Welcome to WeeklyWilson.com, where author/film critic Connie (Corcoran) Wilson avoids totally losing her marbles in semi-retirement by writing about film (see the Chicago Film Festival reviews and SXSW), politics and books----her own books and those of other people. You'll also find her diverging frequently to share humorous (or not-so-humorous) anecdotes and concerns. Try it! You'll like it!
Drive-in theaters will definitely make a “comeback,” if you want to call it a comeback when there were always a few that were still operating.
My birthday was Thursday and, in an attempt to go to a movie somewhere other than my living room, I searched for any operating theaters in a two-state area near me (IA/IL). None of the indoor theaters were operating, but there were a few drive-ins open and operating. One was in Delmar, Iowa. One was in Maquoketa, Iowa, and one was in Blue Grass, Iowa.
Since Blue Grass was the closest to us, we went to it on Friday night. I spoke with the Manager, who said it has been in operation since 2014. It is a 10-acre plot in a field near the small town of Blue Grass, Iowa, and the screen is a ‘cube.’ allowing them to show 3 different sets of double features.(They haven’t gotten the fourth side operational yet). We selected “The Rental” with “The Big Ugly,” which was premiering that night at the drive-in. I think “The Rental,” directed by Dave Franco, is also streaming on Hulu and it featured Allison Brie and 3 other young actors who had rented a lovely remote vacation spot that was, apparently, owned by a homicidal psychopath.
Who was in these movies? Well, “The Big Ugly” was a chance for Malcolm McDowell (“A Clockwork Orange”) to square off opposite Ron Perlman (“Sons of Anarchy”). There were also quite a few “old reliable” character actors rounding out the cast, including Bruce McGill, who was D-Day in “Animal House” and has appeared in any number of films since then, and Nicholas Braun (“Succession”) as Will, plus a promising new-comer, Brandon Sklemar, who played Perlman’s no-good son, Junior.
I took the opportunity to speak with the manager of the complex, which makes most of its money on the popcorn and pizza and other edibles they sell and requests that you not bring your own food. (Plus, no alcohol). The tickets were $10. The large pizza, 2 large (refillable) diet cokes, and a large popcorn were about $36. All together, the cost of the evening was about $50. We took lawn chairs and watched Movie Number One sitting outside and watched Movie Number Two inside the car. The film began at about 9 p.m. and the whole evening took until about 1 a.m.
The manager told us that the owner, when he retired in a few months, wanted to make the fourth side of the cube in the middle of the 10 acres into a fourth functioning screen. Right now, they show 3 different double features. (“Grease” and “Footloose” were on one and “Iron Man” and some children’s film was on a third.) The owner has a perhaps pie-in-the-sky dream of building suites (on stilts) and running year-round, which sounds “iffy” in the midst of an Iowa winter, but this night the weather was perfect, with a slight breeze, extremely friendly employees (all masked), and radios that one could rent for $5 if you didn’t want to tune your car radio into a pre-set number and run your car all night. The only drawback was hearing the soundtrack from nearby screens while watching our film(s).
Tribeca, the film powerhouse, has recently made plans to open 160 new drive-ins around the country. The “big new” thing for touring musicians is having their filmed performance showing on a drive-in screen. One that is coming up in the future is Blake Shelton and Gwen Stefani, Garth Brooks, and Keith Urban have all used the drive-in system, instead of the normal in-person concerts during the pandemic. At the Blue Grass Drive-in, they have no say over the ticket prices of such shows and the manager wondered, openly, why the cost for Garth Brooks was $100 per carload, versus $115 for Blake Shelton. [He felt it would be better to have a standard price for these “concerts,” but he doesn’t make the rules.]
So, the drive-in is back. I hadn’t been to a drive-in in 40 years, but I’m sure I’ll go again if all the theaters remain closed.
Tori Eldridge is the Anthony and Lefty Awards-nominated author of The Ninja Daughter, which was named one of the Best Mystery Books of the Year by the South Florida Sun Sentinel and awarded 2019 Thriller Book of the Year by Authors on the Air Global Radio Network. Her short stories appear in several anthologies and her screenplay “The Gift” earned a semi-finalist spot in the prestigious Academy Nicholl Fellowship.
Before writing, Tori performed as an actress, singer, dancer on Broadway, television and film. She is of Hawaiian, Chinese, Norwegian descent and was born and raised in Honolulu, where she graduated from Punahou School with classmate Barack Obama.
Tori holds a fifth-degree black belt in To-Shin-Do ninjustsu and has traveled the U.S. teaching seminars on the ninja arts, weapons, and women’s self-preservation.
Her second book in the Lily Wong series, “The Ninja’s Blade,” will be released September 1, 2020.
Join Tori and I as we discuss her books, her life, her trips to Shanghai, and her goals for the future on Thursday, July 16, from 7 to 8 (CDT), 5 p.m. from California for Tori.
1973: The US Department of Justice — under the Nixon administration, out of all administrations — sued the Trump Management Corporation for violating the Fair Housing Act. Federal officials found evidence that Trump had refused to rent to Black tenants and lied to Black applicants about whether apartments were available, among other accusations. Trump said the federal government was trying to get him to rent to welfare recipients. In the aftermath, he signed an agreement in 1975 agreeing not to discriminate to renters of color without admitting to discriminating before.
1980s: Kip Brown, a former employee at Trump’s Castle, accused another one of Trump’s businesses of discrimination. “When Donald and Ivana came to the casino, the bosses would order all the black people off the floor,” Brown said. “It was the eighties, I was a teenager, but I remember it: They put us all in the back.”
1988: In a commencement speech at Lehigh University, Trump spent much of his speech accusing countries like Japan of “stripping the United States of economic dignity.” This matches much of his current rhetoric on China.
1989: In a controversial case that’s been characterized as a modern-day lynching, four Black teenagers and one Latino teenager — the “Central Park Five” — were accused of attacking and raping a jogger in New York City. Trump immediately took charge in the case, running an ad in local papers demanding, “BRING BACK THE DEATH PENALTY. BRING BACK OUR POLICE!” The teens’ convictions were later vacated after they spent seven to 13 years in prison, and the city paid $41 million in a settlement to the teens. But Trump in October 2016 said he still believes they’re guilty, despite the DNA evidence to the contrary.
1991: A book by John O’Donnell, former president of Trump Plaza Hotel and Casino in Atlantic City, quoted Trump’s criticism of a Black accountant: “Black guys counting my money! I hate it. The only kind of people I want counting my money are short guys that wear yarmulkes every day. … I think that the guy is lazy. And it’s probably not his fault, because laziness is a trait in blacks. It really is, I believe that. It’s not anything they can control.” Trump later said in a 1997 Playboy interview that “the stuff O’Donnell wrote about me is probably true.”
1992: The Trump Plaza Hotel and Casino had to pay a $200,000 fine because it transferred Black and women dealers off tables to accommodate a big-time gambler’s prejudices.
1993: In congressional testimony, Trump said that some Native American reservations operating casinos shouldn’t be allowed because “they don’t look like Indians to me.”
2000: In opposition to a casino proposed by the St. Regis Mohawk tribe, which he saw as a financial threat to his casinos in Atlantic City, Trump secretly ran a series of ads suggesting the tribe had a “record of criminal activity [that] is well documented.”
2004: In season two of The Apprentice, Trump fired Kevin Allen, a Black contestant, for being overeducated. “You’re an unbelievably talented guy in terms of education, and you haven’t done anything,” Trump said on the show. “At some point you have to say, ‘That’s enough.’”
2005: Trump publicly pitched what was essentially The Apprentice: White People vs. Black People. He said he “wasn’t particularly happy” with the most recent season of his show, so he was considering “an idea that is fairly controversial — creating a team of successful African Americans versus a team of successful whites. Whether people like that idea or not, it is somewhat reflective of our very vicious world.”
2010: In 2010, there was a huge national controversy over the “Ground Zero Mosque” — a proposal to build a Muslim community center in Lower Manhattan, near the site of the 9/11 attacks. Trump opposed the project, calling it “insensitive,” and offered to buy out one of the investors in the project. On The Late Show With David Letterman, Trump argued, referring to Muslims, “Well, somebody’s blowing us up. Somebody’s blowing up buildings, and somebody’s doing lots of bad stuff.”
2011: Trump played a big role in pushing false rumors that Obama — the country’s first Black president — was not born in the US. He even sent investigators to Hawaii to look into Obama’s birth certificate. Obama later released his birth certificate, calling Trump a ”carnival barker.” (The research has found a strong correlation between “birtherism,” as this conspiracy theory is called, and racism.) Trump has reportedly continued pushing this conspiracy theory in private.
2011: While Trump suggested that Obama wasn’t born in the US, he also argued that maybe Obama wasn’t a good enough student to have gotten into Columbia or Harvard Law School, and demanded Obama release his university transcripts. Trump claimed, “I heard he was a terrible student. Terrible. How does a bad student go to Columbia and then to Harvard?”
Some of you who hear the Suzi Quatro interview on Thursday, June 25th at 7 p.m. on the Bold Brave Media Global Network (or Tune-In Radio) may be wondering how you can find the documentary on her life and her music.
With theaters closed, Utopia Distribution will host a “SUZI Q” virtual event on July 1st featuring the film and an exclusive Q&A featuring Suzi Quatro and Special Guests TBA (available for 24 hours only) in advance of the film’s traditional release on VOD and DVD on July 3rd. To buy your ticket for the July 1st event powered by Altavod, visit:
Suzi Quatro, rock & roll legend, will be calling in to chat on the Weekly Wilson program of Thursday, June 25th. (Bold Brave Media Global Network and Tune-In Radio; 7 p.m. CDT on Thursday.) U.S. audiences often remember Suzi best for her portrayal of Leather Tuscadero on “Happy Days” and her hit “Stumblin’ In,” which rose to #4 on the United States charts.
The official Suzi Quatro documentary feature SUZI Q, which charts the 54-year career of the pioneering female rocker who burst onto the scene in the 70s, is set to (hopefully) open in theaters July 1st and release on VOD and DVD with special bonus features on July 3rd, courtesy of Utopia. I watched it before the pandemic struck. I wonder, now, if the plans to release it in theaters represent yet another hurdle thrown in the way of one of rock and roll’s trailblazing female performers.
It’s a terrific documentary and very entertaining.
Once Suzi Quatro of Detroit City saw Elvis she knew she wanted to be him. In a way, she did become the female Elvis—just not in her own homeland. In the process, she had to overcome some family disapproval, causing her to say, “You’re gonna,’ at some point, pay serious dues.”
Her career was hampered when the man responsible for much of her promotional success, Mickie Most, a promoter who had discovered The Animals and the Yardbirds, quit guiding her career in 1980 with the expiration of their contract. Mickey had urged her to come to England in 1971 when she was just 21 years old. She was the first female bass player to become a major rock star.:1–3
In the 1970s, Quatro scored a string of hit singles that found greater success in Europe and Australia than in her homeland. She reached no. 1 in the UK and other European countries and Australia with her singles “Can the Can” (1973) and “Devil Gate Drive” (1974). Following a recurring role as bass player Leather Tuscadero on the popular American sitcom Happy Days, her duet “Stumblin’ In” with Smokie‘s lead singer Chris Norman reached No. 4 in the US.
Quatro released her eponymous debut album in 1973. Since then, she has released fifteen studio albums, ten compilation albums, and one live album. Her other solo hits include “48 Crash“, “Daytona Demon“, “The Wild One”, and “Your Mama Won’t Like Me”.
Between 1973 and 1980, Quatro was awarded six Bravo Ottos. In 2010, she was voted into the Michigan Rock and Roll Legends online Hall of Fame. Quatro has sold over 50 million albums and continues to perform live, worldwide. Her most recent studio album was released in 2019 and she also continues to present new radio programmes.
This excellent film from Australian filmmakers Liam Fermager (director) and Tait Brady explains, “Suzi was the precursor to Joan Jett.” You could say, “Suzi Quatro was Joan Jett before there WAS a Joan Jett.” This message is driven home by riveting rock & roll footage of Suzi in concert and by such fellow artists as Alice Cooper, Deborah Harry (Blondie), Joan Jett, Cherie Currie (The Runaways), Tina Weymouth (Talking Heads), Donita Sparks (L7), Henry Winkler (Happy Days), Kathy Valentine (The GoGo’s), KT Tunstall, members of the Quatro family, and many more.
“Suzi Q” portrays Suzi as the trailblazer and inspiration for a generation of women musicians to follow. As the film says, “It takes a Suzi Quatro to come along and say, to other girls, this is possible.” Suzi is quoted as saying, “I was waiting for my shot” and “As soon as you make it big, they cut you to pieces. At that time, rock was a male-dominated business.” She also notes, of her work ethic, “I’m obligated to be the best I can be. That’s the attitude I take to my shows. You’re gonna’ get all of me.”
“Suzi Q” is the story of the girl from Detroit City who redefined the role and image of women in rock & roll. She broke through around the world in 1973. Since that year, she has sold 55 million records in a 54-year career. She was singer, songwriter, bass player, author, radio presenter, poet and she is still touring and recording music, with a new album, “No Control,” her 24th album, released in March, 2019.
Suzi started playing in 1964, ’65 and ’66, singing songs with lyrics like: “I’m a red-hot fox. I’m a wild one.”
Quatro moved to England in 1971, after being spotted by the record producer Mickie Most, who had by that time founded his own label, Rak Records. He had been persuaded to see Cradle—the group that included Suzi and 2 of her sisters— by Michael, the brother of the Quatro sisters who had assumed a managerial role. Like many in the record industry at the time, Most was seeking a female rock singer who could fill the void that the death of Janis Joplin had created. According to the Encyclopedia of Popular Music, his attention to Quatro was drawn by “her comeliness and skills as bass guitarist, singer and chief show-off in Cradle.”
When Mickey Most saw Suzi and her sisters—Patti, Arlene and Nancy—playing and singing, he only wanted the cute, petite bass player. That set the family unit on a path of jealous envy. Suzi, herself, says, “You can always look back with regret…It’s important to be validated by the ones you love the most….But when you look at what you have accomplished, you have to realize that the mistake is that people overlooked you. That’s their mistake.”.
Suzi’s look—leather cat-suit—was modeled on the Jane Fonda film “Barbarella.” Suzi had to leave the country she grew up in to make it. Make it she did, but having your record by #1 in Portugal, France, the UK and Switzerland is not the same as making it in the United States. Her self-titled album, although Number One in Australia, only made it to #142 in the U.S. Even today, she lives in Essex, Hamburg (Germany, a country which embraced her), and, sometimes, in Detroit.
In 1974 Suzi came back to tour America, not having been back in 3 years. When she went home, she discovered that all of her clothes and albums in her childhood home had been removed. She played 65 cities in 72 days and opened for Uriah Heep and Alice Cooper on the Welcome to My Neighborhood tour (April 4, 1978). She even made the cover of “Rolling Stone” (Issue #177). But even Clive Davis couldn’t get Suzi’s songs played in the U.S. on radio and, as Joan Jett says in the documentary, “The key to success in the states has always been radio.”
After the Alice Cooper tour of 1974, there was no real push for Suzi’s music and “Stumblin’ In”, which went to #4 in the U.S., was her highest-charting song in her home country.
Suzi spent 3 years (1977-1979) on “Happy Days” as Leather Tuscadero, playing the younger sister of Fonzi’s girlfriend Pinky Tuscadero. In 1980, following the end of her contract with Mickie Most, who had discovered her and nurtured her career, she signed with Chapman’s Dreamland Records. Dreamland Records folded in 1981, leaving Suzi without a record label.
Suzi had fallen in love with her back-up guitarist, Len Tuckey. They were married in 1976, at which point she had spent 5 years abroad. Suzi spent 5 years after their marriage trying to have a child. She succeeded, giving birth to a daughter, Laura, in 1982. Her son, Richard Leonard Tuckey, was born in 1984.
The couple divorced in 1992, after 16 years of marriage. Lenny objected to Suzi’s taking a role in a 1986 production of “Annie Get Your Gun” playing Annie Oakley, saying, “You can’t do that and then sell rock and roll in the United Kingdom.” He added, “She didn’t want anybody holding her back.” Today, Suzi is married to German record producer Rainer Haas, whom she married in 1993.
SUZI Q positions Suzi as the trailblazer and inspiration for a generation of women who were to follow after her in the next decade, but whose trailblazing status was not sufficiently recognized by the music industry and contemporary audiences, especially in North America.
The documentary SUZI Q reminds contemporary audiences of her pioneering influence, white-hot talent and string of incandescent rock hits (CAN THE CAN, 48 CRASH and DAYTONA DEMON) that were the vehicle for her explosion of gender stereotypes in rock n roll. She rewrote the rule book for the expected image of women in rock music and reached millions of people worldwide in the process.
Heather Graham Pozzessere will join me in roughly 4 hours on the podcast “Weekly Wilson” and we will all find out how a woman with 5 children can possibly write hundreds of novels in her spare time.
Heather has been turning out a prodigious amount of work since the 1980s, having retired from her previous jobs as a bartender and working as a back-up singer and in theater. (Heather has a degree in theater from the University of South Florida). We will possibly talk about the uptick in cases of the coronavirus in her fair state (over 3,000 new cases) and the news that the upcoming Republican National Convention is supposedly moving to Jacksonville from Charlotte, North Carolina.
Heather has won several prestigious awards. In 2003, she was given the Lifetime Achievement Award by the Romance Writers of America. She has also been awarded the Thriller Writer’s Silver Bullet for charitable enterprises. Heather also belongs to a number of Writers’ associations, notably among them the Horrors Writers Association and the Mystery Writers of America.
Krewe of Hunters: This series is a beautiful blend of romance and mystery. Key characters in the series are Jackson Crow and Angela Hawkins. Jackson is dogged by the death of two of his teammates. Angela on the other hand is an investigations officer who is endowed with paranormal abilities. She already has her hands full of mysteries to solve when another extremely intriguing death occurs, and she cannot resist the temptation to try and solve it. A senator’s wife is found dead, with all the evidence pointing to the fact that she jumped over a balcony. However, developments in the story make it probable that she was pushed over the balcony. Or is it the ghosts that inhibit this house that was once a torture house that lure the lady to jumping over the balcony? Angela and Jackson try to solve this mystery and in the midst of it all, they find themselves falling deeply in love. They are constantly risking not just their lives, but their immortal souls as well.
I’ve just finished reading “Seeing Darkness” so that novel, more than others, will be up for discussion, but we’ll also talk about when she writes, how she writes, how her writing or promoting might change in this time of the coronavirus and many other topics, including the aforementioned family members.
Should be fun! Tune in on the Bold Brave Media Global Network or Tune-In Radio at 7 p.m. (CDT) on Channel 100. I’ve had family members tell me that the channel kept waivering between 100 and 200. No idea about that. If you have a question, the call in number is 866-451-1451 and be prepared to hold for a rather long time to get in. (We love questions, but the commercial breaks’ ll kill you.) If you miss the program totally, you can go out to WeeklyWilson.com and find a button to replay the program, minus commercials, but it usually takes about 3 days for it to go up, so look for it by the first of the week at the earliest.