Welcome to WeeklyWilson.com, where author/film critic Connie (Corcoran) Wilson avoids totally losing her marbles in semi-retirement by writing about film (see the Chicago Film Festival reviews and SXSW), politics and books----her own books and those of other people. You'll also find her diverging frequently to share humorous (or not-so-humorous) anecdotes and concerns. Try it! You'll like it!
In a recent Gallup poll, 66% of Americans said they wanted to see something done about global warming. Scientific studies have long cried “Wolf!” about the impending climate change, caused by global warming, and reversible, we thought, up until 2020—DoomsDay, according to a 2014 Field Museum documentary.
But developments are heating up, in more ways than one. Rising temperatures are wreaking havoc in the Arctic and Antarctic and melting ice sheets that were thought to be impregnable, like the Vincennes Bay glaciers just south of Australia, crucial because they block the inland Aurora and Wilkes ice basins from falling into the sea.
If both basins collapsed, sea levels could rise by up to 92 feet, submerging coastal communities across the globe (this means you, Miami! And New York City might become the Little Apple if part of it goes under due to a catastrophic event like this.
Lately, Donald Trump has been on his Twitter feed ignorantly trumpeting his complete indifference to this life-threatening scenario while a study by the National Oceanic and Atmospheric Administration found that 2018 was the second-warmest year on record and the second-worst year for sea ice.
The Bering Sea lost an area of ice the size of Idaho in 2 weeks’ time in February, 2018. Toxic algae blooms, a warm weather phenomenon, are also becoming common and all manner of wildlife are threatened, including 80% of the krill on which walruses and penguins in the Antarctic feed. Global warming causes unusual weather patterns, like the polar vortex currently causing -40 to -60 temperatures in the Midwest or the forest fires that swept California.
It’s time to wise up and join other nations in combating human effects on global warming; we don’t have time to wait around to do it!
Errol Morris, one of the world’s foremost documentary filmmakers (“The Fog of War,” “The Unknown Known”), presents us with his latest film, “American Dharma,” a sobering peek into the mind of the man “Time” magazine dubbed the Master Manipulator, Steve Bannon.
Dharma means “duty, fate and destiny,” according to this past and present Trump advisor. Before the film screened, the Chicago Cinema documentary chief (Anthony Kaufman) read a brief note from the filmmaker which said, “Who would have thought that Henry King, David Lean, John Ford, Stanley Kubrick, Michael Ritchie and Orson Welles would offer such fertile ground for Fascism. This is my mostdespairing and horrifying movie.” Morris was referencing Bannon’s frequent allusions to films he has seen which have spoken to him, none mentioned more frequently than “12 O’Clock High” starring Gregory Peck, (directed by Henry King).
There is little doubt that Bannon (assisted by Reince Priebus and Kellyanne Conway), entering the Trump campaign at the eleventh hour with the financial backing of Rebekkah Mercer and family, saved Trump’s campaign. Bannon brought with him a game plan and what he refers to in the film as the Honey Badger spirit of never giving up. Bannon brought a first-rate mind and education (Harvard BusinessSchool, among others) to the battle, albeit a reputation for being “a stone-cold racist” and someone who is “doubling down on fear.” As Bannon says onscreen, “You need to be a blunt force instrument.” He adds, “We just did it and now we’re gonna’ march on the Capitol. We’re gonna’ drop the hammer.”
Bannon, who was Executive Chairman of Breitbart News under Andrew Breitbart said, “The medium isthe message and he (Trump) understood that.” Bannon described 15 to 18% of the voting public as people who didn’t like either candidate offered them in the presidential race, and notes that two-thirds of those people opted to vote for Trump over Hillary Clinton.
Bannon—who has been taking his show on the road covering the European circuit since his dismissal by Trump after Charlottesville— reminds the interviewer that “We had Brexit as the canary in themineshaft.” Says Bannon, as campaign guru he felt the Trump campaign needed to convince the American voting public of 3 things:
That Trump would stop immigration.
That Trump would bring jobs back to the United States from overseas.
That Trump would get us out of foreign wars, such as Iraq and Afghanistan.
Referencing a cautionary speech by Hillary Clinton in her campaign, known as the “alt right” speech, in which Hillary warned of the dangers inherent in a Trump presidency, Bannon crows, “That’s when I knew we had her. They’d walked right into the trap. If they (the voters) see you as the instrument to get their country and their jobs back, they’ll vote for you.” His point: Hillary did not represent the change that the states of West Virginia and most of the Midwest wanted to see.
Citing quotes like “When the legend becomes more powerful than the truth, printthe legend,” and “Evilis powerless if the good are unafraid,” Bannon pulls from Errol Morris an admission that Morris voter for Clinton “because I was afraid of you guys. I still am. I did it out of fear.”
Another favorite Bannon quote from Milton’s “Paradise Lost” is, “I’d rather reign in Hell than serve in heaven.”
Morris asks Bannon if he’s all abut destroying everything and Bannon basically acknowledged that he is, saying, “We have to clean out some of theunderbrush” and “A complete rejection of the system is due,” which he predicts will come after another financial crisis and will be “like a scythe through grass. It is coming.”
In addition to warning us all exactly how this administration thinks, the solemn, depressing, insistent music, courtesy of Paul Leonard-Morgan, adds immensely to the tone and impact of the film. The cinematography by Igor Martinovic, who frequently poses Bannon in profile against the horizon, is good. Setting fire to the hangar (Quonset hut?) where the interview takes place is both a great metaphor for Steve Bannon’s philosophy of “the Fourth Turning” and makes for great visual imagery.
Is there anything more depressing than listening to someone this close to power telilng us, “Revolutionis coming. It will come, as night follows day?” Aside from the Steve Miller-crafted “American Carnage” speech, [which George W. Bush on Inauguration Day declared was “Some weird shit”], how uplifting is it to hear Steve Bannon tell say, “I’m saying if we don’t make changes we’re going to have an Apocalypse.” (Bannon also claimed that Trump wrote the speech himself and denied that Trump ever lies.) Recommended, but have something uplifting awaiting you when you finish up watching this important 95 minute documentary from the master.
When I taught 7th and 8th grade Language Arts, I always showed the students the documentary (16 mm. film rented from the local library) “Miss Goodall and the Wild Chimpanzees.” Imagine my excitement at learning that Director Brett Morgen (“The Kid Stays In the Picture” (2002); “The Chicago Ten,” (2007);“Cobain: Montage of Heck” (2015)) had unearthed a vast treasure trove of National Geographic film shot by Jane Goodall’s husband, Hugo Van Lewick, long considered one of the most accomplished photographers of wild life.
Jane Goodall was Louis Leakey’s 26-year-old British secretary when Leakey selected her to go to Gombe in 1957 and study chimpanzees. She had no formal higher education, as her parents were not wealthy enough to afford university, but she had an abundance of patience, an open scientifically inclined mind, and a life-long love of animals. She had a desire to get close to wildlife. Jane’s father left for the war when she was five, and her mother was very supportive of her daughter’s unorthodox aims.
Said Jane, “I wanted to do things that men did and women didn’t. I wanted to come as close to talking to animals as I could. I had dreamt of going to Africa ever since the age of 8 or 9. I felt that this was where I was meant to be. I had no idea what I was going to do, but I wanted to be able to move among them…And so began one of the most exciting periods of my life: the time of discovery.”
Through Jane’s extensive documentation and Hugo’s photographic record (he arrived September1,1962,funded by National Geographic), we learn that it took almost 5months in Gombe before the chimpanzees began to accept Jane Goodall. Jane began naming the chimps (David Graybeard, Goliath, Mr. McGregor, Flo and her baby Fifi and, eventually, Flint) and the chimps began to actually come into the tents to steal bananas. In fact, ultimately a system had to be put in place to keep the chimpanzees from stampeding the place in search of any manner of goods to carry off. Jane comments: “Staring into the eyes of a chimpanzee, I saw a thinking, reasoning personality looking back..How like us in so many ways.”
Both Jane and Hugo found it “absolutely thrilling to have the chimps so close.” Jane writes, “What an amazing privilege to be accepted by a wild, free animal.” Hugo’s funding from National Geographic (which contributed most of the film used, but without much organization or color, as the director confided, both of which he had to provide) ran out and Hugo left, moving to the Serengetti Plain to photograph all manner of animals. A telegram arrived for Jane that said, “Will you marry me? Stop. Hugo.”
And so the woman who had given little thought to marriage or having a family did marry Hugo and the newspapers of the day had a field day with headlines like: “Me Hugo, You Jane.” “Jungle RelationshipLeads to Altar.” “Eat Your Heart Out, Fay Wray,” and “Beauty and Her Beasts.” Soon, the couple had a son, whom they called Grub. As Jane recounted the couple’s partnership, she said, “You got married. You got pregnant and you had a baby.” Jane dedicated herself to raising their son for the first three years, and commented that, “There is no doubt that my observations of the chimpanzees helped me to be a better mother.” She commented that she “understood the mother/child bond better” after giving birth. However, she also soon found that she couldn’t both raise a child and study the chimps.
Jane Goodall with one of her wild chimpanzees.
Jack Parr (better known as the early host of the “Tonight” show) came to interview Grub and we learn that Grub had to be locked In a sort of grandiose enclosure or cage, as chimpanzees have been known to eat other small primates. At the age of six, Grub was sent back to England for schooling and, after a period spent working as Hugo’s assistant on the Serengetti Plain, Jane returned to Gombe, visiting her son who was being raised by Jane’s mother (his grandmother) on holidays in England.
When Jane returned to Gombe, however, tragedy struck. The chimps had been struck by a polio epidemic and many of them died or were crippled. McGregor had to be shot, and Jane comes down definitively on the side of euthanasia, saying, “I see no difference between helping an animal and helping a human. The epidemic didn’t start with us, but it was tragic.” A rule was made that students studying the chimps could no longer touch them.
Flo, the dominant female amongst the group, had a daughter, Fifi. Then came Flint and the opportunity to observe a baby chimpanzee grow to adulthood in the wild presented itself. The observations so far had already proven that chimps were capable of making tools (in this case, long sticks used to lure antsfrom logs). Now more funding could be garnered to study a baby chimp that would grow to adulthood while being observed.
However, Jane’s own marriage to Hugo was faltering, impacted by their differing circumstances, and ended in divorce (Hugo died in 2002). Hugo’s letter to Jane spelled out the conditions of marriage: “Thewoman is to be a compliment to the man in all things.” Let’s just say that Jane Goodall did not completely buy into that philosophy and the pair went their separate ways, while remaining friends.
Grub, their son, now lives in Dar Es Salaam, where he builds boats.
Brett Morgen describes some of the difficulties faced in helming “Jane” about Jane Goodall and the wild chimpanzees and her life. (Photo by Connie Wilson)
Filmmaker Brett Morgan, who appeared after the showing for a Q&A. announced that the film will be showing in Chicago by Friday, October 26. He was asked how he got the film and responded: “I received a call from National Geographic about this lost film. But there were no 2 consecutive shots. We had to construct the narrative. That was 2 and ½ years ago. The film was also totally silent, so we had to add sound editing in the office. There was a massive library of chimp vocalizations and we arranged for all the footage to move to the music. We also put in 225 hours of hand painting to make the filmresemble the vibrant forest that Jane described, as it was sort of brown when it was found. There were very few scratches on the film. Every shot is Hugo’s. There is no stock footage. Hugo was a total neophyte when he went to Gombe, but these two people defined and redefined their vocations.”
In response to questions from the audience, Morgan said, “It was also kind of empowering that Janedidn’t’ have to give up her dream for a man. It is a very refreshing message for boys and young men and is of equal or greater value for young boys. Kids: follow your dreams! The message for parents comes from Jane’s strong mother: she listened and accepted Jane for who she is and allowed her to be heard and identified.”
Documentary “Jane” plays the Chicago International Film Festival. (Photo by Connie Wilson).
When asked about interviewing others who might know Goodall (now in her eighties) Morgan said, “I don’t do the broad interview approach where you interview anyone and everyone. Jane was enough.”
This is a truly outstanding look at the work of two pioneering students of animal behavior and the landscapes and photography of wildlife in Africa are beautifully done, with a score by composer Philip Glass. Although there were moments when the soaring crescendos of Glass’ music became almost intrusive, the film as it was originally found (silent and brown) was vastly improved by the addition of the animal sounds and the voice of Jane, herself, reading from some of her books, including “Reason for Hope.” I learned so much that I had not known about this truly remarkable woman and one of her observations late in the film, when her chimpanzees became aggressive and violent, was sad: “I had no idea of their (the chimpanzees) brutality. I thought that was just humans, but now I think it is deeply embedded in our genes.”
As Director Brett Morgan said, “Jane Goodall is an author, first and foremost, and also a good speaker.” He mentioned “Reason for Hope” and talked of the poetry and lyricism of her writing. She has devoted her life to trying to help preserve the wild chimpanzees, moving around the globe with her message and never spending more than 3 weeks in any one place since leaving Gombe. She has said of Morgan’s filmthat it is“the only one that has captured Gombe” and her favorite of all previous films made about her work.
There are diseases that become forever associated with a famous victim. Michael J. Fox is active with research for Parkinson’s Disease. Mary Tyler Moore was a lifelong diabetic. Jerry Lewis, although not a victim of the disease, will always be associated with the marathon television fundraisers he organized and helmed for Muscular Dystrophy. One particularly insidious disease had, as its most famous victim, Mr. Cool, himself – a man who once said, “You only go around once in life, and I’m going to grab a handful of it.” And, boy, did he ever!
This famous actor once was at the top of Charles Manson’s “hit list.” It was by sheer luck that this A-lister was not present the night Manson’s minions struck and killed Roman Polanski’s pregnant actress wife, Sharon Tate, and her entourage at her Los Angeles home. (After learning his name was on a Manson “hit list,” the star began carrying a gun.) His last words were said to be, “I did it,” although other reports say he died in his sleep under an assumed name (Sam Shepherd) at a Juarez, Mexico clinic. This mega-star died of mesothelioma – a cancer affecting the lining of the organs, such as the lungs, heart and/or abdomen.
Who was he? More about that in a moment.
Mesothelioma is a disease that kills between 2,000 and 3,000 people annually, and an estimated 43,000 people around the world die from the disease each year. You can be exposed to the asbestos, which is a known cause of the illness, and not show any symptoms for decades due to the disease’s long latency period. It is particularly difficult to catch early, because the symptoms mimic so many others. To wit: 1) Shortness of breath, wheezing or hoarseness 2) A persistent cough that worsens 3) Blood coughed up from the lungs 4) Pain or tightness in the chest 5) Difficulty swallowing 6) Swelling of the neck or face 7) Loss of appetite 8) Weight loss 9) Fatigue or anemia
Those symptoms mimic many other diseases, and victims often do not seek help until their illness is too far advanced for effective treatment. Even cases that are caught early have a grim prognosis.
One other famous face of mesothelioma was musician Warren Zevon, who wrote “I’ll Sleep When I’m Dead.” In a “Tonight Show” program devoted solely to Zevon and his music, talk show host David Letterman paid tribute to the “Werewolves of London” tunesmith. Zevon advised, known to be terminal with mesothelioma at the time of the taping, advised others “enjoy every sandwich.” (These taped appearances can still be found on YouTube and are deeply moving; Zevon worked right up until his death, compiling a memorable final album which featured many guest artists.)
The famous face of mesothelioma mentioned in paragraph two has been named one of the Top Thirty Movie Stars of All Time on various polls. His work has been cited as an influence on actors working today, like Bruce Willis and Colin Farrell. He once said, “I live for myself, and I answer to nobody.” That maverick anti-establishment attitude informed his work and his life—and made it more difficult to get him to consult a doctor when he first noticed a persistent cough in 1978. Although he gave up his cigarette habit and underwent antibiotic treatments, he did not improve.
Finally, after filming one of his final films, “The Hunter,” Steve McQueen had a chest X-ray and a biopsy. The biopsy revealed pleural mesothelioma, an aggressive and rare cancer directly caused by exposure to asbestos. The most likely explanation for why McQueen contracted the disease is also in keeping with his rogue image: he was a Marine at one point early in life and was sent to the brig for not reporting for duty, but being absent without leave (AWOL) to spend time with a woman. Part of McQueen’s punishment was to remove asbestos from pipes aboard a troop ship.
McQueen also speculated that Hollywood’s love affair with asbestos, which was used on movie sets to create fake snow from 1930 to 1950, might have exposed him to the deadly carcinogen. The use of asbestos occurred in movies as famous as the Bond film “Goldfinger” and “It’s A Wonderful Life” (although not used in that Jimmy Stewart picture as snow, because a substance known as foamite had been invented for that purpose in 1946). Asbestos was used to decorate other parts of the “It’s A Wonderful Life” set and it was used in the CBS Network facilities building for years, where another veteran character actor, Ed Lauter (“The Longest Yard,” “The Family Plot”), worked for many years. He died of the disease in 2013 at the age of 75, only five months after his diagnosis. In 1942, when Bing Crosby sang “I’m Dreaming of a White Christmas” in the film “Holiday Inn,” the snow falling was actually asbestos, and 1939’s “Wizard of Oz” relied on asbestos for the poppy field scene. Stunt men who wore flame retardant suits in films were exposed to asbestos (McQueen did many of his stunts himself and “Towering Inferno” was one of his biggest films) The suits that race car drivers often wore contained asbestos in the early days; McQueen was a well-known racing enthusiast of both fast cars and motorcycles.
Steve McQueen’s efforts to find treatment led him to Mexico to undergo questionable treatments by a man (William Donald Kelley) who promoted a version of the Gerson therapy. It used coffee enemas, daily injections of fluid containing live cells from cattle and sheep, massages, frequent washing with shampoos, and laetrile, which is derived from apricot pits. Nothing worked. McQueen paid upwards of $40,000 a month ($116,000 in today’s dollars) for the treatments over three months in Mexico. (Kelley’s medical license was revoked in 1976).
Against his U.S. doctor’s advice (U.S. doctors said his heart was too weak), Steve McQueen underwent surgery to remove huge tumors that had, by that time, spread to his liver, neck and abdomen.[The liver tumor, alone, allegedly weighed five pounds] McQueen died of cardiac arrest at 3:45 a.m., twelve hours after surgery on November 7, 1980, at age 50. The El Paso Times said he died in his sleep. He was cremated and his ashes were spread over the Pacific Ocean.
Meanwhile, the asbestos that took Steve McQueen’s life at age 50, almost 40 years ago, is still legal in the United States. First responders to the 9/11 attack in New York City on September 11, 2001, survivors present in the city and those involved in cleanup at the site were exposed to asbestos, as it was used in the construction of the North Tower of the World Trade Center. Hundreds of tons of asbestos was released into the atmosphere as a result of the airplane attacks. My own nephew, an architect, was in charge of plans by an architecture firm to remove asbestos from schools in Cedar Rapids, Iowa, that took place within the last five years.
Organizations like the Mesothelioma Cancer Alliance work year-round to educate people about the dangers of asbestos. Steve McQueen’s death was only one of thousands that year, but people are still being exposed to the mineral today and thousands will be diagnosed this year.
Maybe it’s time to step up and make asbestos illegal in the United States?
I’m posting this before I begin to attempt to clean up and go off to a Super Bowl party.
Being a newcomer to Austin (TX) as a snowbird, I cannot afford to turn down any invitations, but I am in the throes of a head cold that has rendered sleep somewhat peripatetic and caused my nose to run.
Here in Austin, the biggest and closest grocery store is one with the name H.E.B. I have no idea what “H.E.B.” stands for, but “Help! Everything is Bolloxed!” comes to mind. On the bad side, you walk for miles trying to find anything. The store is roughly the size of a Sam’s Super Store in the Quad Cities. On the good side, the prices see far lower for most things (although the quality of the meat is suspect).
Let me be specific: all I wanted was a Coricidin type cold remedy that would staunch the runny nose I am experiencing, which, I think, I may have caught from my son, who also has a cold. I gave son Scott the last of my cold remedy medication from home and the Tylenol thing I bought yesterday does not mention stopping a runny nose. Nor has it done so.
On the bright side, I could breathe in the night, but I turned like a chicken on a spit, tossing and turning as I experienced all the fun drainage of a cold.
Two days ago, it was 83 degrees here, tying a record set in 1963. Then, it dropped about 40 degrees and spit rain. The problem (besides exposure to the virus somewhere) is that I had to go out in the spitting rain 2 days in a row, to secure the necessary vitals for a Saturday night dinner. I also wanted to purchase a painting to put on the wall of the guest bedroom, as the one I had originally seen at a store called “Tuesday Morning” had sold in one day. I like the painting and the son with the cold was going help the husband hang it on the wall of the guest bedroom IF I had it. So, 2 days in a row when I already felt sort of punk and the weather was not ideal I went out in the spitting rain and visited a minimum of 3 stores each time.
Now, I’m paying the price. Oh, well, last year there was no moisture at all in the entire month of February, so hopefully the predicted warm-up will take my cold with it.
On another front, gas here at some stations is $1.83.
As for the Super Bowl, I could care less who wins or who plays, but I would root for the underdog (Atlanta) in any contest and most certainly would do so when it is common knowledge that the Quarterback of the Patriots is a big buddy of the Trumpster. Go Falcons!
Danny Glover accepts the Visionary Award from Cinema Chicago founder and artistic director Michael Kutza.
Danny Glover appeared in Chicago to promote the Nigerian film “93 Days” and accept a Visionary Award from Festival Founder Michael Kutza.The film “93 Days,” based on real-life events, follows the Nigerian effort to stop the Ebola virus from spreading, when it was introduced into the capital city of Lagos (21 million people) in 2014.
Director Steve Gukas and star of “93 Days” Danny Glover.
As Director Steve Gukas said, “This film is about our inter-connectedness. The sacrifice of a few actually saved the lives of many the world over.” The trailer looked good, so I gave the film my attention for what seemed like an interminable 124 minutes of time. The film has international distribution at this time, but no U.S. distribution yet, so my remarks about the film must wait for later.
(L to R) Producers Dotun Okahunri, Bolanie Austen-Peers, Pemon Rami and Director Steve Gukas.
Many of the film’s producers and stars accompanied the film to Chicago and Glover said, before its screening, “I can’t tell you how proud I was to work with my brothers and sisters in Nigeria. I can’t thank the producers and Steve Gukas enough for allowing me to be a part of this.”
Producer Pemon Rami of Chicago.
The only United States producer on the project was Pemon Rami, who is one of the elders of black cinema and has been involved in the development of TV shows, films, music concerts, documentaries and plays for more than 60 years. He is the first African American casting director for Chicago films. When asked about his experiences helping make “93 Days,” Pemon said, “I was the only producer from the U.S. I was there for 3 months working on the film. We were in places in Nigeria that you don’t typically see. Some of the places the houses all looked like the White House!” When asked how Danny Glover became involved with the film, Rami said, “When he read the script, he wanted to be involved in a bigger way.” As it is, Glover’s part is bigger in the opening parts of the film when the crisis is being diagnosed than it is during the “solve-this-problem” parts of the film, when actor Tim Reid, playing Dr. David, took over.
When Festival founder Michael Kutza mentioned that an invitation to attend Chicago’s Film Festival has been extended on three earlier occasions, Glover vowed it would not be his last visit
and said, “You know, I was in Hyde Park in New York City accepting an award just a day or so ago, and then I had a commitment with the school board there. Then I was cooking dinner for Harry Belafonte at his home the other night, at Idlewild to honor labor leaders, and at the 50th anniversary of the Black Panther Party on Saturday.” In other words, Glover keeps busy, and he was nowhere busier than in Chicago where he appeared in not just one, but three separate film entries.
The German film “24 Weeks” from Director Anne Zohra Berrached was screened in Chicago for 8 members of the press on Wednesday, October 5th. It is the story of a popular stand-up comedienne (think a Germanversion of Amy Schumer) who finds herself pregnant by her live-in long-time love and manager, only to discover, several months into her pregnancy, that her unborn child will have both Down’s syndrome and a serious heart condition.
Movingly portrayed by German actress Julia Jentsch, this is not a “feel good” movie. Comedienne Astrid Lorenz (Julia Jentsch) shows every sign of being a woman on the fast track to comedy success. Onstage, she even jokes, “You can tell a decent joke and lactate,” to an adoring audience.
That is all before the couple discovers the health problems their second child will face.
Astrid’s partner, Markus Hager (Bjorne Madel) wants to go to any lengths to have this second child, who will be a younger brother to their daughter, Nele (Emilia Pieschke). The couple is preparing to accept the Down’s Syndrome baby into their lives and visit similarly afflicted youngsters, taking their young daughter. Then their housekeeper, Kati, announces that she is not prepared to stay on and help them, and they turn to Astrid’s mother, who seems to be Astrid’s last hope. Astrid’s manager and live-in love of 8 years, Markus Hager (Bjorne Madel) is very pro-life and wants to do everything to make this second child happen. (“It feels wrong somehow to decide whether a human being lives or dies.”) Astrid (Julia Jentsch) is initially in synch with her spouse’s wishes.
But, as time goes on, she becomes more convinced that, as she explains to their young daughter, Nele (Emilia Piescke), “I don’t think he (the unborn fetus) will have a nice life.” Accusations come her way from Marcus that she is only thinking about her career and I honestly was waiting for the entire relationship to spiral out of control. (“Things fall apart; the centre cannot hold.” William Butler Yeats). I was the only woman in the theater today watching “24 Weeks.”
I sensed outrage amongst the male critics present when the hospital authorities told the frustrated father of the child, “In Germany, ultimately it’s your wife’s decision. That’s the law.” Markus (the prospective father) rails against any talk of a late-term abortion, which would be achieved by injecting potassium chloride into the fetus’ heart, after which the mother would go into labor and give birth to a dead child. Markus tells Astrid, “You can’t do it. Nothing else matters.”
This is a film about life-altering decisions and the people who have to make them.
It is extremely well acted and well written (also by director Anne Zohra Berrached). The topic is still an ongoing debate in this country and will continue to be after the upcoming election. Abortion and capital punishment are always “hot button” issues; that will probably always be the case.
And, no, I won’t tell you what Astrid decides to do.
The gentleman who wrote the riveting “Time” article on spiraling health care costs recently had to have open heart surgery for an aortic aneurysm. In the new issue of “Time,” (Jan. 19, 2015) Steven Brill shares some of his firsthand experience(s) with our health care system—specifically at New York’s Presbyterian Hospital. I share some fascinating factoids that Mr. Brill lists in that article below: 1) We spend $17 billion a year on artificial knees and hips, which is 55% more than Hollywood takes in at the box office. 2) America’s total health care bill for 2014 was $3 trillion. 3) America’s total health care bill of $3 trillion in 2014 was more than the next 10 biggest spenders combined (Japan, Germany, France, China, the U.K., Italy, Canada, Brazil, Spain and Australia.) 4) There are 31.5 MRI machines per 1 million people in the U.S., but just 5.9 million per 1 million in the U.K. 5) We spend $85.9 billion trying to treat back pain, which is as much as we spend on all of the country’s state, city, county, and town police forces. Experts say that as much as half of that is unnecessary. 6) 1.5 million people work in the health insurance industry while barely half as many doctors provide actual health care. 7) The President of the New Haven Health System makes much more than the President of Yale University. 8) The President of the supposedly non-profit hospital where Brill was treated, Steven Corwin, makes $3.58 million a year. 9) A box of gauze pads costs $77 and a routine blood test can cost hundreds of dollars.
The rest of the article concerns Mr. Brill’s suggestions for “fixing” the broken system. I won’t steal all his thunder by revealing what he suggests, but all the facts above made me think of an interesting conversation I had with a journalist from Spain in the Press Room of Belmont University in Nashville just prior to the Belmont Town Hall Meeting, who was marveling at how a nation like the United States had no universal health care for its citizens.
Of course, thanks to Barack Obama, we now do have a system, which the Republicans now in power are intent on dismantling.
Obamacare may have its flaws. However, it is the best it has been for the uninsured in some time, so thanks, President Obama. And thanks, too, for the $1.99 gas I saw at the Phillips Station on Kennedy Drive tonight!
This video was shot some time ago, while driving home from a trip to the Children’s Museum in Bettendorf, Iowa. It was shot on 16th Avenue in East Moline, Illinois, and the birds subsequently were identified as European starlings by research into various books of bird species.
The voices you hear in the video belong to me, my daughter-in-law Jessica, and the four-year-old twins, Ava and Elise. I have no explanation for why the birds covered just a few lawns or what they were looking for, but it inspired a story entitled “The Final Victim” that will appear in Hellfire & Damnation III.
Below are a few more still photographs of the phenomenon, which I still do not pretend to understand. The oddest thing about the event was that only a very few lawns were affected. Three lawns were infested with the birds and yet they were not on the neighboring houses just a few yards down, nor across the street. Weird.
French researchers, using Belgian Malinois dogs, have discovered that that breed of dog can correctly pick out a man suffering from prostate cancer from sniffing the urine of the victims. The dogs, in 66 tests, sniffed out the sick individual’s urine from a field of 5 corectly 63 times out of 66. This accuracy is far higher than the standard PSA tests, which often given false positives.
Dogs can be trained to detect the characteristic odor of unique chemicals released into urine by prostate tumors according to Dr. Jean-Nicolas Cornu.
This new discovery could very well signal a new way to detect prostate cancer, as there were only 3 false positives and no false negatives when using the trained canines, far lower than PSA tests.