http://edelweiss.abovethetreeline.com/ProductDetailPage.aspx?audienceGroup=6098&sku=1935590073
Follow that link and read about the book I’m taking to the BEA, “Hellfire and Damnation.” I’ll be signing on May 27th at 2 p.m.
In the film Letters to Juliet, Amanda Seyfried (see previous article on Associated Content) comes of age as the bride rather than always the bridesmaid. Cast in most films as the best friend, Seyfried portrays Sophie Hall, a young “New Yorker” fact checker who travels to Italy with her boyfriend (Gail Garcia Bernal) and finds true love. The true love she finds is not her boyfriend, however, as any veteran moviegoer will suspect is going to be the case.
The title refers to the practice begun by Ettore Solimani in 1937 of replying to the love letters for advice left at the Juliet memorial in Verona, Italy. As many as 7,000 letters come in, and, in real life, twelve secretaries answer them. (2 are men). It’s even possible to send them by e-mail at [email protected] or to snail mail them addressed to “Juliet, Verona, Italy.”
In the film, Sophie Hall (Amanda Seyfried) and her soon-to-be husband Victor (Gael Garcia Bernal) take a “pre-honeymoon” trip to Italy, since Victor is soon going to be opening a restaurant in New York City. Victor is the kind of fiancée who seems like he has serious ADHD or some other ailment that renders you overly effusive. No matter what the comment, he would exclaim as though it was the Second Coming. He was very irritating after about 10 minutes. One wondered what Sophie’s character found so charming about him, especially since his workaholic tendencies immediately manifested and he was off to this wine auction or that vineyard, leaving Sophie to amuse herself in gorgeous Italian locations like Siena, Tuscany, Soave, and Verona, where Sophie follows the girl gathering the letters to Juliet and discovers the fact-checkers (reduced in number for the film version, and all female).
As luck would have it, Sophie also discovers a letter long-hidden behind a loose brick, which turns out to be from Claire Smith (Vanessa Redgrave) of England. Sophie answers Claire’s letter, which is 50 years old, and Claire and her grandson Charlie, whom she raised, come to Verona looking for a love of Claire’s life whom she knew when 15.
One of the flaws in the film occurs when Sophie is asked by the letter-writers if she is the English translator, since all of them seem to speak perfect English. Another is trying to pass Vanessa Redgrave off as being 65, when she is actually 73. Redgrave is more than equal to the task of portraying Claire, being the only actress to win an Oscar, an Emmy, a Tony, at Cannes, a Golden Globe and a Screen Actors’ Guild Award, but she does not appear to be 65 years young. Her grandson, Charlie, as played by Christopher Egan, who resembles a younger Ryan Philippe may look good, but he moves gracelessly and has about as much charm as a pet goldfish.
If Victor was annoying in his effervescence, Charlie is equally as unlikable in his cold fish British way. There is even a line when Charlie says of his Grandmother Claire, who raised him, “She took the angry obnoxious young man I was and turned me into the simply unpleasant type I am today.” I couldn’t have said it better, and I’m still wondering why Sophie, with her double major from Brown with a minor in Latin, her writing talent, and her good sense didn’t dump both of these Lotharios.
The thing that makes the film fascinating is watching Vanessa Redgrave reunited with Franco Nero, her real-life husband since 2006. Since most of the film from the point that Claire and Charlie show up involves Sophie riding with them to find the love of Claire’s young life, whom she lost 50 years ago (should have made it more like 60 years ago), we know that eventually that individual will be found. The fact that it is Franco Nero, now a handsome, well-preserved 69 years young, just makes the film ring truer.
A little history: Vanessa Redgrave was married to Director Tony Richardson from 1962 until 1967, but he left her for French actress Jeanne Moreau. Vanessa met Franco Nero while playing Queen Guinevere in 1967’s “Camelot” and the two produced a son, Carlo Gabriel Nero. However, their paths drifted apart, and Vanessa Redgrave was with Timothy Dalton (of the ’87 and ’89 James Bond films “License to Kill” and “The Living Daylights” from 1971 through 1986.) It was only after 37 years, in their case, that Vanessa Redgrave and Franco Nero rediscovered their great romance and married on New Year’s Eve of 2006. In fact, it was Franco Nero who gave away the recently departed Natasha Richardson when she married Liam Neeson.
It is perfect casting to have the two reunited lovers played by two real-life reunited lovers when lines like, “People want to believe in love” and “I didn’t know that true love had an expiration date” resound throughout the film, courtesy of screenwriters Jose Rivera and Tim Sullivan. Gary Winick directed the film and Ellen Barkin was one of the film’s producers.
For me, the gorgeous scenery, very reminiscent of Diane Lane’s “Under the Tuscan Sun” or Keanu Reeves’ film “A Walk in the Clouds,” was a great treat, and the female leads were fine (although I do have the previously noted comment about Redgrave trying to play 65.) However, both of the male leads were lacking. Hugh Dancey was originally supposed to play the Victor lead, and I’d never seen Christopher Egan, who plays Charlie, before. Not only does Charlie come off as stiff and unlikeable throughout, there is almost no reason to believe that the two will fall madly in love, when they have only one chaste love scene.
The use of “Love Story” (Taylor Swift) in one park scene is great for music selection and the phrases, “When we’re speaking about love, it’s never too late’ and “If what you felt then was true love, why shouldn’t it be true now?” will probably spice up some high school reunions this season. The main reason to see the film, however, is the scenery and the performance by Amanda Seyfried, finally coming into her own as a leading lady.
“American Idol” on Wednesday, May 19, 2010, gave Casey James his walking papers and promoted the class of 2010: Crystal Bowersox and Lee DeWyze. The strike-out took 47 million votes, a season record. Watching the strike-out from seats in the front row of the audience were the other contestants, including Andrew Garcia, Big Mike Lynche, Tim Urban and Katie Stevens.
Contestants, in pre-results interviews, pronounced the experience of visiting their hometowns “surreal,” Lee said the experience had “made me a better person.” Crystal (who was hospitalized once during the show’s run with problems from her diabetes) thanked the program for medical monitoring that had made her the healthiest she’s ever been. “Thank the Lord for this show. I would never have the kind of care that I have now,” without her participation on “American Idol.” Crystal also said, “It’s being pushed to work harder than you ever have in your life.” All three contestants bemoaned the loss of a private life in the non-stop madcap rush that is “American Idol.”
Crystal said, “I’m cool with whatever happens, but I would love to win.” Casey commented on the 150 text messages daily that he cannot respond to because of the busy schedule on “Idol.” Words like “awesome” and “helpful” were bandied about.
There was film from the visits to the contestants’ hometowns. Casey revisited Millsap High School in Cool, Texas and said, “It’s a dream come true for me. For my hometown, to be able to share it with me is unbelievable.” Casey also visited Texas Health Hospital in Fort Worth, Texas, including Dr. Correye Culligan, the orthopedic surgeon who, he said, saved his life after he was in an accident. Richardson, Texas, with mother Debra James in tow was next.
Blogger celebrity wannabe Perez Hilton talked to Ryan Seacrest and introduced a performer named Travis Garland, someone he found on the Internet, who subsequently performed and was underwhelming.
Following Casey’s visit home, Crystal visited northwest Ohio, an area that has had unemployment as high as 19%. We didn’t get to see the new sign that her hometown of 80 has put up, which proclaims “Home of Crystal Bowersox,” but we saw her father, clad in a leather vest with multiple buttons. Crystal was shown driving down the highway to Toledo, where she performed.
Lee’s visit to Mt. Prospect, Illinois showed a doting middle-class Mom and Dad as he revisited the paint store where he used to work and teared up a lot. At one point, Lee said, “This is the best day of my life. This is the absolute best day of my life.” He also said, in an almost Rocky-esque tone of voice, “I’m gonna’ try to win this thing, all right.” He proclaimed the experience of going home, “It’s amazing. Insane. Crazy. Awesome.”
Justin Bieber, the YouTube-driven sensation from Canada, performed next (“You smile/I smile”) and took over the drums at one point. Bieber is not much of a drummer. His almost-feminine look (especially the hair) is probably no different than the androgynous days of the young (pre nose jobs) Michael Jackson and Leif Garrett. Young girls like singers who present no overt sexual threat. A young Elvis was sexy. A young Justin Bieber is not. He is just “cute” and non-threatening and seems to have a very high opinion of himself, buoyed by adoring female fans. It will be interesting to see what happens when he outgrows the haircut.
Following the performance by new teen sensation Justin Bieber, the announcement was made that Lee was safe, and then that Crystal was safe, as well. (She kept asking Ryan Seacrest, “Am I safe?” to the point of reminding me of that old movie “Marathon Man.”) After the two best singers were promoted to the Finale we all hoped would emerge, Crystal jumped on Lee in happiness, while Casey reprised his performance of the John Mayer song with the refrain “Fathers be good to your daughters.” Film followed of Casey’s journey through “American Idol,” complete with his early removal of his shirt at Kara’s suggestion during try-outs, Simon’s calling him “Goldilocks” and the appellations “eye candy and ear candy” during judging.
America did the right thing on “American Idol” this year. The two best singers, Lee DeWyze and Crystal Bowersox, compete for the “American Idol” crown next week. Momentum seems to be swinging Lee’s way, but Crystal (like Melinda Dolittle before her) has been reliable, dependable and downright outstanding every time she steps onstage, so stay tuned for further developments.
Tuesday night’s “American Idol” show highlighted what most discerning viewers have known for some time: the 2 best contestants are Lee DeWyze and Crystal Bowersox. This does not come as a News Flash for anyone who has been reading my opinions since January. (At one point, I suggested a cage match with the 5 best singers locked together in mortal combat).
I have said for some time that Casey James was (probably) going to make it to the top three, which he has, but not because he’s such a great singer. He’s not. He’s cute. He plays a mean guitar. He’s tall, blonde and handsome. He’s charming. The best singer? You have your favorite; I have mine. But there’s little dispute that it’s either Lee or Crystal and most of us have known it for months.
So, how did tonight’s hometown visits go? There was precious little film to really know, but it’s safe to say that the best singing this night was still by the 2 leaders. The judges seemed to think that Lee had bested Crystal as the contestants sang one song they had chosen and one that had been chosen for them by one of the judges.
Casey started off the night and the reaction to his choice, “It’s All Right By Me” was lukewarm. Randy said it best, “That song was just kind of all right. It didn’t quite work for me.” Ellen agreed with Randy, pointing out that tonight was “Do or die” and saying, “I wish you would have brought it.” Kara felt that picking a song no one knew was a mistake. By the time they got to Simon, at the end of the judges’ table, he said, “This isn’t going great, is it, Casey?” Simon went on to say, “That song will leave no lasting impression. I think that was a dud song choice.” He also compared the performance to busking on a subway platform.
Contestant number two was Crystal Bowersox, who chose “Come to My Window” by Melissa Etheridge. Randy said, “I did not love the arrangement. What I did like was your vocal. It all worked in the end.” Ellen said, “Good song choice. Melissa would be very proud of you. Kara, while hoping for “a moment” that she hadn’t heard said, “It was still a good vocal.” Simon said, “From the very first, you haven’t compromised yourself as an artist, and I think you probably made the right choice (with that song.).”
Lee’s first song selection, singing third, was “A Simple Man.” Randy found it to be a brilliant song choice, saying that he had been waiting for one of the contestants to “throw it down.” Ellen said, “You took this thing seriously,” and commented that he had gone from a lamb to a gazelle throughout the competition. Kara said, “You showed us everything you’ve got. Round one goes to Lee.” Simon, after asking why Lee had selected the song, said, “You were absolutely on the money with that song choice. You just crushed the other two.”
The second song the contestants sang was picked for them and Casey was assigned to sing John Mayer’s “Daughters.” Randy said, “This fits you like a glove.” Ellen said, “I thought that was beautiful for you.” Kara said, “This showed the more artistic side of you.” Simon, while acknowledging that it was ‘a much, much better song choice” than the first one that Casey had selected for himself thought that it was “ a bit of a limp arrangement. You sounded very very good on it. That song didn’t have the ‘wow’ factor.” There was a bit of a discussion, at this point, amongst Simon, Kara and Randy about the sort of song that Casey had been assigned, with Randy and Kara pointing out that the song is a quiet sort of song.
Crystal sang next, singing “Maybe I’m Amazed” by Paul McCartney, which was selected for her by Ellen. Her rendition was Janis Joplin-ish, as she looked the best she has all season in black boots and a cleverly designed black outfit with a silver slimming design at the waist. She did a great job. I agreed with the sign that said, “Crystal: You Shine.” Randy said, “Great song. Great vocals.” Ellen said, “I couldn’t have asked for more. You did it.” Kara said, “You really pushed. You did a lot of risky things and I think it paid off.” Simon thought that Crystal had shown “soul” and said, “You may be thanking Ellen next week for putting you in the finals.”
Last up was Lee DeWyze singing “Hallelujah” by Leonard Cohen, a song that was song earlier in the season by Tim Urban. The song was picked for Lee by Simon. Randy said, “I’ve been waiting all season to see who’s in it to win it.” He called the song, “Your biggest moment,” saying “That was unbelievable, dude.” Ellen said, “That was stunning.” Kara said, “You are what this show is all about. You just owned the entire night.” Simon said he was, “Very, very very proud of you. Most important, tonight, with that performance, you proved that you are a fantastic singer and a great person.”
Stay tuned for the final two to be announced on tomorrow night’s show.
Aaron Paul, whose name at birth was Aaron Paul Sturtevant, is the 31-year-old Emmy-nominated co-star of Breaking Bad. The Emmett, Idaho native, who graduated from Centennial High School in Boise, Idaho, set off for Los Angeles, California with $3,000 in his pocket and—after 8 months—landed his first paying gig: a Kellogg’s Corn Pops cereal commercial.
Since then, Aaron Paul’s career has taken a less wholesome trajectory, as far as the role he is best known for, that of the tweaker and heroin addict Jesse Pinkman on “Breaking Bad.”
Paul has said that he owes series writer Vince Gilligan his career, as Gilligan remembered him from a role on “The X-Files” where he played a character known as Sky Commander Winky, which had been Gilligan’s college nickname. When Paul auditioned for “Breaking Bad” and blew his lines, Gilligan remembered him from “The X-Files.” He cast him for one season’s work on “Breaking Bad” as Jesse Pinkman. Jesse (Aaron) was to have been killed off at the end of season one.
Says Gilligan of the decision to retain Paul beyond season one, “I didn’t realize the depth, humor and pathos Aaron could bring. He was so excellent. I told Aaron I wasn’t going to kill Jesse, but I couldn’t promise I wasn’t going to torture him.” Jesse’s tortures, so far, have increased viewership by +17%, to about 1.3 million viewers per episode, and his stint as the clean-cut Scott on “Big Love” didn’t hurt, either.
Long before Aaron was Jesse or Scott he was appearing in independent films and a variety of TV series, such as “The Guardian,” “CSI,” “CSI: Miami,” “E.R.”, “Bones”, and a music video for the band “Korn” that accompanied the song “Thoughtless,” a video which was directed by the Hughes brothers.
Appearing on Carson Daily’s late night show on Monday night, May 16th, Paul told the host, “The Hughes Brothers directed it (the Korn video) and I just jumped onboard with it and it was fun.” He added, “It’s just a dream to work in this business.”
The two were meeting at Citizen Smith’s Bar and Restaurant. To questions from Daly about whether he minds being associated with his work in National Lampoon’s Van Wilder, Paul replied, “I always get people accosting me for Van Wilder.” Said Carson, “That must drive you nuts.” Paul responded good-humoredly, “No, it’s fine.”
The gifted Paul seems genuinely grateful to be on “Breaking Bad,” saying, “When I first read the script, I thought to myself, I mean, it’s brilliant, but there’s no way this is going to make it on the air. There’s no way they’re going to pick this up. I applaud AMC for having the balls to do it. I found myself laughing at scenes where Jesse is trying to melt a body with acid, but it’s pretty dark stuff.”
Asked Carson, “What did you know about tweakers and meth/amphetamine addicts before the show?” Paul replied, “It never really got a hold of me, but I definitely saw how it affected people. It is a dark side world.”
Paul’s co-star, Bryan Cranston, who plays Walter White, the meth chemist and was previously best known for playing the father in “Malcolm in the Middle,” said, “Aaron’s capacity to convey someone who is daring and vulnerable, to bring likeability to an unsympathetic character is astonishing.”
Carson Daly asked Paul about shooting in Albuquerque, mentioning that he(Daly) had motorcycled through there while traveling Route 66 and that he “did not have a great time.” Said Paul, “It’s nice to get out of L.A., but there’s really not much to do. They just like that it’s being shot in their city. Some people like it. Some people hate it.”
Paul continued, “I owe Vince (Gilligan) for my career,” and reminisced about his job as an usher when he first hit L.A., saying, “It was the first and only time I saw Steven Spielberg in person.” The overnight success that Aaron Paul is now enjoying (a film, Wreckage, is due out in 2010) was really 13 years in the making.
Gilligan told “T.V. Guide,” “Aaron’s a star in the making. He has great charisma, wonderful range. He’s the whole package. But he’s also one of the sweetest guys around.”
Paul—who has been linked to actress Jessica Lowndes—said, “I love the story (of “Breaking Bad”), the nice layers—the role is just incredible.” Check it out on AMC; it’s one of the best series now on television.
He didn’t quite make it into Win, Place or Show. He finished fourth, but, considering that rumors abounded, early on, that he was going to be kicked off because his dad spilled the beans to the press (his mom works for the Orlando newspaper) that he was in the Top 24, (when all contestants sign agreements not to disclose such things), and considering the fact that 5 weeks ago the viewers voted him off but the judges saved him, Michael Lynche did pretty well….better than his brother, who finished high in the pack one previous year, I’m told. Big Mike almost made it into the Top Three, the ones whose home towns are visited by the “American Idol” cameras, and he was definitely a far better singer than Casey James, who was kept, instead.
Five weeks ago Big Mike Lynche was saved from elimination on “American Idol” by the one-time use of the Judges’ save. Was it any wonder, then, that he was the one eliminated on Wednesday, May 12, 2010 by the audience? Yes and no.
I’ve predicted for some time that American Idol’s Top Three were likely to be Crystal, Lee and Casey, but I also felt that Mighty Casey Had Struck Out after Sinatra night. It was not his singing prowess that kept him in the competition past that fateful night (Aaron Kelly was eliminated, instead). It was his “total package” good looks, guitar playing prowess, and the teen-aged girls voting from home.
This night Ryan Seacrest announced that a season high of 37 million votes was cast. Fantasia sang (wearing what appeared to be tights that you could go scuba diving in.) There was a Ford Fiesta commercial involving the remaining four contestants. (The pushing of the Prius-like start button on the car was repeated at least three times in the short commercial.) The contestants were all asked about their desires, at this point, and Big Mike said that he wanted to get home to his puppy, while Crystal said she would like to go home to Ohio to play with Frankie May, her bass player. Lee said, “I want that to be me,” of winning and Casey said, “Hearin’ a bunch of people saying my name would be nice.” (If so, Lee had a chorus of “I love you, Lee” girls in the crowd, so he realized Casey’s dream.)
Daughtry performed their song “September” and mused on his success, despite not winning the crown the year he appeared on “Idol” (Kat won). He said, of performing with his own band, “Daughtry,” “It doesn’t get old. It’s an amazing feeling every night.” Of the song “September” that his band performed he said it had to do with his childhood. “I grew up in a small town of 100 people. It’s about the simplicity of my childhood and how it made me who I am.” Randy commented, “I see that Chris is livin’ the dream. It feels good for us (the judges). I love it.” Chris Daughtry’s advice to the remaining contestants? “Stay hungry and stick with what’s true to you.”
After Daughtry, Bon Jovi took the stage and performed a song “Superman Tonight.” (Who’s gonna’ love you when you turn out the light. I wish that I could be your Superman tonight.”) The song sounded like a hit, to me, and I was particularly glad, since I have tickets to see Bon Jovi at Soldier Field in Chicago on July 30th. When asked about their longevity and success, Jon Bon Jovi said, “Hard work and good luck. We’ve crossed the generations now, at this point.” (Anyone who has seen the old posters of Jon Bon Jovi with the big hair of the ‘80s can testify to that.)
And then there were 3: Crystal, Lee and Casey. Michael Lynche said, “It’s been unbelievable. I just sit here right now and I think, I wasn’t even supposed to be here (referencing his “save” by the judges 5 weeks ago). “I came to ‘American Idol’ to take my family’s life to another level.”
Then it was time for Big Mike to sing his last song (which he performed brilliantly) and for the selected film clips, in which Simon said, “The best performance we’ve had on these live shows so far,” and Kara urged him, “Do not stop. Keep going. Write great songs. Record great songs. Go out and keep gigging, ‘because you’ve got it in you.”
Next week, the show will visit the hometowns of Crystal, Lee and Casey, which, if memory serves, are a town so small (80 people) in Ohio that it had no town sign until Crystal made it this far on “American Idol.” (Now, the sign says, “Home of Crystal Bowersox”); Mt. Prospect, a Chicago suburb; and Cool, TX.
Simon Cowell commented on Tuesday, May 11th’s “American Idol” that the duets were “one million times better than the solo performances.” Simon, who is British, knew very few of the movies, which was unfortunate, as the songs this night were from the movies and apparently Simon is either not that great a movie fan or has seen only British films. The other amusing part of tonight’s singing competition was Ellen DeGeneres’ response to the song “Have You Ever Really, Really Loved A Woman?” (from Don Juan DeMarco), which elicited guffaws from Simon and laughs from all others.
Considering how far along in the competition “American Idol” is, the performances, by and large, were really lackluster. Some of the blame for that can be laid at the feet of fairly lame song selections…or, in Lee DeWyze’s case, really difficult ones.
Lee started the evening off on Songs from the Movies night singing Seal’s Kiss from a Rose, which is a tough song to sing well under any circumstances.
Randy said, “For me, you did nothing with that song. It was just okay. It didn’t work for me.” Randy suggested that a better song choice might have been something like Bon Jovi’s “Blaze of Glory.” Ellen said, “You’re so good. I loved it,” but she, too, seemed underwhelmed. Kara, after talking about some out-of-tune issues, said, “You are still great.” Simon agreed with Randy, called the song “verging on karaoke” and said, “If you’re choosing the T-shirts, you’ve gotta’ take the one that says ‘Contestant.’”
That last remark was a reference to the night’s mentor, Jamie Foxx, who had brought black tee shirts, some of which said “Artist” and some of which said “Contestant.”
Following Lee came Big Michael Lynche of St. Petersburg, Florida. Prior to his performance, Jamie Foxx said, “Once he lets go, I think that’s when he’s really gonna’ shine.” Earlier, Jamie had said, “Music is everything. It really is the soundtrack of our lives.” Big Mike’s remarks from the judges were: Randy – “Once again, I didn’t love this. You’re a rhythm and blues kind of guy, but it was just all right. It started out kind of wrong.” Ellen said, of Mike’s performance, “You are consistently good but a little bit predictable.” Kara said, “I want to have goosebumps. I didn’t feel that from you.” Simon became very confused about the movie from which the song was taken (Free Willy) and finally commented, “At least you gave it 100% and I kind of felt that you meant it.”
After Mike’s performance, Crystal and Lee sang together. All the judges loved the duets. Randy said, “A great song by two great singers. That’s how you do it!” Ellen said, “You’re like the new Captain and Tennille. God, that was great!” Kara called it, “One of my favorite moments of the season.” Simon said, “Not a good song: a fantastic song.”
Casey James performed next and selected the theme song from The Graduate, “Mrs. Robinson.” It was an odd choice. Randy called it “curious.” Ellen made a humorous comment about the small guitar Casey accompanied himself with saying that she wished they had given him “ a big boy guitar.” Simon said, “That song was not the substance I expected from you. It was a little bit lazy. I think you could have made more of an impact. I think there have been some very strange song choice tonight and that was one of them.” (Hear! Hear!)
Since none of the first three had done that well, Crystal Bowersox’s rendition of “I’m All Right” was a better performance than any sung by the men. Randy said, “You are definitely an artist. Nice job.” Ellen said that she had “taken that song and made it better,” something she called “crystallizing it.” Kara echoed Randy’s comments about Crystal’s being an “artist.” Simon said, “You, Crystal, are back in the game after that performance.”
The final performance of the night was the duet by Big Mike and Casey and the song’s title (“Have You Ever Really, Really Loved A Woman?”) brought the funny remark, from Ellen, “As a matter of fact, yes, I have loved a woman.” Randy said, “Loved the guitar playing. You guys sounded really good.” Kara said, “The duets were better than the solo performances.” Simon agreed and was the one articulating the idea that the duets were “one million times better than the solo performances.”
Jamie Foxx urged all the contestants to change from “caterpillar to butterfly” as they face the elimination of one contestant tomorrow night. Big Mike and Casey are the most vulnerable, as they have been all along. Stay tuned for further developments tomorrow night.
Taylor Swift played the Civic Center in Moline, Illinois, on Saturday, May 8th, at 7:00 p.m. bringing one of crossover country’s hottest acts to the U.S. Cellular Center (formerly the Mark of the Quad Cities.) Swift is so hot, that the state of Illinois even proclaimed it “Taylor Swift Day.” Grammies, American Country Awards, you name it: she’s Forbes magazine’s 69th most influential celebrity endorser of 2009 and earned $18 million last year, not only with her songs, but with endorsement deals with such giants as Sony and Toyota.
Opening acts were “Gloriana” and Kellie Pickler from “American Idol.” (On her album notes, Taylor calls the slightly beefed-up version of Pickler “you’re the sister I never had” (Ms. Swift has a brother, Austin, who is going off to Notre Dame in the fall.)
Ms. Pickler was dressed down in a pair of tight black spandex pants that displayed her Jennifer Lopez-like derriere assets and a blue top, which she had worn in her concerts in Minneapolis and Des Moines. Those concerts preceded the one in Moline, which sold out in 8 minutes.
The buses left flooded Nashville (Swift donated half a million dollars to flood relief there, just as she donated $100,000 to Cedar Rapids, Iowa, after their 2008 record-breaking flood) and drove 12 hours to Des Moines to perform on May 6th. The 126 roadies and musicians finished reloading the impressive act, left Des Moines at 3 a.m., arrived in Minneapolis at 7 a.m., and began setting up all over again. After Minneapolis, Moline was the final stop on Swift’s “Fearless 2010” tour before a return to Nashville.
Taylor emerged dressed as a majorette to sing “You Belong With Me,” her face projected on a giant screen behind her. She followed up with “Our Song” and “Tell Me Why,” with the word “Why” projected on the screen behind her multiple times. “Teardrops on My Guitar” and “Fearless” were next with “Forever and Always” following.
Then came “Hey, Stephen,” which had, as its setting a giant schoolroom set, where Taylor complained about how Stephen didn’t know she was alive in high school, but would talk to her—about his girlfriend. “Fifteen” followed and “Tim McGraw,” an early Swift hit, came next.
“White Horse” with its lyrics (“I’m not a princess; this ain’t a fairy tale”) allowed the dancers and Taylor to dress in period costumes with a castle-like background. “Love Story (Romeo and Juliet) was, again, grist for the castle backdrop, but, at a certain point, the elaborate period costume Swift wore was removed, onstage, to reveal a simple white gown beneath.
“The Way I Loved You” brought yet more costume changes: glittery silver dresses, glittery purple dresses, glittery red dresses, guitarists with hair like Adam Lambert’s. “You’re Not Sorry/What Goes Around” followed “The Way I Loved You” and then “Picture to Burn.”
A humorous video was shown on a flat screen TV off to the side during one costume change, and it featured 3 male actors trying to impress upon the audience that they weren’t really Steven and/or Drew. Tim McGraw even appeared in the funny video, saying that Taylor’s early song about him had “plucked him from obscurity.” That got a big laugh. Screams were ongoing throughout the concert from the young set present. Taylor also sang “The Best Day” from a stage at the opposite end of the arena, reworking the song so that it honored her mother, Andrea, on Mother’s Day. (Mom did not know that the lyric “I have an excellent father” would be changed to honor Mom this night).
After “Picture to Burn” (see burning stage special effects) the encore set featured “Today Was A Fairytale” and “Should’ve Said No,” which featured Taylor walking through an artificial waterfall (water is caught in an absorbent mat) that has actual words appearing within the water.
Taylor ends up drenched and, usually, greets her fans backstage wet, with special heating devices employed to keep her from chilling, but, this night, she was flying back to Nashville on her private jet, so no backstage passes for the youngsters in the crowd. But plenty of guitar picks featuring Taylor’s lovely face, thrown to the crowd by the guitarists.
A 2-hour show from great seats (courtesy of the daughter on the tour bus).
At the top of the “American Idol” elimination show of May 4, 2010, Harry Connick, Jr., said, “Music has to be truthful, to me, and that’s what this show is about.” Connick was the mentor this week, and he did a great job. He also sang “And I Love Her” on this night’s show, nattily attired in a black-on-black ensemble, after mugging for the cameras and saying, “It’s not about them, it’s about me.” At one point, still horsing around, Connick said, “Try to keep it on me.” A funny guy. He also worked in a joke, saying, “It’s been a great honor to be a part of ‘American Idol’ and to work with the judges, with the exception of Ellen.”
Another amusing piece of film showed Connick chatting with young Aaron Kelly and asking him how he liked singing with a three-piece combo, including a clarinet, backing him. Aaron, of course, liked it and Connick said, “Well, don’t get used to it. I can afford it. Why? Because I’m extremely famous.”
Lady Gaga did one of her characteristic outrageous performances, with many half-dressed writhing male dancers in a sort of “Eve in the Garden of Eden” motif and then the top and bottom groups were announced, with Aaron Kelly and Mike Lynche the lowest vote-getters.
In light of the horrific performance turned in by Casey James on Tuesday night, it was surprising to see 17-year-old Aaron Kelly—a very likeable young performer who had done well on Tuesday night—be the one sent home this night. It was also surprising that Big Mike Lynche, who, arguably, performed better than anyone on Tuesday night (The judges were more sold on Lee DeWyze, but I would say it was very close.) was in the bottom two.
Having said that, I’ve been predicting that the good-looking Casey “had it all” as the package that “American Idol” likes to promote. Big Mike is…well…too big. Aaron was too young. Lee and Crystal remain the front-runners, and, apparently, my earlier predictions that Casey had the best chance of finishing in the Top Three was not that far off the mark.
But, for the record, based on his performance on Tuesday night, I still think that Mighty Casey struck out.