Tag: The Eyes of Tammy Faye

2022 Oscar Winners (Installment #2)

On March 27, 2022

In Movies, News, Of Local (Quad Cities') Interest, Pop Culture

After listing a few choice Best Oscar nominees in my last pick, I stopped, while trying to nail down a couple of categories. Continuing:

Best Director: Jane Campion (“The Power of the Dog”)

Other nominees are Kenneth Branagh (“Belfast”);Rysuki Hamaguchi- “Drive My Car”; Paul Thomas Anderson – “Licorice Pizza”‘; Steven Spielberg – “West Side Story.” Of these films, my personal favorite was “West Side Story,” but nobody (except, perhaps, Spielberg’s father, at one time, was clamoring for a remake of the fantastic sixties film.

Best Supporting Actor – Troy Kotsur, “CODA”

Best Supporting Actress – Ariana DeBose – “West Side Story”

Film Editing – “Dune”

Best Adapted Screenplay – “The Power of the Dog”

Best Original Screenplay – “Belfast”

Best Cinematography – “Dune”

Best Animated Feature – “Encanto”

Makeup and Hairstyling – “The Eyes of Tammy Faye”

Best Costume Design – “Cruella”

Best International Film – “Drive My Car”

Best Original Song – “No Time to Die” (Billie Eilish, Finneas O’Connell)

Best Documentary – “Summer of Soul”

Best Visual Effects – “Dune”

Production Design – “Dune”

The film with the most (not counting those that will be announced off the air separately) is “Dune” on my list. I was torn between “Flee,” which was making all the film festivals, and “Summer of Soul,” but, just like “Encanto,” it’s hard to overcome a marketing giant like Disney. I was not convinced that the Best Screenplay Award should go to “Up in the Air” and can’t help but believe that Kenneth Branagh telling his autobiographical life story has to be a winner

Best Actress Nominees: Who Will Win?

By Connie Wilson

On February 10, 2022

In Movies, Reviews

Now that the nominees are ‘set’ for the March 27^th Oscars, let’s take a closer look at who is up for what, (and who should have been up for what):

In the Best Actress category, the nominees are Jessica Chastain (“The Eyes of Tammy Faye”); Olivia Colman (“The Lost Daughter”); Penelope Cruz (“Parallel Mothers”); Nicole Kidman (“Being the Ricardos”); and Kristen Stewart (“Spencer”).

I recently published an entire piece on this blog about Jessica Chastain having a banner year, and mentioned her appearance opposite Michael Shannon in “Take Shelter,” back in 2011. (Shannon told me it was his “favorite film” in Chicago at the premiere of “The Shape of Water.”) Jessica was also the guiding light behind the disappointing female action thriller “355,” one of 16 producing credits; she has not been previously nominated for her body of acting work. I met Ms. Chastain at the Press Red Carpet for Liv Ullman’s directorial debut, directing Jessica and Colin Farrell in “Miss Julie” in 2014.

Considering that her body of work includes such films as “The Tree of Life” (2011), “Zero Dark Thirty” (2012), “Molly’s Game” (2017) and this year’s “The Eyes of Tammy Faye,” she is certainly an accomplished actress who has gone somewhat unrecognized for her previous appearances. “Take Shelter,” where she played the unhinged Michael Shannon’s long-suffering wife, was eleven years ago, so we are talking about a body of good work that has existed for over 10 years, without previous nominations. She has 57 acting credits, but has moved into producing, with 16 credits, including this year’s “355” foray into the area of female empowerment action films, (which quickly has become a genre of its own with films like Charlize Theron’s “Atomic Blonde” and 2019’s “The Kitchen” with Melissa McCarthy and Tiffany Haddish). So, the relatively slight recognition given to Jessica Chastain over the years mitigates for her to win in this category, over the much-more heralded Nicole Kidman, who has been nominated 5 times in the past 20 years and won in 2003 for “The Hours.”

On the other hand, anticipating that the Academy will want to give it to the most-heralded film gives the nod to “Being the Ricardos,” which has more overall nominations, including Javier Bardem for Best Actor in a Leading Role and Best Supporting Actor for J.K. Simmons. If the Academy really wanted to reward the least-recognized of the lot after years of good work, probably Penelope Cruz for “Parallel Mothers” would merit that distinction, but it will be the least-seen of the films. Those that have seen “The Lost Daughter” with Olivia Colman are pretty well split about the film, itself, while recognizing that Olivia, as always, was good in it. And let’s not forget that Ms. Colman came out of nowhere to win the Best Actress award in 2018 for “The Favourite.”

So, if I were a betting woman, I’d put my money on Jessica Chastain or Nicole Kidman to win the Best Actress award this year. The “Spencer” film may have had an acceptable performance from Kristen Stewart, but, overall, it was a dreadfully dull film, and one without many facts on which to base the drama (such as it is). Kristen Stewart is the female equivalent of Keanu Reeves. She looked great in the Diana wear, and she held up her end of the action in a film where the Most Exciting Thing that Happens is Diana retrieving her sons from a fox hunt that they were about to participate in and getting weighed in a chair. (No explanation for that latter bit; you’ll have to suffer through the film if you want to know more.) MANY shots of food being prepared in the mansion kitchen (Yawn). I don’t think that Olivia Colman, Penelope Cruz or Kristen Stewart have a real shot this year, but, if I’m wrong, I’d point to Penelope Cruz in a year when ethnicity matters.

If you want to know who should have been nominated, you can check out the gripers on IMDB.com, but the list could start with Ana Taylor-Joy in “Last Night in Soho,” move on to Lady Gaga in “House of Gucci,” and continue through “Cruella’s” Emmas (Stone and Thompson).

Jessica Chastain Having Banner Year in Two New Movies

By Connie Wilson

On January 12, 2022

In Local, Movies, Pop Culture, Reviews

We journeyed out to the theater to see Jessica Chastain’s newest movie, “355,”directed by Simon Kinberg.

The log-line says: “When a top-secret weapon falls into mercenary hands, a wild card CIA agent joins forces with three international agents on a lethal mission to retrieve it, while staying a step ahead of a mysterious woman who’s tracking their every move.”

The star power for the film, aside from Chastain who plays Mace, is provided by stars Penelope Cruz (Graciela Rivera), Diane Kruger (Marie Schmidt), Lupita N’yongo (Khadijah Adiyemi) and Chinese star Bingbing Fan (Lin Mi Cheng). The male lead of Nick Fowler is portrayed by Sebastian Stan and Edgar Ramirez has a small role as Luis Rojas.

The settings for the outing are glamorous. The film opens at a location described as 150 miles south of Bogota, Columbia. Before the tale about the totally untraceable master key cyber disrupter, which will allow the nation that possesses it to wreak havoc, winds down, we will have visited Berlin, Langley (Va) CIA headquarters, London, Marrakesh (Morocco), Shanghai, and many other exotic ports of call.

There is lots of fighting, with slight girls always besting the guys every time. What is the significance of the title?

“So the woman I played in Zero Dark Thirty talked to me a lot about espionage and I think when I was preparing for that she started talking about 355 and I asked her what it meant. And 355 was the secret code name for the first female spy during the American Revolution. And her name still remains a mystery to this day,”Jessica said at the virtual New York Comic-Con in 2020.

Lines like “When you live a life of lies, it’s hard to know what is true and what isn’t” made me think of Donald J. Trump, but it didn’t make me marvel at the screenplay, (courtesy of Theresa Rebeck).

https://www.youtube.com/watch?v=eMMLRnXPPJk

I can’t recommend “355,” but “The Eyes of Tammy Faye,” available on HBO Max, is pretty good.

Portraying Tammy Faye Bakker has garnered some talk of an Oscar nomination for Jessica, who plays airhead Tammy Fay Bakker, the partner of Jim Bakker in the PTL Club they founded in 1974. Tammy Faye is portrayed quite sympathetically in this film. The film is based on a documentary of the same name that was narrated by Ru Paul, a consequence of the gay community’s embrace of Tammy Faye, just as she had embraced the homosexual community during the AIDS crises of the 70s and 80s. Everything came crashing down in 1989.

In reading about the film, I learned that the scene involving Tammy Faye and a Nashville music producer, who was supposedly interested in her when she was 9 months pregnant, was not accurate. In fact, the producer in question was quite incensed at the suggestion. He did not give Tammy Faye a ride to the hospital to deliver baby number two, as the film depicts.

The way in which the couple met Jerry Falwell (portrayed by Vincent D’Onofrio) was also incorrect. It is portrayed as a chance meeting occurring when the couple’s car is stolen outside a motel, but the truth is that the couple had actually crashed their car and trailer earlier.

I looked up some information on Jim Bakker’s sins and misdeeds. He got 45 years, originally, but it was reduced to 8 on appeal and he even has been appearing on the television air waves again, hawking a silver substance that supposedly “cures” many diseases and various Covid cures, until he was told to knock it off by the authorities, One of the things that Bakker and his second wife were also selling on TV recently was survivalist food that would save the day in the event of the end of the world. During his days with Tammy Faye Jim kept a second set of ‘fake” books and also used church funds to underwrite a face lift for himself. The pay-off to Jessica Hahn for sexual services rendered, which Roe Messner mis-represented as charges for the building of Heritage USA, an evangelical theme park.

Tammy Faye, after her divorce from Jim Bakker in 1992, married Roe Messner, the character shown in the film as the developer of Heritage USA. A theme park that Jim Bakker was proposing. Tammy Faye made several appearances on Larry King’s TV show during her 11-year battle with colon cancer, which ultimately took her life at the age of 65 on July 20, 2007.