Eliza Roberts on Lone Star Deception - Weekly Wilson

The interview with Eric Roberts (up as podcast #3) saw me prepare an Introduction and some questions for the actor. It ended up being me talking “All About Eric” and speaking with the Executive Producer Ed Dezevallos about the film “Lone Star Deception,” but the actual interview was bumped.

Plans were to do the interview this week (3/19). Then, the Bold Brave Media Global network announced it was shutting down for an indefinite period of time….probably a week to two weeks.

Therefore, the answers to the questions were answered by film star Eric Roberts below. Hopefully, viewers stuck at home will check out “Lone Star Deception” on Amazon and—at some future point—perhaps we can make the Weekly Wilson podcast work out on audio

In the meantime, here are Eric Roberts’ answers to (some of) the questions I had planned to ask:

[From Eric Roberts: THE INTRODUCTION IS BEAUTIFUL! ]

ERIC ROBERTS – INTRO

“Lone Star Deception,” Eric Roberts, Anthony Parker.

Back in 1986, in an interview with Roger Ebert following his screen debut performance in “King of the Gypsies,” his break-through role, Ebert wrote: “Right from the beginning, Eric Roberts has had about him the promise of eventual greatness. The movie industry does not know how he will turn out, but he holds the potential to be mentioned with Brando and DeNiro and the others who come surrounded with the aura of a special talent.”

That feeling hit me like a ton of bricks as I watched “King of the Gypsies” back in 1978 as a twenty-something film critic,— one who had been on the job for 7 years.

I fully agree with Roger Ebert’s assessment of Eric Roberts’ talent. I echo Academy-Award winning actress Sandy Dennis, who said of Eric after they appeared together onstage, “Oh, my God, this actor! I think he is the next big thing,— if he can get the material.”

Eric’s performance in “King of the Gypsies earned him a Golden Globe nomination for the Best Acting Debut by an Actor (1979). Eric would go on to earn another Golden Globe nomination in 1984 for “Star 80” and a third Golden Globe nomination, plus an Oscar nomination as Best Supporting Actor (in support of Jon Voight) for “Runaway Train.” 1984 gave us “The Pope of Greenwich Village,” with Eric paired with Mickey Rourke. He was awarded the Theater World Award in 1987 for the Best Broadway debut for his work in “Burn This.” Eric has been quoted as saying, “The joy is in the doing.”

Every one of these films is indicative of the power and creativity that Eric Roberts brings to his work. He has another 29 wins and 17 nominations for a variety of film awards. Eliza Roberts—herself an actress and Eric’s wife of 28 years—said of her husband’s work, “Sit tight, because, even when you’re shit, you’re fucking awesome, Eric.”

Sometimes called “the hardest-working actor in America,” Eric now has an absolutely stunning 569 credits on the International Movie Data Base, making him the hardest-working actor in Hollywood.

Eric Roberts & Anthony Ray Parker.

Eric’s schedule, as Eliza will attest, is crazy. It sometimes has him moving between 3 sets at once. He has close to 70 projects in development in 2020 or 2021. To give you a sense of how absolutely amazing that number of credits is, (outside of Bollywood), Leonardo DiCaprio, who has only 55 IMDB credits to his name, has said of Eric “Eric is a god. He’s THE MAN.” By comparison, Brad Pitt has 56. Susan Sarandon, who co-starred with Eric in 1978’s “King of the Gypsies”— and is known to work quite frequently, herself,— has 160 credits

One of Eric’s most recent films, “Lone Star Deception” is the story of a race for Governor in Texas, with Anthony Ray Parker as a black candidate for Governor. Eric is central to the plot, playing Bill Sagle, a King-maker who was originally backing his nephew, until his nephew is compromised by a sex-tape that surfaces, complete with a demand for hush money. The nephew is forced (by Eric’s Bill Sagle character) to step down and a black candidate with combat credentials is drafted to run in his place. The co-star is Anthony Ray Parker who appeared in both “The Matrix” and “The Marine” and has 54 IMDB credits to his name, himself. The log-line says, “Fear, Greed and Texas Politics,” which seemed like a good topic right about now, nationwide.

I am very grateful to have such a busy couple able to call in for some talk about both this film, which is about to release on Amazon (as well as FixFling, InDemand, Vudu, Fandango and to overseas markets —(which could be rough with the recent news that all of China’s 60 to 70,000 cinemas are closed due to the Corona virus.)

I’m hoping that Eric and Eliza can tell us a bit more about “Lone Star Deception” and talk about his storied career and their work together.

Welcome to you both and thank you for being with me.

************

ERIC/ELIZA ROBERTS Questions

“Lone Star Deception” (available on Amazon) with Eric Roberts and Anthony Ray Parker.

1_ You have close to 70 projects scheduled for 2020/2021. How do you manage to work in that many films at once?

E.R.: IT’S ALL ABOUT CREATIVE AND PRECISE, YET FLEXIBLE SCHEDULING. YOU HAVE TO BELIEVE ANYTHING IS POSSIBLE.

2) How difficult is it to memorize that much dialogue and remember it all, when you’re working with so many different films at once?

E.R.: IT’S GREAT MENTAL EXERCISE, SO I APPROACH IT LIKE WORKING OUT.

3) You were offered “9 and ½ Weeks” but turned it down. Are there any other roles you were offered, but ended up not taking? Did you ever wish you had taken those roles?

E.R.: AN OFFICER AND A GENTLEMAN, AMERICAN GIGOLO…BASICALLY MOST OF WHAT RICHARD GERE AND JOHN TRAVOLTA DID IN THEIR EARLY YEARS.

ALSO CLIFFHANGER, WHICH ENDED UP GOING TO JOHN LITHGOW. I HOPE I’VE MADE UP FOR UNFORTUNATE TURN-DOWNS NOW.

4) Eliza: your father, I read, wrote the scripts for “Three Days of the Condor” and “The Firm” (David Rayfiel). You also knew John Landis, who offered you your part of Brunella in “Animal House.” Did you grow up in Hollywood? If so, has your insider knowledge of the industry helped?

E.R.: I DID SCHLOCK AND ANIMAL HOUSE WITH JOHN LANDIS, AND HE’S REMAINED A FRIEND ALWAYS. I THINK GROWING UP IN THE INDUSTRY AND HAVING AN INTIMATE KNOWLEDGE OF THIS WORLD HAS HELPED IMMENSELY.

“Lone Star Deception”

5) Eliza, you met Eric on a plane with your dad’s script for “Intersection” in your lap. Have there been any projects, past, present or future, where you’ve been involved in writing a script just for Eric ? (Secondary mention of cats, since Eric, you said, had a cat, Tender, on his lap at the time).

E.R.: YES, I HAD A SCRIPT ON MY LAP AND ERIC HAD BOTH A SCRIPT AND A CAT ON HIS LAP.

I HAVE DONE A LOT OF SCRIPT POLISHING FOR ERIC. I HAD A SENSE OF WHAT WORKS FOR HIM, AND MOST PRODUCTIONS ARE OPEN TO IT.

6) Eric, How did you come to be involved in “Lone Star Deception?” (I talked to Executive Producer Ed DeZavellos on 3/12 and hope to again in the future.)

E.R.: I CAN’T REMEMBER FULLY, BUT I KNOW SOME VERY NICE, PASSIONATE PEOPLE MADE US BOTH AN OFFER. ELIZA IS IN LONE STAR DECEPTION, TOO. WE WERE INTRIGUED AND SAID YES.

“Lone Star Deception”

7) “In my estimation, Eric is a great actor…an extremely unique presence trapped in this beautiful exterior.” “The way that Mickey Rourke was re-discovered as a great actor, I think Eric is due for that, for sure. So much of the business is luck and timing.” (David Duchovny)

Given those glowing words from a fellow actor, and Mickey Rourke’s film “The Wrestler” (which should have won him the Oscar in 2008), what directors now working would you like to work with? Any potential star vehicles in the pipeline?

E.R.: I VERY MUCH WISH AND LONG FOR SUCH A VEHICLE. HOW PRECIOUS THAT WOULD BE.

I CAN’T TELL YOU HOW MUCH THE COMMENTS OF THESE FELLOW ACTORS MEAN.

8)_ Nowadays, it seems that even extremely good actors like Robert Downey, Jr., want to play a Super Hero to cash in on the Marvel Universe films or to have a series built around them. It is as though there is the series comic book Hollywood and indie film Hollywood. You’ve watched the industry as an insider for a long time. What are your thoughts on the films you see coming out of Hollywood now, versus when you were starting out (1978)?

E.R. : TRENDS IN ART AND IN EVERYTHING, ARCHITECTURE, FASHION, EVERYTHING, TEND TO CHANGE. MOVIES MADE PEOPLE HAPPY IN 1978, AND THEY MAKE PEOPLE HAPPY TODAY.

SOME OF THE MARVEL MOVIES ARE VERY CLEVERLY WRITTEN AND GO WAY BEYOND THEIR GENRE.

I DON’T HAVE A PARTICULAR LOVE FOR THE SUPER HERO FILMS, BUT MANY PEOPLE DO, AND BECAUSE OF THAT, I’D LOVE TO BE A PART OF IT.

10) Throwing out some names that I know mean something to you, can you share with us a little bit about what it was like working with Sterling Hayden…..Mickey Rourke…..Jon Voight…Bob Fosse…and, of course, Anthony Ray Parker. (Take your pick and add any others you wish).

I LEARNED SO MUCH FROM STERLING. WHAT A CHARACTER! I ADORE MICKEY, AND HE AMAZES ME. IT WAS FANTASTIC WORKING WITH JON. BOB FOSSEE WAS ARGUABLY THE BEST DIRECTOR I WAS EVER DIRECTED BY.

Anthony Ray Parker.

WE HAD AN INCREDIBLE TIME WORKING WITH ANTHONY RAY PARKER. HE’S A GREAT ACTOR AND HE’S A GREAT MAN.

11) “Lone Star Deception” Credits: “We would like to thank our pyro technicians for not blowing up the entire city. (Houston) [Comments?]

HILARIOUS! AND TRUE.

12) You were in a bad car accident in 1981. Please tell the listeners about that and its after-effects at the time?

E.R.: WELL, IT WAS A LOT LIKE THE FILM “REGARDING HENRY”.

I CRASHED IN MY JEEP AND WAS IN A COMA FOR 72 HOURS AND, EVEN THOUGH I WAS PHYSICALLY ALIVE, IT MADE ME FEEL FOREVER DIFFERENT IN MYRIAD WAYS.

13) Don Okolo, the credited director for “Lone Star Deception” is Don Okolo. (“Blood ‘n Destiny” – 2009, $500,000; “The Land” – 2011, $200,000; “Gem of the Rainforest” – 2013 – $200,000). Have you ever wanted to direct?

ELIZA IS A SUPER GIFTED DIRECTOR AND I LOVE BEING DIRECTED BY HER AND WOULD CO-DIRECT WITH HER.

14) Lines from the film: “So little nieces, so little time.” “Politicians tell the voters what they want to hear.” Why was the main character (Tim Bayh, the black candidate for Governor) put in charge of personally paying off the various wrongdoers, such as those who kidnap his daughter Carol. Aren’t there less visible henchmen who could have been hired to carry the $50,000 to pay off “Sloane?” (That puzzled me)

E.R.: TIM HAD MORE AT STAKE. BUT THAT’S A GOOD QUESTION AND REALLY A QUESTION FOR ED.

“It was always about the money, Charlie.” (Any thoughts on the politics of today IRL?)