Category: Politics Page 1 of 16
I am writing to once again mention the ONE DAY sale (e-book) for $1.99 for “Obama’s Odyssey: The 2008 Race for the White House,” Vol. I, that is happening on January 5, Saturday, tomorrow.
I seldom use this space to advertise my own books (although it is said that I should), but I’m feeling distinctly nostalgic for “the good old days,” before Russian troll farms, when religion, politics and how much money one made (or didn’t make) was off the table for public discussion.
The e-book version of Volume I is (normally) priced at $4.99 and, if you would like it in paperback, the price was $14.95 on Amazon. There are numerous pictures that appear nowhere else (mine) and the blog entries from the run-up to the selection of the candidates to run in the 2008 election (i.e., Obama and McCain).
Volume II goes on to actually chronicle the presidential race, itself, which I covered, inside at the DNC, the RNC and elsewhere, for Yahoo. (Yahoo Content Producer of the Year for Politics that year).
There are A LOT of humorous entries and, if necessary, I’ll figure out a small segment from Book I to put up here tomorrow, along with a “buy” link.
Hope you all go take a look at the book, at least, on the peek inside feature.
I don’t know about you, my readers, but I’m missing B.O. (Barack Obama).
And by B.O. I mean Barack Obama. And Michelle, of course. And the days when we had an intelligent, literate, kind, considerate, compassionate adult couple in the White House.
https://www.youtube.com/watch?v=ArzB7P9CEy8It is January. It is cold outside. Children in elementary school are dying at the U.S. border while Emma Lazarus weeps. (“Give me your tired, your poor. Your wretched refuse yearning to breathe free. The huddled masses of your teeming shore. I lift my lamp beside the golden door.”).
So, I decided to put my 2008 book “Obama’s Odyssey: The 2008 Race for the White House” on sale for just $1.99 in e-book format, for ONE DAY ONLY because, well, because I’m missing Barack Hussein Obama and his wife and family and the decency and integrity that his 8 years in Washington, D.C., represented.
In the day(s) when indictments are flying faster than snowflakes and the days stretch ahead of us, gloomy and dark, and we are fast heading towards the cliff of a Constitutional crisis, we ALL need more pictures of the 2008 election. This book fits the bill. It is jam-packed with previously unseen pictures, taken by Yours Truly as she followed the campaign across Iowa and, eventually, across the nation—to Denver’s DNC and St. Paul’s RNC and the Belmont Town Hall Meeting and the Ron Paul Rally for the Republic and the goings-on in Grant Park and at Invesco Field.
It’s only going to be on sale on January 5th, so hurry up and take advantage of this offer. I could be persuaded to put Volume II on sale in the future if this goes well. So crank up your e-book readers and order yourselves a slice of history for under two bucks.
You won’t be sorry.
Adam McKay’s new film “Vice” focuses on the Vice Presidency of Dick Cheney under George W. Bush. The director of “The Big Short” previously helmed “Anchorman” (2004), “Talladega Nights” and “The Other Guy.” McKay wrote and directed this film and is nominated as both Best Director and for Best Screenplay among the 6 nods from the Golden Globe awards.
The true wheat amongst the chaff here is Christian Bale’s amazing transformation from, well, Christian Bale, into the heavyset, overweight, middle-aged, follically challenged Cheney. Hats off to the make-up crew!
Amy Adams also received a Golden Globe nod for Best Supporting Actress and Sam Rockwell for Best Supporting Actor for playing a somewhat clueless George W. Bush.
Given the fact that McKay wrote for “Saturday Night Live” in 1975 and has a partnership with comic talent Will Ferrell (“Funny or Die” is their channel), this is more in the spirit of “The Big Short” than of his previously silly films, but is not nearly as story focused
Obviously, when this many nominations are given for acting, the acting is great. (Not to mention the make-up.)
As for the screenplay, it is crammed with so much that you will drown in numbers, figures, and much, much more. It was not the movie I thought I was going to see, as I thought that Hollywood directors had this “FOCUS! FOCUS!” part down, (whereas my screenplay efforts are always accused of containing too much and being all over the place, even when they win awards).
For the “good” list, let’s just mention some of the superlative performers (besides those already mentioned above) who put in an appearance:
Steve Carrell – his wife was an early improv partner of McKay’s. He plays Donald Rumsfeld.
Alison Pill – she had a fairly large role opposite Sarah Paulson on the clown episodes of “American Horror Story.” She plays Mary Cheney (the gay one).
Justin Kirk – You will recognize Justin Kirk, who plays Scooter Libby, from “Weeds.”
Jesse Plemons – Kurt – Jesse was in both “Fargo” and “Breaking Bad.” I did not like the way in which his character was integrated (or not integrated) into the plot, and I was always told that “voice over” was lazy writing. So much for that advice.
Tyler Perry – Yes, THE Tyler Perry, plays Colin Powell
So, the cast? Uniformly good. I watched a documentary (Errol Morris) on Donald Rumsfeld called “The Unknown Known” at the 2017 Chicago International Film Festival and Rummy comes off as just as big an SOB here as he did there.
The acting cannot overcome the incessant barrage of facts and data, some of which are incidental to the story. We all know that there is a drug epidemic going on, but why do we see close-ups of a victim being treated with NarCan, for example, or forest fires in California? For that matter, why did Gerry Fraser photograph it in such a herky-jerky fashion that it was like rewatching Costa Gravas’ “Z”, (which pioneered hand-held camera work) or “The Blair Witch Project.” The close-ups were not fun for the audience.
There’s just too broad a net thrown over this whale. It may be nominated for Best Picture, but it was a disappointment to me, as we drove around on Christmas Day for an hour and fifteen minutes trying to get in to a 3:10 or 3:55 showing, only to ultimately give up.
The political implications and message did not offend me, a journalist (Yahoo Content Producer of the Year 2008 for Politics) who did not much care for George W. Bush and thought him incompetent, but Republicans won’t like it. As for me, the film is too jam-packed with too much detail to carry the plot of how Cheney became our “acting President,” (whether he ever earned the honorary title or not).
Some thoughts of the day, on Monday, the day before the election.
I am asked if I think there will be a Blue Wave.
I respond that my biggest fear is that the Kavanaugh hearings will function like the Comey memo about Hillary’s e-mails. If the Kavanaugh hearings energize Trump’s base…..(finish that thought).
On another topic, I saw “Bohemian Rhapsody” AND “First Man” and I can highly recommend both.
Years ago, at the Chicago Film Festival, I saw a bio-pic on Freddie Mercury of clips of all his public appearances put together by the man responsible for curating same. It was terrific! One thing that was not covered as well as it could have been was Freddy’s collaboration with an opera singer of the day.
“First Man” was also wonderful and a tribute to Damien Chazelle’s directing as much as Ryan Gosling’s portrayal of Neil Armstrong.
Visited the Field Museum today and saw 2 films, one on ancient Egypt and one on Antarctica. Both were informative and educational.
The rest of the past few days were spent participating in a SLAM (Culture Club)
on Friday night and dining at Joe’s on Saturday night. I learned, the hard way, that I should always ask for the “market value” on crab values. (A: $70!) But it is a lovely place and the food was good.
“The Front Runner,” starring Hugh Jackman and directed by Jason Reitner, was the favorite film I saw this past 54th Chicago International Film Festival. It reminded me of “The Candidate” directed by Michael Ritchie and starring Robert Redford, which I reviewed 46 years ago (1972). In fact, I still have a button that says, “All the Way with Bill McKay” from the Showcase Cinemas in Milan, a gimmick given out to those who attended the film. Reitman acknowledged, in the Q&A following the film, that “’The Candidate’ was our North Star” during shooting of this film about the 1988 presidential race of Colorado candidate Gary Hart. “The Front Runner” also reminds of Beau Williman’s “Ides of March” with Ryan Gosling.
Hugh Jackman plays Gary Hart, the candidate, and the film follows the rise and fall of Senator Hart, who was considered the overwhelming front runner for the 1988 Democratic presidential nomination until the story of an extramarital relationship aboard a yacht called “Monkey Business” doomed his campaign, causing him to drop out. I was immediately reminded of how dangerous “front runner” status can be. I thought back to the Howard Dean campaign and the “sleepless summer” of 2004, which I covered for www.blogforiowa.com. [Each candidate, Hart and Dean, shot himself in his own foot, so to speak, although Dean’s “scream heard ‘round the world” was augmented by the Kerry forces, who arranged for it to be replayed constantly in a never-ending loop, discrediting that former “front runner.”]
The movie, which runs 113 minute and opens wide November 21st, considers many aspects of the disclosure of Hart’s dalliance with a beautiful blonde (Donna Rice). Although the event happened 30 years ago, it is timely today. As Chicago International Film Festival Artistic Director Mimi Plauche said, onstage, “This is about 4 ‘P’s’: Power, Politics, Privacy and the Presidency.” She asked Director Jason Reitman (“Up in the Air”) how he managed to focus the film, since it contained many topics?
His answer was, “The way in became an ensemble. Everyone had a different point of view. A.J., the reporter for ‘The Washington Post’ (who Reitman conceded was a composite of at least two different reporters) had a certain point of view. Irene Kelly, played by Molly Ephriam, had a certain point of view. I go into every film with questions. I came to the movie with questions. It’s kind of fun to have differing points of view.”
Asked how he came to make this film, since he was only 10 years old the year that Hart ran for President (1988), Reitman said he had heard about the race on a podcast and became fascinated with it. Plus, he said, he always looks for an ending, and this story had one.
Reitman also said, “I’ve always wanted to work with Hugh Jackman. Ever since I saw him in “Logan,” for which I think he should have been Oscar-nominated, I’ve wanted to work with him. Jackman is the most decent human being I’ve ever worked with on a set. Every day, so that he could get to meet more of the cast and crew, he’d bring scratcher tickets and personally hand them to everybody. He had a huge spiral notebook of research on Hart.”
Talking about film, in general, Reitman said, “If the theory of film Is that it is purposely messy, what is relevant? What is important? We were going to throw a lot at you in this film. It was not improvisation. It was controlled madness.”
Of the opening scene, [which sees Hart conceding to Walter Mondale at the 1984 convention], Reitman said, “That was a two and one-half minute shot with a lot happening. Your ears tell you where to look. Steve Morrow wired everybody, so you had lots of people talking. Sometimes, we’d hand someone a magazine from that year and say, ‘Read this to your seat mate and explain it to him.’ That’s your dialogue.”
Acknowledging the contributions of his Director of Photography, Eric Steelberg, Reitman said, “I’ve worked with Eric since we were 15. We do photo-boarding. We take stand-ins and go through every shot and frame on the actual location and shoot pictures. It’s like storyboarding, only with real people and lens directions. When we’re done, you can flip through the book of pictures and see the movie-to-be.”
To what extent were people instructed on how to behave?
“Our North Star throughout was Michael Ritchie’s ‘The Candidate’ (Robert Redford, 1972). We established real rooms where people were doing their jobs. All the extras were assigned in advance. We gave them photos of reporters on a bus in the eighties to show them how it really was. We used real film from campaigns. We wanted it to feel as live and messy as possible. When we saw film of James Carville eating popcorn out of a coffee filter because they’d run out of paper plates, we said, ‘We’re using that.’ From a technical point of view, this is the most obsessive movie I’ve ever made.’”
“My producing partner since ‘Up in the Air’ has been Helen Esterbrook. We both voice our respective points-of-view. It was odd that people alive then didn’t remember Donna Rice at all and talked about her as though she were an object. Even in the last few years, there’s been a shift in how we view Monica Lewinsky and that situation. We made an early decision on how to portray Donna (Rice). Halfway through the movie you meet Donna (Sara Paxton) and she’s alone. Sara kind of just took the weight of the whole movie on her shoulders in her scene and did it with great poise.” Reitman said that, in meeting all the real participants, he “felt oddly more responsible to Andrea Hart,” the college-aged daughter, but also remarked “I felt a responsibility to be decent to all the characters.”
It may be this decency on Reitman’s part that leaves the audience with a few alternative versions of Hart’s story involving Donna Rice. In one, Ms. Rice flew up to spend the weekend with Hart in his Washington, D.C., town house. In the other, Ms. Rice and another couple they had been out with for the evening entered his town house but departed via a back exit after about an hour. A major plot point on Hart’s part is that the reporters staking out his town house didn’t cover the back door. The seasoned campaign manager Bill Dixon (J.K. Simmons, Oscar winner for “Whiplash”) says, “It’s not ’72. It’s not even ’82,” noting how public perceptions had changed. That remark is certainly timely today.
Reitman then told a true story he had heard from Joe Trippi, the legendary campaign manager who took Howard Dean to front-runner status early in the presidential race of 2004 and who recently master-minded the Alabama campaign of Democratic Senator Doug Jones. [Jones became the first Democrat to be elected to the Senate from Alabama since 1997.] Trippi confirmed that Andrea Hart, Gary’s daughter, had to be sneaked out of their Colorado house while lying flat on the back seat of a car with a blanket concealing her presence there. To make it even more convincing, someone sat on her legs and waved at the throng of reporters.
Noting that the primary/caucus system was established in the mid-seventies, to take the selection of a presidential candidate out of the hands of power brokers in smokey back rooms, it then became the press’ duty to report on the candidates. Reitman said, “The responsibility fell on the shoulders of journalists after the backroom broker system died.”
Asked “Has American gotten the leader it deserves?”, Reitman admitted that he’s not a fan of the current occupant of the Oval Office, saying, “It just kills me every day, but I’m a Canadian. I have an escape plan!” (Laughter).
The comment is made in the film, “Someone will dredge up something you said 15 years ago and pretend it encapsulates your entire life.” In light of the recent Kavanaugh hearings, this rang very true. We also learn that 64% of the public polled felt the stalking of Hart by the Miami Herald was irrelevant and unseemly.
Hart felt, “I care about the sanctity of the process, whether you do or do not!” He did not feel that the press had the right to report on his private life (“Should I sacrifice my privacy?”) Hart also said, “Judgment, like character, needs to be measured in the full context of a career.” And, later, “Politics is on the verge of becoming another form of sport. I’m an idealist and I want to serve my country.” One could point to JFK, Jr.’s ill-fated magazine “George,” which was published from 1995 to 2001 as embodying this idea that politicians were, in essence, becoming celebrities even all those years ago.
A different point-of-view is articulated by campaign worker Ann Devroy (Ari Graynor of “I’m Dying Up Here” on Showtime). Speaking to a female journalist, she says, “He (Hart) is a man with power and opportunity. As our potential next president and as a journalist, you ought to care.”
THE AXE-THROWING SCENE
Asked about one particular campaign scene, where Candidate Hart ends up at a logging site and must throw an axe at a bull’s eye, Reitman said that the cast and crew had a pool on how many takes it would require for Jackman to hit the bull’s eye. The faux candidate stepped up and hit a bull’s eye with his first throw of the axe. “Then he did the wolverine pose,” said the director, adding, “It took about 8 more takes because the rest of the cast didn’t get it down.” In the film, a spectator says, “This is a first. He might just actually throw away his campaign.”
Reitman acknowledged that, “You look for stories that can be a prism: public life versus private life” and this is definitely a relevant and interesting one from 30 years ago. The real Gary Hart is now 81 and has been married to his wife, Lee (portrayed by Vera Farmiga) since 1958.
Errol Morris, one of the world’s foremost documentary filmmakers (“The Fog of War,” “The Unknown Known”), presents us with his latest film, “American Dharma,” a sobering peek into the mind of the man “Time” magazine dubbed the Master Manipulator, Steve Bannon.
Dharma means “duty, fate and destiny,” according to this past and present Trump advisor. Before the film screened, the Chicago Cinema documentary chief (Anthony Kaufman) read a brief note from the filmmaker which said, “Who would have thought that Henry King, David Lean, John Ford, Stanley Kubrick, Michael Ritchie and Orson Welles would offer such fertile ground for Fascism. This is my most despairing and horrifying movie.” Morris was referencing Bannon’s frequent allusions to films he has seen which have spoken to him, none mentioned more frequently than “12 O’Clock High” starring Gregory Peck, (directed by Henry King).
There is little doubt that Bannon (assisted by Reince Priebus and Kellyanne Conway), entering the Trump campaign at the eleventh hour with the financial backing of Rebekkah Mercer and family, saved Trump’s campaign. Bannon brought with him a game plan and what he refers to in the film as the Honey Badger spirit of never giving up. Bannon brought a first-rate mind and education (Harvard Business School, among others) to the battle, albeit a reputation for being “a stone-cold racist” and someone who is “doubling down on fear.” As Bannon says onscreen, “You need to be a blunt force instrument.” He adds, “We just did it and now we’re gonna’ march on the Capitol. We’re gonna’ drop the hammer.”
Bannon, who was Executive Chairman of Breitbart News under Andrew Breitbart said, “The medium is the message and he (Trump) understood that.” Bannon described 15 to 18% of the voting public as people who didn’t like either candidate offered them in the presidential race, and notes that two-thirds of those people opted to vote for Trump over Hillary Clinton.
Bannon—who has been taking his show on the road covering the European circuit since his dismissal by Trump after Charlottesville— reminds the interviewer that “We had Brexit as the canary in the mineshaft.” Says Bannon, as campaign guru he felt the Trump campaign needed to convince the American voting public of 3 things:
- That Trump would stop immigration.
- That Trump would bring jobs back to the United States from overseas.
- That Trump would get us out of foreign wars, such as Iraq and Afghanistan.
Referencing a cautionary speech by Hillary Clinton in her campaign, known as the “alt right” speech, in which Hillary warned of the dangers inherent in a Trump presidency, Bannon crows, “That’s when I knew we had her. They’d walked right into the trap. If they (the voters) see you as the instrument to get their country and their jobs back, they’ll vote for you.” His point: Hillary did not represent the change that the states of West Virginia and most of the Midwest wanted to see.
Citing quotes like “When the legend becomes more powerful than the truth, print the legend,” and “Evil is powerless if the good are unafraid,” Bannon pulls from Errol Morris an admission that Morris voter for Clinton “because I was afraid of you guys. I still am. I did it out of fear.”
Another favorite Bannon quote from Milton’s “Paradise Lost” is, “I’d rather reign in Hell than serve in heaven.”
Morris asks Bannon if he’s all abut destroying everything and Bannon basically acknowledged that he is, saying, “We have to clean out some of the underbrush” and “A complete rejection of the system is due,” which he predicts will come after another financial crisis and will be “like a scythe through grass. It is coming.”
In addition to warning us all exactly how this administration thinks, the solemn, depressing, insistent music, courtesy of Paul Leonard-Morgan, adds immensely to the tone and impact of the film. The cinematography by Igor Martinovic, who frequently poses Bannon in profile against the horizon, is good. Setting fire to the hangar (Quonset hut?) where the interview takes place is both a great metaphor for Steve Bannon’s philosophy of “the Fourth Turning” and makes for great visual imagery.
Is there anything more depressing than listening to someone this close to power telilng us, “Revolution is coming. It will come, as night follows day?” Aside from the Steve Miller-crafted “American Carnage” speech, [which George W. Bush on Inauguration Day declared was “Some weird shit”], how uplifting is it to hear Steve Bannon tell say, “I’m saying if we don’t make changes we’re going to have an Apocalypse.” (Bannon also claimed that Trump wrote the speech himself and denied that Trump ever lies.)
Recommended, but have something uplifting awaiting you when you finish up watching this important 95 minute documentary from the master.
In Chapter Five Trump wants to know, “Where the hell is the money?”
He harasses fund-raiser Chris Christie regarding his efforts to raise funds for the campaign. Bannon tells Jared Kushner that Donald Trump needs to pony up $50 million for the campaign, because a candidate is not constrained by limits as other donors are. Kushner tells Bannon that DJT is not going to contribute that much and, in fact, after several back-and-forth negotiations, Trump puts in $10 million, instead.
The debate is held, and Bannon plans for all of Bill Clinton’s female accusers to be right down front so that, whenever Trump’s Access Hollywood tape is brought up, DJT can say, “My offense was just words. Bill Clinton’s offenses were deeds.” The women make quite a rogue’s gallery of former accusers, including Juanita Broaddrick, whom Bill Clinton paid $850,000; Kathleen Willey who alleged that Clinton had sexually assaulted her in the White House; and Kathy Shelton, who accused Hillary herself of smearing her when she was defending client Shelton. While the debate organizers would not allow the 4 women to sit at the table with Trump or in the VIP box, in a scorched earth kill shot move, the women came in late and sat in the front row.
Woodward is in KEY2ACT in Fort Worth, Texas, and is quite surprised to see 200 hands go up when he asks who, in the audience, is going to vote for Trump. He was speaking on “The Age of the American Presidency: What Will 2016 Bring?”
Trump made a last ditch trip to North Carolina where Congressman Mark Meadows who represented the 11th District reassured him that North Carolina would go for Trump. (“The evangelicals are out. They’re ringing doorbells. I’m telling you, you do not need to come back to North Carolina. We’ve got this.”)
Pence made 23 appearances in Pennsylvania; 25 in Ohio; 22 in North Carolina; 15 in Iowa; 13 in Florida; 8 in Michigan; and 7 in Wisconsin. Bannon was surprised that HRC was not utilizing Obama, who had won Iowa in 2008 by 6 to 10 points, and that she never visited Wisconsin in the general election. Two days before the election when Woodward appeared on “Fox News Sunday” with Chris Wallace Woodward commented that those polled might be lying to the pollsters. Trump made a 5-state swing including North Carolina right before the election, but he also said, “If we don’t win, I will consider this the single greatest waste of time, energy and money.”
Meanwhile, Clinton had a big rally at Philadelphia’s Independence Hall where tens of thousands gathered and Obama whispered to her, “You’ve got this. I’m so proud.” (Well, maybe not.) The polls still showed HRC ahead, with a tie in Ohio and Iowa and Trump down 9 in Pennsylvania and down 7 in North Carolina.
The election was held and, on election night, North Carolina was called for Trump at 11:11 p.m. Ohio was called for Trump at 10:36 p.m. Florida was called for Trump at 10:50 p.m. Iowa was called for Trump at 12:02 a.m. Wisconsin was called for Trump at 2:29 a.m. Hillary Clinton called Trump and conceded. Trump made a traditional political speech about binding up the wounds of division, thanking his team members and singling out Reince Priebus. Putin called from Russia to congratulate Trump. Xi Jinping called from China.
Trump had no transition tem and was totally unprepared to take over the White House in 10 weeks at noon and staff it with 4,000 people. Bannon called the group “the island of misfit toys.” Priebus and Bannon agreed to call Bannon “chief strategist” and Priebus White House chief of staff.
The summer of 2015 saw the first sign of digital intrusions into our voting apparatus, first appearing in Illinois and later spreading to 21 states. Russian hacking and tampering put then-President Obama in a bad position. James Clapper, Director of National Intelligence, was concerned that Russia might be using the data to change votes. “Russia?” he wondered.
The President’s Daily Brief (PDB) security briefing [something Trump supposedly rarely pays much attention to]contained this information. But what should Obama do? In July of 2016 WikiLeaks and DC Leaks began publishing e-mails from the DNC, obtained by Russian hackers calling themselves “Cozy Bear” and “Fancy Bear.” The National Security Council was deeply concerned as the intelligence regarding Russian hacking grew more and more convincing.
Obama was torn. If he went on prime-time national television and announced the findings it might look like he was attacking Trump, linking the Republican nominee with Russia. (*This would have been a very good idea, since his wife is Russian, his heroes are Russian and, in all likelihood, his secret helpers were Russian in the election of 2016). Obama did not want to appear as though he were meddling in the U.S. election by trying to tip the scales, but NOT telling the public could create a backlash in the (very unlikely) case that Trump did win.
John Brennan (Image courtesy of cnn.com)
John Brennan of the FBI argued against telling the public. He was protective of the department’s sources. Brennan, however, did tell Russian Intelligence Chief Alexander Bortnikov that we were aware of the hacking. (Bortnikov, like Trump, simply denied it.
Mike Morrell (Image courtesy of CNN.com)
Mike Morrell, acting director of the CIA twice, published an op-ed in the New York Times on August 5th that read: “I Ran the CIA: Now I’m Endorsing Hillary Clinton.” Morrell flat-out accused Trump of “being an unwitting agent of the Russian Federation.” Clapper was selected to brief the Gang of Eight consisting of 4 Republican and Democratic leaders in the Senate and House, plus the Chairmen and Vice Chairmen of the Senate and House intelligence committees.
Clapper was shocked by the partisan nature of the gathering, as the Republicans disliked everything. The Democrats loved every bit of the information. He left the briefing feeling that the intelligence apparatus in the country was becoming a political football.
Even though everyone still felt that Clinton was likely to win, Vladimir Putin’s influence campaign to undermine HRC’s campaign and coming presidency went into high gear.
Meanwhile, Clapper and Secretary of Homeland Security Jeh Johnson wanted to alert the public to Russian hacking. Friday, October 7th, they released a joint statement accusing Russia of trying to interfere in the United States election. “The U.S. intelligence community is confident that the Russian government directed the recent compromise of e-mails from U.S. persons and institutions. These thefts and disclosures are intended to interfere with the U.S. election process.” The announcement went on to say that the authorization to do this must have come from the top in Russia. They sat back and waited for this to be a Big News Story.
ACCESS HOLLYWOOD TAPE
One hour later, at 4:05 p.m., David Fahrenthold of The Washington Post released a headlined story: “Trump Recorded Having Extremely Lewd Conversation About Women in 2005.” This would later become known as the Access Hollywood tape. It literally blew away all other important news of the hour and day, such as the Russian hacking story. The “Grab them by the pussy” tape became “a political earthquake” and the announcement about Russia’s hacking in our election was lost in the shuffle.
Less than half an hour later, at 4:30 p.m., WikiLeaks dumped thousands of e-mails from Clinton campaign chairman John Podesta’s personal account. It included information about HRC’s speeches to Wall Street financiers. E-mails between Podesta and Donna Brazile (Chair of the DNC) were also released.
ACCESS HOLLYWOOD TAPE AFTERMATH
“I’ve never said I’m a perfect person…these words don’treflect who I am. I said it. I was wrong and I apologize. I pledge to be a better man tomorrow and will never, ever let you down.” (Donald J. Trump) Trump went on to pivot to Bill Clinton and saying he had done far worse and concluded, “See you at the debate on Sunday.”
A summit of the top advisers to Donald J. Trump convened and Priebus said, “It’s over.” Bannon did not agree (“What do you mean, it’s over?”) Mike Pence was dubious. “Are you fucking kidding me?” was Bannon’s response. “It’s a tape, dude.” Priebus insisted, “You don’t understand; it’s over.” Trump asked each of them to weigh in on the situation. Priebus felt he should drop out right now and avoid the worst loss in American history. Bannon insisted “Cut the bullshit; that’s bullshit.” Priebus floated the idea of Mike Pence stepping up and running with Condoleeza Rice, “W’s” former national security adviser and secretary of state. “That’s never going to happen,” Bannon said loudly. Chris Christie of New Jersey felt Trump should resign in order to protect his brand. Rudy Giuiliani felt that “Basically, you’ve got a 40% chance of winning.” Kellyanne Conway suggested contacting “60 Minutes” and doing a sort of public confessional with Ivanka on one side and Melania on the other, the women crying and Trump apologizing. Melania flatly refused.
Trump asked Bannon, “What do you think?
Bannon responded, “100%”
“100% metaphysical certitude you’re going to win.”
Trump responded, “Cut the shit. I’m tired of 100%. I need to know what you really think.”
Although Priebus obviously was not a 100%-er, and he didn’t think Trump was, either, Bannon kept maintaining that Trump would win. He told the room: “We’re going to compare your talk with Bill Clinton’s action.”
“How are we going to do that?” (Trump)
Bannon suggested a Hilton Hotel ballroom at 8 p.m. that night with a hammerhead rally—which was a Bannon term for the diehard Trump fans wearing the MAGA baseball caps. Trump was delighted, while the others were opposed and a huge fight resulted with a compromise position at the end of it: Conway would have David muir of ABC helicopter in and do a 10 minute interview.
Bannon felt this was political suicide. Priebus again felt that Trump was toast. (“You guys don’t know what you’re doing. You’re going to go down.”) Various Republicans were coming out of the woodwork and telling Trump he should step aside for Mike Pence. Pence even released a statement: (“As a husband and a father, I was offended by the words and actions described by Donald Trump in the 11-year-old video released Saturday. I do not condone his remarks and cannot defend them. I am grateful that he has expressed remorse and apologized to the American people. We pray for his family and look forward to the opportunity he has to show what is in his heart when he goes before the nation tomorrow night.”
There were rumors that Pence had given Bannon a sealed letter that urged him to drop off the ticket.
Two hours later Melania released a statement defending her husband and saying, “I hope people will accept his apology, as I have, and focus on the important issues facing our nation and the world.”
At 3:40 p.m. Trump tweeted: I WILL NEVER DROP OUT OF THE RACE, WILL NEVER LET MY SUPPORTERS DOWN! #MAGA Preparations for the ABC interview were underway. Giuiliani and Christie gave Trump an apology statement to read. Trump was surly about reading the “all political” statement that screamed Giuliani and Christie. “I can’t do this. This is bullshit. This is weak. You guys are weak.”
Christie interjected, “Donald, you don’t understand” and Giuliani told Trump that he had to do this. Trump turned to Kellyanne Conway and asked her what were the steps to cancel out on the Muir interview. She waffled, saying all her credibility was on the line, but Bannon said, “It’s not going to happen. He ain’t going to do it. If he does do an introduction you can’t have him do a live interview. He’ll f****** get cut to pieces.” The apology was re-written, but it was still all Giuliani and Christie and polito-speak and Trump said, “I’m not doing this.” He delcared that he was going to go down to the roaring crowd gathered for the rally. The Secret Service insisted to Trump that he was NOT going to go outside. Trump headed out, saying “I’m going downstairs. This is great.” (*One cautious word for DJT: watch the movie about Huey Long.) Conway was telling Trump that he couldn’t cancel on ABC, but DJT said, “I don’t care. It was a dumb idea. I never wanted to do it.”
OUTSIDE THE ELEVATOR
Chris Christie (then Governor of New Jersey) and Steve Bannon had words outside the elevator. Christie said, to Bannon, “You’re the fucking problem. You’ve been the problem since the beginning.”
Bannon, dismayed, wanted to know what Bannon was talking about. Bannon, dismayed, said, “What are you talking about?” Christie responded, “You’re the enabler. You play to every one of his worst instincts…” The 2 men faced off and Bannon said, “Governor, the plane leaves tomorrow. If you’re on the plane, you’re on the team.”
Christie was not on the plane the next day. Trump, however, was, and, following on the heels of Rudy Giuliani doing all 5 networks, defending his client, he was the only one who completed a full Ginsburg (a term used for Monica Lewinsky’s attorney who appeared on all 5 network Sunday programs on Feb. 1, 1998.)
ON THE PLANE
After Giuliani had made the full Ginsburg–-a daunting task that must have been quit embarrassing and humiliating in many ways—the exhausted former Mayor of New York City who had pulled out every stop got to hear Trump say to him: “Rudy, you’re a baby! I’ve never seen a worse defense of me in my life. They took your diaper off right there. You’re like a little baby that needed to be changed. When are you going to be a man?” When Bannon defended Giuliani as the only one of the Trump forces who had gone to the wall for his boss, Trump responded, “I don’t want to hear it. It was a mistake. He shouldn’t have gone on. He’s weak. You’re weak, Rudy. You’ve lost it.”
Giuliani just took the abuse with a blank face as the plane took off.