 10 was going to have a heart attack, as he was beet red, sweating profusely and shaking. He immediately began blotting his face with a napkin and guzzling water from a bottle someone in the row below handed up to him, but he was really distressed.  I honestly thought we might need to administer CPR. I looked around for someone to assist us, who might be in an official capacity, but there was no one

The Bobblehead, wearing glasses and his baseball cap backwards  seemed over-caffeinated, went into high gear immediately and never once let up. He seldom sat down and emitted ear-shattering hoots and hollers throughout, singing along loudly to the point that it was hard to hear Sir Paul. My husband cautioned, “Just ignore him” and, as God is my witness, I did. That is why most of my pictures have his arm or hand in them. He did leave once, giving me a clear view for about 10 minutes.

Mid-concert a blonde girl, clutching a beer bottle, came to our row and leaned over and began hugging and kissing Mr. Bobblehead. To do this, she occupied the empty aisle seat, which she soon announced, very belligerently, she intended to sit in for the entire concert. I asked her, “Don’t you have a seat and a ticket for that seat somewhere?”

She admitted that she had a seat “way over there,” (throwing her arms around in a random fashion.) As politely as I could, I suggested that, if she had a ticket for a seat, she should probably occupy her own seat. She didn’t seem to like that logic, but it was pretty obvious that if she were to move into the row we were in, my husband and I would be subjected to even more extreme aggravation that would be IN OUR ROW. We already were having difficulty seeing over Mr. Bobblehead’s appendages, at times, and hearing the concert, at times (Mr. Bobblehead liked to sing along, loudly). With this blonde person in our row it would be a double whammy. She was not very smart about how she threw out this idea, declaring it as a “fait accomplis” without any attempt at asking nicely or explaining why allowing her to shove her way into our row would be a “good” thing for all of us. She did not ask if she would be an acceptable addition to our row or if we would mind. She simply loudly announced that she was going to move into our row and our seats, while sloppily guzzling something from a pink can. She was also very loud.

The blonde clutching the beer bottle left—for a while—but, of course, decided to come back later and pretty much ruin the concert during the Grand Finale number (“Live and Let Die”), which was song number 32 (of 36). At that point, she was truly drunk. When I objected to her inserting herself into a row she did not belong in and SCREAMING as loudly as possible in my left ear, she called me every name in the book, gave me the finger, and then hit me. On the nose. I suggested that she might want to “Go away” or I’d have to find a cop who might escort her somewhere, and that I would press charges if I had to miss the rest of the concert to find an officer of the law.

The original photo had Paul nestling his new-born child within his sheepskin jacket. I wonder if the child was Stella McCartney? Did Annie Leibowitz take the photo? A wonderful picture.

This was RIGHT IN THE MIDDLE OF the biggest number of the night (“Live and Let Die”) when various flash pots were detonating down below. I missed most of it because a drunk blonde person assaulted and insulted me. Her friend (Mr. Bobblehead) now climbed over the BACK of his seat to get into our row. This put him in between Blonde Drunk Girl and me. If you’re keeping score, there are 2 seats there, and now we have 3 people occupying them. I’m thinking, “This can’t be good!”, but I’m also glad that there is someone between the young girl who had just assaulted me and her.

I believe I said, more than once, “Keep her away from me.” Since she had already hit me once, I didn’t think a repeat performance would be any more enjoyable.  Since I was trying to film the Grand Finale number, I may even have some film footage of this intrusion into our personal space. It’s pretty erratic, but if I can find it, I will post it later.

It was pretty clear that there were not going to be any security officers rushing to my aid. My husband was sitting closer to the stage (seat 4), looking to his right, and  was engrossed in the pyrotechnics going off down below, so he did not notice all of this until it was almost over. When he did, he asked the duo to calm down (both were drunk) and stop.

Mr. Bobblehead, perhaps realizing that his drunk friend (wife? girlfriend?) had gone too far, did take her “away from me” shortly after she assaulted and insulted me. I was able to enjoy songs #32 through #37 in peace. Too bad that the first 31 were ruined by this pair. Good thing that my nose is Irish and small and pug-nosed, as a Grecian honker might have been broken by the blow.

So, when I’m asked (by my husband), “Which concert did you enjoy the most?” I can’t say it was the one where 2 young rude people did their best to ruin it for me (and all those around me). I also enjoyed the Wrigley recent concert more because he played nearly all songs that the audience knew well. I’d have to rate them in order chronologically and say that this was the fourth concert and #4, through no fault of Sir Paul’s.

There were three factors for my rating, beyond the inexcusable  rude behavior of two young drunk concert-goers:

1) Paul played more recognizable songs at the other 3 concerts

(2) My tickets at the Cow Palace for the Beatles and at the Hilton Colisseum for Wings were better (Wrigley was a draw) and cheaper.

(3) Nobody wants to have to put up with rude behavior from two strangers that they in no way have instigated. And I DID pay $426 for these tickets, so…. (In the age of Trump, don’t expect courtesy may be the name of that tune).

Warning Re War with Iran: Congress Must Decide

Here’s the quote for the day:  “Now is not the time to trust an untrustworthy Administration. But now is exactly the time for Congress to reassert its constitutional authority.” (“Time” columnist David French on p. 32 of the June 3-10, 2019 issue).

You may think I’m referencing the recent decision by the House to issue Contempt of Congress citations for a few key Trump employees, but this was actually a quote in reference to NOT blundering into a war with Iran. It was written by a man (David French, lawyer, senior fellow at the National Review Institute, “Time” columnist) who served in Iraq during the surge and was deployed close to the Iranian border.

Here are a few of the key take-aways from David French’s short piece entitled “The View Opener.” On May 13th the New York Times reported that the White House was reviewing updated military plans that would send a total of 120,000 troops to the Middle East. That is near the troop total at the height of the Iraq War.

On May 15th the state department ordered all “non-emergency” personnel out of Iraq.  Why? Trump pulled us out of the Iran nuclear deal in 2018 and then declared Iran’s Revolutionary Guard Corps to be “a terrorist organization.” This increasingly worrisome Iran situation may also be one of Trump’s attempts to deflect attention away from impeachment rumblings, (which is, likewise, true of his Mexican tariff talk) but, if so, Trump may be playing with fire and we may all get burnt.

It wasn’t until May 21st that the administration finally briefed Congress on the alleged nature of the Iranian threats. Lawmakers are divided. Some of the Lindsey Graham Trump-enabler camp were impressed; key Democrats were unimpressed. Meanwhile, the public, the people who would have to fight and die in this potential war, are left in the dark.

War with Iran would be a war against a country whose military is intact and a country which has substantial missile assets. It has the ability to attack American forces throughout the Middle East and possibly beyond. And it would not be an effort with our allies.

“Stable genius?”

So, what sort of diplomacy does the “stable genius” in the White House employ? He TWEETS: “If Iran wants to fight, that will be the official end of Iran.” In a taped Fox News interview he says, “I’m not somebody that wants to go into war.” So, as usual, back and forth. Bad cop/good cop. And fortunes are made during war, as many can attest.

Nancy Pelosi has detailed Trump’s M.O.  He will first try to flatter you, to butter you up, to get his way. That seems to work with the Lindsey Graham element, which is a sad commentary on the man who used to hold forth that he was John McCain’s “wing man.” (With friends like Lindsey, who needs enemies?) When buttering up doesn’t work, Trump will resort to bullying, as he seems to have done since infancy.  There is name-calling, doctored videos, lies, lies, and more lies, which topped 10,000 some months ago. Trump shows such shifting stances on Syria, North Korea, and every other major issue that he has faced since 2016.

The key thing to remember is that John Bolton has had a long-standing hostility towards Iran. Bolton is a hawk among hawks; he really wants a war with Iran and—make no mistake about this—the cheese would stand alone. No allies would want to be involved, and who can blame them? The article stresses that “tactical decisions made short of war can ratchet up tensions more than the president understands.” Our experiences in Vietnam should have convinced us of that, not to mention some instances in WWII.

This informed veteran’s (David French’s) warning? “Given Trump’s fundamental dishonesty and alarming ignorance, Americans should have zero assurance that their president or his administration is accurately describing the nature of the Iranian threat. More importantly, we, the people, deserve to know what these unnamed ‘threats’ may be.”

Merely receiving an intelligence briefing is not enough.

He concludes:  “The message to the Trump Administration should be bipartisan and emphatic.  There can be no new war without informed congressional consent.”

Doris Day (My Doppelganger?) Dead at 97

Doris Day A few days ago (May 13th), Doris Day shuffled off this mortal coil at the ripe old age of 97. I remember her well from movies like “Pillow Talk,” with Rock Hudson (one of her best) and—when I was a young college girl, working as a waitress at Armstrong’s Department Store Cafe in downtown Cedar Rapids, Iowa, and at the Cherry Blossom Dining Room in Marion (Iowa)—if I had a dollar for every customer who said to me, “You look like Doris Day!”, I wouldn’t have been rich, but I probably would have made more money than I did working as a waitress that summer.

And if I’d had Doris’ job, I wouldn’t have had such sore feet from waitressing. It was a brutal job for minimum wage (a U-shaped breakfast island with a straight part to the left that people could also sit at; you’d wait on the interior part of the “U” and, behind you, people would be seated at the straight bar part that you were not at all aware had come in). All-in-all, both were demanding jobs for paltry salaries. [It was especially brutal the night the Cherry Blossom Dining Room booked a high school reunion (small class) and failed to notify me (the hostess) in advance that several tables of reunion-goers would be sweeping in, en masse, at the peak of the dinner hour). It’s never fun to have to go around and ask 4 to 5 tables of 8 if they’d mind relocating across the room. (!)] However, while fantasizing over Doris’ money made, I have to realize that she was thoroughly fleeced by her “business advisor” (Jerome Rosenthal) who managed her since the forties and by her third husband. It took her until 1979 to recover some of the millions he took in a colossal case of malpractice, which the courts recognized as such, although it took 5 years for Doris to get any of her money back.

Doris Day Doris remained beautiful for many, many years—well into her sixties—and outlived her record producer son, Terry Melcher (who was probably the real target of Charles Manson’s murders, as it was Terry Melchers Hollywood Hills home that Manson sent his acolytes to, where they brutally murdered Sharon Tate and others.) She more-or-less faded into oblivion because the times changed. During 1960 and the 1962 to 1964 period, she ranked number one at the box office, the second woman to be number one four times. She set a record that has yet to be equaled, receiving seven consecutive Laurel Awards as the top female box office star.[57]According to the Hollywood Reporter in 2015, the Academy offered her the Honorary Oscar multiple times, but she declined as she saw the film industry as a part of her past life.[96] Day received a Grammy for Lifetime Achievement in Music in 2008, albeit again in absentia.[97] 

One of the roles Doris Day turned down was Mrs. Robinson in “The Graduate” (she found it “vulgar” and “offensive”). Anne Bancroft cashed in. Although scheduled to sing at one of the Oscar ceremonies, while strolling the hotel grounds she received a bad cut on her leg from a sprinkler system that required stitches; she had to cancel. She also was in talks with Clint Eastwood, her Carmel (California) neighbor to star in a Clint Eastwood project, but that never panned out.

Doris Day She received three Grammy Hall of Fame Awards, in 1998, 1999 and 2012, for her recordings of “Sentimental Journey”, “Secret Love”, and “Que Sera, Sera”, respectively.[98] Day was inducted into the Hit Parade Hall of Fame in 2007,[99] and in 2010 received the first Legend Award ever presented by the Society of Singers.[65]

Day was  a great animal rights activist (much like Brigitte Bardot, post career) and there are some wonderful photos of Doris with Clint Eastwood, receiving Golden Globe awards in the sixties. Day became one of the biggest film stars in the early 1960s, and as of 2012 was one of eight performers to have been the top box-office earner in the United States four times.[1][2] Doris Day’s began with Pillow Talk (1959), co-starring Rock Hudson who became a lifelong friend, and Tony Randall.  Day received a nomination for an Academy Award for Best Actress.[54] It was the only Oscar nomination she received in her career.[55

Doris’ personal life was not so successful. Doris Mary Koppelhoff of Cincinnati, Ohio married three times and basically dumped little Terry (her only child) in Ohio with her mother (also a divorcee) to continue touring as a vocalist with Les Brown (and his Band of Renown). Between 1949 and 1959, she recorded First husband Al Jorden was supposed to have been physically abusive, with a violent temper; she intended to divorce him before even while pregnant with her only child. Second husband was saxophonist, George Weidler. Third husband Martin Melcher adopted Terry and gave him his surname, but Melcher was abusive to both mother and son and managed to embezzle $20 million dollars of Doris’ money. Doris’ last husband (1976-1982) was Barry Comden, a maitre de, who later complained that she liked her canine friends more than him. Doris did NOT want to do “The Doris Day Show” (1968-1973) but found out after Melcher’s death that he had signed her to do one.

Day learned to her displeasure that Melcher had committed her to a television series, which became The Doris Day Show:.

It was awful. I was really, really not very well when Marty [Melcher] passed away, and the thought of going into TV was overpowering. But he’d signed me up for a series. And then my son Terry [Melcher] took me walking in Beverly Hills and explained that it wasn’t nearly the end of it. I had also been signed up for a bunch of TV specials, all without anyone ever asking me.

— Doris Day, OK! magazine, 1996[

Nobody has told me “You look like Doris Day” in quite some time, which may be because Doris remained slim, trim and out-of-sight as much as possible after 1968.  When “All in the Family” was popular (I mention it because of the recent “live” recreation of that Norman Lear hit, produced by Jimmy Kimmel) there was the occasional mention of “Gloria” on “All in the Family,” but I always thought it was the long blonde hair and the lack of height.  Gloria (Sally Struthers) has not retained her youthful appearance, post television, like Doris Day did but, thankfully, I’ve not heard the Sally Struthers comparison since the seventies.

I just thought I’d send out a prayer for Doris’ happiness in heaven. It didn’t seem as though all her stardom and fame translated to a gloriously happy personal life, for her. A contentious divorce (her son’s) kept her from ever becoming close to her only grandson, who regrets the manipulation and maneuvering that kept him from ever knowing his grandmother. By contrast, I (we) just got a call from the grounds outside the Eiffel Tower in France from my married son and wonderful daughter-in-law, with the 10-year-old twins (Ava & Elise) posing in pictures that made it seem like they were balancing each other AND the Eiffel Tower on their palms.

Doris Day Day died on May 13, 2019, at the age of 97, after having contracted pneumonia. One day after she turned 97, she told an interviewer her All Time Favorite Film role was “Calamity Jane.”Her death was announced by her charity, the Doris Day Animal Foundation.[123][124][125] Per Day’s requests, the Foundation announced that there would be no funeral services, gravesites, or other public memorials.[126][127][128]

Doris supposedly thought she was only 95, as her birth certificate confirming she was really 97, was only ferreted out a few years ago.

Au revoir, Doris. May you live on in happy memories. “Que sera, sera.”

Connie (Corcoran) Wilson Presented with the Albert Nelson Marquis Lifetime Achievement Award (Who’s Who)

 

EAST MOLINE, IL, May 17, 2019, Marquis Who’s Who, the world’s premier publisher of biographical profiles, is proud to present Connie Corcoran Wilson with the Albert Nelson Marquis Lifetime Achievement Award. An accomplished listee, Ms. Wilson celebrates many years’ experience in her professional network, and has been noted for achievements, leadership qualities, and the credentials and successes she has accrued in her field. As in all Marquis Who’s Who biographical volumes, individuals profiled are selected on the basis of current reference value. Factors such as position, noteworthy accomplishments, visibility, and prominence in a field are all taken into account during the selection process.

Connie (Corcoran) Wilson

Connie (Corcoran) Wilson succeeded as a small business owner, a writer, and an educator in the field for over 40 years in the IA/IL Quad Cities. Her work for three online blogs continues, including her own blog (WeeklyWilson.com). After earning a Bachelor of Science in English from the University of Iowa in 1967, with a minor in Journalism, she obtained a Master of Arts in English and education at Western Illinois University in Macomb, IL, in 1972. She was a member of Old Gold Singers (1965-1968), University Choir (1964) and Oratorio Chorus (1963), as well as the University of Iowa Honors program while in college, and received two scholarships to attend Iowa (Freshman Merit Scholarship awarded to the top 5% of the entering freshman class and a Ferner/Hearst Journalism Scholarship.)

Connie began her career as the Chairman of the English department at Silvis Junior High School in Silvis, Illinois (1969-1985). She served 4 terms as Co-Chairman of the Silvis Education Association, and was  responsible for achieving recognition of that group as the bargaining agent for the district’s teachers after a three-year long struggle and electing 4 members of a 7-member school board, which authorized a vote supervised by the League of Women Voters. She resigned her teaching position in 1985 to take a position as Educational Writer for Performance Learning Systems, Inc. (Emerson, NJ) and co-authored their book Training the Teacher As A Champion (1989) with PLS founder Joseph Hasenstab. Performance Learning Systems, Inc., is the nation’s largest teacher training firm and responsible for Project T.E.A.C.H., among other offerings.

Following the completion of the PLS company Bible, Ms. Wilson founded Sylvan Learning Center #3301 in Bettendorf, Iowa in 1987 and the Prometric Testing Center in Bettendorf in 1995. She continued as CEO of both businesses until 2003. Sylvan earned the distinction Best Business of the Year 1993 from the Bettendorf Chamber of Commerce, as well as earning a personally presented Bi-State Literacy Award from First Lady Barbara Bush.  Delta Kappa Gamma Honorary Society for Professional Educators, (of which Ms. Wilson was an invited member), also honored Connie with awards for service to the community on two occasions.

Currently, Ms. Wilson works as the chief executive officer for Quad Cities’ Learning, Inc., a role she has held since 2003. She currently is a contributor to www.TheMovieBlog.com, the third largest on-line film criticism blog, as well as writing for www.QuadCities.com and her own blog (www.WeeklyWilson.com), founded in 2007. Over the course of her career, she has written for 5 newspapers and over 20 online digital outlets, including being named Content Producer of the Year for Politics by Yahoo in 2008. She routinely covers SXSW in Austin, TX, and the Chicago International Film Festival and other film festivals, as well as attending numerous writing conferences, such as the BEA (Book Expo America), ITW (International Thriller Writers), National Federation of Pen Women, and Writers for New Orleans.

Connie (Corcoran) Wilson

Ms. Wilson served as adjunct faculty at Augustana College (Rock Island, IL), Blackhawk Junior College (Moline, IL), Marycrest College (Davenport, IA), St. Ambrose University (Davenport, IA) and Eastern Iowa Community College (Bettendorf, IA). She worked in Public Relations for Kaplan College following her sale of the two businesses she founded. She was a member of the Better Business Bureau from 1986 to 2003. Ms. Wilson completed post-graduate coursework at Northern Illinois University (DeKalb, IL), the University of California (Berkeley, CA), the University of Chicago (Chicago, IL) and the University of Iowa (Iowa City, IA), advancing from a Master’s degree to a Master’s degree + 30, (the equivalent of a PhD.)

A published author, Ms. Wilson’s works include Training the Teacher As A Champion for PLS Bookstores; It Came from the 70s: From The Godfather to Apocalypse Now, and three volumes of short stories, Hellfire & Damnation I, II and III for the Merry Blacksmith Press; Laughing Through Life, a collection of humorous essays; Both Sides Now, a collection of previously published newspaper pieces; The Color of Evil suspense/horror YA series with three entries, and two books on the 2008 presidential campaign, Obama’s Odyssey: The 2008 Race for the White House. Mrs. Wilson was the film and book critic for the Quad City Times newspaper (Davenport, IA) from 1970 to 1985 and has continued reviewing film uninterruptedly for the past half century. (*See ConnieCWilson.com for a complete list of books published in paperback, hard cover, e-book and audio book). She also compiled several books of Ghostly Tales of Route 66 on assignment from Quixote Press in both paperback and e-book format.

Honors for her writing include the Midwest Writing Center’s Writer of the Year 2010 (Davenport, IA), and the Silver Feather Award from the Chicago chapter of the Illinois Women’s Press Association in 2012 and 2014. In addition, her three-novel series The Color of Evil was named Best Indie Book of the Year 2018 in audio format by Shelf Unbound online magazine and has won 38 screenplay awards since March of 2018 for the screenplay based on Book One (The Color of Evil). The second book in the much-lauded series is Red Is for Rage, with Book 3, Khaki = Killer honored in various cover competitions for its Vincent Chong designed cover. The illustrations for Ms. Wilson’s 6-book series The Christmas Cats in Silly Hats, illustrated by Hallmark artist Gary McCluskey and written expressly for her twin granddaughters, have also won plaudits.

In Sydney, Australia.

Outside of her professional career, Ms. Wilson has been married for 52 years to husband Craig K. Wilson and has two children, Scott, an engineer living in Austin, Texas, with his wife Jessica (also an engineer) and their twin daughters, Ava and Elise (age 10) and Stacey, a graduate of Belmont in Music Business (Nashville, TN) who worked for Taylor Swift’s 13 Management and currently works for Southwest Airlines. The family has enjoyed a Cancun Easter vacation every year since 1991 and gathers on the Fourth of July for a Family Fest involving the entire clan. With homes in Austin (TX), the Quad Cities of IA/IL and Chicago, Connie continues to write and enjoys reading, movies, swimming, trivia, playing cards, and travel in her spare time, (with Alaska following Australia/New Zealand as the next travel destination.)

In recognition of outstanding contributions to her profession and the Marquis Who’s Who community, Ms. Wilson has been featured on the Albert Nelson Marquis Lifetime Achievement website. Please visit www.Itachievers.com for more information about this honor and www.ConnieCWilson.com for more information about her writing or www.WeeklyWilson.com (her blog) for ongoing discussions of movies, books, politics and travel.

About Marquis Who’s Who®:

Since 1899, when A. N. Marquis printed the First Edition of Who’s Who in America®, Marquis Who’s Who® has chronicled the lives of the most accomplished individuals and innovators from every significant field of endeavor, including politics, business, medicine, law, education, art, religion and entertainment. Today, Who’s Who in America® remains an essential biographical source for thousands of researchers, journalists, librarians and executive search firms around the world. Marquis® publications may be visited at the official Marquis Who’s Who® website at www.marquiswhoswho.com.

Beto O’Rourke Speaks in Davenport at the River Music Experience on May 20, 2019

Beto O’Rourke at the River Music Experience in Davenport (5/20/19).

Presidential candidate Beto O’Rourke. (Bill Gluba, former Mayor of Davenport, to his right, in background.)

Beto O’Rourke.

River Music Experience, May 20, 2019, Davenport, Iowa.

Beto O’Rourke rally; May 20, 2018; Davenport, IA.

Former Davenport Mayor Bill Gluba at the Beto O’Rourke rally inside the River Music Experience in Davenport, IA. (5/20/19).

Beto O’Rourke taking questions in Davenport on 5/20/19.

Crowd member at the Beto O’Rourke rally. (He said he’d seen JFK when he was 2.)

Alyssia Gaiman introducing Beto O’Rourke at the RME on 5/20/19.

Beto O’Rourke.

Beto O’Rourke; former Mayor Bill Gluba in background (right).

A young future voter at the Beto O’Rourke rally.

The crowd in the room at the Beto O’Rourke rally on 5/20/19. I overheard a member of the traveling press say it was the 3rd largest rally he had seen for the candidate.

Working press; Beto O’Rourke rally on 5/20/19 at the River Music Experience in Davenport, IA.

Beto O’Rourke, potential Democratic presidential nominee, came to Davenport (IA) on May 20, 2019, and spoke to a crowd of about 200 enthusiastic supporters at the River Music Experience. Introduced by former Iowa Congresswoman  Alesia Gaiman, Beto entered, stage left. He may have thanked her with a wrong first name (sounded like a different first name from the press risers), but, if it was a faux pas, it was the only one I heard.

When Beto finished with a brief introduction about his vision for unifying this divided nation, he took questions from the audience for an hour and a half.  Both Beto and the audience acquitted themselves nobly.

Were the questions arranged in advance? I don’t think so, but both the Iowans who spoke and the candidate came off as smart, alert and prepared.

Here were the topics of the questions with Beto O’Rourke displaying an impressive ability to answer without a teleprompter or notes:

Question 1: LGBQT rights and how to restore them.

Question 2: His plans to revise the criminal justice system (with a backhanded slap at former Senator and Vice President Joe Biden for not handling this well enough while in office.)

Question 3:  Advice for a first-time voter who feels overwhelmed.

Question 4:  Will you fully fund the IDEA (Individuals with Disabilities Education Act)?

Question 5:  Immigration issues.

Question 6:  The student debt crisis.

Question 7:  Minimum wage concerns.

Question 8:  Collective bargaining rights for teachers in Iowa (which, aside from pay, have been stripped by the GOP legislature.)

Question 9:  The national debt and what to do about it.

Question 10: Gun violence in the schools and what to do about it.

Question 11:  How would you pay for everything you propose?

Question 12:  Your Middle East policy, especially in regards to Saudi, Arabia.

Question 13:  Solar and wind power and other alternative forms of energy.

Question 14:  The opioid epidemic in this country.

I am not knowledgeable enough about the organization of Democratic politics in Iowa to be able to tell you if these questions were assigned in advance.  I can tell you that O’Rourke pirouetted gracefully from one question to the next with an impressive array of statistics at his command. Did the organizers arrange for questioners (like the  retired Muscatine defense contractor who worked in the Middle East) to be present to ask these very relevant questions? Sounds plausible; seems more likely when a small child asked in perfect English, with no hesitation, about the IDEA act. However, the teacher mentioned coming directly from another meeting about the Iowa Supreme Court decision, and most questions seemed valid and unscripted.

Still, I’ve been to many rallies, starting in 2004 and continuing through every presidential election since then.. (2008 Content Producer of the Year for Politics for Yahoo) and this was a well-organized, well-informed crowd and—perhaps most importantly—a well-informed candidate. Very well-informed.

So let’s hear Beto O’Rourke’s fix(es) for these weighty questions.

Q 1 (LGBQT rights): The individual who asked this question appeared very feminine, with long blonde hair, until the question was asked. The voice was very male. Transgender? Don’t know; can’t tell you. Beto answered the question by saying, “Every American should be treated equally.” He shared that, “In my home state of Texas, you can be fired for your sexual orientation” and condemned such practices, saying, “No state can except itself” from providing equal rights to all U.S. citizens.

Q2 (Criminal justice system). The questioner identified himself as Chris Rice. Beto’s answer to the inequities of the criminal justice system and what improvements he would like to implement as president were: 1) End the war on drugs (2) No U.S. “for profit” prisons. (3) Eliminate the cash bail bonding system.

Q3 (1st time overwhelmed voter): Sharing that he had visited 34 college campuses (as well as high schools and middle schools) Beto reassured Jimmy Feeney by saying, “I’m here and I’m listening.” He said, “Show up (at the polls) with the courage of your convictions.”

Q4 (IDEA question): Yes, Beto would fully fund the IDEA.

Q5: John Dunsheath, who asked about immigration issues was given a heartfelt response about an issue Beto O’Rourke knows only too well, being from El Paso, Texas, a border city. He talked about the train known as “the beast” that immigrants take from Central America to the Mexican border, and said, “Amy and I have these conversations” about what they would do if they were in the dire circumstances that the immigrants seeking asylum endure. He suggested that we should lift visa caps. [*I’d like to refer readers to a comprehensive discussion of Beto O’Rourke’s views on the immigration issue and “the wall” by giving you these links to previous articles on this blog in February of this year]:

https://weeklywilson.com/16733-2/; https://weeklywilson.com/beto-orourke-speaks-out-cont-the-end/; https://weeklywilson.com/beto-orourke-speaks-out-day-3/;https://weeklywilson.com/beto-orourke-speaks-out-cont-2/

Q6 (Student debt): Beto affirmed that “crisis” was the right word to use for the student debt situation. He mentioned the $1.5 trillion outstanding debt and said that 10% of those in debt are either in danger of defaulting or have already defaulted on their student loans. He suggested expanding loan forgiveness programs, making college free, and recognizing that trade occupations are a valid career  choice.

Q7- (minimum wage): Kevin O’Brien, who identified himself as a 40-year union member, brought up the current minimum wage of $7.25, which, he said, was inadequate. He has 5 children (all college graduates), but commented on how expensive his adult children’s medical insurance was in relation to his own. Beto countered that, in Texas, the largest provider of mental health services was the state. In Harris City, Texas, the City Jail costs $110 a day, which entitles the prisoner to health care (and makes the Harris City Jail the largest provider of mental health services in town.) O’Rourke suggested a form of Medicare for Americans who are uninsured or cannot afford the cost of supplemental insurance.

Q8 – (Collective bargaining for teachers in Iowa) – I was way behind the curve on this one. In my defense, I’ve been in Texas since January, but I didn’t know that the Iowa GOP-dominated legislature and governor had stripped teachers’ unions of most collective bargaining rights—-previously in existence for half a century. In reading up on this issue (which is near and dear to my heart as someone who led the charge for collective bargaining rights in Silvis, Illinois, in 1979-1980) I learned that a recent Iowa Supreme Court decision was 4 to 3 to uphold stripping this right to negotiate such items as class size, length of school day, free periods, lunch hour length and everything except pay. A teacher quoted in a Des Moines Register article said, “Morale is very low.” O’Rourke said, “That is the stupidest thing I’ve ever heard of in my life” and called it “Penny-wise and pound foolish,” saying the teachers educated in Iowa are not willing to remain in the state to teach. Iowa’s loss is Minnesota’s gain. How will Iowa attract top-notch teachers? Teachers can go elsewhere and have collective bargaining rights, (which simply means a say about the conditions under which they must work.)

Q9 – National debt – Citing a national debt of $22 trillion, which is going up $1 trillion annually, O’Rourke noted that “The GOP can forget about representing themselves as the party of fiscal responsibility.” Pointing to the wars that added $6 trillion to our national debt, unfunded by “W,” Beto suggested that lowering the tax rate from 35% to 21% was a fiscal mistake and re-doing it would help lower our national debt.

Q10 – (gun violence) – Anna Cynthia, a student, voiced her fear over gun violence possibly reaching into her own classroom. Beto mentioned that the government mandated that gun violence and its causes could not be studied, as cigarette addiction because of nicotine was, after Big Tobacco was overruled.  He talked about the deleterious effect of the NRA and gun lobbies, stating proudly that his campaign was not taking any PAC money.

Q11 – (How to pay for all this?) – Beto stated that we must “scrutinize every cent spent” and pointed to the endless war in Afghanistan, going on for his entire lifetime (he turns 47 in September). “Do not lead with the military, but with diplomacy.”

Q12 – Middle East – While acknowledging that MBS in Saudi, Arabia had cold-bloodedly plotted the murder of U.S. journalist Khashoggi, I did not hear the solution to our continuing affiliation with Saudi, Arabia, which leads us into wars  in places like Yemen and Sudan.

Q13 – (Solar & wind power) – O’Rourke mentioned that Iowa is second only to Kansas in harnessing wind power to create electrical power. He proposed a $5 trillion increase in programs to invest in wind and solar power over the next 5 years.

Q14 – (opioid epidemic) – O’Rourke talked about how, in his travels, he has met  addicts or former addicts, sometimes veterans, who describe how they originally became addicted because of prescription drugs. Beto’s solution? Not sure, as this was the last question of the night and the natives were restless.

Overall, it was an impressive performance from the charismatic candidate from Texas. As a winter resident of Austin,(Texas), I identify and was pulling for him when he ran against Uncle Festus from The Munsters—err, Ted Cruz. An interesting ticket would be Biden/Beto.

I highly recommend “Running with Beto,” which I covered at SXSW.  You can read my review of that here or on www.TheMovieBlog.com.

(L to R) Wife Amy, daughter Molly and Beto O’Rourke onstage in Austin, Texas, at the Paramount Theater,  on March 9, 2019, at the premiere of “Running with Beto.”

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The Bluebird Cafe in Nashville & Low Cut Connie, Redux

Earlier in the festivities I did a review of a wonderful new documentary called “The Bluebird,” which is a visit to the Bluebird Cafe in Nashville, Tennessee, which is (apparently) the subject of a television show starring Connie Britton. (I’ve never watched it).

I attended the Bluebird documentary, however, taking many pictures of the director and others on the stage of the Paramount in Austin, Texas, at SXSW on Thursday, March 14th at 6:30 p.m. (It showed again at the Lamar at 11:00 p.m. on Friday, March 15th).

Later on, I received a phone text message informing me that the daughter might be singing back-up for one of her singer/songwriter friends who was going to be appearing onstage at the Bluebird Cafe on their Monday songwriters’ night (featured heavily in the documentary). Lest you think this is unimportant, it launched the careers of both Garth Brooks and Taylor Swift and, although the daughter wasn’t certain she would have a role, I look forward to her ringside seat report of her friend’s performance.

I asked the daughter, who went to school in Nashville and lives there now, to send me a picture of the exterior, but when I went to press, somehow that picture (and a few others she sent) had disappeared, not to be found.

I’m still trying to figure out how to get a small bit of film sent me by the son of Low Cut Connie performing at Lucy’s Fried Chicken in Nashville on Saturday, March 16h, to post on my blog. The file sent me came through as IMG-5643.MOV (5.2 MB) but how does one get THAT to post? In place of it, I shall post the link of Adam Weiner (who is “Low Cut Connie”) appearing on Seth Meyer’s late night show and the 2 pictures of the Bluebird that I now have located.

I am posting the Low Cut Connie link because he and his band will be performing at The Rust Belt in East Moline (IL) on April 18th. I’ve been told that the Rust Belt is somewhere on 7th Street, but look it up and check  it out. (I’ll be in Mexico). I’m hoping that www.QuadCities.com will run a notification when it is closer.

I missed Low Cut Connie when he hit the Raccoon Motel in Davenport, but Craig wanted to be present here in Austin for his birthday celebration with son Scott and daughter Stacey at Lucy’s Fried Chicken. They got to hang with the band afterwards, as one of the guitarists was someone known to the Nashville daughter.

The van at Camp Sandy.

I was covering “Pet Semetary” with stars Jason Clarke, et. al., (that piece has also run previously), so I missed the hilarity (and the chicken) and the music, but I’m doing my best to drum up a record crowd for you, Low Cut Connie (i.e, Adam Weiner) if only because my name IS Connie. The picture to the left represents the van that Low Cut Connie was supposed to play in at Camp Sandy. INSIDE the van. You sit outside and watch the performances on the screens you see mounted on the exterior of the van.

I’m not thinking this would be optimal for an act that is Jerry Lee Lewis Redux times 100. However, I did drive out to catch him there (since I couldn’t be present at Lucy’s Fried Chicken on Saturday, March 16th). There were problems at Camp Sandy, but the Turtle Wax people have reached out and are sending me vats of Turtle Wax to East Moline. Thanks, Eden Zaslow of Zenogroup! That was not necessary. 

Low Cut Connie WAS present on the 16th and, if I can figure out how to post the 5.2MB piece of film sent me by my son, you will be able to see it here some time in the future.

H.Q. Trivia Goes “Live” in Austin at SXSW with Scott Rogowski—And You Are There!

The inimitable host of H.Q. trivia, Scott Rogowsky, hit SXSW in Austin, to conduct a first-ever “live” version of H.Q. on Sunday, March 11th at 90 Rainey Street in Austin Texas at 4:15 p.m.

An avid player, I made certain to get in to the small bar, where we were given tickets good for 2 free drinks. I nailed down a seat right in front of a large-screen TV to watch Bohannon (of Iowa) take his final shot against Nebraska which was blocked in overtime, resulting in a 93-91 loss.

Over 2,500 of us were playing, after we entered in a special “code” that was handed out on site. (You had to be there to win).

Scott Rogowski, Host of H.Q. Trivia, “live” in Austin at SXSW. (Photo by Connie Wilson).

Scott Rogowski, “live” from SXSW at 4:15 p.m. on March 10, 2019. (Photo by Connie Wilson).

Scott Rogowski congratulates one of the 72 winners of the $10,000 prize on March 10, 2019 at SXSW in Austin. (Photo by Connie Wilson).

Scott Rogowski, host, and one (of 72) winners of the first-ever “live” game of H.Q. in Austin, Texas at SXSW on March 10 at 4:15 p.m. CDT. (Photo by Connie Wilson).

The prize money was $10,000 for answering 12 questions in 10 seconds or less, per question. Having just attained Level 7 during the season that ended on February 28th, I was feeling pretty lucky—but, then, I’ve never won (although I won The Cash Show 7 times and then they folded and never paid me my $20!)

As always, the first three questions were the easy ones.  (Q1:  Where is SXSW held? A1: Austin, Texas. Q2:  What song did Phoebe on “Friends sing to her cat? A2:  Smelly Cat. Q3:  What did the soup Nazi on “Seinfeld” yell at his customers on occasion?  A3:  “No soup for you!”

Then, things got interesting. And difficult.

Had I known there would be a question about which chef had not been a judge on a cooking show, I would have paid more attention when trapped in the nail shop in Chicago where that is all they ever have on TV. Or, I would have phoned a friend. And who knows what the MS in MSNBC stands for?

The rest were right up my alley. Q6:  What famous actress does George have a date with on “Seinfeld?” A6:  Marisa Tomei, of course.

Q7:  Which Saturday Night Live performer has amassed the longest tenure?

A7:  Kennan Thompson

Q8:  Which one of “The Office” cast members was not in its first episode, Jan, Kevin or Andy Bernard?

A8:  Andy Bernard, of course. By this time, 566 were still in the game.

Q9:  In the mid 70s which one of these acts appeared on the first “Saturday Night Live”:  Paul Simon, Billy Preston or the Nitty Gritty Dirt Band? I KNEW this was Billy Preston, but only 183 others did. (Most said Paul Simon, who got 328 votes and the Nitty Gritty Dirt Band got 56.)

That one was declared a “savage” question and I temporarily forgot to write down what was asked next, but I can tell you that the final question, with 943 competitors in attendance, was: “Which of these shows did not appear on NBC: Today, Tomorrow or Late Show?” I was positive it would be the Late Show, and it was—although my 2 much younger seat mates were not in agreement.

Seventy-two winners split the prize (one is pictured with Scott Rogowski, the host) and took home $138.89 apiece.

Carry on, Garth.

Beto O’Rourke HBO Documentary “Running with Beto” World Premiere on March 9, 2019, at SXSW: Crowd Wants to Know: Is He Running for President in 2020?

(L to R) Amy, Molly and Beto O’Rourke on March 9, 2019, in Austin, Texas at the World Premiere of HBO documentary “Running with Beto.” (Photo by Connie Wilson).

Beto O’Rourke (Photo by Connie Wilson).

Running with Beto,” the HBO documentary that will air on HBO in early spring (May 28 release date), was screened at a World Premiere at the Paramount Theater in Austin this morning (March 9 at 11:30 a.m.) and a rapt crowd of supporters got to see Beto O’Rourke, his wife Amy, and their daughter Molly (as well as all those associated with the film) up-close-and-personal during a Q&A after the film.

I was seated in the third row on the right for “Running with Beto” when a large group of people began ascending the stairs that lead to stage right. The tallest of the group, hunched over so as not to block the credits then running, was Beto O’Rourke, who managed a small wave to those of us who noticed his entrance with family and campaign workers and Director David Modigliani.

All spoke to us after the film. Director David Modigliani described his goal as “wanting to capture a moment in Texas where there’s a real political re-awakening going on. It’s never too late or too early to get involved in politics.”

The crowd outside the Paramount Theater in Austin, Texas, at SXSW, waiting for the World Premiere of “Running with Beto,” an upcoming HBO documentary, on March 9, 2019 at 11:00 a.m. (Photo by Connie Wilson).

Modigliani had creative control of the film, however, saying that the 700 hours of footage they shot in nearly final draft format was cleared as his project (others wanted the job, as well) with Beto over lunch in Austin.  Beto protested, “I didn’t realize it would be THIS involved. I am very Begrateful that you did this with us.  The audience was probably wondering why Shannon Gay wasn’t the candidate.”

Shannon Gay was a particularly feisty blonde worker on the campaign (and in the film) who fought for Beto’s win to promote veterans (among other issues). She was seen crawling around on her roof to tack down a large campaign sign in a prominent spot. When asked what her reaction was to being onstage this day,  Shannon’s response was typically Shannon: “I wish I had a vodka IV,” (which got a laugh). She is shown in the documentary saying “Tough as Texas, my ass” (an allusion to Ted Cruz’s campaign slogan) and “I want so desperately to hear Beto tell Ted Cruz ‘pack your shit and get the Hell out of Dodge.’” Easy to see why Shannon’s outspoken advocacy will catch your eyes—and ears.

(L to R) Wife Amy, daughter Molly and Beto O’Rourke onstage in Austin, Texas, on March 9, 2019. (Photo by Connie Wilson).

When Amy O’Rourke (Beto’s wife) was asked her reaction to the rough draft that “David was kind enough to show us in advance,” she said her reaction was that it was “Very powerful. We knew this was their (HBO’s) film and we trusted him (Modigliani) at every turn.” She also added, to the crowd’s amusement, “The only thing I asked was ‘Could you take out some of the expletives?’” The film was separate from the campaign. It was being edited up until six months before the election.

In an Austin “American-Statesman” article that ran the day of the World Premiere (March 9th) Modigliani said, “The film is about people responding to crisis in democracy and allowing themselves to be vulnerable and allowing themselves to participate in politics in a new way.”

David Modigliani, Writer/Director of “Running with Beto.” (Photo by Connie Wilson).

Modigliani went on to say, “I felt it was brave of Beto to give us the access that he did. There is real conflict and tension and there are moments where he doesn’t always come off as a prince. It just shows the realities of the stress on the campaign trail, the realities of stress and tension within the family.  It has a realness that we were able to capture because of the access we were afforded. They were committed to running a no-BS campaign and we wanted to make a real no-BS film that captured that experience.” Modigliani, a Massachusetts native who is a graduate of the Michener Center for Writers at the University of Texas (and the director of the 2008 documentary “Crawford,” about George W. Bush’s effect on that small Texas town) added from the stage during the Q&A his suspicion going in that Beto’s campaign was going to be interesting, that O’Rourke was a total long shot, and that he was unlikely to win.

However, said, Modigliani, “I felt like there was going to be a national conversation that was going to run through the middle of this race.”

O’Rourke was asked point blank, from the audience (in the Q&A following the show), if he was going to run for President. He bobbed and weaved on that one. You can sign up to be one of the first to find out at [email protected] [Sounds like a yes, to me.]

When the turnout in Harris County in Texas increased from 26,000 to 60,172 in the last election cycle, you know something is happening at the grass roots level. The possible candidate, onstage after the film, said, “Thank you to everyone who allowed themselves to hope and to dream.  I am grateful. I was like, what can we talk about up here that will not make me cry.” (laughter) He added, commenting on the many candidates who subsequently drew inspiration from his unsuccessful attempt (and have begun campaigns of their own) that he visited every one of Texas’ 254 counties. The O’Rourke campaign brought the Democratic party alive in Texas like it had not been in over 25 years. Said Beto,“Turn hope into action.”

The Oscars and The Blizzard in Iowa on Feb. 25th, 2019

Snow Is the Name of this Weather Game

The morning after the Academy Awards. I’ve not done as much due diligence  about other people’s opinions of the Oscars this year as I will in the hours that loom sitting in airports between here (Des Moines, Iowa), where the temperature feels like zero, or 43 minutes away (by air) in St. Louis, Missouri, (or when we are back in Austin, Texas, our ultimate destination, where it is 65 degrees.) I am just feeling relieved to have made it here and hoping to make it back! As usual, I enjoyed Oscar night, and, as usual, there was an upset or two.

I did see a photo of Rami Malek, still clutching his Oscar, climbing out of what looked like an orchestra pit, with the information that he had fallen offstage after winning. (This was not televised to us out here in the Heartland but I saw it before heading off to bed about 3 a.m.). He was looked at by medical people on the scene and was fine.

How was the ceremony without a host in charge?

It seemed about the same as ever, to me. It moved smoothly with fewer SNAFUS than the year  Jimmy Kimmel hosted and the wrong film was given the Oscar for Best Picture. In that classic case of Situation Normal: All F***** Up, “La La Land” had to give the trophy back to “Moonlight,” as the critics’ groups across America triumphed over the popular will.

I was a member of a critics’ group in Chicago at the time; I voted for “La La Land.” However, “Moonlight” (Barry Jenkins, 2016) carried the day, buoyed by a great performance from Mahershala Ali. Still, “La La Land” was far and away the crowd favorite that year and deserved to win. To me, a working critic, it felt like “the fix” was in. The theme (of “Moonlight”) was “timely” and that would carry the day, even if Damien Chazelle’s musical with Ryan Gosling and Emma Stone was far and away more popular, seen by many more people, just as original and high in quality, and a more “uplifting” feeling film.

Viggo Mortensen at the 2008 Chicago Film Festival.

This year, it looked, to me, as though Big Money was at play trying to land a Best Picture Oscar for “Roma” over any of the more popular competitors and “A Star Is Born” also was over- hyped with that goal. It is normal to campaign, and the idea was that Alfonso Cuaron (already lauded for both “Gravity” and “Birdman”) would be able to snag a Best Picture Oscar for a streaming network(s) for the first time ever.

I had to make my picks early in the game, prior to beginning our multi-state pilgrimage to meet up with our old friends who celebrate the Oscars with us each year. Those picks are posted on WeeklyWilson.com. You can see for yourself that I missed only  the category of Best Actress (I was surprised, like everyone else, that Glenn Close lost. Again.) Selecting Best Picture, Best Actor, Best Supporting Actor, Best Supporting Actress and Best Director (with a slight hedge there) and only missing the Best Actress category means 5 out of 6, for +83% accuracy. (Of course, on party night, we have to select all 24 categories and the accuracy percentages plummet.)

I went with my instincts, which served me well last year when I was delighted to see Guillermo del Toro’s “The Shape of Water” win, but also thought “Three Billboards Outside Ebbing, Missouri” was a strong contender and insisted on taking my husband to see it after the Chicago International Film Festival. You will remember that, while “Three Billboards” did not win Best Film, it did garner both Frances McDormand and Sam Rockwell (who showed up this year with a shaved head) Academy Awards for their performances in that Coen Brothers film.

So, I disregarded the “Roma” buzz, especially after seeing the film. Let them eat cake, I said. Let it be Best Foreign Film, but don’t try to foist it on those of us wanting a real Best Picture of the Year. “Roma” is black and white and subtitled in Spanish. A maid—(who, I am told, was a real maid and not an actress when the film was shot)—-is shown cleaning a house in Mexico in the seventies. A lot of the film involves the maid cleaning and interacting with other help. If you enjoy watching scenes of that sort for a large portion of your film-going experience, by all means hit it up. There are also several scenes of the car port floor being swept. It made me remember that I should be vacuuming the entire house. (Is that a good thing?)

Film buffs applauded Alfonso Cuaron’s ability to recreate the Mexico City of the seventies and the events of his youth, but to audiences who wanted a good story they could relate to, there were only a few themes to hold onto. The universal theme of being a vulnerable pregnant woman who is abandoned, or a mother who loses her child, or a woman with a family whose husband abandons her are there, but the thread is disjointed. [The reasons why the Mistress of the house is jettisoned are never fully explored.]

There were scenes of the woman of the house having trouble driving her large behemoth of a car into a very small parking space connected to her home, and, as a condo dweller in Chicago who has to park in an extremely small parking spot (and pay $52 a month in taxes on that spot), I could relate to that, but it was not riveting cinema.

I could empathize with the young girl abandoned by her somewhat weird martial arts fanatic boyfriend, a male chauvinist pig who completely rejects her in her hour of need, but the entire film seemed like a vanity project. It would be tantamount to me taking an audience on a rather boring and uneventful day from my youth  in Independence, Iowa. If I then shot it in black-and-white and subtitled it in a language you do not speak, would you really be sucked into this story?

The backdrop of riots was compelling for the few scenes that depicted the violence, and I salute the cinematographer (et. al.) who was able to recreate those historic events, but, overall, it was not a film I would want to see win the Best Picture of the Year award. I once almost drowned in Hawaii when I swam out too far, but, since I did NOT drown, the impact of that, on film, would be pretty “meh.” (I mention this life event because of a similar life event involving the maid/nanny and her young charges.) To be fair, I have to admit that I was not a huge fan of “Birdman,” which veered between reality and floating in the air. I did not like the backdrop of the guy pounding on drums in the side room. Of Cuaron’s films, I liked “Gravity” the best, so far, because of the difficulty of recreating Sandra Bullock’s journey into space, but we saw “First Man” (Damien Chazelle) this year do a similar “man-or-woman-in-space” recreation, with more on-the-ground psychological make-up of the astronaut provided. “First Man” came away with very few plaudits for a far more complete and realistic recreation of a foray into space. Maybe it’s all about timing, as with “Moonlight’s” burning themes?

The U.K. papers were unhappy that “Roma” didn’t win, as it would have marked a “first” in having a streaming film take the Best Picture Award. That sounds more like a political statement (rather than a quality-of-the-film-statement) than a good reason for naming this peek into Alfonso Cuaron’s childhood in Mexico Best Picture of the Year.

The other film that threw a lot of dough-re-mi at the Oscars and came up relatively short was “A Star Is Born.” It did win Best Song of the Year (for “Shallows”) and deservedly so, but the Best Actor, Actress, Director and Picture awards did not materialize.  Cynthia (my Chicago hairdresser) and I did not find the chemistry between the stars that dynamic in this one. We both agreed that it was a revelation that Bradley Cooper really can sing; he proved it once again onstage at this year’s Oscars. I saw “A Star Is Born” at the Icon Theater on Roosevelt Road. I admit my opinion of the film was negatively impacted by the volume. It was so loud I feared my ears would bleed. On the “story” front, however, “A Star Is Born” has been done about 5 times and the ending is telegraphed from a million miles away.

This year’s Annual Oscar Party went off without a hitch because we ditched plans to drive 3 and 1/2 hours from Chicago to the Quad Cities and then, a day or so later, to drive another 3 miles from I-80 to Des Moines from the Quad Cities. Here is why we flew directly from Austin to Des Moines: a weekend blizzard brought much of Iowa to a halt. Des Moines broke its record of snowiest February with 24.1 inches of snow. The old record was 22.7 inches set in February of 2008. Winds of up to 50 mph created drifts and white-outs across much of the state and I-35 saw some of the worst of it, with the road closing from Ames to Minnesota on Sunday morning. Between 9 pm. Saturday and 11:30 a.m. Sunday (Oscar day) more than 100 cars ended up in the ditch between Des Moines and Ames and Iowa State Patrol spokesman Nathan Ludwig said they had assisted 390 motorists and responded to 90 crashes between 6:30 p.m. Saturday and 6:30 p.m. on Sunday. A number of state patrol cars were hit by cars traveling too fast and a firetruck was struck on Sunday morning between Ames and Des Moines.

Keith Morgan, Storm County’s emergency management coordinator, said, “Visibility is so poor in open areas that our snow plow drivers can barely see the front of their plows, making plowing conditions very risky.” A State of Emergency was declared in Wright County on Sunday afternoon (Oscar day) due to blowing and drifting snow. More than 18 people stranded in their vehicles were rescued in the county before 11 a.m. on Sunday (Oscar day). The temperature outside right now, given the wind chill factor, is zero.

The Iowa Department of Transportation warned against traveling on roads north or west of Des Moines through Monday as “conditions can be life-threatening.” Near Fairbank, Iowa, my father’s hometown, a woman on her way to Oelwein and Des Moines to deliver her baby had to be rescued when her vehicle slammed into a snowbank.

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