Weekly Wilson - Blog of Author Connie C. Wilson

Welcome to WeeklyWilson.com, where author/film critic Connie (Corcoran) Wilson avoids totally losing her marbles in semi-retirement by writing about film (see the Chicago Film Festival reviews and SXSW), politics and books----her own books and those of other people. You'll also find her diverging frequently to share humorous (or not-so-humorous) anecdotes and concerns. Try it! You'll like it!

Chicago South Loop Schools to Struggle Under Budget Cuts

The Chicago Public Schools are in a world of hurt as a result of the state’s precarious financial position. The Chicago Sun-Times learned, as a result of a power point presentation by Chicago Schools CEO Ron Huberman, that cuts totaling $700 million must be trimmed from the budget and the average class size in the South Loop public schools may rise from the current 30 to 37 pupils per teacher.

Among the cuts being contemplated, according to Enrique’s Community Update and the Chicago Sun Times article of 3/16/2010 by Rosalind Rossi (www.suntimes.com/news/education), anticipated cutbacks include most assistant Principal positions, a number of clerks, and a moratorium on non-varsity sports. There would also be no full-day kindergarten, no early childhood classes and no mandated transportation to magnet schools or charter schools.

The proposed cuts include $398 million in central office and citywide cuts and 3,200 teaching positions, with 600 non-teaching positions also scheduled to be cut. Another 1,900 jobs would open up due to resignations and retirements. Most central office employees would also take 15 furlough days (as they did this year) and there would be a pay freeze.

There would be $27 million cut in non-mandatory transportation to magnet or charter schools and $17 million in cuts to enrichment and after-school programs.  The system would attempt to cover the deficit by drawing down $240 million from the system’s reserve fund and there would be a –18% reduction to charter and contract schools in per student spending.

The Chicago Teachers’ Union is due a projected 4% raise next year, which would amount to +$169 million in additional spending.  Teachers’ Union spokesperson Rosemarie Genova of the CTU (Chicago Teachers’ Union) said, “If this is a negotiating ploy, there will be no negotiation in the press.”

Next year, pension demands on the TRS (Teachers’ Retirement System) are slated to jump from $308 million to $587 million as a result of the aging of the teaching force and retirements of veteran teaching staff. The TRS system in Illinois is generally considered the third-best teachers’ pension system in the nation.

Top 40 Hollywood Money-Makers

Americans are always fascinated by what other people make. If the other people in question are famous celebrities, everyone wants to know who’s making what. Here’s the scoop!

In a lengthy article entitled “Hollywood’s Top 40” (March, 2010 Vanity Fair) details of “who makes what” are given in an article that runs from page 272 to 275.  The list includes information on each individual, telling what films or television projects they were involved in during the preceding year, but let’s just cut to the chase and list them, as follows:

#1)  Michael Bay – $125 million

#2)  Steven Spielberg – $85 million

#3)  Roland Emmerich – $70 million

#4)  James Cameron – $50 million

#5)  Todd Phillips – $44 million

#6)  Daniel Radcliffe – $41 million

#7)  Ben Stiller – $40 million

#8)  Tom Hanks – $36 million

#9)  J. J. Abrams – $36 million

#10)Jerry Bruckheimer – $35.5 million

#11)Tyler Perry – $32.5 million

#12)Adam Sandler – $31.5 million

#13)Denzel Washington – $31 million

#14)Emma Watson – $30 million

#15)Rupert Grint – $30 million

#16)Owen Wilson – $29 million

#17)Nicolas Cage – $28 million

#18)Russell Crowe – $28 million

#19)Cameron Diaz – $27 million

#20)Brian Grazer and Ron Howard – $25.5 million

#21)Johnny Depp – $25 million

#22) Steve Carrell – $25 million

#23)Robert DeNiro – $24.5 million

#24)Sarah Jessica Parker – $24 million

#25)Katherine Heigl – $24 million

#26)Shawn Levy – $23 million

#27)Oren Peli and Jason Blum – $22.5 million

#28)Robert Downey, Jr. – $22 million

#29)George Clooney – $22 million

#30)Matt Damon – $22 million

#31)Reese Witherspoon – $21 million

#32)Angelina Jolie – $21 million

#33)Jennifer Aniston – $20 million

#34)Sandra Bullock – $20 million

#35)Robert Pattinson – $18 million

#36)Clint Eastwood – $17 million

#37)Kristen Stewart – $16 million

#38)Mark Wahlberg – $16 million

#39)Shia LaBoeuf – $15 million

#40)Brad Pitt – $13.5 million

Cancun Images: April 7, 2010

AvaAsleep2 The old saying is: “Let sleeping babies lie,” and we don’t mess with that when on vacation here in sunny Mexico. Ava Wilson…surely a dead ringer for the Gerber’s baby…is dead to the world, with finger strategically placed on left cheek. And that’s exactly the way we left her until she woke up, poolside.

Elise-Asleep Elise Wilson, (Ava’s 14-month old twin), has that clasped corpse-hand thing going on as she sleeps on her side of the double stroller. All that fresh air will do a girl in, especially if she’s as fair as Elise, who is the blonde to Ava’s dark-haired beauty. (Check out the “Dora the Explorer” hats!)

BunnyEarsGirl This blonde is a slightly older model, wearing bunny ears on Easter. I read somewhere that it was “all the rage” on Easter for cute girls like this one to post such pics on Facebook and elsewhere. This one’s just to say, “Come on in! The water’s fine!”

And Happy Easter!

“Big Mike” Avoids Elimination with Judges’ “Save” on “American Idol” on April 7, 2010

Wednesday, April 7th, 2010 on “American Idol” and the judges use(d) their one (and only one) save of the season to rescue Michael (“Big Mike”) Lynche from elimination.  The bottom three vote getters were announced as being Mike Lynche, Aaron Kelly and Andrew Garcia. The only one of that trio who was a surprise (to me, anyway) was Big Mike, who had sung “Eleanor Rigby” the previous night.

After performances by one of Kara’s new sings (Jason somebody who reminded of a younger Jamie Foxx), who gave a performance with a lot of technical amplification that ended with Kara crowing, “Jason only had 4 days to get this together and you just killed it,” and Simon saying, “Absolutely great. Well done!” the show moved on to David Archuleta, who played the piano and sang “Imagine.”

I was struck during David’s performance that he was always criticized during the “David(s)” season for singing with his eyes closed and, this time, he sang with his eyes closed, again. It apparently hasn’t hampered his career, which he said features writing and recording. David looked slightly older and his hair looked slightly less curly, as he riffed (“Brotherhood of man”) through “Imagine” and said, “I love Ellen.” He wore a black shirt, light pants and a white and black striped rep tie.

It was at this point that Ryan Seacrest gave Kiran the order to: “Dim the lights. Get to the results.” The bottom three, as noted above, were announced as being Andrew Garcia, Aaron Kelly and Michael Lynche.

After this, Rihanna came out in what looked like a black wet suit with beaded Joan Crawford shoulder pads going on stylistically (Patti LaBelle Space Age Suit Memories). The tight-fitting spandex garment left little to the imagination as Rihanna sang a new song from her forthcoming “Last Girl on Earth” tour, a number entitled “Rock Star 101” that had, as a lyric, “To be what you is you gotta’ be what you are,” (good to know that proper grammar is still alive in the land) and the repeated lyric, “Hey, Baby, I’m a rock star.” This reminded me of the post-divorce song of another current songstress (Pink?) who exulted in her status as a pop icon. Rihanna had a short multi-colored hairstyle and I wondered aloud if she was completely done with Chris Brown as she sang, “Big City, Bright Lights.”

One hundred and thirty-two million votes have been cast this season, and it came down to Big Mike having to sing for his salvation. His wife sobbing in the audience, he sang a falsetto song he had previously used in the competition, rather than “Eleanor Rigby,” which, according to Simon, was the reason he was in this position in the first place.

The judges were unanimous in “saving” the personal trainer, so next week 2 singers will be eliminated from the show at once.

Stay tuned!

Cancun, Easter, 2010: Ava & Elise Enjoy Cancun

beachdropoffThirteen of us descended on Cancun for the (annual) trip to the Royal Sands and Royal Islander properties.  Some went to Coba (pyramid site in the jungle) today, but I contented myself with falling down on my way into the pool and watching “American Idol” in Mexico, courtesy of a Michigan station. Here are some pictures of the trip. The first one shows the drop off to the water from the beach, caused by the resort’s putting in $40 million of new sand after the beach was severely damaged, both by weather events and by erosion. This was done after the Hurricane in 2005, but it has become necessary, again, and the drop-off to get to the water is about 5 feet.

AvaEnjoysBirdAva (in hat) is 14 months old and was completely fascinated by the parrot that was being “posed” with various tourists (here, another little girl). She could not quite figure out what was going on with that bird on that little Asian girl’s head. The men with the bird did not want anyone else to take a picture of their bird without paying pesos for the privilege, but we “papparazzi” have to get pictures of the small fry in our party when and where we can.

HannahAva Cousin Hannah Nelson takes Ava for a swim in her “floatie.” Ava’s twin, Elise did not take to the floating toy quite as readily, but Ava was up for birds or water or sand or whatever you threw at her.

Cancun2010006 Dad Scott holds Ava…who gives the camera a winning smile…at dinner at La Dolce Vita on Easter Sunday.

girlsinsand What’s a little sand among friends when you’re only 14 months old?

Elise laughs out loud, while Ava plays with her foot on the beach at the Royal Sands, Cancun, Mexico.

parrotcloseup Polly want a cracker….and $6 dollars US for a picture with the blue bird perched on one’s head or shoulder or other portions of one’s anatomy.

ParrotsMan Parrot Entrepreneur holds parrot preparatory to collecting cash for the purpose of posing with the blue bird.

sandonshuldershot Elise makes some adjustments to the sand on Ava’s shoulder, while they share the beach outside the Royal Sands on Easter break.

sleepingbabies When you’re outside all day and you have duties with parrots and sand and keeping your sister out of trouble, it takes it out of a kid. The girls are totally flaked out poolside in their stroller.

WendyMeinCancun

Sister-in-law Wendy (Wilson) from St. Louis and I share a smile as we

debark from the van, where Wendy was loaded in like luggage. (That’s

what happens when you are trying to transport 13 people at a time!)

“American Idol” of April 6, 2010: Andrew, Aaron, Siobhan: Will They Make Up the Bottom Three?

images4Tuesday, April 6th’s “American Idol” competition featured the songs of Lennon and McCartney, with the judges saying, in advance of the singing, “Certain songs shouldn’t be changed. But, overall, I’d like to hear something that is not exactly like the original.”

Well, that was certainly the case with some of the front-running contestants, between the diggery doo player on Crystal Bowersox’s version of “Come Together” and the bagpipe player descending the stairs as Lee DeWyze finished the night, singing 9th, and performing “Hey, Jude.” Ellen commented that she liked the confidence that Lee showed, “even when that guy (the bagpipe player) got separated from his parade.” Simon, laughing, said, “I don’t know what you lot are drinking in the house.  You were doing great and then the bagpipe player walked down the stairs. It was like he showed up on the wrong show.”

I have to admit that Lee, one of my favorites, did not score points tonight for being on pitch (the word “bad” was particularly, well, bad) and the entire song sounded like it was about one note too high for him, pitch-wise. He seemed to be straining to hit the notes, to me, and Randy, who began the critique, said, “That guy was funny” (meaning the bagpipe player), before going on to say, “It was another hot one.” Ellen ultimately voiced her confidence in Lee, saying, “I thought it was a great job. I loved it.” Kara, at least, noted some pitch difficulties, saying, “Good, a few off-key notes, but I am still a fan.” Sadly, this night, Lee was not at his best, for me, but I still think his talent puts him through and that the ones who should be worrying are Aaron Kelly, Andrew Garcia, and…if the judges carry any weight…Siobhan Magnus.

I, personally, liked Siobhan’s rendition of “Across the Universe,” but Randy was right when he said, “It was a little sleepy for me.” Kara, too, said, “It was very restrained and polite. I am still a fan, but I am a little confused.” Simon asked Siobhan what she was connecting to when she sang the song, and Siobhan almost broke down in tears talking about her little sisters and not changing who she is. All agreed, in pre-performance comments, that Siobhan is “amazingly weird” and “unique.” Katie Stevens said, “Those notes she hits are ridiculous.” (echoing Kara’s usual comments). Randy commented, “Nobody screams artist more than you I love seein’ that from you.  I love the artistry in you.  Just follow it and go with it.” Ellen, too said, “Always honor who you are.  You march to a different drummer.  And you listened to us tell you to cool it on the high notes for a while.” Simon felt that Siobhan “came back from last week.  You are unpredictable.  Much, much, much better than last week.” Still, the remarks were less glowing for Siobhan than for most, she has been in the bottom 3 before, and only time will tell if America’s teen-aged voters liked her slow ballad.

The first singer of the night was Aaron Kelly.  He sang “The Long and Winding Road,” which Ellen called “a long and winding song.” The most germane comment was Kara’s. She said, “When it comes together for you, it works.  Every week feels like the same song from you.” I would agree with the second half of those remarks.   Only Simon called it completely like it was: “Very old-fashioned.  Very boring.  You’ve got to become young and relevant.” Therefore, my unscientific prediction is that, once again, the “A’s” have it and Aaron or Andrew may be in trouble, with Siobhan…who deserves to stay…potentially at risk.

Second performer of the night, Katie Stevens, wore a pink dress and a ponytail and sang “Let It Be.” The word “blossoming” seemed to be in evidence tonight, with Kara using it for Katie in saying, “You’re blossoming on that stage.  You’re confident.  You never looked better and you never sounded better.” It is true that, for once, Katie was not off-key. Simon said, “Tonight, however, you got it right,” but an argument soon broke out between Simon and the rest of the panel as to whether this performance showed that Katie had a country-and-western vibe. Simon said, “It felt as though you were singing it about somebody, rather than being robotic,” and, after that, the argument about the best vocal direction for Katie broke out.

Third up was Andrew Garcia, who, at least, sang an up-tempo song (“Can’t Buy Me Love”).  Randy felt his performance was “solid,” although he also called it “a little corny at times. It was OK. It was all right.”  Ellen said, “First of all, you can buy love,” but, after the joke that line got, went on to say, “I thought it was the perfect song choice, and I loved it.”  Kara said, “I wanted to love it,” which was a left-handed way of saying that she did not love it, but complimented Andrew on “the breakdown.” Simon said, “The problem for me was that you had the band in back of you. It was old-fashioned and, unfortunately, irrelevant.  You and the band, together, got this wrong tonight. Sorry.” Andrew countered, “I’m glad I had fun doing it,” and I’m glad he did, too, because it might be the last song he sings on “American Idol.”

Fourth performer of the night was Michael Lynche, who sang “Eleanor Rigby.” The vote was 3 who liked it and 1 (Simon) who felt his performance was “the sort of thing you see and hear in musicals.  I don’t think it made you contemporary at all.  It was over-the-top.  I’m confused now about what kind of artist you are.” The 3 others, however, were “lovin’ the fact that the points that did work were great. I love seeing the artist in you blossom (more blossoming comments)” from Randy, with Ellen commenting that the song was “ huge risk” and saying, “I thought that was incredible.” Kara said, “Those vocals were amazing.  That was fire.  Committed. You made that song commercial and relevant to this generation. Great job.” But, after that, Simon popped Kara’s cocoon bubble of praise with his put-downs. Still, Big Mike, who is from a Florida family of performers and had a brother who advanced fairly far in the competition in another season, should be safe.

Fifth performer was the always-reliable Crystal Bowersox, who sang, “Come together.” Randy called her singing, “Another solid performance” and added, “It definitely worked.”  Ellen said, “I loved the diggery do (Aborigine instrument).  The only thing I have to worry about each week is a new way to tell you how great you are.  An amazing job. I loved it.”  Kara said, “I think this is one of my favorite performances.  You were more accessible tonight.”  Simon said, “That’s a song that I could hear on the radio today.” After that, comments were about the playing of Ernie on the diggery do, when Randy said, with a laugh that he looked as though he were about ready to pass out.

The sixth performer this night was Tim Urban who sang “All My Lovin’.” Tim usually is panned by the critics, but voted on by his gallery of fans. Tonight, however he sang the song relatively straight and received praise from all the judges. Randy said, “You’re like in your own category.  I think that was a much better performance than the last couple of weeks.  A good Tim performance.” Simon would later take issue with this idea of a separate category for Tim Urban, calling it insulting to the other contestants. He said, “Taking everything into consideration, there were no gimmicks. The song suits your voice.  You take the criticism like a man.  This is a shortcut to fame and you’ve handled yourself really well.” Ellen said she felt that Tim’s version of “All My Lovin’” was “second best after the Jeff Buckley version of ‘Hallelujah.’” Kara said, “It’s best when you have a guitar in your hands. You’re to be commended for that.” So, for Tim, it was a good night, and he later said, “I wanted to pick a song that I knew fitted me.  I definitely had fun with it.”

Seventh performer on Tuesday was Casey James, who sang John Lennon’s “Jealous Guy.” The song had a C&W vibe with just a cello accompaniment. Randy called it “a sensitive vibe.  I was really impressed that you took that kind of risk.  I love that you did this.” Ellen said, “We just need to see more of that side (the quiet side) of you.”  Kara felt that Casey had shown his “vulnerability,” and praised him for “showing depth.”  “Towards the end, you showed that you really know where to take your voice.” Simon, after calling Casey “Goldilocks,” said “the best performance of the night, so far,” and called his improvement from the week before, “absolutely ginormous.”  “From the midway point, you put your stamp on it. I am very, very impressed with you tonight.” So, Casey, the cute, lean, guy with the rock star looks stays.

Eighth (out of 9) performing “Across the Universe” was Siobhan Magnus,” who did a good job, I thought, (unlike the judges’ assessment) and she was followed by Lee DeWyze, also one of my three favorites, who did not, in my opinion. It doesn’t really matter what I heard, because the performers at risk after Tuesday night are the “A’s” (Andrew and Aaron) the most, and, very possibly, Siobhan after the judges reamed her quiet rendition of a song. This seemed somewhat unfair, as all four of them have been telling her not to put the Big Showstopper Finish at the end of each week’s performance, so Siobhan sang a song, a la Streisand, and her reward? Potentially being among the lowest three, when she is arguably among the top three, talent-wise.

I’m still pulling for Crystal, Lee, Siobhan and Casey and any of the others can go home and I won’t care.

Ten Tips to Try to Save the Titanic that “American Idol” is Fast Becoming

I’ve already posted an article that describes how Didi Benami was eliminated on Wednesday night’s “American Idol” but now, following in the steps of other news sources, most notably the April 2 issue of  “Entertainment Weekly,” I’m going to sound off on the ejection of Didi (et. al.) and what’s happening to drag “American Idol” down the tubes in this, the worst season it has ever experienced.

The show premiered in June of 2002. It has been a rating blockbuster every year since. However, this year, the ratings have plummeted, dropping from 25.8 and 25.5 million to 22.9 and 20.5 million (www.entertainmentweekly.com, p. 38, “Why Can’t the New Idols Sing” by Michael Slezak). At first, I thought the low number of hits on Associated Content for “American Idol” articles could be blamed on competition from the winter Olympics. Then, the winter Olympics ended and the truth emerged.

There were many mistakes made this year, from letting Paula go as a judge, (when audiences apparently loved her particular brand of ditz), to letting it be known that this is Simon’s Swan Song Season. I’m not sure that “American Idol” audiences have ever really taken to Kara. She seemed like “the fifth wheel” last year, and that feeling continues. On top of which, as one critic put it, her constant game of “touchy feely” with Simon becomes distracting to the judging of the contestants and doesn’t seem very mature or professional to be showcased, week after week, on a major television show.

For whatever reason, this year’s crop of  “American Idol” contestants is just not that good. There are perhaps 2 to 4 contestants left singing at the end of March with major star potential (Crystal Bowersox, Siobhan Magnus, Lee DeWyze and Casey James), but there are more still singing that are just plain pitiful.

Point Number One:

The refrain heard over and over again (said to the contestants by the judges) is, “You picked the wrong song.” I would like to offer this comment: why don’t the Powers That Be help the contestants pick the song(s) a bit more? If you were planning a party…say a wedding…the DJ would have the songs picked and would mix them up: some slow, some fast. There seems to be no one telling the current crop of lesser talents that it is probably not a good idea to have 10 very gloomy acoustic songs in a row. Why not help the singers out a bit? Require that ½ of the contestants sing something upbeat one week (while the other half can sing slow things) and then switch it around the next week? There seems to be no rhyme or reason for the gloomy, slow ballads that we are subjected to, week after week, song after song. If the show drags, it is because the song selections are admittedly not that great, but they could be, with a little help from the brass at the top. Who’s in that control booth, anyway, and why don’t they step in and give the poor kids some guidance here?

Point Number 2

So many of the songs being sung have been done to death over the years. It is rumored that Katie Stevens wants to sing “Over the Rainbow.” The pitch-challenged contestant, a perennial cellar dweller in the bottom three for the past several weeks, would only be about the umpteenth person to do this song. It was suggested in the “E.W.” article that perhaps a song could be “banned” from the competition once it has been sung by another artist in another year. I mean, come on: Kimberley Locke, Katharine McPhee, Jason Castro sang “Over the Rainbow” in seasons 2, 5 and 7. Do we really want to hear the pitch-challenged Katie sing it this year, too? As Michael Slezak put it, “Ask yourself if you really want to hear Rendition Number 147 of ‘Feeling Good.’” Other “Idol” contestants have already covered twenty-four of the sixty songs performed during the season 9 semi-finals on live shows. That’s a lot of hearing the same song(s) over and over and over.

Point Number Three:

Simon is always hugely critical of “cheesy” treatments of songs on the show, so what’s with the cheesy “group” numbers? Tonight’s (3/31) was “Kung Fu Fighting” and it wasn’t pretty. Why not eliminate the group singing, as the contestants often seem to be struggling with the choreography and nobody likes a bunch of amateurs bumping into one another doing lip-synched poorly chosen songs. As Slezak referred to them in his article in “E.W.”, the “never enjoyable for the audience or the contestants group numbers. So which sadist insists on keeping this cheeseball tradition alive?”

Point Number Four:

This year, the judges seem particularly indifferent. Randy takes forever to mumble an opinion and, tonight, Kara made a particularly catty remark about Simon right to his face (“I know who Simon’s in love with: himself.”) At times, the arrangement of the 4 has changed, with Ellen starting out near Simon and then removing herself to the far right, near Randy. Makes you wonder.  Ellen always tries to say something pleasant, but telling one contestant that it’s nice she didn’t fall down is, for sure, the lamest of compliments after a particularly horrific vocal performance (Paige Miles’). My favorite night to illustrate this was March 30th, when Simon actually said, to Tim Urban, the least-gifted of all the contestants vocally:  “I don’t think it makes any difference what we say…You’re not gonna’ win. You’re gonna’ smile. The audience is gonna’ vote for you. Nobody cares. You’re gonna’ be here next week. So, well done.” That’s about as indifferent and desperate a statement of the show’s situation as we’ve heard. And the show’s Number One Judge and one of the originators of the program articulated it.

Point Number Five:

This year’s Mentors. What is the deal this year with the inability to find any really talented and noteworthy mentors? Has everyone heard that the show is going down the tubes, so the Celine Dions and the veterans like Barry Manilow and Rod Stewart have said, “Don’t call me; I’ll call you”? Tonight’s musical mentor was Usher. Last week, the show was reduced to using Miley Cyrus, all of 17, to mentor the likes of a really talented singer of 28 (Crystal Bowersox). I remember the year that a hologram of Elvis sang with Celine Dion, which was a spectacular special effect. Why nothing of that caliber this year? And, as another writer suggested, why not get a REAL mentor who is a producer of today’s music and would come in and work with the contestants for the entire week, rather than just someone who drops by, hugs each of them, and then sits in the audience beaming and/or plugging his or her new release.

Point Number Six:

Idol Gives Back. What happened to the idea of “American Idol” being a force for good in a troubled world?  We’re more troubled now than the years when the show used its clout to try to relieve suffering around the world, and yet the show has done less of this philanthropic humanitarian sort of thing than ever before. It’s a shadow of its former self in every sense of the word. Oh, yes, there were some token moments, but nothing like the year the show dedicated itself to really making a difference in a world of disasters, natural and other. And this year, the word is suffering perhaps more than ever and the show is doing less than ever to address noble causes.

Point Number Seven:

I’ve written about this before, so please don’t think it’s a new theme for me. I think my first article was called “Some Ideas for Songs That Don’t Suck on ‘American Idol.’” The well has gone dry for theme nights like Country & Western or Rhythm & Blues. There was Beatles night this year, and that was okay, but perhaps the show needs to dig into the catalogues of some other artists of that caliber, in order to avoid the boring offerings we’ve been presented with this year. It seems as though, most nights, there is one ballad after another, usually from someone clutching a guitar, many of them off-key. It’s about as exciting as watching paint dry. When it comes down to reggae versions of “Under My Thumb” by Tim Urban and Judge Kara Dio Guardi says, “I’ve got to applaud you for doing something so incredibly different with the song,” there are those, like Michael Slezak and me who say, “No, you don’t have to applaud mediocrity.” I think my comment after that night, in the subtitle was, “Reggae, Tim…Really?”

Point Number Eight:

The contestants who either didn’t make it on when they should have (Angela Martin, Jermaine Purefoy) or made it, but were kicked off when others who are far, far less talented remain are epidemic this year. Lilly Scott, Kristen Epperly, Todrick Hall are, unfortunately, in the majority this year of contestants gone too soon who could sing rings around Tim Urban on his best day. Contestant Crystal Bowersox was even quoted as saying of Epperly and Scott, “I really did not expect them to go home at all.” Supposedly 18,000 fans of Alex Lambert have been collecting petition signatures to put him back on the show. I suspect that Angela Martin was not allowed to advance because of her brush with the law, and I have an issue with putting contestants on the air in the first place, (like the young man who held up a bank with a b. b gun and served time for it), and then making them disappear because it would be a bad thing to have a felon as an “idol” to American youth. Why let the poor guy even think he was going to get a fair shake? Not to mention the fact (although I will) that the people who put this show on need to get their standards for “amateur versus professional” straight. I heard that the curly-haired young man (Chris Golightly) who was cut (thereby allowing Tim Urban to be called back) was cut because he did not reveal a previous recording contract. There was also a talented Irish contestant in Chicago who was not allowed through because of a fear of visa problems, yet, in other years, we had the tattooed lady of Ireland, as some of you may remember, and she had had a previous recording contract. The rules seem to be very flexible, as indicated by the fact that Michael Lynche is still on the show and in the top ten, even though his mother, who worked for the Orlando “Sentinel” somehow let it slip that he was going to be a finalist in the top twelve, and then his father confirmed it. Both were big “no nos”, but the “rules” that are in place seem to be only selectively enforced. To this viewer at home, recording contracts aside, I fail to see how you are an “amateur” if you have been performing on Broadway in “The Color Purple” (Todrick Hall) or, as with Adam Lambert last year, in a number of other Broadway shows. Mind you: I’m not saying keep the Adam Lamberts OFF. Far from it. I truly miss the caliber of an Adam Lambert or a David Cook or a David Archuleta. I’m just saying that the standards are very strange, not well explained, and very selectively enforced. The rules don’t seem to apply to all contestants. It reminds me of the novel Animal Farm where all animals are equal, but “some animals are more equal than other animals.” All contestants are equal, but some contestants seem to be more equal than other contestants. That just seems unfair.

Point Number Nine:

Too much style over substance.  The worst offender, this year, was Tyler Grady, the Lizard King wannabe, who, thankfully, was gone early. His posing as Jim Morrison was hopelessly jejeune, but, to be fair, he was given a lot of mixed signals from judges like Kara DioGuardia early on. You can’t encourage a guy to become a clone of seventies singers like Morrison and tell him how “cool” he is and then turn around the next week and severely criticize him for doing what you just praised in him the week before. The film of Tyler showing up to sing in a bathrobe and cowboy boots shows what happens when you tell an amateur that he is so “cool” and he starts to believe his own press, when it’s premature.

Point Number Ten:

Don’t make the losers sing again. I’ve always found this hideously cruel. Where is the humanity in saying, “You’re gone. We don’t want you. You’re a loser. Now go out there and smile and sing well.” Come on, Folks. Let’s show a little compassion here. Just go with the clips and performances from happier days and let the poor reject slip out a side door and drown his or her sorrows. This year’s Lambert boy was in tears. Katelyn Epperly didn’t hold up that well, either. Only Todrick Hall, the Broadway veteran, seemed to have the attitude, “I know I’m good, and it’s too bad you couch potatoes out there can’t empathize with my obvious talent. Screw you!” And Todrick left us with a great performance, while most have not.

This year, I feel like the entire “American Idol” season is being decided by teeny-boppers who are twelve and wouldn’t know whether the boy they swoon over and vote for, is flat or sharp and could care less about anything more than the extremely superficial issue of his “cuteness.

But, then, given the fact that the professional singers who performed this night (3/31), P. Diddy Sean Combs and Usher gave us  “style over substance” performances, what did I expect?

Didi Benami Eliminated from “American Idol” on March 31, 2010

On Wednesday, March 31, 2010’s version of “American Idol,” Didi Benami bit the dust. She had endured a horrific critical drubbing at the judges’ hands on Tuesday, March 30th.

For her “save” moment, Didi chose to sing a different song (“Riannha”) than the one that had hung her out to dry on Tuesday night. It didn’t matter. The judges were unmoved, as Didi’s appearances had been up-and-down throughout the competition.

At the beginning of the program Reuben Stoddard, who won the title 7 years ago (in a fight to the death with Clay Aiken) and promptly sank from sight, sang. We were also subjected to a song by Sean “P. Diddy” Combs, which showed the rest of the world America’s image of what an “American Idol” would be:  half-clad girls in black bustiers dancing with the white-clad Diddy, who was sweating bullets by the end of the number and admitted he had stage fright. (“I haven’t done this in a while.”)

At the beginning of the night, promos for Clash of the Titans (a remake) obscured the screen. The ensemble number that featured Kung Fu Fighting was lame and cheesy. A shot of purple-pink hair glued to the back of Michael Lynche’s bald pate was just about as classy. (Later Michael picked Ryan Seacrest up, physically, when he tried one of his “This is surprising” announcement moves on the large crooner/trainer.

Ryan Seacrest seemed to be more annoying for Simon Cowell than normal this night.  Simon actually said to Ryan, “You are really getting on my nerves tonight” and, at one point, said, “This is not the Oprah Winfrey Show.”

The lowest three vote getters this night were Tim Urban, Didi Benami and Katie Stevens. With Didi gone, Tim and the almost-always-off-key Katie Stevens.

And the snake that is “American Idol” continues to swallow its victims while slogging towards the end of this worst-of-all seasons.

“American Idol,” March 30th, 2010: Didi, Andrew or Tim?

images44“American Idol,” March 30, 2010:  Didi Benami and Teflon Tim Urban probably turned in the worst performances of the night. Didi sang fourth, attired in a strapless sparkly gown, the top of which fit as poorly as Gwyneth Paltrow’s pink one at the Oscars the year she won. Did said, before she even began, “I wanted to pick something that moved me, but now I’m worried that it might be too much.” During her time with Usher, this weeks’ guest mentor, she even broke down in tears. Did might as well have saved the waterworks until after the judges critiqued her off-key performance, since nobody liked it. Randy said, “It flat-lined for me. It just wasn’t great. It just never quite caught.” Ellen said, “It was dramatic.  I thought that was way dramatic and not your best performance.”  Kara said, “It was way overdone.  I don’t know who you are any more as an artist.” Simon compared her vocal styling to “swimming in jelly.” He said, “It was so over the top, old-fashioned, off-melody.  You’ve completely and utterly lost your way.” He went on to say it reminded him of “those dancing shows that always have a singer murdering a song on it.”

The reaction to Tim Urban’s as usual sub-par performance of Anita Baker’s “Sweet Love,” which he sang with a microphone that had problems, unshaven,  with a deer-caught-in-headlights look was also underwhelming. Randy compared Tim to a singing waiter, calling the rendition “pedestrian,” but did say, “At least you sang in tune, but there was no vibe. No swag. It had nothing, Man. It just felt flat for me again.”  Ellen—after commenting on how “adorable” Tim is, said he was “mostly on key” but  “you were walking like you were sneaking into a bedroom. Oh, boy, why?” Kara called his rendition “uncommercial,” comparing it to Broadway or Vegas and, most critically, said, “You took the soul out of the song.” Then came Simon, who was hilarious. He told Tim that the song was “completely inappropriate” and like “ a mouse versus an elephant,” but added, “I don’t think it makes any difference what we say. You’re not gonna’ win.  You’re gonna’ smile. The audience is gonna’ vote for you. Nobody cares.  You’re gonna’ be here next week. So, well done.” Teflon Tim, as he has come to be known, commented—with a smile—that of all the things he could be criticized for, he didn’t think that smiling was going to be one of them.

So, if you ask me who should go home, take your pick of the two above, with Andrew Garcia another possibility.

First performer up this night was Siobhan Magnus, the 20-year-old from Cape Cod, MA. Usually, the judges have given her high marks, but her rendition of “Through the Fire” by Chaka Khan, which began in a very low register, while Siobhan was attired in what looked like high-topped tennis shoes (boots?), a white skirt and a dark top, with long dangly earrings, left Randy saying, “Only you would have taken on this song. It wasn’t your best performance at all.”  Ellen said it was like having “Dessert before the meal.” Kara said, “It should have worked for you, but your lower register—it just wasn’t there.” Simon was the most blunt, commenting, “It was as if you’d run a marathon and were out of breath. You were so all over the place. You even look all over the place (protests from the other judges at this comment on Siobhan’s unusual outfit). You’re kidding yourself if you think it was a good performance, and I’m getting bored with the screaming at the end.” When Siobhan and host Ryan Seacrest made some chit chat about her desire to “kill it” (the song), Simon came back with, “I’m going to call it manslaughter.”

Casey James was hot tonight, playing a mean guitar on the Sam and Dave song “Hold On! I’m Comin’.” Randy said, “Yo. Listen. This was another hot night for you.  I thought it was a perfect selection and choice for you. Nice job.” Since the song genre this night was soul and rhythm and blues, Casey was in his element and also played a mean guitar.  Ellen did find his rendition “a little generic,” but admitted, “You sang it great.” Kara said, “These songs aren’t showing us everything you’ve got.” Simon basically disagreed with the 3 other judges, but agreed with me when he said, “Your strongest week you’ve had so far.  You were not a sound-alike. You sounded authentic.  I was really, really, really impressed with you this week.” Simon called this one right tonight.

Michael Lynche sang “Ready for Love” with an acoustic guitar, a quiet version.  Randy said, “You are in the zone.  I’m loving every performance, dude.” Ellen said, “That was beautiful.” Kara said, “You did an incredible job with it,” calling it “tasteful” and “lovely.”  Simon said, “This is probably the first time since you entered that I felt you were being original,” although he called the song “a little bit gloomy.” Simon ended by saying, “I thought it was terrific.  Congratulations.”

Andrew Garcia, 24, sang “Forever” by Chris Brown and was his usual ho-hum self. Simon even went so far as to say, “The only problem is that you came over as very boring.” Andrew has come across as boring ever since he entered the competition, probably because he is boring. At least there were no comments about his rendition of “Straight Up,” Thank God.

Katie Stevens, clad in a very unattractive dark black/gray outfit that did nothing for her figure, sang “Chain of Fools,” an Aretha Franklin classic. About the best thing I can say for Katie, this week, is that she wasn’t as off-key as she usually is.  Randy called her rendition, “One of the best vocal performances of the night,” in fact, and even compared her potential to “a young Christina,” with which Simon immediately took issue.  Ellen, commenting on her “Snookie poof” hair do said, “I wish that the song had been a little more current.”  Kara said, “You found where you belong: rhythm and blues.  Good job on the vocals, but you gotta’ go back to making it young.” Simon disagreed vehemently with Kara’s assessment of what musical genre Katie belongs in and called her “very robotic.  You actually came over as quite cold tonight.  My problem is I think the advice Kara has given you is wrong.” Squabbling amongst the judges then ensued as to whether Katie was a C&W potential performer, a R&B performer or something else.

Lee DeWyze, who had suffered from walking pneumonia during the week, came out and sang “Treat Her Like A Lady” by the Cornelius Brothers and hit it out of the park. Randy called it “Unbelievable.  That was the bomb, baby!” Ellen said, “That was the best performance of the night.”  Kara called his version, “Amazing.”  Simon, too, said, “Something has happened tonight. This was the night your life may have changed forever.”

Crystal Bowersox did not play guitar this night, but began her set seated at the piano playing “Midnight Train to Georgia.” Fortunately, since she seemed really preoccupied with the piano accompaniment, she soon left the piano and sang with just a microphone.  Randy said, “Another great performance.”  Ellen said, “You’re never not good. You’re in it to win it,” calling her use of the piano rather than the guitar, “A wonderful, wonderful idea.” Simon was not so sure that Crystal’s use of the piano was all that wonderful an idea. He did call the song choice “sensational” and said, “Incredible vocals,” but he added, “Do not let this process change your identity.  You are that rare artist who knows what she’s about.  Don’t change.” Advantage: Simon, once again.

Aaron Kelly finished off the program, singing, “Ain’t No Sunshine When You’re Gone.” Ironically, Aaron’s coaching from Usher had him emphasizing the “I know, I know, I know” line and crescendoing on it, a technique that was nowhere in evidence during his actual performance of the song.  Randy pronounced it to be “Just all right for me.” Ellen said, “I thought it was a good song choice and a really good job.” Kara said, “I liked it.” Simon said, “Lee was the main course. That was like a cupcake.  It was okay.  There’s absolutely no chance you’re going to be leaving the competition.” This a reference to the 16-year-old’s appealing personality.

Who should be eliminated tomorrow?

Either of the two mentioned first (Didi Benami or Tim Urban) or Andrew Garcia.

Stay tuned to see what the voting public decides.

Obama in Iowa City on March 24: Protesters Abound

ICObama-0111 Don Blackford,, Federal Government Employee from Omaha (originally from Logan, Iowa): “I’m just here for the Constitution…what is right…what is wrong…” The protester below stood outside the University of Iowa Fieldhouse with his sign, which correlates with the fact that 13 states are attempting to sue to stop the new Health Care bill.

ICObama-015ICObama-003ICObama-022ICObama-023Judy Holle of Davenport, Iowa, an Obama supporter, wears a shirt that says, “I voted for Obama and all I got was this historic victory on health care.” On the back of the shirt was a message supportive of cancer survivors.

Page 130 of 160

Powered by WordPress & Theme by Anders Norén