Welcome to WeeklyWilson.com, where author/film critic Connie (Corcoran) Wilson avoids totally losing her marbles in semi-retirement by writing about film (see the Chicago Film Festival reviews and SXSW), politics and books----her own books and those of other people. You'll also find her diverging frequently to share humorous (or not-so-humorous) anecdotes and concerns. Try it! You'll like it!
I just watched George Clooney’s film (he directed) “The Boys in the Boat.”
My spouse did not want to watch it, declaring it to be “too predictable.”
THE GOOD
I wanted to see Joel Edgerton in action as the coach, and the lead actor playing Joe Rantz (Callum Turner) was a new star, for me. He’s British and the Brits have been saying he is “the star of tomorrow” since 2014, which is 10 years ago. He’s 34 now (born in 1990) so perhaps a better title would be “the men in the boat.”
I did notice that the pictures at the end of the movie featuring the real Washington crew were all very handsome young men. They had great teeth, The love story between Joe Rantz (Callum Turner) and Joyce Simdars (Hadley Robinson) was nicely done.
The cinematography was also wonderful, although all of the close-ups on the oar locks made me think that one of them was going to give way at a crucial moment.
The “boys in the boat” were the crew members who journeyed to Hitler’s Germany for the 1936 Olympics. I have watched another documentary about how piqued Hitler was when Jesse Owens performed so brilliantly, defeating his Aryan athletes.
THE BAD
We know how this movie comes out before it even starts. In that regard it reminds of the movie about space launches where we know whether the launch went well or poorly.
My husband was right that it was “too predictable,” but it was still worth a look.
Since (Scott) Beck & (Bryan) Woods selected “The Iron Claw” to open their new Davenport (Iowa) theater, and it is doing well at the box office, while Jeremy Allen White is really gaining steam as a leading man, I went to see “The Iron Claw” here in Texas. Texas is definitely Von Erich territory, site of the Dallas Sportatorium where much of the wrestling matches of yesteryear took place. (“Please note: There will be spoilers.)
“The Iron Claw” recounts the mostly “true story of the inseparable Von Erich brothers, who made history in the intensely competitive world of professional wrestling in the early 1980s. Through tragedy and triumph, under the shadow of their domineering father and coach, the brothers seek larger-than-life immortality on the biggest stage in sports.” “The Iron Claw” is the mostly true story of a wrestling family whose real surname was Adkinsson. Their stage name in the wrestling world was Von Erich. Jack Barton Adkisson wrestled under the name Fritz Von Erich and then encouraged his sons, Kerry, Kevin, David and Michael, to follow him into the ring. (*Son Chris also wrestled, but less successfully than his brothers, and is not depicted in this film, for reasons that don’t seem to make sense.)
CAST
Written and directed by Sean Durkin (“Martha Marcy May Marlene” and TV’s “Dead Ringers”), “The Iron Claw” stars Zac Efron (“High School Musical 3: Senior Year”); Jeremy Allen White, who first came to my attention as the character Lip (Philip) in the television series “Shameless;” and Maura Tierney of “The Affair.” Holt McAllany (“Mindhunter,” “Fight Club”) was the standout for me, and when you check out his credits, that is not surprising. Lily James as Pam, Kevin’s wife, is also very good, and Bill Mercer as Michael J. Harney is also good in his part.
However, I came to see Jeremy Allen White, and for more than an hour, I thought I’d walked into the wrong movie.
Jeremy Allen White is hot, right now, as the star of the television series “The Bear.” He walked off with the Golden Globe and the Critics Choice awards in the past week. You really get the feeling that Jeremy is slated for great things dramatically. This film, unfortunately, doesn’t give him that much to do. He doesn’t have the physicality of Zac Efron, but, considering the lengths to which Zac Efron went, maybe that is a good thing. Jeremy admitted on the late night talk shows that he was a novice to the wrestling world. (He gave much credit to Chavo Guerrero, who both instructed the non-wrestlers in the cast and portrayed the character The Iron Sheikh.)
The two other brothers we see portrayed onscreen are David Von Erich (Harris Dickinson of “Beach Rats”) and Michael Von Erich (StanleySimons, “Angelfish”).
FACTS NOT IN EVIDENCE
According to Wikipedia, Fritz and wife Doris had six sons: Jack Barton Jr. (September 21, 1952 – March 7, 1959), Kevin (born May 15, 1957), David (July 22, 1958 – February 10, 1984), Kerry (February 3, 1960 – February 18, 1993), Mike (March 2, 1964 – April 12, 1987) and Chris (September 30, 1969 – September 12, 1991). Of Adkisson’s six sons, Kevin was the only one still living by the time Adkisson died in 1997.
The couple later separated and Doris divorced her husband on July 21, 1992 after 42 years of marriage.” The movie didn’t make any mention of the exact manner in which the couple’s first child, Jack Jr., died, but Wikipedia says that it was an accidental electrocution and drowning when the child was just 7 years old. The movie also did not mention the youngest child, Chris, and the couple’s divorce after 42 years of marriage was also glossed over. (Adkisson died of lung and brain cancer just 5 years after the divorce.)
PLOT
Kevin Von Erich, the only surviving Von Erich brother.
The movie references the fact that the family is cursed.
As the plot unfolds, it seems to be more a case of the overbearing father’s parenting techniques than of a curse. Kevin’s wife, Pamela says there is a belief in good or bad luck and then there is the belief that we make our own luck. It seems that the constant emphasis on being the best and being strong and winning drove three of his sons to kill themselves. The script repeatedly articulates this thought:“If we were the toughest, the strongest, the most successful, nothing could ever hurt us.” That turns out to be bad advice, and the underlying message seems to be that men should be allowed to have a vulnerable, sensitive side.
There were some things in the film that were murky. For instance, did Daddy Fritz embezzle money, either from his hard-working sons or from the promoters who underwrote his wrestling emporium? Why did writer/director Sean Durkin decide to leave the youngest son, Chris—who also committed suicide at 21—out of the movie? Yes, I read that he thought 3 sons who killed themselves was just one too many, but Chris, the baby, had the most cause, as he didn’t have the physical gifts of his older brothers and was struggling to fit in. That would seem to have been a good plot point, as the four brothers who were better known were generally gifted athletes. In fact, Kerry (Jeremy Allen White) is only shown joining the family business after Jimmy Carter took the U.S. out of the 1982 Olympics and, therefore, destroyed Kerry’s hopes of going to the Olympics as a discus competitor.
For that matter, why didn’t he give Doris, portrayed by seasoned veteran Maura Tierney (“The Affair”) more dramatic eulogy scenes at any of the funerals for her sons? Maura Tierney could have hit that ball out of the park. Instead, she has a very pedestrian part that could have been so much more. Opportunity lost.
Was son Kerry’s motorcycle accident no more than that? The way it is portrayed in the film, it looks like that might also have been a suicidal gesture. And brother David’s (Harris Dickinson) insistence that he is “okay” when he is vomiting blood also seemed self-destructive and suicidal. (He dies in Japan from a ruptured intestine.)
I was surprised that Jeremy Allen White didn’t appear in the film until roughly an hour into the 2 hour 12 minute movie. Jeremy Allen White is white-hot right now, coming off his Golden Globe, Critics Choice and Emmy wins for his lead role in “The Bear.”
The actor who impressed me the most was not any of those who got top billing, but Holt McCallany who played the boys’ father. He was awesome. While everyone was impressed by how ripped Zac Efron appeared as Kevin Von Erich, at only 5’ 8” he looked too animalistic for my tastes. The other actors portraying the Von Erich brothers appeared more “normal” in appearance.
I also thought the “meeting in heaven” was odd. It’s nice to have a happy ending, but the failure to portray one dead brother (Chris) at all just made it seem weird, to me.
I was never much of a pro wrestling fan, but I enjoyed the film. Also a small shout-out to Aaron Dean Eisenberg, who portrayed Ric Flair with—-well, flair. He was a hoot.
I am thinking back to the Iowa Caucus nights in 2004, 2008 and 2012that my college roommate and I went out to caucus at a local Des Moines high school when the temperature was 17 degrees (2004). It was, until now, the coldest caucus night in history. My hope was that Howard Dean was going to prevail, as he had been leading during the “sleepless summer,” as the press called it.
I dropped her off at the doorway and then had to drive blocks away to park my car. During that time, those in charge attempted to close the doors to late-comers, but she stood by the door to allow me to gain access. (They said they were running out of GOP ballots, for one thing.) Then we were thrown into the chaos of the classroom, with Democratic groups milling about trying to achieve the 15% viability that would allow them to continue. (The Republicans use paper ballots, but the Democrats, at that time, simply stand around in small clumps of people and it is sheer lunacy.)
The 2020 SNAFU in Iowa, when the results weren’t know for days, led to the resignation of the guy in charge, even though there still is debate as to whether an app called Shadow, Inc., developed by someone named Tara McGowan, was at fault. There were charges that both the Buttigieg campaign and the Hillary Clinton campaign had had dealings with the company that developed the app. The entire night was catastrophic for the Iowa caucuses and, this year, the Dems did not come. When you read that 8 precinct results went missing in 2012 and were never counted, you begin to get the idea that this entire throwback town hall meeting thing will soon cease. After all, the success rate of predicting who the standard bearer for each candidate will be is not great. The success rate for predicting the Democratic winner nationally is only 55% and for the GOP it is only 43%.
Is it any wonder that voices are being raised saying the caucuses in Iowa don’t “work” and should go the way of the Dodo bird? Illinois Senator Dick Durbin said, “I think the Democratic caucus in Iowa is a quirky, quaint tradition which should come to an end. As we try to make voting easier for people across America, the Iowa caucus is the most painful situation we currently face for voting.” Former presidential candidate Julian Castro said, “It’s a mess. What we saw out there and heard about are, consistently, errors in the way that this process was done, whether in the initial phase or the realignment. Inconsistencies in how it was done across precinct sites. It is a total mess.” And let’s not forget that campaigning in Iowa is probably not real pleasant when the weather in the Midwest doesn’t cooperate. DeSantis and Trump are from Florida. Haley is from South Carolina. Talk about culture shock!
So, how did this “total mess” come to be at all?
Nikki Haley on the GOP debate stage
One book written on the topic (“The Iowa Caucuses and the Presidential Nominating Process” by Peverill Squire of the University ofMissouri) says, “Iowa became first in the nation pretty much as an accident of the calendar.” One explanation even blames the entire thing on the slow duplicating machine that Iowa used at the time, which required Iowa to set their voting date up earlier and earlier to make sure that materials could be turned out in time. Supposedly, the party wasn’t really angling to be “first in the nation” but that’s what happened.
As for the GOP, they used to use an August “straw poll” thing, which turned out to be totally unreliable and was discontinued. It became a question of who could buy the straw poll. You could argue that that is also true of the caucuses as they now exist, with huge amounts of money being spent by the candidates running in the state. It is easy to see why a state like Iowa would want to continue being the center of attention and raking in advertising (and other) dollars. But will that happen, given the deep freeze that Iowa is going to be on the night of the caucuses this year? Thirty and Forty below zero is life-threatening. Iowans are hardy souls and take politics seriously, but the turnout is definitely going to be affected.
In 1976 then-candidate Jimmy Carter used the Iowa caucuses to give himself the national recognition that he did not have prior to winning there. In 1972 George McGovern won the caucuses, but they had not yet turned into any kind of national launching pad. After Iowa, Carter received attention and invitations to speak and be interviewed that gave him the momentum he needed to go on to win the nomination and be elected as the party standard-bearer and win the presidency. Since then, candidates have been attempting to duplicate that feat, with Barack Obama actually achieving it in 2008, the year I followed the caucuses for 24 months and wrote 2 books on the experience. The Iowa caucuses actually predicted the eventual national nominee and winner twice: Obama in 2008 and Bush in 2000. In 2004 the caucus winner in Des Moines (John Kerry) did go on to become the national nominee, but he did not win office. It is particularly interesting when you learn that Jimmy Carter only campaigned for 17 days in the state in 1976.
Ron DeSantis.
I did not become involved in following the caucuses in person until 2004, which was the year that John Kerry won the Iowa caucuses, John Edwards came in second, and Howard Dean came in third. The Kerry forces double-miked Howard Dean’s impassioned plea to his followers at the post party (I was there) and made him look totally foolish by replaying it what seemed like millions of times on television.
2008: January 3rd at 7 p.m. Temperature that year was 30 degrees above zero, warmer than in 2004 when it was only 16 degrees. In 2012, my last year of following, the temperature was 40, but it was a very quiet night for Democrats, who had an incumbent president in the White House. This year’s thirty below zero prediction is going to be the coldest on record, and one wonders how many will show up to caucus for their candidate.
2012: January 3rd. Supposedly, Romney won by 8 points, but then a recount showed that Rick Santorum might have won by 34 votes and Ron Paul came in third. This was the year that 8 missing precinct reports caused problems and the “win” was also taken from Santorum and awarded to Paul at one point. Not reliable, in other words.
2016: In the Democratic race, Hillary got 45% of the vote and Bernie Saunders came in second. Ted Cruz won the GOP contest, with votes going to Trump, Marco Rubio and Ben Carson, as well.
Vivek Ramaswamy on the GOP debate stage.
2020: Monday, February 3rd. This was the year of the Shadow, Inc. app that was, apparently, never reliably field-tested. Then, the phone number that was supposed to be used as a fall-back method for voting was totally jammed up with calls. Days went by where national talking heads could not report who had won, and the person in charge resigned.
Results over time:
1972 – McGovern
1976 – Jimmy Carter
1980 – Jimmy Carter (Ted Kennedy got votes)
1984 – Walter Mondale
1988 – Dick Gephardt (who withdrew from the race shortly thereafter)
1992 – Tom Harkin (a native son)
1996 – Bill Clinton
2000 – Al Gore
2004 – John Kerry (38%) John Edwards (32%). Howard Dean (18%). Dick Gephardt (11%). Dennis Kucinich (1%). GOP – George W. Bush
2008 – Barack Obama – 38%, John Edwards – (30%), Hillary Clinton (29%) Elliot Richardson got 2% and Joe Biden got 1%.
2012 – Obama – 98% (a very quiet night in Des Moines) Mike Huckabee on the Republican side, prompting my headline: “Huckaboom or Huckabust?”
2016 – Hillary (50%). Bernie Saunders (49%) Ted Cruz on the GOP side.
With Monday’s Iowa caucuses scheduled to go forward despite wind chills that could be as low as -30 below zero, the last polls I saw put Trump ahead but DeSantis and Nikki Haley separated by only one percentage point.
The real test on Monday, January 15th, is going to be “Whose ground organization is strongest and can guarantee that the caucus-goers will actually trot out to caucus for their candidate?” Is Trump’s ground organization better (or at least equal to) DeSantis’? What about Haley’s?
I have actually attended the Iowa caucuses. It was winter and it was cold, but this time is going to be the coldest on record. The night I attended the caucuses in Des Moines in 2008 I was not an Iowa resident and, therefore, not there to actually line up behind a particular candidate. In fact, when they learned that I had been a teacher, they put me in charge of a random pack of children whose parents were actually voting. [That was fun for no one.]
When the Republicans caucus, they vote on paper ballots. The Democrats, however—who are not involved in this year’s caucus season in Iowa—did not use ballots. Instead, it was sheer un-orchestrated chaos with all kinds of voting and lobbying for viability and many other things that seem(ed) to belong in an elementary school election. Its refreshingly primitive. The cameramen from Sweden could not believe how basic the process was. Because the process is that basic, I would not be surprised if Iowa loses out on holding these things completely. There have always been complaints that Iowa is too white-bread and not diverse enough. Then there was the complete SNAFU season. Then there is this year’s weather. I’m thinking that the caucuses in Iowa of either party may well go the way of the dodo bird in 2028.
I watched the Town Hall meetings that focused on DeSantis and Haley and the things covered there were much like the final debate that involved just those two candidates. Until the offhand remark from Haley about New Hampshire voters “correcting” Iowa’s missteps, she was surging. She seems sane and has a far less authoritarian demeanor than the two men with whom she is competing.
DeSantis
There is little I like about Ron DeSantis. The “Sixty Minutes” special that detailed how he screwed over immigrants in ferrying them to Martha’s Vineyard showed a despicable lack of human compassion and empathy. It’s one thing to give the northern states a little taste of what the border states like Texas are dealing with; it’s totally another to have glossy brochures made up that promise desperate immigrants jobs when they land in Martha’s Vineyard. Maybe this would be the point to say WWJD (What would Jesusdo?) Certainly not that. The fight with Disney over their position on homosexuality. The “don’t wear masks” attitude during Covid that DeSantis displayed (with masked high school students in thebackground). The preening over how he “took on” the teachers’ unions (and George Soros), as though that were something to be proud of. The inability to smile like a normal human being, which has been commented on by every late-night host. Why do I dislike him? Let me count the ways. Or not. He’s easy to dislike on sight. (That’s a large part of his problem.)
Haley
Nikki Haley.
Nikki Haley comes off as more reasonable on the issue of abortion. She is a female, after all, and a mother.
Her position on supporting Ukraine is a good one. As the former Ambassador to the United Nations she understands and articulates well the basic fact that, right now, Ukraine is doing the fighting and dying in opposing Putin, who might well set his sights on other European nations. DeSantis (andother GOP leaders) want to tie support for Ukraine to better border control. That phrase about being against it before I was for it (or something close) applies more to DeSantis’ positions than those of Haley.
I was bothered by the fact that neither candidate would answer the question posed by Jake Tapper about whether Donald J. Trump has the moral character to be President. It was just about as bad as the Ivy League Presidents testifying before Congress who couldn’t answer easy questions about anti-Semitic behavior on their college campuses. (Both lost their jobs).We lost Chris Christie in the mix, and he seems to be the only one who had the guts to call out his former friend of 22 years. It seems as though Christie—who helped prep Trump for the debates in 2020—is trying to make amends for his past misdeeds. I will miss Christie onstage calling out the obnoxious Vivek Ramaswamy as the most obnoxious blowhard in America. You don’t get truthful answers like that during political debates very often.
Border Control
Ron DeSantis.
The Big Issue that the Republicans will be trotting out in the months to come will be the border. The Democrats will be making just as much noise over the roll-back of Roe v. Wade. Nikki Haley offered a much more realistic and even-tempered attitude for the GOP to promulgate in a national election. Everyone agrees that the border is now (and has been for decades) a big problem that needs to be solved. But Congress needs to be involved in completely overhauling our immigration system. It looks, right now, as though the current Secretary of Homeland Security Alejandro N. Mayorkas is being set up to take the fall for what most Americans view as a failure at the border. Biden’s attempt to portray America as that shining beacon on the hill that both Reagan and Romney alluded to may (or may not) be the reason for the influx of illegal immigrants, but you can be sure that the GOP will portray him as practically the sole cause of our recent border crisis. It is true that the border situation needs to be solved. It may be true that Biden’s words made the influx worse. (Trump’s separation of small children and infants from their parents and then losing them was not Great Policy, but that goes unremarked in Iowa.) However, totally blaming Biden for this unprecedented horde of immigrants ignores the many economic and political reasons that drive residents of Central and Latin America to risk death to come to this country. We need to be welcoming, but practical. Restructuring our immigrations policies and laws is necessary, just like we need to address gun control (which also hasn’t occurred) and we needed to overhaul health care (which hasn’t totally happened, but least the Affordable Care Act has survived, despite repeated GOP attempts to dismantle it) A physical wall, DJT’s solution, was never going to work without additional reforms of a more substantial sort. In regard to Mayorkas, it is fairly interesting that he has been notably absent from the Sunday morning talk shows and the Republicans now want to impeach him. Mayorkas seems to have missed out on the media training. He isn’t able to demonstrate progress on the border and he has the diplomatic skills of a basset hound. He neither looks nor acts the part he has been assigned to play.
Monday Predictions?
Until Nikki Haley’s misstep (verbally) in New Hampshire and the last debate, where she kept referring listeners to DeSantislies.com website (14 times by one talking head’s count), I thought she was going to top DeSantis on January 15th. She is currently focusing her efforts on suburban areas in the state of Iowa, while DeSantis did “the full Grassley,” visiting all 99 Iowa counties, and is counting on rural support. DeSantis also out-spent Ms. Haley and, until the final debate, was doing much less well during televised Q&A opportunities.
However, DeSantis has picked up his game on the occasion of the final debate (as well as theTown Hall that preceded it). I agree with David Axelrod who has said that the True Test of who Triumphs at the caucuses will be which team can actually mobilize its committed delegates to turn out in frigid sub-zero weather. Pollsters say it will be Trump’s MAGA hordes coming in first.
The second place finish in the last poll I saw was 11% for Haley and 12% for DeSantis. It could go either way. I’d like to see a woman President, so I’m pulling for Nikki Haley. There are things about her policies (she is very pro gun) that I disagree with, but she seems more reasonable about hot-button issues, and certainly has stood up well under pressure. Plus, she has a nice smile, which puts her head and shoulders above DeSantis. Haley has far more international experience. It seems unlikely that the GOP would nominate a woman for the top of the ticket; I am not happy that she has dodged the question of whether she would run with Trump. She and DeSantis have not exactly been straightforward in their responses to questions that are touchy. True of all politicians, it seems. Makes me think of the poem I wrote at the tender age of 16, which I shall print below these ramblings.
I would like to know if Vivek Ramaswamy is the “secret” VP pick that Trump has alluded to; he seems like a very “out there.” He has gone off on various conspiracy theories ad nauseum. Maybe Trump has promised the second spot on the GOP ticket to a female Governor who will probably be about as good a pick as Sarah Palin was (which means a very bad one).
My Poem “Words” (written in 1960, the year I campaigned for JFK):
The Golden Globes are now in the books and critics are critical of the host ( I thought he did okay).
I was not totally surprised that “Oppenheimer” had a sort of minor sweep going on in various areas. It was an important film and Christopher Nolan has been nominated six times and never won for Best Director, so perhaps it was “his” time.
I, however, feel that Martin Scorsese—given his prominence in the field and his iconic status—has also been passed over far too many times, especially in the category of Best Director at the Oscars. I think he has only won the Best Director award once (“The Departed”) and yet his films through the years are classics. He deserves better.
The films or television series that seemed to have mini runs were “Succession,” “Poor Things,” and “Oppenheimer,” but “Barbie” and “Killers of the Flower Moon” had moments, as well.
The recipient that stays in my mind the most was the Best Supporting Actress (Da’Vine Joy Randolph) from “The Holdovers.” I was pleased that she won, but she almost fell out of her dress (cleavage) while accepting her award, and I’m pretty sure that she thanked the wrong organization, as the HFPA (Hollywood Foreign Press Association) fell from grace a year or so ago and the awards ceremony is now owned by Dick Clark Productions.
Seeing the nominated films and categories (they put in a new one for Box Office and a new one for stand-up comedians) made me compose my own Top Ten Films of 2023.
Let me first preface this list by saying that it is not in any particular order, but simply the films I enjoyed the most this year. (I hated “May/December,” so….). It’s pretty much alphabetical.
I think my two favorite discoveries were “Dream Sequential” and “Poor Things” because they were so extraordinarily original (and off-the-wall.)
Here is my list, in alphabetical order:“Air”
“American Fiction”
“Barbie”
“Dream Sequential”
“The Holdovers”
“The Killer”
“Killers of the Flower Moon”
“Oppenheimer”
“Poor Things”
“Saltburn”
Director of “Dream Sequential.”
There is one documentary that I thoroughly enjoyed, and that is “The Disappearance of Shere Hite.” It isn’t a “movie” in the sense of the films on the list above, but it was quite well done and I enjoyed it a great deal. I also should explain that I alphabetized films that started with “The” by the important word (“Holdovers”).
I realize that there are other films that have made many lists, including “Maestro,” “May/December” and “Past Lives,” but no. Just no.
I have a few (I’m always late to the animated films) that I may wish to mention later, but I am giving you my list of the Ten Best or Ten Most Enjoyable. Most of them have reviews earlier on my blog, so enjoy.
Yorgos Lanthimos is known for helming movies that are bizarre and weird. Once you’ve seen Colin Farrell in “The Lobster” (2015) you get the idea that Lanthimos’s films will be far-out. That is certainly true of “Poor Things.”
Having said that, it is such a pleasure to have an original concept that is so well executed. This film (and Nicolas Cage’s “Dream Sequential”) are two of themost original films of the year 2023. In a world of Marvel comics and endless sequels, the originality of Lanthimos is refreshing; this film is truly entertaining, if you’re open to the weird. (I write this from Austin where the town motto is “Keep Austin weird.”)
This adaptation of Scottish author Alasdair Gray’s novel “Poor Things” was something that Lanthimos had been working on even before the author’s death in 2019. Poor Things (1992) discusses Scottish colonial history using a Frankenstein-like drama set in 19th-century Glasgow, where Gray spent his entire life. Godwin ‘God’ Baxter is a scientist (Willem Dafoe) who implants Bella Baxter with the brain of her own unborn child after Bella’s suicide.
“Poor Things” was Gray’s most commercially successful work. The London Review of Books considered it his funniest novel. It won a Whitbread Novel Award and a Guardian Fiction Prize.There is Oscar buzz for the adapted screenplay by Tony McNamara. And there should be, as he has done a fantastic job of creating just the right blend of language for the child-becoming-adult-female. Listening to the scripted lines reminded me of hearing your child “create” language of his (or her) very own. It’s amusing, until you think about the wisdom that the lines convey. At that point you realize that this script is perfect for the material (which doesn’t alwayshappen) , just as your son’s “pasghetti” misstep is precious and somehow perfect.
The opening scene is a close-up of an embroidered satin blanket, which, in itself, is unusual. After that, we see Emma Stone jump off a bridge. Just as Gray’s work was compared to that of George Orwell and Franz Kafka, this off-beat novel is a logical fit for Yorgos Lanthimos (although some Scottish folk may not care for the director’s poetic license). The film put Willem Dafoe in a make-up chair for 6 hours as his character’s Frankenstein-like facial scars were applied for 4 hours and then removed at the end of the shoot, during an additional 2 hours.
With the plot concept of a fully-grown female’s body, but the brain of an infant, Emma Stone was given the role of a lifetime. Her childlike infatuation with life is conveyed through her sparse vocabulary (she islearning 15 new words a day) and her awkward, ungainly gate, is almost like a newborn deer.
Bella Baxter articulates thoughts like, “Bella nowhere girl.” (Kudos to McNamara,) Her fresh, unjaded perspective on life and society makes Bella yearn to experience everything. She has been told by her guardian (Godwin “God” Baxter) that she should “push the boundaries of what is known. That is the only way to live.”
A pure-hearted admirer, Godwin’s assistant Max McAndles, played by Ramy Youssef, proposes to Bella, but she runs off with Duncan Wedderburn (Mark Ruffalo). Their time together leads Bella to say, “What a confusing person you are, Duncan Wedderburn” and, ultimately to conclude, “I shall need a husband with a more forgiving personality.”
As for Duncan’s assessment of Bella after they travel the world engaging in “furious jumping” (a euphemism for non-stop fornicating), Duncan says, “You don’t know what bananas are and yet you know what empirically means.” Both Mark Ruffalo and Willem Dafoe deserve praise for their Oscar-caliber trio. Ruffalo has already won for Best Actor at at least two film festivals, including the National Board of Review awards and the Santa Monica Film Festival.
Lines like “Your sad face makes me discover angry feelings for you,” “We are all cruel beasts,” and “Protect yourself with the truth” are fresh, original, timely, and display childlike wisdom. Watching Bella’s growth as an adventurous adult female is inspiring to other adult females; each male she encounters seems to represent yet more ways of keeping the female of the species down and preventing Bella (as their representative) from reaching her full potential.
COSTUMES
At the beginning of the story, Bella dresses in more traditional clothing of the Victorian era. Following her transformation, begins to dress herself in more bizarre clothes or more corseted styles. Costume designer Holly Waddington should snag an Oscar nod, but she will have some competition from “Napoleon’s” costumes.
SETS
The set designs are also Oscar-worthy, with a pastel sci-fi steampunk fantasy look created by set designer Zsuzsa Mihalek. There are, literally, eleven other art direction folk credited, and they deserve accolades for the entrancing sets meant to represent a variety of cities that Bella and Duncan visit, including time spent on an ocean liner.
CINEMATOGRAPHY
Principal photography took place in Hungary. It began in August 2021 at Origo Studios in Budapest. The film wrapped in December of 2021 having coped with preparation during the pandemic. According to cinematographer Robbie Ryan, Francis Ford Coppola‘s Bram Stoker’s Dracula served as the main source of inspiration for many things in the film.
The film is an over-the-top, creative criticism of how men try to keep women in their place. Even the good-hearted Max attempts to curb Bella’s adventurous spirit. Considering the message which we also saw in this year’s “Barbie” (and in last year’s “Women Talking”) this Oscar-worthy acting tour de force from Emma Stone is going to be tough to beat at Oscar-time this year, although I’d expect “Maestro’s” Cary Mulligan to be nominated, as well.
It’s such a hilarious romp and packs so much wisdom into the brilliant and amusing screenplay, but be warned if you’re squeamish about nudity and sex, because, during her adventure with Duncan, Bella works as a prostitute in a brothel. There is also a fair amount of gore, including surgery on dead bodies, as Willem Dafoe as a sort of mad scientist surgeon is constantly operating in his Frankenstein-ian lab.
But the film’s happy ending sees Bella returning to the terminally ill Godwin and preparing to marry Max McCandles. Does that work out? You’ll have to watch the film to the end to find out. It’s definitely one of the year’s Ten Best, so, for me, it was a pleasure.
As a fan of Michael Mann’s work (“The Insider,” “The Last of the Mohicans,” “Heat”), I ventured out to see Adam Driver as Enzo Ferrari in the December 25th release “Ferrari.” Mann has long been well-acquainted with racing and with Ferrari. Mann was one of the executive producers of “Ford v Ferrari” (2019), the superior film with Christian Bale and Matt Damon. The current Adam Driver movie is a long-time labor of love for the 80-year-old director. Christian Bale was attached as the lead at one point, and, after him, Hugh Jackman.
The budget for the Christmas day release is listed as $95 million to $110 million. Sadly, it has earned less than 10% of that amount back since its recent release. It was #9 in domestic charts, well behind all 6 of the other domestic recent releases and was not doing that well on Netflix, either. One wonders if Mann’s proposed plans to release a sequel to “Heat” will suffer as a result of this misstep with “Ferrari.”
THE GOOD
I had heard that the racing scenes were good. Certainly the phenomenal crash that ended the Mile Miglia race forever in 1957 was impressively staged. Nine people died in that 1,000 mile race when driver Alfonso de Portago struck something in the roadway. The tire blew out, and the car crashed spectacularly, killing a total of 9 people, including the driver and onlookers, 5 of whom were children. The way it is staged in this film, the audience might well think that it might have been sabotage. The crash spelled the end of the Mile Miglia race forever. A lengthy court case dragged on with manslaughter charges finally being dismissed by the courts in 1961.
The acting from such stalwarts as Adam Driver, Shailene Woodley, Penelope Cruz,Jack O’Connell and Patrick Dempsey is fine. One reviewer gave Cruz special praise for displaying fire in her role as Laura Ferrari, Enzo’s wife. To me, she seemed quite one-dimensional, presenting a sour and intense presence throughout, even when just walking along a city street.
Laura Ferrari had many reasons to be depressed and bitter. Her son, Dino, died of muscular dystrophy the year before the Mile Miglia race (1956) at the too-young age of 24. Laura also learns that her philandering husband has a second family, including a young son, midway through the movie.
Adam Driver as Enzo Ferrari. (Photo Credit: Lorenzo Sisti).
I was struck by the sheer physicality of Adam Driver. An ex-Marine, is 6 feet 2 and ½ inches tall. How tall was Enzo Ferrari? In photos of Driver with other cast members, he seems to definitely be the tallest one in the room. While Enzo Ferrari looks slightly taller and bulkier (in old photos) than the Italian males he is standing alongside, Driver just doesn’t seem like the ideal choice to portray an Italian male. My impression of European men, in general, (during my stint as a foreign exchange student abroad), is that they are not physically as large as their American counterparts.
Other than his sheer physical size, Driver seems very controlled and “stiff upper lip-ish” when onscreen. The catastrophic crash, the arguments with his wife over his mistress (and with his mistress over hiswife), the scenes where he visits his son’s crypt: he is controlled throughout and doesn’t display much emotion. Troy Kennedy Martin wrote the script, based on the 1991 Brock Yates biography “Enzo Ferrari: The Man, the Cars, the Races, the Machine.” Is the script at fault for this impassive nearly one-dimensional presentation.
Staging the race scenes and the crash was a fantastic achievement. The countryside is beautifully photographed by cinematographer Erik Messerschmidt. Getting the period details (including the many period cars) “right” must have been daunting. The music (Daniel Pemberton) is good; music is always key for Michael Mann.
Newcomer Gabriel Leone as Alfonso de Portago. (Photo Credit: Lorenzo Sisti).
The young boy playing Ferrari’s illegitimate son (Guiseppi Festinesi) does a fine job. The actor portraying the doomed Alfonso de Portage, Gabriel Leone, bears a close resemblance to the actual driver, who was Spanish nobility and once competed with the Spanish bobsledding team at the Olympics.
In the film de Portage’s romance with actress Linda Christian (Sarah Gadon) is highlighted. She is said to have broken up with actor Tyrone Power to date the race car driver. One of the better lines in the script is Ferrari’s comment to the press, after laying down the law to his new race car driver that he must not have starlets joining him at the garage because the press then spends all of their time taking pictures of the actresses and not the cars. Says Enzo to the assembled press: “When we win, I can’t see my ass for starlets’ asses. When we lose, you’re a lynch mob.”
Other famous folk routinely frequented the Ferrari showroom. Roberto Rossellini and Ingrid Bergman are mentioned by the real-life son of Ferrari as frequent regular customers. Prince Bernard of the Netherlands was also a recurring customer and a close friend of Ferrari during life. Neither of these real-life facts makes it into the film, but the completely fabricated autograph request from Enzo’s young son does, repeatedly, even though it never happened (according to the now-grown younger son.)
THE BAD
“Ferrari” the film is dead on arrival. Most of the audience probably does not know the history of the Mile Maglia race. Whether they care is also up for debate. It is not made very clear that the accident that creates the film’s most spectacular (and very gory) scene means that the race will never be held again. The many Italian characters and race-car driver names come and go without much impact; they are difficult to remember and/or understand and none has much of a part.
Shailene Woodley as Lina Lardi. (Photo Credit: Lorenzo Sisti).
I’m still wondering what Shailene Woodley’s ethnicity is supposed to be, since she does not seem very Italian. Was Lina Lardi a local girl? Why is she so passive about Enzo’s dragging his feet on acknowledging her and, more importantly, acknowledging their son Piero (who now runs thecompany). Lina is definitely a constant presence in Enzo Ferrari’s life. After wife Laura’s death in 1979, the elder Ferrari could finally publicly acknowledge his surviving son. The couple were together until Ferrari’s death in 1988 at the age of 90. However, Enzo’s reputation as a philanderer was well-established before his first wife Laura learned about it.
Most of the audience probably doesn’t have the depth of knowledge about or interest in the Ferrari dynasty that Director Michael Mann has had for years. Somehow, the director needed to be able to convey this extensive information to the audience quickly and intelligibly. That doesn’t happen here. Many questions linger and the parade of various drivers (Jack O’Connell and Patrick Dempseyamong them) that are mentioned and paraded out like pawns in a chess game get very little that makes any of them come to life, with the possible exception of the doomed Alfonso de Portago. (Gabriel Leone) who does get a racy bedroom scene with his girlfriend Linda Christian.
While the love triangle involving Enzo Ferrari’s two families is interesting, it doesn’t come off as very true-to-life. Real women put in the position of this secret love triangle might not be as reasonable nor as calm as Lina and Laura seem most of the time. The plot also conveniently fails to mention the numerous other women in Ferrari’s life.
CONCLUSION
Adam Driver conferring with Director Michael Mann on “Ferrari.” (Photo Credit by Lorenzo Sisti).
“We all know it is our deadly passion, a terrible joy.” (Line from the script).
If racing is your passion, you will enjoy this 2 hour and 10 minute film. The crash is great (ifgory, be warned), and the examination of Ferrari’s love triangle, while unrealistic IRL, gives us knowledge about the man. But, overall, this time at bat was not a home run for Michael Mann, the esteemed four-time Oscar-nominated director.
“Maestro,” written by, starring, and directed by Bradley Cooper, is a worthy second attempt at directing (2018’s “A Star Is Born” was his debut). It will earn many Oscar nominations, but it does not seem to be capturing the imagination of the general public. The music and the performances are spot on, but it’s not the “feel good” movie of 2023.
For me, that movie was “Dream Sequential.” “Maestro” won’t be acing that Nicolas Cage effort out on my “best of 2023” list. “Maestro” is a typical bio-pic structurally. This attempt to cram a remarkable life into a movie that runs less than 3 hours is impressive and one of the best efforts of 2023. It just isn’t “must see” viewing for most, and it isn’t doing that well so far on Netflix, according to Netflix’s own data.
Thematically, “Maestro” reminds of the 2004 film “De-Lovely” with Kevin Kline and Ashley Judd. That 2004 film, directed by Irwin Winkler and written by Jay Cocks, had Kevin Kline playing Cole Porter and Ashley Judd playing Linda, his wife. Linda also had to learn to cope with Cole Porter’s bi-sexuality and infidelity within their marriage. Kevin Kline sat behind the piano playing a bit more in that one. But the message about open-minded women trying valiantly to accept the bisexuality of their husbands was similar. This one is far more accomplished because of the 6 years of effort trying to get everything “right” (and, of course, the $80 million-dollar Netflix budget.)
As far as “getting it right,” “Maestro accomplishes that, but falls short of enchanting us. It doesn’t draw us into what we hope will be an absorbing drama. It “works” musically. The performances and make-up and cinematography (Matthew Libatique) and editing (MichelleTesoro) are all top-notch, but it just didn’t fly, Orville.
BEST ACTRESS NOMINEE
Bradley Cooper and Carey Mulligan as Mr, and Mrs. Leonard Bernstein.
For me, the stand-out—and front-runner for Best Actress award come Oscar time—is Carey Mulligan. She lost out when nominated for Emerald Fennell’s 2020 film “Promising Young Woman” but she has amassed a body of work that merits nomination and a win, going all the way back to “An Education” (2009) and “Never Let Me Go” (2010). She anchors this movie, which is really the story of Leonard Bernstein’s bisexuality and genius as a composer and musician, and their romance and marriage. (I met Carey Mulligan at the Chicago International Film Festival when she appeared with Paul Dano’s directorial debut “Wildlife” in 2018).
In the scene where Mulligan and Cooper quarrel while the Thanksgiving Parade drifts by their window (not authentic, by the way), Felicia warns Bernstein that he may wind up a “lonely old Queen.” Mulligan portrays Bernstein’s wife Felicia Montelegre, a Chilean actress, who said, before they married after four years of romance, “I know exactly who you are. Let’s give it a whirl.”
It is clear that Felicia is aware of Bernstein’s sexual proclivities. In a private letter written after their marriage, Felicia acknowledged her husband’s sexual orientation. She wrote to him: “You are a homosexual and may never change – you don’t admit to the possibility of a double life, but if your peace of mind, your health, your whole nervous system depend on a certain sexual pattern what can you do?” In the script (written by Cooper in collaboration with Josh Singer) Felicia rationalizes, “If it is going to give him pleasure and stop him from suffering and it’s in my power to do it, then what-the-hell.”
But the price of sharing her husband’s affections with other male lovers has a high cost. During their big argument Felicia cites a Chilean parable that says one should not stand under a bird that is about to shit. Adds Felicia, “And I’ve just been living under that bird for so long.” She adds, “Your truth is a fucking lie.” In another scene, a friend of Bernstein’s comments to Bernstein on Felicia’s depressed state, saying, “Something in her seems crushed.” He remarks on her “keen sense of futility.”
For me, this film was more a tribute to the open-minded woman who allowed Leonard Bernstein to create and provided him with three children and a stable home life and a sense of sartorial style that was one of his enduring trademarks. Their true affection for one another is undeniable. But in the 1950s when Bernstein produced some of his most impressive work, a “beard” was necessary so that the world saw a happily married man, not a gay musician who was cheating on his long-suffering wife.
When Felicia is diagnosed with breast cancer that has metastasized, Bernstein returns from a period in 1976 when he lived in northern California with music scholar Thomas Cothran. This rupture in their marriage is somewhat soft-pedaled in the bio-pic. We see “Tommy” and realize that Felicia does not appreciate his presence in their lives (she gives a great side-eye during one concert where Leonard and Tommy are holding hands, while she sits next to her husband on his right.) When she is diagnosed with cancer, however, Bernstein nurses Felicia through her final illness. She died on June 16, 1978.
Leonard Bernstein lived until October 14, 1990, dying at age 72. Leonard Bernstein is quoted this way in the script about life’s challenges, “As death approaches, an artist must be allowed to create with absolute freedom…I must live the rest of my life, no matter how long or short it may be, exactly the way that I want.” That sounds fairly selfish in the context of a marriage. The opening quote, appearing in black-and-white at the beginning of the film, ties in with these statements: “A work of art does not answer questions, it provokes them; and its essential meaning is in the tension between the contradictory answers.”
The “contradictory answers” for Bernstein in life are clearly delineated for us in Bradley Cooper’s script and performance. At one point Bernstein says, “I really believe that man is this trapped animal. A victim of his own greeds and follies. Either one believes in the divine element in this, or one doesn’t. …I have to believe in the remote corner of my soul that there is a way out.”
INTERESTING THINGS ABOUT THE FILM
The film opens in black-and-white. The various periods in Bernstein’s life are, in a sense, limned by the different methods of shooting. The film goes full color about 49 minutes into the 2 hour and 9 minute film. Daughter Jamie Bernstein (well-played by Ethan Hawke/Uma Thurman’s daughter Maya) was struck by how much Cooper resembled her father. Jamie noted how the actor-director utilized her memoir, 2018’s Famous Father Girl: A Memoir of Growing Up Bernstein, praising Cooper for seeking the same perfection in his work that her famous father constantly sought. The family members also defended Cooper when the prosthetic nose he wore to appear more Jewish was criticized.
MAKE-UP ARTIST
Cooper’s resemblance to the real Leonard Bernstein is pronounced, thanks to the expert make-up work of Kazu Hiro. We can predict that he will be Oscar nominated this spring. He previously won Academy Awards for turning Gary Oldman into Winston Churchill for “The Darkest Hour” and Charlize Theron into Megyn Kelly for “Bombshell.”
SOUND
The music, of course, is “all Bernstein (nearly) all the time.” One scene that is not Bernstein’s music is a tour de force for Cooper as an actor. That is a six-plus minute recreation of Bernstein leading the London Symphony Orchestra in Mahler’s “Resurrection” Symphony No. 2 at Ely Cathedral in 1973.
Yannick Nézet-Séguin was Cooper’s conducting consultant; his work obviously paid off.
One other thing that I noticed was how nasal Bernstein’s voice sounded when Cooper uttered certain lines in the script.
CONCLUSION
Leonard Bernstein was one of the most talented and influential musicians in American history, and one of the most prodigious. He won 7 Emmy Awards, 2 Tony Awards, 16 Grammy Awards (including a Lifetime Achievement Award) and was one of the Kennedy Center Honorees in 1981.
This bio-pic, produced by Steven Spielberg and Martin Scorsese, premiered at the Venice International Film Festival and was the Spotlight Gala at the 61st New York Film Festival. It is an ambitious chronicling of the man who directed the New York Philharmonic from 1961 to 1969 and the dedicated musician who spent over 50 years teaching and mentoring young musical talent at Tanglewood. Best Picture of the Year? Not this year. But “Maestro” is a tremendous achievement in its own right.
The daughter has just left for the airport, to fly back to Nashville and, from there, to Chicago for work with SW. She will check on the status of my Chicago digs (and the weather).
Her father was driving her, attired in a pair of shorts and used sandals that he got as a gag gift for Christmas.
Christmas, 2023.
As has become my custom, I concentrated on primarily gift cards: Amazon, Ulta, Walgreen’s, the Cheesecake Factory, Alamo Drafthouse, Long John Steakhouse, B.J.’s Steakhouse, Lowe’s, Chik Fil A—the list goes on. When you have a family member who has to fly out with the presents, gift cards make a lot of sense, When you have two fourteen-year-old twins, it is folly to think you will “get it right” if you are the one doing the picking,
A few key gifts were purchased, as requested—boots, a coat for the daughter, a Texas Hook ‘Em Horns shirt, a water pik, a cover for my Ipad to replace on that gave up the ghost, a flannel nightgown for the few really cold nights here in the Lone Star State.
Games were played following a sumptuous feast of prime rib (prepared beautifully by the son), cheesy potatoes, creamed peas, green bean casserole, and a tasty dessert prepared by CostCo. We even had home-made ice cream from the brand new ice cream maker!
I primarily feel grateful that the daughter’s close brush with an EF-3 tornado in Madison, Tennessee, was as minimal as it turned out, because it was truly a terrifying event.
I am happy that the son and wife and daughters will be able to spend some quality time with her Mom and family in Brownsville, celebrating the New Year. (We will celebrate with Anderson Cooper and Andy and miss our friends the DeJonghes and euchre.)
Euchre was played at son Scott’s house, along with Code Names, poker, Wheel of Fortune (a new board game), and Sequence and various clips from stand-up comics were enjoyed.
It was a lovely Christmas. Here’s to an equally festive New Year’s Eve and a better 2024 than 2023!
I think my two favorite discoveries were “Dream Sequential” and “Poor Things” because they were so extraordinarily original (and off-the-wall.)
