Five Oscar-eligible shorts have come to me recently. They are “Tea,” “Corpse Fishing,” “Anuja,” “Heart of Texas” and “Deck 5B.” There are more to come, but here’s how the first five struck me, listed in the order I enjoyed them:
Michael Gandolfini, son of James Gandolfini, star of “Tea.”
- “Tea” was directed by Blake Rice and starred Michael Gandolfini (“The Many Saints of Newark”), son of James Gandolfini. This hilarious short follows a young man rehearsing to ask out the girl of his dreams, when a sudden hornet sting throws everything into chaos.This offbeat comedy premiered at Cannes as the only U.S. film in the Short Films Competition and qualified to be considered for the 2025 Oscars®. It qualified for Best Short Film at the Nashville Film Festival, Tirana International Film Festival, Woodstock Film Festival, Palm Springs and HollyShorts. I thought immediately of the 1999 film “Election” (Reese Witherspoon and Matthew Broderick) where a bee sting renders Broderick into someone more closely resembling the Hunchback of Notre Dame than the previous smiling teacher supervising the school election. Similarly, young Gandolfini is immediately in dire straits after being stung, appearance-wise and health-wise. It falls to Olivia Nikkanen to save the poor guy. Olivia (“The Americans,” “Boardwalk Empire,” “The Little Foxes”) is best known for her work as a series regular on the Netflix hit series THE SOCIETY (2019) and for her recurring arc on SUPERGIRL (2015). This short spoke to me because it seemed to represent the growing portion of the U.S. male population defined as “incels.” Incels are involuntarily celibate, usually white and male, and often found online. They would like to have a girlfriend, but, for a variety of reasons, that isn’t happening, despite their best efforts. Some incels then become hostile towards all women, but in this amusing short, we hope that the two might actually connect, although it certainly takes a lot for young Gandolfini to get through to his would-be female rescuer that he’s suffering from anaphylactic shock and this is a real health emergency, not just a flirting technique.
“Corpse Fisherman:” Yan aboard the corpse fisherman’s boat in a home-made life preserver.
- “Corpse Fishing” – Set in southern China in the Hubei Province, this enigmatic short follows a despairing girl named Yan as she strikes a deal with a stranger to go fishing for bodies in a desperate attempt to find her missing father. This incredible story is inspired by Wei Xinpeng, a real ‘corpse fisherman’, who scans the river looking for cadavers, which he then sells back to grieving families. This film was presented at the Tribeca Film Festival and was part of the official selection at HollyShorts. The 16-minute film has qualified for the Academy Awards and, indeed, the very thought that there is a job called “corpse fisherman” was enough to grab my attention. Wei Xinpeng, a real ‘corpse fisherman’, scans the river looking for cadavers, which he then sells back to grieving families. He charges $100 to look and $1,000 to bury the body. Yan—who has been futilely searching for her father who disappeared—speaks with the corpse fisherman; he is so grateful to have company (the odor of decomposing bodies on his boat makes him a social outcast) that he offers her the opportunity to travel with him down the river and, for each day she withstands the horrible smell of decomposing bodies aboard his small
Corpse Fisherman short
boat, she will earn a peek at a body. There are three corpses aboard the boat when Yan throws in with the fisherman, who puts a home-made life preserver on the young girl after she tells him that she cannot swim. We also learn that her mother disappeared and she was told that “the heat drove Mother mad and she went North to recover.” The film was written and directed by Jean Liu and is part of an initiative called “Rising Voices,” which seeks to give under-represented filmmakers a chance at success. Indeed’s “Rising Voices” was created in collaboration with Lena Waithe, Hillman Grad Productions, and 271 Films. The idea was to give the financial production of a national TV spot and, instead, invest it in ten BIPOC (Black, Indigenous, and people of color) directors creating short films. The directors each received $10,000 script payment and $100,000 to make their film. Through 4 seasons, over 2,000 industry jobs have been created in this fashion, with many of them going to people of color who have been historically under-represented. For a reviewer born in Independence, Iowa, on the Wapsi-Pinicon River, the idea of a corpse fisherman in central China was mind-blowing.
“Anuja.”
- “Anuja” came in third for me, for many of the same reasons that “Corpse Fishing” grabbed my attention. It is a film set in Delhi, India, and the star of the film, Sajda Pathan, is, herself, an orphan from the streets of Delhi who lives in a home for children rescued from the streets. They are provided food, shelter and education and there are thousands of them. Anuja’s older sister is portrayed by Ananya Shanbhag as Palak. Ananya is employed in a sweat shop sewing clothing. She is very resourceful and hard-working and has figured out a way to use scraps of material to make bags, which she and her younger sister, Anuja, sell on the streets of Delhi. Anuja, however, is a 9-year-old math wizard. She is claiming to be 14 and working, illegally, alongside her sister in the sweat shop. If she will take
Anuja and her older sister in Delhi.
advantage of the opportunity afforded her to break out of the yoke of illegal child labor she can take a qualifying exam and attend the Williams Boarding School, which will give her a chance at a better life, but also take her away from her older sister. Adam J. Graves is the Writer/Director of “Anuja,” which highlights the nonprofit organization the Salaam Baalak Trust in its efforts to rescue homeless children from the streets of Delhi. Watching young Sajda watch the film for the first time with the other children in the home was touching.
- “Deck 5B -This captivating film follows a mother who is torn between the needs of her young child and her own desires. The drama won “Best International Short Film” at the 2024 Toronto International Film Festival (TIFF) and has qualified for consideration for the upcoming Academy Awards. Director Malin Ingrid Johansson was born and raised on a farm in the Swedish countryside and might be one of the few directors who knows how to operate a tractor as well as a camera. Malin’s previous short MADDEN premiered internationally at the Berlinale ‘23, claiming multiple awards at various international film festivals. Lead actress Alma Pöysti is an acclaimed Finnish actor who has made significant strides in Scandinavian cinema, earning accolades such as ‘Best Actress’ at the Finnish Film Awards for her role in TOVE and ‘Best Actress’ at the 2023 Gothenburg Film Festival for FOUR LITTLE ADULTS. Her recent works includes lead roles in Netflix’s A DAY AND A HALF and Aki Kaurismäki’s Cannes Film Festival’s Prix du Jury winner FALLEN LEAVES, for which she received a Golden Globe nomination. It’s not that Alma Poysti doesn’t do a good job with the story of a mother aboard a boat (cars on boats that cross the English Channel, for instance) who is heading for a tryst with a new boyfriend who also has a child. The little boy is a typical little boy and not particularly cooperative in helping his mother connect with a potential new boyfriend. The short film was well done, but it was too ordinary. Nothing screamed, “Wow! Look at that!” I enjoyed it, but I wondered how much of its acclaim could be laid at the feet of the accolades the lead actress has garnered for other parts.
- “Heart of Texas” – After receiving positive news that she’s one of three song-writing finalists from a potentially life-changing radio contest, an aspiring country singer Janie May (Lauren Noll) races to the studio after her overnight diner shift when she collides with an undocumented worker — changing the course of both their futures. Gregory J.M. Kasunich’s THE HEART OF TEXAS has screened at HollyShorts, In the Palace International Short Film Festival and Sidewalk Film Festival, accumulating 14 accolades so far during its festival run. The film has qualified for the 2025 Oscars®.Director and co-writer Gregory JM Kasunich is an award winning film, commercial and music video writer, director, and producer from Pittsburgh, PA. His body of work includes projects for Taylor Swift, The Pentatonix, The Summer Set, DreamWorks, Disney, Lucasfilm, General Mills, DirectTV, Mattel, iHeartRadio, and many others. Star Lauren Noll is a Los Angeles based actor and filmmaker with a Master’s Degree in Acting from Harvard University. Since arriving in LA post-grad school, in addition to acting in various films, commercials, and music videos, Lauren’s curiosity around other roles in filmmaking led her to write, direct, and star in her first award-winning short film, “Honor” (2020), a personal drama about the encounter of a queer student with Brigham Young University’s honor code office. She followed that filmmaking debut with “Gen V” (2021) for which she was granted a development deal with Adi Shankar’s Bootleg Universe, and “Clean Slate” (2022), which was awarded a grand jury prize at the Collaboration Filmmakers Challenge, and “The Heart of Texas” (2023), which has garnered her six acting awards to date. She is currently preparing for her feature film directorial debut.
Lauren Noll of “Heart of Texas” short