Welcome to WeeklyWilson.com, where author/film critic Connie (Corcoran) Wilson avoids totally losing her marbles in semi-retirement by writing about film (see the Chicago Film Festival reviews and SXSW), politics and books----her own books and those of other people. You'll also find her diverging frequently to share humorous (or not-so-humorous) anecdotes and concerns. Try it! You'll like it!
Connie has been reviewing film uninterruptedly since 1970 (47 years) and routinely covers the Chicago International Film Festival (14 years), SXSW, the Austin Film Festival, and others, sharing detailed looks in advance at upcoming entertainment. She has taught a class on film and is the author of the book “Training the Teacher As A Champion; From The Godfather to Apocalypse Now, published by the Merry Blacksmith Press of Rhode Island.
One question I am investigating is whether more people check my blog on weekends than on week days. [Or whether anyone ever checks it at all.]
I have no real “topic,” other than the Quora question asked of me tonight, which was: “Have you ever met any famous Hollywood actresses?”
Well, come on, now. I review film and attend Red Carpet events prepared to ask a question or two and take some shots with my trusty Nikon. How would I NOT occasionally meet a famous actor/actress?
So, the answer is, “Yes, I have met some famous actresses.”
Rather than list them, I’m going to show you a few of the pictures I’ve taken over the years, as I was meeting them. All of the pictures are mine and all rights are reserved.
Those that you see with “Texas Hall of Fame” behind them include Oscar-winner (for “Misery”) Kathy Bates, one of the co-stars of television’s “Grace & Frankie” sit-com (whose name escapes me), and Marc Maron with his then romantic partner. Director Lynn Shelton, who tragically died in May of 2020. This photo was taken not long before her death.
Then there is Carey Mulligan, clutching a microphone, before she was Oscar-nominated (for the 2nd time) for “Promising Young Woman.” This was taken in Chicago as she did promotion for Paul Dano’s directorial debut “Wildlife,” which had Jake Gyllenhaal, wildfires and a largely incomprehensible plot.
Kathleen Turner (“Peggy Sue Got Married,” “Romancing the Stone”) was taken at the retirement party for Michael Kutza, who founded the Chicago International Film Festival, upon his retirement.
Vera Farmiga, from 2009’s “Up in the Air” opposite George Clooney and television’s “Bates Motel.
Mandy Moore at SXSW with “This Is Us” when it premiered there.
Vanessa Redgrave, appearing in Chicago with her directorial debut, the documentary “Sea Sorrow.”
Geraldine Chaplin, a judge at the Chicago International Film Festival.
Helen Hunt, when she appeared in Chicago promoting “The Sessions” with John Hawke.
Actress/Director Rebecca Hall in 2021, appearing on behalf of “Passing” in Chicago.
This is either Lana or Lilly Wachowski, one half of the brothers who are now sisters, who directed “Cloud Atlas,” among other films.
This will be a stream-of-consciousness entry that jumps from topic to topic.
In other words, it will be just like my entire blog. (lol)
We are watching the Andrew Garfield “Under the Banner of Heaven” thing and also just concluded “The Girl from Plainville,” which fictionalizes the case of the young girl who urged her boyfriend to carry through on his suicide threats. While I was not aware of the “Under the Banner of God” underlying factualism (factuality?), I do feel as though I had already seen the story of “The Girl from Plainville,” because we watched it on “Dateline NBC.” Another one that is hitting me with that same feeling of “I’ve already seen this” is “The Dropout.” It was better as a documentary, because, instead of Amanda Seyfriend, you had the real woman who foisted that fraud on the nation. There is a fascinating documentary out about the case, which I saw at SXSW. (It was better than Amanda’s more fictional version).
So, that brings me to some documentaries I have known and loved.
Tonight, on Hulu, we watched “Three Identical Strangers.” I really enjoyed it;l it raised some serious ethical issues. It also has a “surprise” ending that, had I written it, I would be accused of making stuff up, I’m sure. Here is the write-up for this documentary, (should you be a documentary fan, as I am): “Stories of sibling reunions don’t get any wilder than this one, a 2018 documentary that relates how three triplets who had been adopted by different families rejoiced in discovering one another at college age (19) before a disturbing truth emerged.”
We also watched the first installment of “Hacks,” should you be more in the mood for humor, and it was good. After that, we finished off “Candy” (Jessica Biel, Justin Timberlake) which had a rather disappointing denouement.
Here’s another couple of documentaries that sound terrific, and I’ve reviewed a number of little-seen documentaries (“Krimes” was good) many times on my blog, if you scroll through. Here is a second documentary that I want to see: “Birth of a Family” ($3 on Amazon Prime), “The Wolfpack” (HBO Max) and “Tell Me Who I Am.” (Netflix) If you see “Misha and the Wolves” being advertised, that one I’ve seen; it is well worth watching.
I completed almost one entire week of radiation today—well, actually, 3 days and 1 simulation.
No, I am not radioactive, but I am hurting. Hearing that Iowa City wouldn’t make me do this and then ME making me do this out of concern about a recurrence may make me hurt more than if I had just cavalierly taken Iowa City’s advice and said, “Well, if it happens again I can just resign myself to another grueling six months of hell, with no good wishes from 90% of the social circle of women who were supposed to have been my friends for 40+ years.”
My way of saying “THANKS” to the long distance friends and Facebook friends and colleagues from other walks of life, who found it in their hearts to take a second or two to wish me well. What is it they say about your true friends revealing themselves in times of trouble?
Since some of my friends have moved from the area permanently, others have succumbed to Alzheimer’s, and a few have simply shuffled off this mortal coil permanently, I truly appreciate the casual “Good luck!” during what I hope is the home stretch of this ordeal. I was brought up to at least say, “Oh, I’m so sorry” (even to strangers.) I guess that has gone out of style, judging from Christmas Eve. I anticipated I’d hear that more than one time on Christmas Eve, (the first time I “went wide” with the news.) Besides thanking strangers or far-flung non-local folks (“I have always depended on the kindness of strangers” – Vivian Leigh), I have to say that my spouse and kids have been great. I’m currently loaded with lovely flowers from Mother’s Day.
On a completely unrelated topic (my goal here tonight and every night) has anyone else been deluged with those completely ugly stink bugs in their house? Every single night this week one or more of those pesky critters has landed on my arm or wrist or body, causing me to jump up and scream. Sometimes, they crawl on the lighted TV screen. They might have been attracted by the reading light near my seat in the family room. I hope they are done, because I’ve had enough jumping up and screaming to last me for years.
(Quotes from August 10, 2016, Adam Howard, NBC News)
Six years ago, when “Oscars So White” preceded “Oscars So Black” as a theme, [spearheaded by Will Smith’s wife Jada Pinkett-Smith, who was annoyed that Smith was not nominated for hisrole in “Concussion,”] the remarks below were made to NBC’s reporter Adam Howard.
The article sub-title was this: Is America ready for the “Fresh Prince” as President? Maybe setting one’s sights on the top office in the land is premature, but what office do you think Will Smith will be angling for?
Donald J. Trump shook up traditional notions of who can be considered a credible candidate for the White House, and his stint on “The Apprentice” is at least partially responsible for the four years of Trump. Smith himself has hinted at a career change, telling TheHollywood Reporter in 2015: “I look at the political landscape, I think that there might be a future out there for me. They might need me out there.”
It seems that Will Smith has publicly blown up his film career with his behavior on March 27th at the Oscars. This article from six years ago seems to point to a new direction that Will Smith might be contemplating, so let’s just lay it out there with these quotes from the actor himself.
As an established A-list star entering a new phase of his life and career, Smith may also feel more liberated to speak his mind. For instance, during a “Suicide Squad” press event in Dubai, United Arab Emirates, Smith spoke candidly about the perception of anti-Muslim bias back in the U.S. “The Middle East can’t allow Fox News to be the arbiter of the imagery, you know. So cinema is a huge way to be able to deliver the truth of the soul of a place to a global audience.”
Smith then went on to pointedly attack Trump’s controversial Muslim ban proposal: “As painful as it is to hear Donald Trump talk, and as embarrassing as it is as an American to hear him talk, I think it’s good,” Smith said. “We get to know who people are and now we get to cleanse it out of our country.”
These comments came just a week after Smith lamented that the Republican presidential candidate’s rhetoric towards women had found a captive audience. “For a man to be able to publicly refer to a woman as a fat pig (Rosie O’Donnell), that makes me teary,” he said during an interview with news.com.au. “And for people to applaud, that is absolutely f***king insanity to me. My grandmother would have smacked my teeth out of my head if I had referred to a woman as a fat pig. And I cannot understand how people can clap for that. It’s absolutely collective insanity. If one of my sons — I am getting furious just thinking about it — if one of my sons said that in a public place, they couldn’t even live in my house anymore.”
“For me, deep down in my heart, I believe that America won’t and we can’t elect Trump,” he added.
But Smith’s streak of outspokenness hasn’t just been limited to the presidential race. During an appearance earlier this month (August, 2016) on “The Tonight Show Starring Jimmy Fallon,” the actor spoke with a degree of cynicism about the claim that racial divisions have never been worse.
Earlier in the year, Will Smith had backed his wife Jada Pinkett-Smith ‘s call for an African American Boycott of the Oscars, after the Academy Awards failed to recognize a single actor or actress of color (including himself, a would-be contender for the drama “Concussion”) for the second year in a row.”
So, the remarks made to NBC’s reporter Adam Howard are above; draw your own conclusions.
Since North Carolina and Kansas will play for the NCAA Championship on Monday, April 4th and that predicting season is almost over, we can then begin the pools on whether or not there will be regime change in Russia AND for which office the Fresh Prince might best run.
Right now, watching “Saturday Night Live” (which featured a clever, but questionable skit about mental acuity in cases like aphasia or dementiaor Alzheimer’s Disease) the host of “SNL” has declared himself the “least famous host of ‘SNL,’” which may be true. I can’t even tell you what his name is (Jerrod Carmichael;I cheated and looked). He just informed us that he is the star of a television comedy special in which he comes out as gay. Jerrod says that we are in an Andy Warhol Fever Dream right now. Having just watched the documentary the “Velvet Underground” with real footage from Andy Warhol’s The Factory era, I agree. When will we break out the dark glasses to be able to tolerate the chaos?
Comedian Carmichael is trying to “heal the nation” by talking about Will Smith’s Oscar brouhaha.
Jerrod’s parting remark to the “SNL” audience and directed to former President Barack Obama: “You got us all hopped up on hope and change, Barack. We need you back, because I think you’re going to have to talk about it. The nation needs to heal.”
After listing a few choice Best Oscar nominees in my last pick, I stopped, while trying to nail down a couple of categories. Continuing:
Best Director: Jane Campion (“The Power of the Dog”)
Other nominees are Kenneth Branagh (“Belfast”);Rysuki Hamaguchi- “Drive My Car”; Paul Thomas Anderson – “Licorice Pizza”‘; Steven Spielberg – “West Side Story.” Of these films, my personal favorite was “West Side Story,” but nobody (except, perhaps, Spielberg’s father, at one time, was clamoring for a remake of the fantastic sixties film.
Best Supporting Actor – Troy Kotsur, “CODA”
Best Supporting Actress – Ariana DeBose – “West Side Story”
Film Editing – “Dune”
Best Adapted Screenplay – “The Power of the Dog”
Best Original Screenplay – “Belfast”
Best Cinematography – “Dune”
Best Animated Feature – “Encanto”
Makeup and Hairstyling – “The Eyes of Tammy Faye”
Best Costume Design – “Cruella”
Best International Film – “Drive My Car”
Best Original Song – “No Time to Die” (Billie Eilish, Finneas O’Connell)
Best Documentary – “Summer of Soul”
Best Visual Effects – “Dune”
Production Design – “Dune”
The film with the most (not counting those that will be announced off the air separately) is “Dune” on my list. I was torn between “Flee,” which was making all the film festivals, and “Summer of Soul,” but, just like “Encanto,” it’s hard to overcome a marketing giant like Disney. I was not convinced that the Best Screenplay Award should go to “Up in the Air” and can’t help but believe that Kenneth Branagh telling his autobiographical life story has to be a winner
Linda Goldstein Knowlton, Director of “Split at the Root” at SXSW.
In looking over the documentaries that were part of SXSW 2022 I was looking forward to “Split at the Root,” directed by Linda Goldstein Knowlton, the story of the separation of mothers from their children as a result of the 2018 Trump Administration’s Zero Tolerance policy at our southern border. It turned out to be extremely long (100 minutes) and mainly a talking head approach featuring the women held hostage in the detention cells at the border. Yeni Rodriguez speaks Spanish and there are English subtitles, but, honestly, the documentary seemed as though it were 3 hours long. Judicious editing could have made this a much better work. I’d recommend watching Dan Parkland’s “Unhinged” as a good example of how to edit a documentary.
Yeni Gonzalez is a good spokesperson for the cause. She memorized all the names, phone numbers and addresses of other female detainees at the Eloy, Arizona, La Palma Correctional Center so that the U.S. group could contact them to try to help them. Another female detainee is Rosayra Pablo Cruz who sold her house in Guatemala in order to get the money to try to bring herself and two of her four children to the United States. They began the arduous journey by truck from Guatemala to the Mexican border and were nearly kidnapped while en route. Also, according to the documentary, three years had passed and she had not seen her daughters, left home in Guatemala, in that time.
On 6/14/2018 six hundred children were removed from their parents’ custody and put into “the ice box,” as the detainees called the wire detention cages, because of the Zero Tolerance Policy. Rosayra said, “I wanted to come to the U.S. to have a better life, not to be separated from my children.” After days, a $12,000 bond was required to release Rosayra, (who, of course, did not have $12,000). It was three months before Rosayra saw her two sons again and it has been three years since she has seen her daughters. In her deepest despair a Biblical verse came to her (Matthew 6/4/30): “If your Father provides for the birds, how much more will He provide for you?”
“Split at the Root” chronicles the tragedy of families separated at the border during the Trump administration.
A group of women who thought the Zero Tolerance Policy was unconscionable began organizing informally to try to help the women incarcerated in the cages at the border. They called themselves Immigrant Families Together and began gathering money online through GoFundMe campaigns to bond out the women. For Yeni Gonzalez’s $7,500 bond, the money was gathered within 12 hours, but the question was how to get her from Arizona to New York City. It ended up being necessary to do so via caravan, with the American women calling the Zero Tolerance Policy “an unspeakable shame.” The word from Rosayra and Yeni, “Fight, because with the help of these women you will succeed.”
By July 4th three women at a time were being bonded out. By the end of July, 2019, a federal judge ordered the border officials to stop separating families. Mass releases led to chaotic scenes. Thirty-seven children were left stranded in vans for 11 to 39 hours because of the poor administration of the government’s policies. A child with a broken femur was put into the cage and given only an aspirin for pain. One detainee, Irmi, Yeni’s roommate while in detention, was diagnosed with 4th stage cancer of the esophagus. She also had tumors In her stomach, but she was unable to get any medical treatment while in custody and, consequently, died soon after being released. A mother who had a C-section was placed back into the caged area, sleeping on hard concrete with her newborn baby, for 3 days.
Of 2,551 children separated from their parents, as of July, 2018, 517 remain separated from their parents, despite the July, 2018, ruling to stop separating families. Asylum hearings need to be scheduled to remain in the U.S. The asylum acceptance rate is normally between 40% to 97%. In 2020 the number of children listed as being separated from their parents was listed as 4,368.
The end statistic listed in the documentary is that 2,127 kids still have not been reunited with their parents. One hundred and twenty-four bonds have been paid by the organization, which is a non-profit, staffed by volunteer women.
Despite the failure to make this documentary into the good documentary it could have been, the information contained in it is important to share with the American public. I, like most American mothers, am appalled at the Zero Tolerance Policy of the Trump Administration and how it affected these immigrant women. The Trump Administration’s incompetence in not even keeping records of the families they separated, in some cases forever, is unconscionable. (Even the Nazis kept good records, at least).
The Trump Administration’s misdeeds of this sort are akin to the early days of our nation when the U.S. government sold the Indians down the stream. The misdeeds of the Trump Administration will forever be a black mark in American history, and we haven’t even revealed all of his crimes against humanity yet.
Ethan Hawke helms “The Last Great Movie Stars” at SXSW.
The documentary “The Last Movie Stars” at SXSW from CNN Films and HBO Max is helmed by Ethan Hawke. He was approached to take an in-depth look at the life and careers of Paul Newman and Joanne Woodward. Joe Rudge gets credit for the music. The filmed interviews with various luminaries are explained by Director Ethan Hawke as having been done when Newman was still alive. For reasons that are not explained, the tapes were destroyed, but someone with a great deal of foresight had commissioned a transcript of the remarks of those who were close to Paul and Joanne.
So, we have interviews that were actually done with people like Gore Vidal—an important individual in their lives— and some remarks from Paul Newman and Joanne Woodward, themselves. Ethan Hawke approached an All-Star cast and asked them to read the parts of these famous interview subjects as though portraying the famous voices of yesteryear .
Therefore, we hear George Clooney’s voice giving us Paul Newman’s remarks, etc. Other All-Star cast members in the project included Mark Ruffalo, Karen Allen, Steve Zahn, Maya Hawke, Billy Crudup, Alessandro Nivola, Sam Rockwell, Zoe Krazitz, Oscar Isaac, Ewan McGregor, Bobby Canavale, Josh Hamilton, Laura Linney, Vincent D’Onofrio, Brooks Ashmanskas (as Gore Vidal) and others. Mario Andretti co-produced and Martin Scorsese executive produced.
Sanford Meisner, Joanne’s New York City acting teacher, said of Joanne Woodward (now 92 years oldand suffering from Alzheimer’s Disease) that the reason she went into acting was “it was the only thing she knew how to do.” Joanne’s mother was an avid movie buff and one funny story has a 9-year-old Joanne jumping into Laurence Olivier’s lap inside his limo as he arrived for the premiere of “Gone With the Wind” accompanying his then wife Vivian Leigh, (as Joanne’s mother had bought the pair tickets to the World Premiere.)
Joanne and Paul made 16 films together, and Paul directed Joanne in her Oscar nominated role in 1968’s “Rachel, Rachel.” Although Paul had directed the film, he was snubbed in the category of Best Director of 1969, which, Joanne admitted, bothered her.
The remark is made that “They presided over the end of the theater and the advent of television” during their lengthy careers. They did 100 TV shows in 2 years.
Newman is the only American actor to have been nominated for Best Actor over a 5-decade period. The couple’s last film together, 50 years after their first, was “Mr. and Mrs. Bridge.”
“The Last Movie Stars” at SXSW, 2022.
They met when both were understudies for “Picnic” on Broadway in 1953, although there might have been an earlier meeting at their mutual agent’s office that did not go particularly well. “Picnic” won the Pulitzer Prize for William Inge’s first play. Paul said, of meeting Joanne, “We recognized in each other a couple of orphans and orphans have a healthy appetite for everything.” Years later, he would say, of their enduring marriage, “I think the glue that held me and Joanne together was the thought that anything was possible. The promise of everything was there from the very beginning.”
It is only fair and accurate to mention that Paul was already married to his first wife and had three children with her when he and Joanne met in 1953. He wanted to marry Woodward, but his first wife would not give him a divorce, so the affair went on for five years before the first Mrs. Paul Newman relented. Paul and Joanne subsequently had three daughters of their own. Once, when questioned about Paul Newman’s appeal as a sex symbol on a talk show appearance, Joanne said, “I don’t get it. He’s over 40, has six kids and snores.” She also said, in 1987, of acting, in general: “Acting is like sex. You should do it, not talk about it.”
One interesting fact was the close friendship with novelist and well-known radical/homosexual Gore Vidal, to whom Joanne was once engaged. Even after she broke it off with Vidal to marry Paul, the Newmans briefly lived at Vidal’s home.
Paul’s desire to be taken seriously as an actor was mentioned. He admired Brando’s appearance in “On the Waterfront,” which, he said, was the first film that made an impression on him. He wanted acceptance from such luminaries as Ben Gazzara, Elia Kazan, Tennessee Williams, Eli Wallach and James Dean. In fact, both Paul and Joanne auditioned for parts in “East of Eden.”
When James Dean died in a car crash (September 30, 1955, at the age of 24), Paul Newman’s star rose. Newman always said, of his early outsider status, “I’m not a true eccentric. I’ve got both feet firmly planted in Shaker Heights, Ohio. There are people that didn’t consider me an actor.”
Paul’s film debut was in 1954’s “The Silver Chalice.” He considered it embarrassingly bad, although it had a star-studded cast. The 1954 film had Oscar winner Jack Palance and the female lead was Virginia Mayo. Others in the cast included a very young Natalie Wood (age 16; Newman was 30 and it was their only film together), Lorne Greene as the narrator in his debut screen role, E.G. Marshall and Pier Angeli. Newman had auditioned for James Dean’s role in “East of Eden” (1955) and so, when the two were working on neighboring lots, Dean went over to visit Newman on the set of “The Silver Chalice” and met Pier Angeli, where he met the love of his short life.
When “The Silver Chalice” ran on television in 1966, Paul Newman took out ads in the Hollywood trade papers, calling it “the worst motion picture produced during the 1950s,” apologizing for his performance, and asking people not to watch the film. His action had the opposite effect.
That had the opposite effect. Many people tuned in to watch it on television. Newman once screened the movie for friends at his house, giving them whistles, pots, and wooden spoons, and encouraging them to make noisy critiques of the film.
My list of the Top 20 Paul Newman Films:
1) “Butch Cassidy and the Sun Dance Kid” (1969) – Is there anyone who was alive and going to the movies in the year 1969 when George Roy Hill directed Newman and Robert Redford in the William Goldman written script that doesn’t think of Newman as “Butch?” Think of the scene where Newman is urging Redford to jump from a high cliff, to avoid those pursuing them so relentlessly that they end up in Bolivia. Redford admits, reluctantly, that he can’t swim. Newman laughs and says, “The fall alone’ll kill ya’!” And they jump.
2) “Cool Hand Luke” – (1967) – “What we have here is a failure to communicate.” Fifty hard-boiled eggs. Strother Martin’s green teeth. Luke as a symbol of man’s indomitable spirit. A classic. Newman was nominated for the Oscar, but did not win.
3) “The Hustler” – (1961) As “Fast Eddie” Felsen, he took on Minnesota Fats (Jackie Gleason) in the pool game of the century. Newman was nominated for the 1962 Oscar, but did not win.
4) “The Color of Money” – (1986) – Reteamed as “Fast Eddie” with Tom Cruise, Newman took home the Oscar for his role in this film. It might not have been as good as some others on this list, but this one won him the gold statuette. He is the only American actor to be nominated for Oscars over 5 decades.
5) “Hud” – (1963) – The scene with Patricia Neal in the kitchen oozes sexuality. Another movie for which he was Oscar-nominated in 1964, but did not win.
6) “Cat on a Hot Tin Roof” – 1958 – As Brick Pollitt opposite Elizabeth Taylor’s Maggie the Cat, the pair personified hot, steamy sex. He even looked good on crutches.
7) “Sweet Bird of Youth” – (1962) Chance Wayne (Newman’s character) was as hot as Brick. Geraldine Page was the beneficiary in this Tennessee Williams play made into a movie.
8) “The Long, Hot Summer” – (1958) – As Ben Quick, Newman provided the steam in this movie based on a William Faulkner novel “The Hamlet.” The cast he worked with included Joanne Woodward, Anthony Franciosa, Orson Welles, Lee Remick and Angela Lansbury.
9) “The Verdict” – (1982) . As Frank Galvin, an attorney with a drinking problem, Newman gave an Oscar-worthy performance and was, in fact, nominated for a 1983 Oscaar, another one he didn’t win. The movie received 5 nominations. Lindsay Crouse as Nurse Kaitlin Costello was great.
10) “Road to Perdition” (2002) – Newman came storming back in the role of John Rooney, co-starring with Tom Hanks in the film based on the Max Allan Collins graphic novel, which was based on an actual gangster named John Looney who terrorized the streets of Rock Island. The gangster’s name was changed from Looney to Rooney and Jude Law was added as a villainous photographer. Daniel Craig has a role. This Sam Mendes-directed film was to be Newman’s last “great” role, and also the last time that legendary cinematographer Conrad L Hall would do the lighting, which is superb. [Hall was reputed to be the best in the business and the last man working who could call for the right camera lighting without a light meter.]
The second ten are included to show the breadth of this fine actor’s career, but the “Must See(s)” are above.
11) “Absence of Malice” (1981) – Playing Michael Colin Gallagher with Sidney Pollack directing, the film garnered 3 Oscar nominations and co-starred Sally Field, Bob Balaban and Melinda Dillon.
12) “The Sting” – 1973 – Reteaming Newman (as Harry Gondorff) and Robert Redford as con men. Arguably, belongs in the Top Ten. A great Scott Joplin song or two didn’t hurt.
13) “The Drowning Pool” – (1975) – Lew Harper (from 1966) comes back to the scene as a gumshoe detective. Co-starring Joanne Woodward and Anthony Franciosa. The film gave ingénue Melanie Griffith, daughter of Tippi Hedren, her first big part.
14) “Harper” – (1966)- Lew Harper’s first appearance on the scene as detective extraordinaire.
15) “Somebody Up There Likes Me” – (1956) – The life story of Rocky Graziano, Newman rebounded from “The Silver Chalice,” which he considered so bad that he bought up all the prints and publicly apologized.
16) “Slap Shot” – (1977) – Reggie “Reg” Dunlop – Hockey. George Roy Hill directed. Some familiar co-stars resurface, including Strother Martin (from “Cool Hand Luke”), Lindsay Crouse (from “The Verdict”) and Michael Ontkean.
17) “Sometimes A Great Notion” – (1971) – Logging story. Nominated for 2 Oscars. Based on the Ken Kesey novel. Co-starred Henry Fonda, Lee Remick and Richard Jaeckel, whose scene when he is trapped under a log and will soon drown if the log cannot be removed is worth the rental.
18) “Exodus” – (1960) – Ari Ben Canaan. A movie about the formation of Israel based on the Leon Uris best-selling novel.
19) “From the Terrace” – (1960). Newman played David Alfred Eaton. “An ambitious young lawyer chooses a loveless marriage and an unfulfilling life, in exchange for a successful Wall Street career,” says the International Movie Data Base.
20) “Towering Inferno” – (1974) – Newman played Doug Roberts and there was talk of strife between Newman and Steve McQueen, who played the fire chief assigned to rescue the hapless individuals trapped in a high-rise building. It had a great cast: Newman, McQueen, William Holden, Faye Dunaway, Fred Astaire, Jennifer Jones, Robert Vaughn, Robert Wagner and…..wait for it….O.J. Simpson. (Yes, that O.J. Simpson.)
I was teaching junior high school students at the time, and we took busloads of students, who had been participating in some after-school “craft activity” classes, to see a double bill of “Towering Inferno” and “Earthquake.” Wags dubbed it “the Shake-and-Bake special.” My friend, Nelson Peterson, the history teacher, put a sign on MY bus that said, “HOOKERS: this bus” because the students in my group had been taking part in an after-school class on rug-hooking. I’m still smiling.
I truly enjoyed “The Last Great Movie Stars” at SXSW 2022 and, if I slighted Joanne Woodward’s career, let’s not forget that Paul is gone (atage 83, from cancer, in 2008), while Joanne is still with us. For those of you who only know Paul Newman from his spaghetti sauce and salad dressings, try to see all of the above films. We’ll work on Joanne’s “Best” list if and when she rejoins the love of her life, Paul Newman. In the meantime, if you see this film screening on television, you can recapture bits of their career through film and interviews.
(*NOTE: This is the first chapter of a 6-chapter documentary series.)
Maika Monroe, the blonde star of “It Follows” (2014), has 33 credits, to date. I first became aware of her work in “Hot Summer Nights” at SXSW in 2017. Since then, I have made a point of trying to catch others among her 33 screen credits.
This is a good one to start watching this actress, if you are unaware of her work. She carries this entire film on her slim shoulders and does a great job.
Maika plays lead character Julia, who is married to Francis (Karl Glusman). The couple has recently relocated to Bucharest, Romania for Karl’s job, which makes his fluent command of the native tongue very useful in his marketing position. Julia is studying the language, but is just a beginner.
“Watcher” writer/director Chloe Okuno.
The first scene shows Maika riding in a cab to their apartment and, as the opening proceeds, Writer/Director Chloe Okuno, in collaboration with Cinematographer Benjamin Kirk Nielsen pulls the camera back to show the young couple on the couch of their living room, panning out to the street to watch the couple through the window as they get cozy on the couch.
This entire film is about watching, but the watching is by a creepy-looking guy who lives across the street from the young couple.—or is it? In the early building sections of the film, as tension is built nicely through appropriately tense pounding music (Nathan Halpern). The city, itself, often rainy and dark, is a character. When you are a non-native speaker who does not speak nor understand the language that surrounds you, you feel isolated and alone. Add to that Francis’ (Karl Glusman’s) heavy work schedule and Julia is left to her own devices for long stretches of time, including late into the night.
Coincidentally, there is a serial killer known as “the Spider” who is on the loose at the time the young couple has relocated to this forbidding old city. “The Spider” has murdered at least four women. He has decapitated at least two of them.
The part of “the watcher” from across the street, reminiscent of “Rear Window’s” plot, is well-played by actor Burn Gorman. For most of the film we are left to decide for ourselves if Julia is panicking unnecessarily or if she has a legitimate concern when she thinks “the Watcher” is following her in a supermarket or when she encounters him, perhaps by accident, on the subway. After all, he lives in the neighborhood; does that make him a bad guy or a misunderstood social isolate who lives with his elderly father?
Maika Monroe in “Watcher” at SXSW.
Another character in the film is Madalina Anea as Irina, the next-door neighbor. Irina is a pole dancer in the area, which makes you wonder about the wisdom of selecting this particular part of the city as your new neighborhood. I could relate to the “watching” out the window at all hours. When on a trip to Europe with a girlfriend, we unwisely spent one night near the train station in Frankfurt, which, as it turned out, was the Red Light district. We watched “the girls” going off to work beginning at 4 p.m. and coming back in the wee hours of the morning. We were too afraid to leave our seedy hotel to even venture out for food. When we tried to take a picture of one of the working girls on the street, she was definitely unhappy with us and gave us short shrift in guttural German. Not a good idea to be a woman, alone, in that part of the city. Julia’s entire neighborhood seems unsafe and the gloomy, rainy weather that often sets in simply adds to the vibe.
Julia’s mate, Francis, (in addition to having a name that hasn’t been popular in the U.S. for men since about 1902), can be an insensitive clod at times. He makes a tasteless joke about “the Spider” keeping his terror-struck wife company because his own work schedule is so crowded and keeping him so busy at a social gathering with his boss and their wives. Julia has learned just enough Romanian by now to understand the joke, and she is not amused. Francis tells his frightened wife, at one point, “So I should just jump to the craziest conclusion, like you?” She is not amused by his growing indifference and lack of belief in her accounts of their neighbor’s voyeuristic stalking.
Imagine if the boy who cried wolf in that well-known story was then attacked by wolves. What would happen? Would he survive? Would he simply be ignored regarding the wolves until wolves appeared and it was too late to help him?
This film from an Abu Dhabi backer, Image films, answers that question in this indie film written by director Chloe Okuno in collaboration with Zack Ford and directed by Okuno. The movie premieres in theaters on June 3, 2022. This is one film at SXSW that did not also stream. It was a good entry in the horror/thriller genre.
The log line for the Apple TV documentary “The Big Conn” is as follows: “Eric C. Conn was a lawyer living a little too large in eastern Kentucky…until two whistleblowers realized he was at the center of government fraud worth over half a billion dollars, one of the largest in U.S. history. And that was just the beginning.” The investigative documentary series is helmed by James Lee Hernandez and Brian Lazarte.
The four-part investigative series had its World Premiere at SXSW and it will launch, globally, on May 6th. It is a fascinating look at a man who is described as “an evil Robin Hood” for securing Social Security Disability payments for his Kentucky and West Virginia clients in 30 days, at a time when the Social Security Administration was backlogged for 18 months. In the process, Eric Christopher Conn made big bucks and spent the money just as fast as he got it. His office employees document a globe-trotting habit of traveling for one week of every month to exotic ports of call such as Thailand, Ecuador, Nicaragua and Las Vegas. In many instances (16, at least) Eric would return to Pikesville, Kentucky with a brand-new bride.
The mind boggles merely at the concept of someone loony enough to marry 16 times. He can’t even keep his wives’ nationalities straight, but managed to list 5 United States citizens, 5 from Columbia, 1 from Vietnam, 1 from the Philippines, 1 from Ecuador and 1 from the Dominican Republic. (Later, he admitted that he might have forgotten one or two of his wives from foreign countries). The first thought that pops into your head is, “Who does that?”
The answer to that rhetorical question is given by one attorney involved in the case, who says: “You’re dealing with a guy who doesn’t have a moral compass. You can’t get mad at a snake for being a snake.” Trey Alford, an Assistant District Attorney who ultimately refused to give up on the case, described it as “the ultimate trifecta: bad lawyers, bad judges and bad doctors.”
Despite the heroic and persistent efforts of two honest Master Docket Clerks to blow the whistle on Eric’s high, wide and handsome shenanigans, it took over 6 years for anything to be done. Conn had made himself a Big Name in Appalachia, better-known than Ali or Elvis, with extensive use of billboards, television and other forms of advertising, and, even after he was accused of graft and corruption, clients flocked to his offices for his services because he guaranteed he’d get them a check within 30 days, and he usually did.
Con handled 1800 cases between 2006 and 2010 and the amount of fraud for the government that they would need to recover to break even was estimated at $2.62 billion, when you factor in the payments to applicants who were unqualified to receive them, over years of their dependence on the $900 a month to (in one case) $2,000 a month disability payments. The problem after the fall of Conn is that there were 1500 applicants, some of whom were genuinely deserving, but the Social Security Administration now had to solve the mess they had created for themselves by being completely indifferent to the reports that the whistle blowers, Sarah Carver and Jennifer Griffith, had been making for years.
The lid was blown off the corrupt scheme when a “Wall Street Journal” reporter named Damian Paletta, who is now the economics reporter for the “Wall Street Journal” (and the author of a book about Donald Trump’s time in office entitled “Nightmare Scenario: Inside the Trump Administration’s Response to the Pandemic That Changed History”) journeyed to Appalachia and did a story on the situation. Paletta is not unsympathetic to the legitimate disabled and was, himself, disabled as a youngster.
The message that comes through, loud and clear, is that the Social Security Administration did an extremely poor job of policing its own. Shame on them!
Secondly, the true heroes and heroines of the story are not recognized at all. They include whistle-blowers Sarah Carver and Jennifer Griffith, various attorneys, including Ned Pillersdorf, Trey Aldorf, and “Wall Street Journal” journalist Damian Paletta.
Meanwhile, we can all ask whether the corrupt Judge Daugherty, whose alcoholism and arrest of his daughter set off the scheme in the first place was properly punished, when he ended up serving only a few months of a short (4 year) sentence.
The only one of the three (Dr. Atkins), characterized as a “whore doctor” during Congressional testimony, who refused to take a deal and went for a jury trial did worse than those who copped a plea. But did any of the three principals receive adequate punishment for such large-scale fraud?
To find out how they ended up, watch the four-part series premiering globally on May 6th with sections entitled: “Mr. Social Security” (#1); “United We Stand; Divided We Fall” (#2); “Here Today, Gone Tomorrow” (#3) and the finale, which will spell out the sad end of this story of greed, corruption, incompetence and stasis.
Benjamin Bratt and Rosario Dawson on March 13 at SXSW.
Just finished watching all four episodes of “DMZ” with Rosario Dawson and Benjamin Bratt available on HBO Max.
The first episode, which I saw at the World Premiere on Sunday, March 13th, in Austin at SXSW, was dynamite. The other three episodes continue the chaos and action-packed drama of a United States that has experienced a Civil War, with Manhattan a microcosm of the tragedy of war as 300,000 residents are trapped within a demilitarized zone.
The set-up of the comic-book generated plot is that Alma must journey back from the relative safety of the U.S. outside of Manhattan and re-enter the DMZ to try to find the child she became separated from when evacuating 8 years prior.
I will try not to give away too many plot points, but I do want to make some observations about the entire season, not just the first episode. Ava Duvernay directed one episode, but Ernest Dickerson directed the rest of the series. It is all done well, with special mention of the acting, special effects, script and the title sequence.
Here are some “Pro” and “Con” observations for the entire series, complete with the pictures taken on top of the Riley Building in downtown Austin on Sunday, March 13th, which Warner Media took over for a press event at noon, just prior to the film’s 4:15 p.m.
Cast of “DMZ” at SXSW (l to r): Freddy Miyares, Bnjamin Bratt, Rosario Dawson, Hoon Lee and Writer/Producer Roberto Patino.
The acting is top-notch. Rosario has some gut-wrenching scenes and she gives it her all. She also has to be a kick-ass heroine, fighting, running, etc. Great work. The Writer/Producer Petino praised Dawson’s work from the stage of the Paramount. Watching Benjamin Bratt at work as the charismatic gang leader is equally riveting.
I have always thought that Benjamin Bratt was an under-utilized leading man and the parts I’ve seen him in did not make the most of his charismatic presence. Here he is magnetic as the would-be leader of the DMZ, a man who fought in Afghanistan and should know that those who fight and die in the trenches are used and abused by their superiors. Parco Delgado, Bratt’s character, is willing to do whatever it takes to keep and hold power and we see that in episode 1 and all others.
The writer/director who plucked Rosario’s character from the comic book and amplified it is going for a “good versus evil” vibe that puts Alma’s character as the White Knight and leaves us wondering how she will cope with the brutality of a Parco Delgado. The way that Parco is dispatched was fitting.
This is a star-making turn for young actor Freddie Miyares, who plays the adult version of Rosario’s son, Christian. Miyares first came to the public’s attention playing one of the Central Park Five in “When They See Us” and he also appeared in “The L Word.” He has worked with Ava Duvernay previously.
The young actors In the cast—-Madison Johnson, Venus Ariel, Jordan Preston Carter—are all good and natural actors.
The explosions and helicopters and ruins of the war-torn DMZ are beautifully rendered.
The opening credits are very good.
Hoon Lee as Wilson was good, as was Reynaldo Gallegos as Cesar.
The screenplay written by Roberto Patino has some great lines that relate to ALL wars and ALL war zones and victims, so it is particularly timely against the backdrop of the Ukraine/Russia ongoing assault.
There is the possibility of continuing this series past the four episodes in the can.
Cast of “DMZ” present in Austin, Texas, for press event on Sunday, March 13, 2022 at SXSW.
For my tastes, the constant man-on-man beat-downs could have been reduced to, at most, two. As it is, there are several. I am not a fan, although others will be. I will say that the fight between the fit 48-year-old Benjamin Bratt and the much-younger Freddy Miyares was epic, as was the fight scene between the characters of Parco Delgado and Wilson.
There were a lot of “war scenes,” which makes sense in that this is a war zone, but who is fighting whom and why is not made perfectly clear, other than the infighting amongst the various New York City sections of Manhattan.
I also watched a few episodes of the new “Halo” series and “DMZ” is infinitely superior. “Halo” involved killing people that we haven’t even met, let alone learned to care whether they live or die, whereas, in this four-part series, we get to know the characters first.
One power broker has (supposedly) gained control of water. How? We are told very few of the mechanics of power in this DMZ. Did she take over a dam or what?
The function or purpose of the United States Army is not made totally clear. Are they trying to take over Manhattan from the locals because the locals are defending their city to the death, as is happening in Ukraine now? Naaaah. The New Yorkers I personally know (and I know a few) would not be fighting to the death against the U.S.’s superior fire power. (They might want better garbage pick-up, however.)
Other than Rosario’s star turn as the Big Kahuna, the other women get short shrift. The kids actually get more screen time and more lines than the other females, including the girlfriends of characters Skel and Parco.
Did Coca Cola underwrite a big part of this film’s costs? I ask because of one specific scene. I was reminded of the Coca Cola scene in “Dr. Strangelove,” for some reason, but, today, the specific mention of a product in such glowing terms is usually a product tie-in. I thought the idea that the machine would have ANY Coke cans left in it, or that they wouldn’t be flat, was preposterous. Many of my soft drinks are flat the instant I bring them home from the grocery store, so I found the delicious-ness of Coca Cola to be highly suspect in one scene in the plot.
The individual(s) manning the radio broadcast(s) are somewhat unclear. Who was it? Who is it going to be?
Lots of character names are dropped and, eventually, we find out who some of them are, but simply mentioning “Susie” (et. al.) didn’t cut if for me. But, then, I was not a reader of the comic books during their hey-day.
I enjoyed all the lines that underscored the futility of violence as a solution to world problems, and, while I praised them in my original review and even repeated some of those lines, verbatim, with the current world situation, the more the better, so I’m both praising writer/producer Roberto Patino for his excellent work in that regard and saying, “More, please