Weekly Wilson - Blog of Author Connie C. Wilson

Welcome to WeeklyWilson.com, where author/film critic Connie (Corcoran) Wilson avoids totally losing her marbles in semi-retirement by writing about film (see the Chicago Film Festival reviews and SXSW), politics and books----her own books and those of other people. You'll also find her diverging frequently to share humorous (or not-so-humorous) anecdotes and concerns. Try it! You'll like it!

Worst Blizzards in Chicago History

Here are the statistics on the worst blizzards in Chicago history, going back to the 1930’s and 1920’s.

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After further review and the addition of the storm’s last flakes that fell early Monday morning, the final numbers for the historic Super Bowl Blizzard are in. It is interesting to note that this storm fell exactly three years to the days after the Ground Hog Day Blizzard.

Chicago’s airport storm totals:

O’Hare Airport 19.3 inches (official)

Midway Airport 19.2 inches (Frank Wachowski)

The addition snowfall that fell late Sunday and early Monday morning now makes this storm the city’s 5th heaviest snowstorm.

1. 23.0 inches January 26-27, 1967 The Big Snow

2. 21.6 inches January 1-3, 1999 The New Year’s Storm

3. 21.2 inches January 31-February 2, 2011 Groundhog Day Blizzard

4. 20.3 inches January 12-14, 1979 Blizzard of 79

5. 19.3 inches January 31-February 2, 2015 The Super Bowl Blizzard

6. 19.2 inches March 25-26, 1930

7. 16.2 inches March 7-8, 1931

8. 14.9 inches January 30, 1939

9. 14.9 inches January 6-7, 1918

10. 14.8 inches December 17-19, 1929

“Hellfire & Damnation III” to be Released Officially on March 15th

The new trailer for Book #3 in “Hellfire & Damnation,” the short story series organized around Dante’s “Inferno,” is nearing official release. The e-book is up for sale now, but the paperback will not become “official” until slightly later.

Meanwhile, you can see the trailer for this third edition (“Hellfire & Damnation III”) in the series below:

Circle Three: “The Battle of Gate Pa” (from “Hellfire & Damnation III”)

[This is an excerpt from my new short story collection “Hellfire & Damnation III,” now available for purchase from Amazon in both paperback and e-book versions.]

Circle Three: Gluttony
The Battle of Gate Pa
April 29, 1864

 

IMG_3890 IMG_3894Rawiri Puhirake circulated amongst his Nai Te Rangi New Zealand
warriors.
“Do not talk. Do not speak. Do not whisper. Be as silent as the ghosts
of your ancestors.”
The men were crouched in a rabbit warren of tunnels dug beneath the
surface of the New Zealand hill known as Gate Pa. They had worked on
the site for days, making it nearly invisible to the British, three hundred
of whom would come against them at daybreak. Rawiri knew they would
come. He had guaranteed it. He invited the British to do battle at a certain
time, in that certain place, with a carefully worded message. The challenge
was phrased in excellent English. It was transcribed onto parchment using
elegant calligraphy.
The message, headed Potiriwhi District of Tauranga, March 28, 1864,
read:
To the Colonel:
Friend, salutations to you. The end of that, friend, do you
give heed to our laws for (regulating) the fight.
Rule 1: If wounded or captured whole and butt of the musket.
Rule 2: If any Pakeha being a soldier by name shall be
traveling unarmed and meet me, he will be captured and handed
over to the direction of the law.
Rule 3: The soldier who flees, being carried away by his fears,
and goes to the house of the priest with his gun, even though
carrying arms, will be saved; I will not go there.
Rule 4: The unarmed Pakehas, women and children will be
spared.
The end.
These are binding laws for Tauranga.
By:
Terea Puimanuka
Wi kotiro
Pine Anopu
kereti
Pateriki
Rawiri Puhiraki
Rawiri—who had been well-educated by A.N. Brown and his
wife Christina (and, before Christina, by Brown’s first wife, Charlotte),
missionaries at The Elms—was an outstanding student. He easily mastered
English. He wrote in a beautiful cursive handwriting, inviting commanding
Brigadier General Carey to fight at Gate Pa.
The letter was so succinct in its composition, so grandly executed in
a formal, stilted style, laying out the exact time of day and location of the
battle, that it was tantamount to baiting the Brigadier General. Brigadier
General Carey had, so far, refused to engage in battle with the Maori, other
than defensively.
It was merely adhering to the Rules of War in that day, time and
place. Courtly. Chivalrous. Polite. The Rules of Engagement had been
hammered out in discussion with the signers of the invitation, the authors
of the pact. When, seven weeks later, the brilliant Rawiri was killed in a
different battle, the rules of engagement would be found sewn into the
lining of the coat of Ngai TeRangi (one of the chief authors of the document)
along with these words: “If thine enemy hungers, feed him; if he thirsts,
give him drink.”
The invitation to take up arms was successful. It succeeded in
convincing the British to move militarily against the native peoples of
New Zealand in the Tauranga Campaign. After the courtly invitation to
do battle at Gate Pa, the General was determined to fight to put down the
opposition he termed “savages” and “niggers.”
Missionary A.N. Brown, who had been at The Elms from 1830 (and
remained at The Elms until 1887), had mixed emotions. He was British,
but he and his two wives had come to know the natives well. They had
come to appreciate the Maori. At this point, Missionary Brown had known
the Maori for thirty-four years. He had taught many of them to read and
write English. The Maori were good students. They learned quickly and
were quite clever.
A church—a prominent feature of The Elms—was established to
convert the Maori to Christianity. Therefore, it was with very mixed
emotions that Brown and his second wife, Christina (first wife Charlotte
had died in 1859), hosted a grand dinner for the British officers on the eve
of the battle.
April 28, 1864, The Elms, Gate Pa, New Zealand, Evening
Rather than apprehension about tomorrow’s battle, the men appeared
to be in a festive mood. They feasted in a gluttonous fashion. Suckling pig.
Local produce. All manner of beverages. Good Scotch whiskey. Christina
favored the assembled ten officers with songs on the piano following the
meal.
“Aren’t you fearful that you or some of your men will fall tomorrow?”
Christina asked Brigadier General Carey as they dined. She shivered slightly
as she addressed this sensitive question to the General, seated to her right.
He wiped his mouth with the white linen napkin before responding. His
fingers were greasy from tearing the legs from a small, cooked, quail.
“Pshaw, my good woman. They are a half-naked, poorly armed bunch
of savages, outnumbered ten to one by well-trained British troops. We
have 1,650 men available to us. Only three hundred will march tomorrow.
I doubt if we need that many. We shall bombard them with four batteries
of artillery from a range of 350 to 800 meters for eight hours before we
advance upon the poor devils.”
The General sipped from his cup. He fixed Christina with a look of
utter confidence. Then he continued, “By then, if they haven’t run off, they
will wish they had.” Carey smiled a wry smile. The nine officers listening
at the table chuckled politely in agreement. “In fact, I shall send troops
behind the battlefield, to make sure the savages don’t try to sneak away into
the morning mist and flee to the hills.” General Carey took another drink
from his tumbler of good British ale. His actions conveyed to Christina
that the subject was closed.
The dining room for the feast the night before the battle was no more
than twelve feet by ten feet. Narrow. A shoebox shape. With the table, the
breakfront, the piano and the hutch usually containing Charlotte’s prized
china (displayed there when it wasn’t in use), there was barely room to move
around the outside of the burnished wooden table.
Directly to the left of the dining room was Reverend Brown’s office.
Very tiny. Beautiful wood everywhere. Barely enough room for his desk.
Trophies on the wall, along with guns.
The British soldiers were in fine spirits at dinner that night, gluttonously
relishing the opportunity to consume a fine home-cooked Elms meal.
Unconcerned. Almost nonchalant.
“Tomorrow, we will put down the savages, once and for all,” Brigadier
General Cary said with confidence. The 1,650 men the British had at their
disposal were distributed this way—700 from the 68th Regiment, 420 from
the Naval Bay, 300 from the 43rd Regiment, 50 from the Royal Artillery and
180 from, variously, the 12th, 14th, 40th, and 65th regiments. The natives were
badly outnumbered. The British had vastly superior weapons.
Addressing the subject of the battle that was to come on the morning
following this sumptuous feast, Brigadier General George Cary said, “We will
move on them at daybreak. We have four batteries of artillery. In addition to
the 110 pound Armstrong gun, we have two forty pounders and two six pound
Armstrong guns. In addition, we have two 24-pound howitzers. Two eight inch
mortars. Six Coehorn mortars. What do the savages have? knives? Rocks?”
The British officers laughed openly at the last dismissive remark. The
mood on the eve of battle rivaled that of the Mexican troops under Santa
Ana at the Alamo. The Mexican troops had reveled the night before their
assault on the fort with mariachi music, the festive strains drifting back to
the defenders of the San Antonio Fort. The British officers this night did not
have an accurate impression of the enemy they would face on the morrow,
nor did they give the Maori the respect that they deserved.
Rawiri Puhuraki, the great Maori strategist, continued to rally his
troops throughout the night. He moved amongst them stealthily as they
crouched in their trenches, waiting patiently. Rawiri urged complete
silence.
“Do not let them know where we are. Do not let them know how
many we are. keep perfect silence until I give the signal to fire. Now, who
will go with me to take the white picket fence that surrounds the garden
at The Elms?” asked Rawiri.
Rawiri smiled as two eager young volunteers jumped up to join him.
The three Maori approached under cover of darkness. They quietly
dug up the white picket fence that surrounded a vegetable patch. The tinny
piano playing of Christina Brown wafted from the open window while the
natives worked silently under the full moon, and the officers inside gorged
themselves while listening to the playing of their hostess.
The Maori carried the fence back to the ramparts of their home-made
trenches, aligning the sharpened planks so that any advancing soldier would
have a sharp, pointed stake aimed at his mid-section to navigate before he
could move on to breach the Maori trenches. As the Maori re-buried the
fence, they smiled with pleasure at the irony of their action. They were
using a picket fence from British property as a weapon against those very
British. Rawiri was amused. He was filled with great good humor at the
justice of turning a picket fence belonging to the enemy into a weapon to
be used against the enemy, all while tomorrow’s combatants supped within
The Elms, singing songs, eating, and sipping tea.
The officers within The Elms with the Browns continued to enjoy
the wild boar, suckling pig, wild turkey, quail, British wines and whiskeys
imported from London, and other delicacies of the house. The ten officers
left the table quite full of themselves in both body and soul.
The next day, only one of the officers sitting at The Elms table on April
28th would still be alive. The medical officer was the sole surviver.
April 29, 1864, Dawn, Gate Pa, New Zealand
The British began the battle at dawn by shelling thirty tons of metal
at the enemy for a full eight hours. The Maori, however, for the first
time in recorded wartime history, creatively had improvised trenches.
This technique would later be used extensively in World Wars I and II.
The heavy artillery shells sailed harmlessly over the trenches where the
Maori silently crouched, awaiting the advance of their opposition. The
Maori prepared for the moment when the enemy soldiers would enter
the killing Zone.
Although fifteen Maori died, the battle was pronounced a rout for the
British. It was considered a disaster by British standards. Local newspapers
reported that the British forces were “trampled in the dust by a horde of
half-naked, half-armed savages.” One paper described the Maori battle
plan as “a remarkable tactical ploy, brilliantly implemented as well as
brilliantly conceived.”
The British did not anticipate that their artillery would sail harmlessly
over the heads of their opponents. Soon, the unsuspecting Brits were
engaged in hand-to-hand warfare with courageous Maori warriors
decorated with the striking tattoos of their tribe. The re-purposing of the
white picket fence from The Elms proved to be just one of many hurdles
that caused the troops to become paralyzed with fear. If they could find a
way out, they streamed from the killing Zone in frantic retreat.
All the other officers, wounded, dying or already dead, would be
brought back to the small house at The Elms, a building roughly large
enough for ten people to inhabit at once. Eighty wounded men were cared
for in the house. Most of the soldiers would be placed on the grassy lawn
outside. Thirty-one of the British soldiers would die, nine of them the very
same officers who had dined in such splendor the night before the battle.
Among them was an officer named Hamilton.
After the British infantry marched into the maze of pits covered over
with raupo shares (a New Zealand bulrush, Typha orientalis, with sword-
shaped leaves, traditionally used for construction and decoration), they
began to die. They marched two deep. Sailors on the right. Side-by-side
under the breast of the hill until they were seventy yards from the Maori
trenches. There they halted.
Hamilton exhorted the men, “Steady now, men. This will all be over
soon.” Hamilton was right. But his prediction of an easy British victory
was incorrect. Like the other soldiers, he was oblivious to the true nature
of the enemy.
A member of the First company, Glover Garland, described Maori
warriors, decorated with war paint and provoking fear by their very
appearance, poking their rifles out of the trenches when only three yards
away. They killed many of the British soldiers, inflicting fatal head wounds.
Captain Hay from the ship the Harrier was critically wounded. Bob Glover
found his younger brother suffering from a major injury to his head, a
nearly crushing blow above his left ear. Bob began shouting over the din,
his voice reflecting shock and fear, “Will no one help my brother?”
Utterton of the Second company and Hamilton and Clark of the Third
company and Moran and young Glover of the Fourth company: all lay
dead. Hamilton—who had reassured the men just moments before—was
on his back, a gory corpse. When young Glover was lifted up amidst all the
confusion, his brains were clearly visible spilling from his gaping head wound.
“It was so hot,” Bob Glover said later. “So hot. The men were paralyzed
with fear. They didn’t expect anything like this. They didn’t know whether
to retreat or to press forward.” Sergeant Major Vance lay face-down in
front of them, dead and grotesquely disfigured. Corporal Booth could be
heard moaning, “Don’t leave me! Don’t leave me!” His comrades in arms
were trying to find a way out of the maze. Amidst the heat and panic and
sound of gunshot, all was chaos. Confusion.
Hamilton, one of The Elms officer dinner guests, had tried valiantly
to rally the bewildered, panic-stricken men. He seized a rifle. Held it
aloft. Shouted, “Come on, Men! Follow me!” As Hamilton uttered the last
sentence, he was fatally shot, collapsing as quietly as he had hitherto been
loudly exhorting his troops.
It was a terrible defeat for the British, but a wonderful victory for
Rawiri Puhurike and his Maori natives. What made the victory even more
gratifying was the code the natives had agreed upon before the battle.
The human rules of engagement that the so-called “savages” imposed on
themselves and on the British did not go unremarked. The Maoris’ gallant
behavior under the leadership of the forty-year-old Rawiri later influenced
the colonial governor to permit the Maori to keep their lands and live
peacefully amongst the British.
Thirty-one of the British were killed. Eighty were wounded, including
nine of the ten officers who dined the night before the battle with the Browns.
Only fifteen Maori were killed. The Battle of Gate Pa became known as “the
single most devastating British defeat in the New Zealand Wars.” Later, word
spread that some of the Brits were cut down by friendly fire as they circled
behind the trench area, as ordered by their commanding officers.
The great Maori chiefs, (Ngai Te Rangi, Te Reweti, Eru Puhirake,
Tikitu, Te kani, Te Rangihav, Te Wharepouri and the master tactician,
Rawiri Puhirake) agreed, seven weeks later when the British returned
to New Zealand’s Bay of Plenty and resumed the Tauranga Campaign,
to cease fighting. At that battle seven weeks later, Rawiri was killed. The
chief architect of the Rules of Engagement also died in the fighting. The
turnaround from the May battle convinced the Maori to agree to terms in
order to stop the slaughter.
Make no mistake: the Maori won and revolutionized warfare forever.
The bellicose Brigadier General George Carey agreed, after the Battle
of Gate Pa, that defensive action, only, might be the better, wiser course
of action. He had not expected to face an opponent so fierce, smart and
fearless.
Not only had the Battle of Gate Pa introduced the world to trench
warfare for the first time (just as the Battle of Ypres in World War I was the
first use of chemical warfare), but the primarily peaceful Maori agreed to
lay down their weapons “if we can have full claims over our lands and the
Governor will promise to see that no harm befalls us.”
Unlike the American Indians of the western United States, promises
made to the Maori were kept. The fighting ended with peace in New
Zealand, a new-found respect for the native inhabitants, and an entirely
new way of warfare that would endure forever.

New Short Story Collection, “What Solomon Saw” by Mary Dean Cason

HeadShotMary Dean Cason and I were students together in Dr. Barbara Croft’s Short Story Writing Class at the University of Chicago over 10 years ago. The class was full of many good writers with a vast array of talent. (I thanked each one, by name, in Volume I of “Ghostly Tales of Route 66.”) There were retired newspaper writers and editors, the chief attorney for Kraft Foods (who has gone on to write a children’s story), retired educators like me, and a host of others.
Mary Dean’s stories were always among the best. We once stopped for a drink at the nearby Sheraton, discussing our works-in-progress, and I wished that Mary Dean lived closer to the city, because I knew no one in Chicago.
After a few classes, Dr. Croft took me out in the hall and quietly said, “You already know all this stuff. Just go home and write.” It is true that, during my college years on campus at the University of Iowa, I had been exposed to Kurt Vonnegut (interviewed him when I was 18), John Irving (classmate), Nelson Algren and David Morrell, but I was usually auditing those Writers’ Workshop classes with a 19 Journalism number, not the 8 English number. Back then, a callow youth, I really didn’t have anything worth making up a story about, let alone sharing any of the life experiences that give Mary Dean’s stories depth.
I’m not sure Dr. Croft was right. It is true that by 2004 I had been teaching other people to write for 33 years at levels from 7th grade up, including at six Iowa or Illinois colleges. But I had never “written long” (short stories, novels), although I’d read a lot of great literature as an English major with no minor. [My college major was Journalism until my junior year, when I switched to English and Education, finishing my Master’s at Western Illinois University.]
After our one class together, Mary Dean went on to study in the University of Chicago’s certificate program and many others, winning awards for her work.
Perhaps that is what I should have done, but I just went home and started making myself sit down and write.
In other words, I followed Dr. Croft’s advice, although I did take one more class on Novel Writing from Patrick Somerville, who is now writing for “The Bridge” on television and previously wrote for “24.” Twenty-two books or e-books later—3 within the past week— I’ve just read Mary Dean’s debut short story collection, “What Solomon Saw” and enjoyed her stories immensely, just as I did 10 years ago in Dr. Croft’s class.
So, we’ve both been very busy, but in different ways working towards the same goal: literary excellence. Hopefully, readers will agree that we’ve each come a long way, (Baby).
Mary Dean has drawn on her North Carolina roots to gather eleven short stories into a debut collection entitled, “What Solomon Saw.”

Solomon, for those curious about the title, is a 300-year-old willow oak in North Carolina. At least 5 or 6 of these stories Solomon could not have “seen” because those stories are set in other parts of the world (“Girl Interrupted at Her Music,” “A Split in the Seam,” “Avalanche,” “The Penitent” and “A Whore for Thursday.”) I hope the critics that savaged my “Laughing through Life” reminiscences of my days as a young wife and mother, moving through time up to the present day, don’t dissect and criticize Mary Dean’s decision to write stories about places and times other than the North Carolina of her youth. Every writer should be able to write across a broad spectrum, and confining Mary Dean Cason’s observations to just her North Carolina roots, while tempting, would put her in the same category as Nora Steele of “Girl Interrupted at her Music” who says, “I can’t be a prisoner. None of us can.” I have fought against this tendency to pigeon-hole writers for a decade, and I shall continue to fight the good fight, both for Mary Dean Cason and for myself.
Write what you want and what you feel and what you feel like writing and to thine own self you will be true (to roughly rip off Shakespeare).
But I will say that those stories that draw on her Southern roots and the South of Broad that Pat Conroy wrote about were the best in the book, for me. I’ll be waiting for her North Carolina-influenced novel, which is sure to follow. What I like best about Mary Dean’s stories is that SOMETHING HAPPENS. None of these wimpy plots involving a bunch of people going on a picnic or 300 pages describing a bicycle leaning against an ivy-colored wall (both actual instances whose authors shall remain nameless). SOMETHING HAPPENS!
Hallelujah!
And the”something” is interesting and well-described and leaves you wanting to know more about the characters.
Maybe it’s just because, a native Iowan, I know nothing of pluff mud (“Rich As Pluff Mud”) , but I look forward to Mary Dean’s taking the many Southern characters she has sketched so well in these short stories and watching her weave them into the tapestry of a novel. It seems as though characters like Jack Tree and Libby Gordon and Mildred Tatum are assembling themselves and crying out for novel-length treatment.
But I digress. (Which, if I’m being honest, I’m often criticized for, also).
Let’s examine the first story in the book, “What Solomon Saw,” in which our narrator is Martha Johnson, the younger sister of 13-year-old Lester Johnson, who, as the author tells us in the opening line, is eager to get a gander at Libby Tatum’s breasts. (“More than anything in the world, Lester Johnston wanted to see Libby Tatum’s titties.”)
I hate it when reviewers give away my entire plot in a review, especially if it has an unexpected ending, so I’ll simply say that this one has echoes of the novel “The Help.” It is set against the backdrop of the sixties with lines like, “For many things were changing: coloreds to black, flat chests to bosoms, a Catholic was running for president and my brother was becoming somebody I didn’t recognize.”
As the plot makes clear, “Everything changes. It’s the only thing you can count on.” This story provides the cover image and the first line, alone, will suck you in.
Story #2: The Army Jacket
Jack Tree’s place—a restaurant—figures prominently in this one with Mary Alice, the cook and Jasper Lee Pinewood (“Piney”), her ne’er-do-well jealous husband, thwarted by Walter Johnston, who happens to be in the restaurant with his family at a key juncture. The first of more than one tale of a woman who is at the mercy of a bully but is brave enough to stand up to that bully. Beleaguered womenfolk and dealing with grief resonate in these eleven stories, in various oft-repeated ways.
Story #3: Oh! Canada
Although this one departs from the rich Southern tales and takes us into the world of organized crime and one couple’s attempts to escape it, there are some great lines:
“I’m ready to leave your family behind…and I ain’t gonna’ miss mine either.”
“…he had a smile that had been bruised and battered but wanted bad to beat, even if it had to bleed its way back to life.”
“You rub up against a guy and he thinks you’re just dying to do him.”
(From Loretta, one of the two main characters): “I can’t fuck you, ‘cause it’s against my morals for a first date. And I won’t blow you, ‘cause it’s dirty, but I’ll pull you off and you can touch me anywhere you like. OK?”
“…was it that long ago that she felt free?” (Loretta, thinking back to when she was eight.)
Story #4: “Rich as Pluff Mud”
Some rich, well-drawn characters here, best represented by Elizabeth Tatum Gordon, who is infertile and yearns for the ability to bear children that Addison McMahon, who married money, takes for granted. “The fact that Addison McMahon could do that very thing so easily, an announce it so casually, and be so annoyed by it, burned a hole in Libby like a cigarette that stayed lit until it came out the other side of your hand.”
Libby, who is thin and gorgeous, yearns for children: “Month after month, there was a bloody reminder of the barren wasteland she called her body.” Somewhat depressed about this and over-served, Libby behaves badly at a party. (“Libby, you’re a sin just waiting to happen.” “The crowd was growing and Libby was well aware she was the show.”)
Addison, the plump pregnant hostess, takes umbrage at her guest’s behavior. “Addison didn’t have an ounce of humor, but she had tons of bitter.” As the story notes, “A strategic whisper” and the country club you thought you were a member in good standing with will cut you dead. (Boy, will they ever! Don’t run afoul of the Queen Bee(s) of your local social circle!)
Another story set in Charleston, referencing class distinctions, new money versus old, and Gullah, the old slave language and culture of the area.
Story #5: “Speckled Bird”
Yet another abused woman makes an appearance: Bailey Rose Abernathy Dunham of Carolina Preserve (an area between Asheville and Greenville.) Bailey’s plight reminded me of a supposedly true story I read about the matriarch Rose Kennedy, who showed up at her father’s doorstep as a newlywed, miserably unhappy with her marriage to the philandering Joseph P. Kennedy in their early years as a couple, and was promptly sent home and told to do her duty as his wife.
The description of a husband who is “mean as a snake one minute, talks sugar and rose petals the next—” brings the disclosure that Bailey Rose “learned to be just like mercury—fast and slipping out and hiding the who of me.”
Another great line: “Nothing says loving like a 9-millimeter Italian handgun.”
Buy the book to find out if that handgun is used and, if so, by whom and on whom or what.
Story #6: “Girl Interrupted at her Music”
Based on the 17th century Vermeer painting, this one leaves the Southland and journeys to Scarsdale, telling the tale of Nora Kanter Steele and Barbara Steele, her mother-in-law, who have a basic disagreement about what should happen to some frozen embryos after Nora’s beloved husband (and Barbara’s son), David Steele, dies on 9/11 in the Twin Towers.
Nora goes through some understandably rough times dealing with her grief, but “Nora knew that she had separated from the world, but she had not broken from herself.” Nora must stand up to her overbearing in-laws, telling Barbara, “I can’t be a prisoner. None of us can,” and is less-than-admiring of Barbara’s “take charge” attitude, saying, “I wasn’t so sure I could handle your handling it.”
What will become of the children frozen for a future family, now that David is gone?
Story #7: “A Split in the Seam”
I’ve written a lot of ghost stores over the course of collecting “Ghostly Tales of Route 66.” The project has grown ever more diverse with 3 paperback volumes and soon-to-be seven e-books of same.
This story takes on spirits visiting an adult child who may need their emotional support (Amelia and Thad visit Tess Delaney). It was interesting to me as (yet another) way of describing what “spirits” and “ghosts” may be—if they exist. Quote: “Leak through—like a seam in a curtain that kind of—splits sometimes.”(*Full disclosure: I’m not one of those people with tons of equipment taking pictures of orbs and ranting; I was hired to collect the stories and I tried to make them interesting and remain non-judgmental about the existence or non-existence of ghosts and spirits.)
Story #8: “Avalanche”
Another story of love and loss, this time involving Olivia and Jonathan and Ben and Peter and Cynthia Murphy. A recurring theme is loss and grief. “We revel quickly in joy, but grief, she was discovering, takes its time before it crushes.” A nicely turned surprise ending of sorts after the death of Olivia’s husband in an avalanche.
Story #9: “Liar, Liar”
Some semi-comic moments in this tale of a woman (Louise Wilson, wife of Charlie Wilson) who just can’t tell the truth. She wants to have a face-lift and does so, arranging everything so there will be secrecy, only to learn while in recovery that her mother has suddenly died.
Learning this news while black-and-blue, totally unprepared to be seen in public, Louise says: “I had a funeral in front of me. I was just wishing it were mine.” This story made me think of an episode of “Sex & the City” where Samantha unwisely had a facial peel right before a big social event.
Story #10: “The Penitent”
Set against the backdrop of the World War, a nurse (Catherine) goes off to help at the front, leaving behind her severely wounded soldier husband. “She knew that obligation and comfort were a poor substitute for passion.” There, Catherine meets someone she could madly and passionately love, against the dramatic backdrop of the war in progress.
But there are complications. (Aren’t there always?)
Story #11: “A Whore for Thursday”
Frank Pella dies and his widow, Gina, learns some unsettling facts about how, where and why her loving accountant husband, Frank, was spending his Thursdays for the past 30 years.
Conclusion:
I think you will like this debut collection which I heartily recommend, enjoying the imagery and lyrical turns of phrase, with enough plot twists to surprise and entertain.
Now we’ll all be waiting for the North Carolina novel.

Musings on Academy Award Nominees One Day Before They Are Announced

AMC Theater, Chicago, 50th Annual Chicago Film Festival.

AMC Theater, Chicago, 50th Annual Chicago Film Festival.

It’s one day before the Academy Awards nominations are officially announced, and I’d like to put my 2 cents’ worth in, before the experts weigh in.

It seems a foregone conclusion that we are going to see “Boyhood” nominated for many things, including “Best Picture.” I was driving along when a radio disc jockey who had just viewed the Golden Globes asked his listeners to let him know if he should rent “Boyhood” or stream “The Affair” that night, not having seen either. I wanted to call in and tell him to view the latter, because “Boyhood,” while a great achievement in following the real people for so many years, was meandering, overlong (2 hours and 45 minutes) and not that riveting. That said, Patricia Arquette and Ethan Hawke did well with the material and it would not surprise me to see them be nominated, either.

Four other films that we can expect to see mentioned and nominated in various categories are “The Theory of Everything,” the bio-pic about Stephen Hawkings that makes him come off as a bit of a cad, I thought; “The Imitation Game,” with Benedict Cumberbatch; “The Grand Budapest Hotel” with Ralph Fiennes; and Michael Keaton and/in the film “Birdman.” I expect that “The Theory of Everything” with Eddie Redmayne, who portrayed Hawkings, or Cumberbatch, who portrayed the computer genius at the heart of cracking the “Enigma” code, will win the Oscar, and deservedly so, but I was wrong about a lot of categories at the Golden Globes just past, and now we have Clint Eastwood eking out a Director’s Guild nomination (DGA) for “The Sniper,” which does not start playing till tomorrow.

Another category that seems to be wide open is Best Foreign Film. At the October Chicago Film Festival, all the buzz was about France’s entry “Force Majeure” and Israel’s “The Gett” and neither won the Golden Globe. Go figure.(Of the two, “Force Majeure” was far more entertaining.)

There are so many great performances from actors this year, especially the men. Good luck in picking those to round out the nominees other than Redmayne and Cumberbatch. You might see Bill Murray (who wandered onstage during the acceptance for “The Grand Budapest Hotel” even though he wasn’t in it) for “St. Vincent” and I was and am a fan of Robert Duvall from “The Judge” (who was nominated in the Best Supporting category and did not win the Golden Globe.) Steve Carrell from “Foxcatcher” was mentioned prominently earlier in the season and was nominated for a Golden Globe, also. And what about Ralph Fiennes from “The Grand Budapest Hotel” or Michael Keaton in “Birdman,” who DID win the Golden Globe?

As for women, my personal favorite is Felicity Jones as the long-suffering wife in “The Theory of Everything,” but Kiera Knightley’s scientist helping crack the German code has a shot, and some say Meryl Streep as a witch in “Into the Woods” is deserving, although I think she has had earlier stronger performances and probably will not prevail, if nominated. (*Personal disclosure: the only one mentioned above that I have not yet seen.)  Two others mentioned frequently are Jennifer Anniston for “Cake” (a woman suffering from intractable pain) and Julianne Moore for her portrayal of a professor suffering from early onset Alzheimer’s. Reese Witherspoon is a good bet to be nominated for “Wild,” a film that I found incredibly boring, but one in which Ms. Witherspoon did a credible job of hiking through the desert and teasing us that something might actually happen (which, sadly, it did not.)

I finally did rent “Boyhood” and got exactly what I expected. I can sum up the message as, “Is that all there is?” It will probably win, and my predicting (or preference?) career will take yet another hit.

Tonight, we are going to wade through a Liam Neeson night, with 2 of his older films. He is a seasoned veteran experiencing fame as an action hero late in life, and I couldn’t be happier for him.

If you want to know what the most ENJOYABLE films of the year were, for me, go back a few entries. These were NOT the ones that we’ll see competing for Oscars, necessarily, but I enjoyed them the most. And I’m sure I forgot a few.

We’ll find out tomorrow who gets the nod from the Academy, but the historical brouhaha over LBJ’s actual relationship with MLK seems to have torpedoed whatever momentum that  film had, going in, and it seems that “Foxcatcher’s” miffed Mark Schulz (Steve Carell is frequently mentioned as a Best Actor nominee for that fine film—which needed some editing but was very good) may have done that film a disservice by taking to Twitter to condemn its director (Bennett Miller) and the entire project, supposedly because he didn’t like the homo-erotic vibes that the film did contain.  I was very impressed with Channing Tatum’s and Mark Ruffalo’s acting in the film—more so than Carrell’s, which was more a case of heavy-duty make-up and underplaying than actually excelling in the part. It’s still a good rental and including it in one or more categories wouldn’t surprise me, but the only 2 sure things seem to be “Boyhood” and “The Theory of Everything,” with “The Imitation Game” right up there, as well.

After that, it’s anybody’s guess whether Wes Anderson’s “The Grand Budapest Hotel” or “Foxcatcher” or “Into the Woods” or “The Sniper” or any of a number of fine films (“Night Crawler” with Jake Gyllenhaal; Joaquin Phoenix”s most recent foray into weird portraits, or yet another underdog in the competition) will triumph.

Looking forward to hearing the nominees tomorrow.

Senior Discounts: Read All About It

[ Courtesy of Steve Herman, Aug. 14, 2013]

As I was waiting in line behind an older gentleman at Wendy’s recently,I heard him ask for his senior discount. The girl at the register apologized and
charged him less. When I asked the man what the discount was, he told me that
seniors over age 55 …get 10% off everything on the menu, every day. (But you need to ASK for your discount.)
Being of ‘that’ age myself, I figured I might as well ask for the discount too.
this incident prompted me to do some research, and I came across a list of restaurants, supermarkets, department stores, travel deals and other types of offers giving various discounts with different age requirements. I was actually surprised to see how many there are and howsome of them start at the young age of 50 .
This list may not only be useful for you, but for your friends and family too.
Dunkin Donuts gives free coffee to people over 55 .
If you’re paying for a cup every day, you might want to start getting it for FREE.
YOU must ASK for your discount !
RESTAURANTS:
Applebee’s: 15% off with Golden Apple Card (60+)
Arby’s: 10% off ( 55 +)
Ben & Jerry’s: 10% off (60+)
Bennigan’s: discount varies by location (60+)
Bob’s Big Boy: discount varies by location (60+)
Boston Market: 10% off (65+)
Burger King: 10% off (60+)
Chick-Fil-A: 10% off or free small drink or coffee ( 55+)
Chili’s: 10% off ( 55+)
CiCi’s Pizza: 10% off (60+)
Denny’s: 10% off, 20% off for AARP members ( 55 +)
Dunkin’ Donuts: 10% off or free coffee ( 55+)
Einstein’s Bagels: 10% off baker’s dozen of bagels (60+)
Fuddrucker’s: 10% off any senior platter ( 55+)
Gatti’s Pizza: 10% off (60+)
Golden Corral: 10% off (60+)
Hardee’s: $0.33 beverages everyday (65+)
IHOP: 10% off ( 55+)
Jack in the Box: up to 20% off ( 55+)
KFC: free small drink with any meal ( 55+)
Krispy Kreme: 10% off ( 50+)
Long John Silver’s: various discounts at locations ( 55+)
McDonald’s: discounts on coffee everyday ( 55+)
Mrs. Fields: 10% off at participating locations (60+)
Shoney’s: 10% off
Sonic: 10% off or free beverage (60+)
Steak ‘n Shake: 10% off every Monday & Tuesday ( 50+)
Subway: 10% off (60+)
Sweet Tomatoes: 10% off (62+)
Taco Bell : 5% off; free beverages for seniors (65+)
TCBY: 10% off ( 55+)
Tea Room Cafe: 10% off ( 50+)
Village Inn: 10% off (60+)
Waffle House: 10% off every Monday (60+)
Wendy’s: 10% off ( 55 +)
Whataburger: 10% off (62+)
White Castle: 10% off (62+) This is for me … if I ever see one again.
RETAIL & APPAREL :
Banana Republic: 30% off ( 50 +)
Bealls: 20% off first Tuesday of each month ( 50 +)
Belk’s: 15% off first Tuesday of every month ( 55 +)
Big Lots: 30% off
Bon-Ton Department Stores: 15% off on senior discount days ( 55 +)
C.J. Banks: 10% off every Wednesday (50+)
Clarks : 10% off (62+)
Dress Barn: 20% off ( 55+)
Goodwill: 10% off one day a week (date varies by location)
Hallmark: 10% off one day a week (date varies by location)
Kmart: 40% off (Wednesdays only) ( 50+)
Kohl’s: 15% off (60+)Modell’s Sporting Goods: 30% off
Rite Aid: 10% off on Tuesdays & 10% off prescriptions
Ross Stores: 10% off every Tuesday ( 55+)
The Salvation Army Thrift Stores: up to 50% off ( 55+)
Stein Mart: 20% off red dot/clearance items first Monday of every month ( 55 +)

GROCERY :
Albertson’s: 10% off first Wednesday of each month ( 55 +)
American Discount Stores: 10% off every Monday ( 50 +)
Compare Foods Supermarket: 10% off every Wednesday (60+)
DeCicco Family Markets: 5% off every Wednesday (60+)
Food Lion: 60% off every Monday (60+)
Fry’s Supermarket: free Fry’s VIP Club Membership & 10% off every Monday ( 55 +)
Great Valu Food Store: 5% off every Tuesday (60+)
Gristedes Supermarket: 10% off every Tuesday (60+)
Harris Teeter: 5% off every Tuesday (60+)
Hy-Vee: 5% off one day a week (date varies by location)
Kroger: 10% off (date varies by location)
Morton Williams Supermarket: 5% off every Tuesday (60+)
The Plant Shed: 10% off every Tuesday ( 50 +)
Publix: 15% off every Wednesday ( 55 +)
Rogers Marketplace: 5% off every Thursday (60+)
Uncle Guiseppe’s Marketplace: 15% off (62+)
TRAVEL :
Airlines:
Alaska Airlines: 50% off (65+)
American Airlines: various discounts for 50% off non-peak periods (Tuesdays – Thursdays) (62+)and up (call before booking for discount)
Continental Airlines: no initiation fee for Continental Presidents Club & special fares for select destinations
Southwest Airlines: various discounts for ages 65 and up (call before booking for discount)
United Airlines: various discounts for ages 65 and up (call before booking for discount)
U.S. Airways: various discounts for ages 65 and up (call before booking for discount)
Rail:
Amtrak: 15% off (62+)
Bus:
Greyhound: 15% off (62+)
Trailways Transportation System: various discounts for ages 50+
Car Rental:
Alamo Car Rental: up to 25% off for AARP members
Avis: up to 25% off for AARP members
Budget Rental Cars: 40% off; up to 50% off for AARP members ( 50+)
Dollar Rent-A-Car: 10% off ( 50+) Enterprise Rent-A-Car: 5% off for AARP members Hertz: up to 25% off for AARP members
National Rent-A-Car: up to 30% off for AARP members
Overnight Accommodations:
Holiday Inn: 20-40% off depending on location (62+)
Best Western: 40% off (55+)
Cambria Suites: 20%-30% off (60+)
Waldorf Astoria – NYC $5,000 off nightly rate for Presidential Suite (55 +)
Clarion Motels: 20%-30% off (60+)
Comfort Inn: 20%-30% off (60+)
Comfort Suites: 20%-30% off (60+)
Econo Lodge: 40% off (60+)
Hampton Inns & Suites: 40% off when booked 72 hours in advance
Hyatt Hotels: 25%-50% off (62+)
InterContinental Hotels Group: various discounts at all hotels (65+)
Mainstay Suites: 10% off with Mature Traveler’s Discount (50+); 20%-30% off (60+)
Marriott Hotels: 25% off (62+)
Motel 6: Stay Free Sunday nights (60+)
Myrtle Beach Resort: 30% off ( 55 +)
Quality Inn: 40%-50% off (60+)
Rodeway Inn: 20%-30% off (60+)
Sleep Inn: 40% off (60+)
ACTIVITIES & ENTERTAINMENT :
AMC Theaters: up to 30% off ( 55 +)
Bally Total Fitness: $100 off memberships (62+)
Busch Gardens Tampa, FL: $13 off one-day tickets ( 50 +)
Carmike Cinemas: 35% off (65+)
Cinemark/Century Theaters: up to 35% off
Massage Envy – NYC 20% off all “Happy Endings” (62 +)
U.S. National Parks: $10 lifetime pass; 50% off additional services including camping (62+)
Regal Cinemas: 50% off Ripley’s Believe it or Not: @ off one-day ticket ( 55 +)
SeaWorld, Orlando , FL : $3 off one-day tickets ( 50 +)
CELL PHONE DISCOUNTS :
AT&T: Special Senior Nation 200 Plan $19.99/month (65+)
Jitterbug: $10/month cell phone service ( 50 +)
Verizon Wireless: Verizon Nationwide 65 Plus Plan $29.99/month (65+).

MISCELLANEOUS:
Great Clips: $8 off hair cuts (60+)
Supercuts: $8 off haircuts (60+)
NOW, go out there and claim your discounts – – and remember — YOU must ASK for discount —- no ask, no discount.
I Know everyone knows someone over 50 please pass the one on!!!!!
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********

*Some independently owned businesses may not honor the above.

Walgreens has a discount on the first Tuesday of the month.

IHOP is buy one, get the second free meal between 3-6 pm daily age 62+.

Culver’s is 10% at age 60.

Www.aarp.com will give the complete list

AARP – Health, Travel Deals, Baby Boomers, Over 50, Online Games,…
AARP.ORG

Kroger discount has changed to 5%off every Thursday.

 

 

Our Health Care System Today from Steven Brill, Who Wrote the “Time” Article

The gentleman who wrote the riveting “Time” article on spiraling health care costs recently had to have open heart surgery for an aortic aneurysm.
In the new issue of “Time,” (Jan. 19, 2015) Steven Brill shares some of his firsthand experience(s) with our health care system—specifically at New York’s Presbyterian Hospital.
I share some fascinating factoids that Mr. Brill lists in that article below:
1) We spend $17 billion a year on artificial knees and hips, which is 55% more than Hollywood takes in at the box office.
2) America’s total health care bill for 2014 was $3 trillion.
3) America’s total health care bill of $3 trillion in 2014 was more than the next 10 biggest spenders combined (Japan, Germany, France, China, the U.K., Italy, Canada, Brazil, Spain and Australia.)
4) There are 31.5 MRI machines per 1 million people in the U.S., but just 5.9 million per 1 million in the U.K.
5) We spend $85.9 billion trying to treat back pain, which is as much as we spend on all of the country’s state, city, county, and town police forces. Experts say that as much as half of that is unnecessary.
6) 1.5 million people work in the health insurance industry while barely half as many doctors provide actual health care.
7) The President of the New Haven Health System makes much more than the President of Yale University.
8) The President of the supposedly non-profit hospital where Brill was treated, Steven Corwin, makes $3.58 million a year.
9) A box of gauze pads costs $77 and a routine blood test can cost hundreds of dollars.

The rest of the article concerns Mr. Brill’s suggestions for “fixing” the broken system. I won’t steal all his thunder by revealing what he suggests, but all the facts above made me think of an interesting conversation I had with a journalist from Spain in the Press Room of Belmont University in Nashville just prior to the Belmont Town Hall Meeting, who was marveling at how a nation like the United States had no universal health care for its citizens.

Of course, thanks to Barack Obama, we now do have a system, which the Republicans now in power are intent on dismantling.

Obamacare may have its flaws. However, it is the best it has been for the uninsured in some time, so thanks, President Obama. And thanks, too, for the $1.99 gas I saw at the Phillips Station on Kennedy Drive tonight!

Two New Route 66 E-Book Offerings Available Now

Some time ago, I traveled most of Route 66 with my husband and wrote 3 volumes of Ghostly Tales of Route 66 for Quixote Press.

Years after the initial publication of the paperback ($9.95) and the E-book that contained all of Volumes II and III, I have begun breaking out the individual states along Route 66, because I removed the pictures when I had the book converted to an e-book, and priced it too expensively (although getting TWO $10 books for $9.95 seemed like a good idea, at the time.)

These new state-by-state e-books have many more pictures than the original e-book, and will periodically go on sale for 99 cents as they are released. Right now, only one state is up: Oklahoma. Also, I used only the Oklahoma stories that appeared in paperback in Volume II, although there are also Oklahoma stories in Volume I. That is because the Fort El Reno Ghost Tour was the centerpiece of Volume II, and that is where I got an actual “ghostly orb” picture (among many others).

I combined the states of New Mexico and Arizona, because I did not have enough stories from New Mexico. But that volume is still plenty long for that plane trip and there are many pictures. It is entitled “Ghostly Tales of Oklahoma: Route 66” and the new book is “Ghostly Tales of New Mexico & Arizona: Route 66.”

The original e-book with the ’57 Chevy fin in red will probably go back up in due time, but, for now, I’m working on the individual states, and next up will be Texas, after the New Mexico/Arizona compilation.

No press release or publicity, yet. I’m waiting until I have more states out there in e-book format.

I remember being at an authors’ gathering at the East Moline Library and I was selling a different book when a gentleman approached me and said, “And the Route 66 ones are good, too!”  The original Volume I was Chicago to Oklahoma. Volume I was Chicago to Oklahoma. Volume II was Oklahoma to Arizona. Volume III was Arizona to the coast.

Check them out in e-book format if that is your desired format. The website is www.GhostlyTalesofRoute66TheBook.com.

New Review from “Legend in Dark Fantasy” for KHAKI=KILLER

KHAKIKiller[From the online magazine “Nameless” by William F. Nolan (“Logan’s Run”) comes this brand-new review of KHAKI=KILLER]:

 

Here is book three in Connie Wiilson’s award-winning  paranormal thriller series, following The Color of Evil and Red Is for Rage.

The story is set in a high school (Sky High High School) in Cedar Falls, Iowa, and the complex plot involves a serial killer, kidnap victims, a pregnant teenager, a dying girl, a climactic Mano-a-Mano fight on a bridge, a collapsing staircase, and a main protagonist (Tad McGreevy) who possesses a special power (Tetrachromatic Super Vision) that allows him to read good or bad auras.

Wilson keeps the action moving briskly in a tight time frame from December of 2004 into June of 2005.

Having been a teacher for more than 30 years, she knows her subect. (Her first book, in 1989, was a volume on teaching for Performance Learning Systems, Inc.)

Says Wilson, “My true inspiration for this book was a double homicide that took place in the real-life setting of Cedar Falls, Iowa.”

Wilson’s style is non-intrusive, grounded and smooth.  It more than gets the job done in holding a reader’s attention from front page to last.

I’d advise you to grab a copy of Khaki = Killer for yourself and one for the teenager in your family.

Trust me: you won’t be sorry.

(William F. Nolan, reviewer, and author of “Logan’s Run,” Nightworlds” and numerous other novels and short stories.)

Most Enjoyable Movies of 2014

Let me begin this rant by admitting that I did not go see “Boyhood,” on purpose. I spoke with a close friend who said it was boring, pretty much unscripted and rambling, although an interesting concept.  I decided that the perfect way to see it would be when I had the ability to fast forward through the boring parts—which, to hear this extremely well-versed movie fan tell it—was most of the film.

 

The other film I missed that many like was the “Lego” movie.

Unfortunately, I did not miss “Guardians of the Galaxy.” I insisted we rent it, despite my instinct that it was going to be really uninteresting in that overly CG way. I became very bored very fast. So did my spouse.

I’ve been reading the “Best Movies” lists printed in magazines like “People,” “Entertainment Weekly” and “Time.”

Wow. These lists are absolute crap, for the most part, especially “Time’s. Here are the films “Time” listed as “Best” of 2014:

“The Grand Budapest Hotel” – mildly amusing. Definitely not THAT great!

“Boyhood” – See comments above.

“The Lego Movie”   – ” ”

“Lucy” – Been there. Done that. An interesting premise, but not a “best” of this or any other year.

“Goodbye to Language” – WHAT?

“Jodorowsky’s Dune” – Say What, again?

“Nightcrawler” – the first film on this list I can get behind.

“CitizenFour” – This doesn’t really seem like it belongs on a movie list, being about Edward Snowden and more accurately a documentary.

“Wild Tales” – Uh—–no.

“Birdman” – This one has everyone buzzing about its Oscar potential, and there is no question that the acting is uniformly great and should be rewarded. Otherwise, the long tracking shot? Meh. The drummer instead of a real soundtrack? Annoying. It did raise some important topics, such as critics and their biases, and discussed them well, so it does have that going for it, but it was definitely not one of my most enjoyable films of this year.

Here are 10 or so that were:

“The Imitation Game” – This British film is far and away the most superlative production I saw this year, with a performance by Benedict Cumberbatch that deserves the Oscar for Best Actor.

 “Gone Girl” – Well done all the way around. Absorbing. Haven’t read the book, but loved this movie.

“Night Crawler” – the only movie on “Time’s” list that deserves to be there. Jake Gyllenhaal does himself (and us) proud as the skeevy sort who profits from taking pictures of accidents and murders and other seamy things in a dingily-lit Los Angeles. .

“The Fault in Our Stars” – Yes, it’s weepy , but it is wonderfully weepy and I saw it 3 times.

“The Judge” – I am still trying to figure out why other critics felt it necessary to rain on Robert  Duvall’s (and Robert Downey, Jr.’s) parade by belittling the female roles and not thoroughly enjoying this tour de force acting class for its wonderful plot.

“The Theory of Everything” – The movie, itself, moved slowly at times, true, but Eddie Redmayne’s acting was terrific, as was Felicity Jones’ as his wife. Nominations, for sure.

“Foxcatcher” – This one needed some editing, but Steve Carrell’s performance is a revelation, as is Tatum Channing’s.

“The Drop” – Our last chance to see Tony Soprano (James Gandolfini) in a wonderful film.

“Get On Up” – Chadwick Boseman playing James Brown not only acted, but danced his heart  out, but I think it was released too early. I also would mention “Selma,” which I have not yet seen.

For the last couple of films of 10 , I’d run in “The Well,” due out in May, a film by new-comer Tom Hammock about a post-apocalyptic world where water is the most precious commodity. Also, since documentaries seem to have made “Time’s” really bad list, we might add “The Look of Silence,” about the massacre of over a million Filipino men and women suspected of being Communists in the 60s, killed by their own neighbors. [For more about this riveting documentary, check the archives of Weekly Wilson.]

Others I enjoyed:  “Whiplash,” “November Man,” “Dawn of the Planet of the Apes,” “Force Majeure” (foreign film). I’ve heard great things about Julianne Moore’s performance as Alice, who is suffering from early-onset dementia and about “Cake” (Jennifer Anniston) and “Into the Woods” (Meryl Streep) but these I have not yet viewed.

Highly over-rated was the actual film of Reese Witherspoon walking across the desert (“Wild”). Yes, Reese, herself is good and deserves a nomination but the film was not interesting; I found myself checking my watch at intervals, which is never a good sign. Plus, nothing ever really happens, despite many teasing situations. I did not enjoy “Life Itself” which follows us through the final, agonizing days of Roger Ebert’s tortured battle with cancer. I cringe thinking of it even now. “Interstellar” was going along well until the confusing and unsatisfying  end, and Israel’s “The Gett” (foreign film) about a woman seeking a divorce was boring, boring, boring. “Snowpiercer” had a few moments, as did “A Walk Among the Tombstones” (Liam Neeson) but just avoid all the movies “Time” singled out, unless you are a real masochist and want to be terminally bored by 80% of them, with the exceptions noted above.

 

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