Weekly Wilson - Blog of Author Connie C. Wilson

Welcome to WeeklyWilson.com, where author/film critic Connie (Corcoran) Wilson avoids totally losing her marbles in semi-retirement by writing about film (see the Chicago Film Festival reviews and SXSW), politics and books—-her own books and those of other people. You'll also find her diverging frequently to share humorous (or not-so-humorous) anecdotes and concerns. Try it! You'll like it!

Category: Television Page 1 of 12

Doris Day (My Doppelganger?) Dead at 97

Doris Day A few days ago (May 13th), Doris Day shuffled off this mortal coil at the ripe old age of 97. I remember her well from movies like “Pillow Talk,” with Rock Hudson (one of her best) and—when I was a young college girl, working as a waitress at Armstrong’s Department Store Cafe in downtown Cedar Rapids, Iowa, and at the Cherry Blossom Dining Room in Marion (Iowa)—if I had a dollar for every customer who said to me, “You look like Doris Day!”, I wouldn’t have been rich, but I probably would have made more money than I did working as a waitress that summer.

And if I’d had Doris’ job, I wouldn’t have had such sore feet from waitressing. It was a brutal job for minimum wage (a U-shaped breakfast island with a straight part to the left that people could also sit at; you’d wait on the interior part of the “U” and, behind you, people would be seated at the straight bar part that you were not at all aware had come in). All-in-all, both were demanding jobs for paltry salaries. [It was especially brutal the night the Cherry Blossom Dining Room booked a high school reunion (small class) and failed to notify me (the hostess) in advance that several tables of reunion-goers would be sweeping in, en masse, at the peak of the dinner hour). It’s never fun to have to go around and ask 4 to 5 tables of 8 if they’d mind relocating across the room. (!)] However, while fantasizing over Doris’ money made, I have to realize that she was thoroughly fleeced by her “business advisor” (Jerome Rosenthal) who managed her since the forties and by her third husband. It took her until 1979 to recover some of the millions he took in a colossal case of malpractice, which the courts recognized as such, although it took 5 years for Doris to get any of her money back.

Doris Day Doris remained beautiful for many, many years—well into her sixties—and outlived her record producer son, Terry Melcher (who was probably the real target of Charles Manson’s murders, as it was Terry Melchers Hollywood Hills home that Manson sent his acolytes to, where they brutally murdered Sharon Tate and others.) She more-or-less faded into oblivion because the times changed. During 1960 and the 1962 to 1964 period, she ranked number one at the box office, the second woman to be number one four times. She set a record that has yet to be equaled, receiving seven consecutive Laurel Awards as the top female box office star.[57]According to the Hollywood Reporter in 2015, the Academy offered her the Honorary Oscar multiple times, but she declined as she saw the film industry as a part of her past life.[96] Day received a Grammy for Lifetime Achievement in Music in 2008, albeit again in absentia.[97] 

One of the roles Doris Day turned down was Mrs. Robinson in “The Graduate” (she found it “vulgar” and “offensive”). Anne Bancroft cashed in. Although scheduled to sing at one of the Oscar ceremonies, while strolling the hotel grounds she received a bad cut on her leg from a sprinkler system that required stitches; she had to cancel. She also was in talks with Clint Eastwood, her Carmel (California) neighbor to star in a Clint Eastwood project, but that never panned out.

Doris Day She received three Grammy Hall of Fame Awards, in 1998, 1999 and 2012, for her recordings of “Sentimental Journey”, “Secret Love”, and “Que Sera, Sera”, respectively.[98] Day was inducted into the Hit Parade Hall of Fame in 2007,[99] and in 2010 received the first Legend Award ever presented by the Society of Singers.[65]

Day was  a great animal rights activist (much like Brigitte Bardot, post career) and there are some wonderful photos of Doris with Clint Eastwood, receiving Golden Globe awards in the sixties. Day became one of the biggest film stars in the early 1960s, and as of 2012 was one of eight performers to have been the top box-office earner in the United States four times.[1][2] Doris Day’s began with Pillow Talk (1959), co-starring Rock Hudson who became a lifelong friend, and Tony Randall.  Day received a nomination for an Academy Award for Best Actress.[54] It was the only Oscar nomination she received in her career.[55

Doris’ personal life was not so successful. Doris Mary Koppelhoff of Cincinnati, Ohio married three times and basically dumped little Terry (her only child) in Ohio with her mother (also a divorcee) to continue touring as a vocalist with Les Brown (and his Band of Renown). Between 1949 and 1959, she recorded First husband Al Jorden was supposed to have been physically abusive, with a violent temper; she intended to divorce him before even while pregnant with her only child. Second husband was saxophonist, George Weidler. Third husband Martin Melcher adopted Terry and gave him his surname, but Melcher was abusive to both mother and son and managed to embezzle $20 million dollars of Doris’ money. Doris’ last husband (1976-1982) was Barry Comden, a maitre de, who later complained that she liked her canine friends more than him. Doris did NOT want to do “The Doris Day Show” (1968-1973) but found out after Melcher’s death that he had signed her to do one.

Day learned to her displeasure that Melcher had committed her to a television series, which became The Doris Day Show:.

It was awful. I was really, really not very well when Marty [Melcher] passed away, and the thought of going into TV was overpowering. But he’d signed me up for a series. And then my son Terry [Melcher] took me walking in Beverly Hills and explained that it wasn’t nearly the end of it. I had also been signed up for a bunch of TV specials, all without anyone ever asking me.

— Doris Day, OK! magazine, 1996[

Nobody has told me “You look like Doris Day” in quite some time, which may be because Doris remained slim, trim and out-of-sight as much as possible after 1968.  When “All in the Family” was popular (I mention it because of the recent “live” recreation of that Norman Lear hit, produced by Jimmy Kimmel) there was the occasional mention of “Gloria” on “All in the Family,” but I always thought it was the long blonde hair and the lack of height.  Gloria (Sally Struthers) has not retained her youthful appearance, post television, like Doris Day did but, thankfully, I’ve not heard the Sally Struthers comparison since the seventies.

I just thought I’d send out a prayer for Doris’ happiness in heaven. It didn’t seem as though all her stardom and fame translated to a gloriously happy personal life, for her. A contentious divorce (her son’s) kept her from ever becoming close to her only grandson, who regrets the manipulation and maneuvering that kept him from ever knowing his grandmother. By contrast, I (we) just got a call from the grounds outside the Eiffel Tower in France from my married son and wonderful daughter-in-law, with the 10-year-old twins (Ava & Elise) posing in pictures that made it seem like they were balancing each other AND the Eiffel Tower on their palms.

Doris Day Day died on May 13, 2019, at the age of 97, after having contracted pneumonia. One day after she turned 97, she told an interviewer her All Time Favorite Film role was “Calamity Jane.”Her death was announced by her charity, the Doris Day Animal Foundation.[123][124][125] Per Day’s requests, the Foundation announced that there would be no funeral services, gravesites, or other public memorials.[126][127][128]

Doris supposedly thought she was only 95, as her birth certificate confirming she was really 97, was only ferreted out a few years ago.

Au revoir, Doris. May you live on in happy memories. “Que sera, sera.”

“The Inventor: Out for Blood in Silicon Valley” on HBO Reveals $9 Billion-Dollar Start-Up That Didn’t

Image result for Images for Elizabeth Holmes Elizabeth Holmes

(youtube.com)

The documentary about Theranos, directed by Alex Gidney, showed March 8th, 10th and 13th at SXSW and is now streaming on HBO. It focuses on a $9 billion-dollar start-up in Silicon Valley headed by a 19-year-old Stanford drop-out, Elizabeth Holmes. Oscar-winning director Alex Gibney was responsible for “Taxi to the Dark Side” and “Going Clear: Scientology and the Prison of Beliefs.”

“Fortune” magazine did a June, 2014, cover story on Holmes and Theranos.  Much of the talking about Holmes onscreen is done by Roger Parloff, who wrote the “Fortune” piece. The  lying by Theranos officials  led to 9 charges of wire fraud and 2 counts of conspiracy to commit wire fraud against Holmes and her Chief Operating Officer (and former lover) Sonny Balwani. (Holmes had fired Balwani by that point.)

As you listen to the list of heavy hitter investors who were so impressed by a 19-year-old college drop-out that they committed millions to her idea for Theranos, you have to shake your head. The list reads like Who’s Who. Some of them even speak on camera, like Tim Draper, who appears wearing a purple tie adorned with Bit Coin symbols and says he knew Elizabeth from childhood on and was a first investor in Hotmail, Skype and Tesla. General James Mattis bought into the idea. Henry Kissinger was favorably impressed. Warren Buffett was said to have invested $100 million. Famous faces like Maria Shriver, Katie Couric, the Obamas, Serena Williams, George P. Schultz and a host of others are shown with the Golden Girl.

As one Professor at Stanford says (a female), “She aligned herself with certain powerful older men who seemed to succumb to a certain charm.” (Meow). The statement is true, however. Attired in black at all times (black turtleneck, jacket and pants) with long blonde hair and an unnerving stare (she rarely blinks) from preternaturally large blue eyes, she was referred to by her partner, Sonny,” as “the most important inventor of our time” in a reverential, deferential tone.

The concept was that the needle-phobic Elizabeth was going to make it possible for a single finger prick—like that a diabetic would use to test their blood—to take the place of drawing large vials of blood in a lab. The small drop of blood would go into a mini-vial that would, in turn, go into a machine dubbed Edison, appromixately the size of a computer modem.

Inside Edison the blood would be tested, could detect infection and dispense antibiotics. Holmes seems to have envisioned herself to be the Apple of medicine and vowed to have the access to such Edison labs within 5 miles of each person’s home in America, which was going to happen through a partnership with Walgreen’s.

Holmes also alluded to her “invention” in what Parloff referred to as “comically vague” ways, saying, “What, exactly, happens in the box is treated as a state secret.” She also said that she wanted to remain a private company (initially, the company had 700 employees in a modern building with a secret third-floor lab, where, alas, the blood testing was actually being done using more standard methods by hand.

This was because Edison didn’t really work as advertised. When asked about taking the company public, Holmes said she preferred to remain private because, “It’s allowed us to not have to talk about what we’re doing, until it’s done.”

When the testing began to be done at Walgreen’s stores, the Edison was still non-functional, so routine blood draws were done by Walgreen personnel who had to be trained by phlebotomist Serena Stewart to do those traditional blood draws, despite the Big Come-On of a relatively small drop of blood being able to work in an Edison mini-lab. Holmes successfully lobbied the state of Arizona to allow patients to order their own lab tests in HB2645 and also managed to get FDA approval for Edison to do one small test for the herpes virus, but the 200 tests advertised never really got off the ground.

And, what is more disturbing, patients who had chronic conditions and showed up for routine bloodwork at a Walgreen’s store experienced incorrect results, which then had to be double-checked using routine labs and routine lab practices. There were also challenges to the patents.

Dr. Ian Gibbon, a Cambridge PhD with “a wealth of knowledge” whose name appeared on the patents (below Elizabeth Holmes’ name) was going to have to testify in the patent case. He was so distraught that he committed suicide. His wife, Rochelle, said “He was so distraught over the patent misappropriation case that he killed himself.” Mrs. Gibbon never heard anything from Holmes or Theranos after her husband’s death, other than a request  to drop the papers involving his work off at the front desk.

As the lab equipment malfunctioned and those in the tile world of the lab watched the start-up sliding towards failure, some of them became extremely disillusioned with the paranoia and secrecy. The workers were fudging results and re-running data until they got the results they wanted. Also, the tests for such diseases as hepatitis, prostate cancer and syphilis that were not being accurately diagnosed, put those patients at risk The results were not matching up with the results of other more traditional laboratories.

Finally, lab associate Erika Cheung decided, “Enough is enough” and went in to talk to COO Sonny Balwani. She was basically told “Just sit down and do your job.” She quit, got another job, moved and was very distressed when she was served papers that threatened her if she spoke about her time at Theranos. Since she had little money, her only recourse, ultimately, was to write a letter to the supervisory group that had control over the Theranos labs. That group was CMS. CMS then did a surprise inspection and withdrew the Theranos lab’s permit to do tests.

Another disillusioned former employee was George P. Shultz’s grandson, who had joined Holmes and was working in the laboratory. He quit and began talking to a “Wall Street Journal” reporter, John Carreyrou, who had received a tip that the Theranos Edison project was faltering.

The 94-year-old George Schultz, who served 3 presidents in 4 Cabinet posts, including Secretary of State, was a fervent admirer of Holmes and, initially, when his grandson expressed skepticism, had said, “They can’t tell me you’re stupid, but I think you’re wrong.”

By the end of the younger Schultz’s time, George Schultz commends his grandson for his attempt at transparency and relates an almost comic scene when a hard-nosed lawyer (once in charge of hushing up Harvey Weinstein’s women) tried so hard to lean on his grandson that Schultz separated the attorney from his grandson, sending them to different rooms in his house and acting as intermediary. George P. Schultz said he was afraid that his wife would hit the attorney with the fireplace poker, as he was acting “like an animal” towards their grandson.

The younger Schultz said he had incurred $300,000 to $400,000 in lawyer fees. The mounting bills had his parents thinking about selling their house to pay it. But, as Theranos secrets and lies unraveled further and the truth was revealed, the pressure on young Schultz waned as the house of Theranos cards came tumbling down.

I wondered, “What has happened to Elizabeth Holmes since this documentary was made?”

The Internet says she settled with the SEC, was handed a $500,000 fine, and there is a condition that she cannot be the officer of a public company for 10 years. Now living in the San Francisco Bay area in a luxury apartment, she is engaged to her 8-years-younger fiancé, Billy Evan (heir to a hotel fortune), according to “Vanity Fair,” and may be shopping for more investor cash. She and Sonny face some additional court appearance, supposedly in April.

 

One quote that particularly struck me, because it could have been spoken by any number of convincing liars was this one from Roger Parloff, who watched with amazement as Elizabeth Holmes, rather than going on the defensive against the expose article that the “Wall Street Journal” ran detailing how the scam worked, went off to a Board of Fellows Honorary Ceremony with the Harvard Medical School. Said Parloff, “This was real lunacy.  What was coming out of her mouth (on television) was not adding up to reality as you and I know it…She was a zealot, blind to the reality of what was happening.”

The question at documentary’s end remains this: Did Elizabeth Holmes lie intentionally, with cold, calculating intent, or was she just trying to ‘fake it till she made it?’”

Image result for Images for Elizabeth Holmes

“Shrill,” New Aidy Bryant Series on Hulu, Out March 15th

Aidy Bryant, Chicago’s Columbia College graduate and “Saturday Night Live” cast member, is the star of Hulu’s new series “Shrill,” released March 15th, produced by Elizabeth Banks. (SXSW Photo).

Aidy Bryant’s new Hulu series “Shrill” drops today (March 15th). To promote it, Chicago’s Columbia College alumnus Aidy Bryant, her producer Elizabeth Banks (“30 Rock,” “The Hunger Games”), author Lindy West (“Notes from a Loud Woman”), writer Ally Rushfield, and co-star Lolly Adefope were in Austin at a SXSW screening of the first two episodes of “Shrill.”

There are few comedy frontiers left for writers. Jokes about ethnic groups are out and, (other than President Trump), making fun of the handicapped is verboten. Midgets, once comic fodder, are now “Little People.”

But fat people and old people are still fair game.

With Ms. Bryant as the lead, this serio-comic series focuses on how overweight people cope with the constant barrage of negative remarks and actions they are subjected to in real life. But it’s not played solely for laughs.The “Shrill” material is both funny and touching.

It helps that the main character’s Annie’s mother is played by comic pro Julia Sweeney (after 18 years away from performing) and that her sickly father is played by Daniel Stern, who has been acting since the age of 17 (45 years). [Stern first earned kudos as Cyril in “Breaking Away” (1979) and in Barry Levinson’s“Diner” (1982)].

Elizabeth Banks (“30 Rock,” “The Hunger Games”) directs a remark to the author of the “Shrill” source material, Lindy West.(Photo by Connie Wilson).

Special praise should go to Annie’s (Aidy Bryant’s) best friend, played by Lolly Adefope, who was great in the two episodes we saw. Aidy, herself, brings a vulnerability and poignancy to the role that reminds of Melissa McCarthy in her Oscar-nominated turn this year in “Can You Ever Forgive Me.” Annie (Aidy) has the likeability to make you want to root for her; her visual reactions to indignities like her boyfriend asking her to sneak out of his apartment the back way to avoid meeting his roommate brothers: heartbreaking, but all too human.

The opening episode cuts right to the chase. Aidy becomes pregnant by her sometimes boyfriend. She has been using the Morning After pill, but the pharmacist failed to tell her that the pill would be ineffective if the woman weighed more than 175 pounds. (“Oh, yeah…that guy,” says a co-worker at the pharmacy. “He’s very bad at his job.”)

The write-up in the SXSW program says: “From Executive Producer Lorne Michaels and Elizabeth Banks comes Shrill, a comedy series starring Aidy Bryant (Saturday Night Live) as Annie, a fat young woman who wants to change her life—but not her body.  Annie is trying to start her career as a journalist while juggling bad boyfriends, a sick parent, and a perfectionist boss.”

(L to R) Janelle Riley, Editor of “Variety;” Aidy Bryant (“Saturday Night Live”); Writer Ally Brushfield; Producer Elizabeth Banks, and author Lindy West at the Q&A following “Shrill.”

Following the screening of Episodes #1 and #2 from “Shrill,” Janelle Riley, editor of “Variety,” moderated a panel consisting of the author of the source material, Lindy West, whose book of essays “Notes from a Loud Woman” served as the inspiration for the series;Elizabeth Banks, actress and producer, was onstage with writer Ally Rushfield and Aidy. The first question was, “What was your first job?”

The author responsible for the concept (Lindy West) admitted that she had not had much of a goal in life of becoming a writer. “I wasn’t one of those who wanted to be a writer. My first real writing job was for “Where” magazine in Seattle.” She described the task of trying to make the Space Needle fascinating in every issue as difficult.

Aidy Bryant, who married her boyfriend of ten years on April 28, 2018 (she met him when they both were part of Annoyance Theater in Chicago), described her first job as “musical improvisation in Indiana and Ohio, which nobody wanted to hear.”

The writer in the group, Alexandra (Allie) Rushfield said her first job was, “A video store, because I’m middle aged.” She also admitted to a stint with the Groundlings Comedy troupe.

Elizabeth Banks, known to audiences for her role as Effie Trinkett in “The Hunger Games” and for her continuing role as Alec Baldwin’s girlfriend on “Thirty Rock,” has a production company with her husband, Max Handelman. Her first-job answer was, “I was a latch-key kid and my first job was when I  played Pontius Pilate in ‘Jesus Christ, Superstar.’” She then regaled us with a few bars from her big musical number.

Elizabeth Banks (L) and Lindy West (“Notes from A Loud Woman”) during the Q&A after the new Hulu series “Shrill.” (Photo by Connie Wilson).

Moderator Janelle Riley, mentioning that “Notes from a Loud Woman” was “a great collection of essays,” wanted to know how or when they were envisioned as a series. Elizabeth Banks answered that it was “pretty quickly after the book came out and there were a lot of option meetings.” We were told  that Aidy was actually the first person considered for the role.

Aidy (Bryant) said, “It was the first time I ever saw myself in a piece solo. They let me be involved in the writing and producing, which was huge for me.”

The big question many of us had was this: How much personal experience did you bring to the character?

The cast  noted that they were initially referring to the main character as “Lindy” (the author’s name) but changed the character’s name to Annie, since it is not a bio-pic. One noted that the series was “the child of many mothers.”

The cast members railed against Twitter (“Please all quit Twitter and put it out of business and make the world a better place.”) where random strangers gather to hurl insults. “What a joy to be called a fat disgusting pig constantly,” said Aidy Bryant. She shared that an incident in the first episode actually happened to her.  A thin, beautiful trainer grabs her wrist and comments on what a small frame she has, saying, “There’s a thin person inside of you trying to get out.”

In the episode, Aidy laughs and responds, “Well, let’s hope she’s okay in there.”

She also shared that, when she has played Sarah Huckabee Sanders in skits on “Saturday Night Live” half of the viewers who sent messages called her “a fat, disgusting pig” and half said, “Aidy shouldn’t be playing this strong, independent woman.”

All agreed: “People are not used to seeing fat people do anything on camera.” (One possible exception to this might be the character on “This Is Us,” Kate Pearson, played by Chrissy Metz). Elizabeth Banks said, “I think this is very revolutionary.  I think our entire cast and crew wanted to empower women and get rid of the people who are always telling you you aren’t good enough.”

Lindy West, the author, said, “You never see fat people doing anything except being fat.  The world intrudes on you and tells you constantly that you aren’t living up to its standards. Society reminds us all day, every day, that if you’re a fat woman, there’s something wrong with you.”

One aspect that the second episode touched on was the “very complicated relationship with your mother and her body. That represents a lot of love and pain for many women.” I can certainly attest to this.

I had a mother who harped about my weight gain after I gave birth to my son. She never missed an opportunity to insert a diet or recipe reminder in her letters. Then, after I fasted for two full months on liquid protein and lost 72 pounds, and showed up at home at exactly the same weight I had been when I graduated from high school, she never made a single positive comment. I have a good friend (and former college roommate, Pam) who has told me how uncomfortable it was for her to be around and hear her mother say things like, “Why can’t you be thin like Pam?” or, on other occasions, “Why can’t you be thin like your sister?” My mother, like Lindy West’s, is of Norwegian (and Dutch) heritage. Is that a clue?

Said writer Allie Rushfield, “The deal in the writing room is that we would find the universal themes…that period in one’s late teens and early twenties when it’s all about appearance.” Aidy, the series lead, said, “I remembered how much I hated my own guts then. I felt sad for myself—for all the time I wasted when I was sold the bill of goods about how I was worthless unless I was thin.”

Added the writers (Alexandra Rushfield, Lindy West, Aidy Bryant): “I feel like the entire world is shifting, too.”

Let’s hope so. In the meantime, I ordered up Hulu for my husband’s March 21st birthday, primarily because of this series—[although, let’s face it, I’ve not been able to see Elisabeth Moss’s “The Handmaid’s Tale,” either, and obviously that is required viewing in the age of Trump].

So, how much did I like “Shrill”? At least $72 worth, minimum, and that’s probably on the low side (depending on whether you opt out of the commercials or not).

I also want to thank the publicist who got me in and let me sit in the Reserved seating area. Thank you very much. I never did gain admission to “NOS4A2,” despite writing repeatedly and once interviewing Joe Hill. That’s all I’m going to be writing about that other new series for a loooong time.

 

“Bluebird” Is SXSW Documentary about Nashville’s Bluebird Cafe Launching Pad to Songwriting Stardom

Director Brian Loschiavo of “Bluebird.” (Photo by Connie Wilson).

“Bluebird” premiered at SXSW on Thursday, March 14th, with Director Brian Loschiavo and many of the crew in attendance, including the now-retired owner of the 1,000 foot café in Nashville on 16th Avenue, Amy Kurland. Director Brian Loschiavo, a Philadelphia film school graduate, spent 10 years in Los Angeles as a freelance screenwriter and Senior Producer with Disney, ABC, and other TV networks, until signing up to be involved in the show “Nashville,” which made him into a believer. He moved to Nashville permanently and was soon tapped to film this documentary about the Bluebird Café.

The Bluebird is a small café in Music City that helps provide a place for songwriters to perform their songs and has launched the careers of megastars like Garth Brooks, Taylor Swift and Faith Hill. Other well-known names (Trisha Yearwood, Maren Morris, Vince Gill, Jason Isabell, Steve Earle, Connie Britton, Charles Esten) appear, but the magic of the place is that the unknowns behind famous songs—those who actually wrote the words and lyrics—have a place where they can perform and become known for their talent.

Amy Kurland, founder with daughter Barbara of the Bluebird Cafe in Nashville, at SXSW. (Photo by Connie Wilson).

As Thom Schayler called it, “The Bluebird is a place to come and be found.” Owner and founder Amy Kurland, with her daughter Barbara, did not originally intend for the Bluebird to be a music venue. It opened in 1982, not in mid-town, not in downtown, but in a strip mall next to a beauty shop and a dry cleaners, featuring all kinds of music.

Owner Amy described it, originally, as “A place for women to come to eat after they had their hair done. Minnie Pearl came to eat at the Bluebirt after she had her hair done.” She added, “When we first opened, it was all kinds of music,” and shared that they would sometimes put on the Talking Heads at max volume to drive out those lingering over a late lunch.

Said Amy, “The goal was to hear not a star, but a great songwriter.” Over time, the proscenium stage gave way to playing in the round in the center of the small room. Thom Schuyler described it as “The most fun I ever had with my clothes on.”

Brian Loschiavo of “Bluebird.” (Photo by Connie Wilson).

Snippets of the greatest Nashville songwriters of the day are heard, performed in some cases by the artists who made them famous, but more often by the songwriters who initially poured their heart and soul into the song to create the piece. Over the years, the Bluebird became known as a place to give aspiring songwriters a chance. Said one veteran: “They nurture the songwriter as an artist. I learned in that room that being a songwriter is a legitimate job.  Sometimes the performance by the writer of the song is more intimate than the famous version.”

With Open Mike on Monday nights, 60 singer/songwriters audition on Sunday night. Garth Brooks was one such aspiring singer/songwriter who had been turned down by every major label but was discovered by someone in the audience at the Bluebird. Taylor Swift was another who joined forces with her manager in that space, as he was just starting out with his own label and she was an 8th grade songwriter from Pennsylvania. (*Full disclosure: my daughter, a music business graduate of Belmont in Nashville, worked for Taylor Swift for 2 years.)

After the screening, talent producer Shawna Strasberg, who had to line up all the famous folk to appear, said that it “took six months to a year to figure out Taylor Swift’s schedule.” She added that most artists said yes “because it was the Bluebird.”

Props were also given to the elaborate set recreating the interior of the Bluebird, built for the TV show “Nashville,” which has popularized the place. The goal was to make you feel like you were in the room. Previously, as one cameraman said, “The opening scene was shot under a table, through someone’s legs with a handheld camera the whole time. It’s a challenge to shoot music.”

Founder and former owner Amy Kurland, who was present the night of the premiere, described herself as someone who grew up on Broadway musicals. She was so dedicated to having the Bluebird remain a place for up-and-coming songwriters to potentially get their shot that she signed over the café to the NSAI Nashville Music Association to make sure that it remains a launching pad for talent now that she has retired.

She looked back over her time since 1982 and said, “Those first few years I knew we were legitimate when Don Everley agreed to come play there.” Given a standing ovation by the appreciative crowd, Amy said, “I didn’t take a salary for a long time. If you’re in it to make a killing, I’d have been better off with a sports bar” to laughter.

It was the success of the TV show “Nashville” that took the struggling café from break-even to money-maker. Now, large crowds gather outside and, while approximately one-third of the café’s revenue comes from merchandise sold, there are routinely 200 to 300 people in the parking lot seeking entry to the small 90-seat venue. (A $25 cover charge is mentioned by the doorman at one point.)

“Bluebird” musicians close out the March 15th World Premiere showing at the Paramount Theater at SXSW. (Photo by Connie Wilson).

Director Brian Loschiavo acknowledged during the Q&A that “The hardest decision, hands down and a great challenge, was that we had to be stewards of the story.  A lot of cutting room stuff we had to lose.” With former owner Amy Kurland smiling and saying, “I really didn’t expect it to be so lively. I’m so grateful” a six-piece band onstage serenaded us as we departed.

Truly a heart-warming, entertaining, and informative film—especially if you dream of becoming a songwriter and wonder how to go about getting your big break in Music City (Nashville).

“Lowland Kids” Attests to the Effects of Global Warming: World’s First Climate Change Refugees

Director Sandra Winther. (SXSW Photo).

“Lowland Kids,” a documentary short showing at SXSW directed by Sandra Winther and beautifully shot by Director of Photography Todd Martin tells the story of America’s first climate change refugees.

Brother and sister Juliette and Howard Brunet are being raised by their Uncle Chris Brunet, who is handicapped and confined to a wheelchair. The parents of the teen-agers apparently died from drug addiction, although Howard, when asked, says, “I don’t want to talk about that.”

The two siblings and their Uncle Chris live on Isle de Jean Charles, Louisiana and, as Chris explains their predicament after 3 generations of living on the island, their island is losing one football field of earth every hour because of the oil and gas company building canals and due to natural disasters. The rising water is going to take over the island, the lowlands, and, as Uncle Chris says, “This is home. You really can’t get that again.”

The government has pledged to build houses to relocate the entire lowland island because, “The ground is sinking.  You’re looking at mass relocation.” When asked how they feel about moving in questions like, “What are you gonna’ miss about this place?” Chris answers “Everything, Man!” It is clear that the teen-agers feel the same way. Explains Chris, “That’s just it. It’s the simplicity.”

While the house they live in is not much, the scenery is gorgeous with beautiful sunsets and trips by boat to hunt alligators. The young people spend a lot of time driving all-terrain vehicles around the lush and isolated grounds and Howard says, “Moving off the island is gonna’ change a lot. Nobody really wants to lose their hometown.”

Howard shares that he is an aspiring football player and adds, “If you’re good at it, you shouldn’t just waste your time.” He hopes to get a college scholarship to help him go to a college or university in the future. He is shown watching a Saints/Vikings showdown on his cell phone and practicing his throwing.

Juliette shares that, “The person I respect the most is Uncle Chris…in a wheelchair and raising two teenagers.” She seems to have made her peace with the deaths of her parents, saying she doesn’t need a female role model because, “They died for a reason. To me, it’s cool.” The only hint that the loss of their biological parents really isn’t so “cool” for them comes from a family friend, Mike, who talks about her brother Howard being “in a bad way” at one point, but all of them rallying to care for the orphaned children.

The place and its loss is front and center, with gorgeous cinematography and comments like,”They say there’s not too much here. That’s the thing—it’s just implicit.”

There are so many unanswered questions in the short (approximately half an hour) documentary: What happened that confined Uncle Chris to a wheelchair? Is Uncle Chris their true, biological uncle, or is that an honorary title? What do Chris (and, for that matter, Mike) do to earn money to live?  How do the Brunets get around the lowland island and, for that matter, off the island, when the comment is made that floods frequently shut off the ability to get to the mainland? How much is the relocation of 180 to 200 families going to cost the government or the families affected? Are the oil and gas companies that Chris says are responsible in large part for this erosion going to pay for some or all of the moves that are supposed to take place by 2022?

See this one for the beautiful shots of the Watery Island lowland paradise of which Uncle Chris says, “I would like to find a place like this with good friends and family…Home, you really can’t get that again.”

“The Boy Band Con: The Lou Pearlman Story” Premiering on Wednesday, March 13th at SXSW

“The Boy Band Con: The Lou Pearlman Story”: in the good old days. (Photo used by permission of YouTube, Pilgrim Productions & Lance Bass Productions)

The Boy Ban Con: The Lou Pearlman Story is a You Tube Original documentary, presented by Pilgrim Media in conjunction with Lance Bass Productions.  It premieres at SXSW on Wednesday, March 13th, 2019 at 3 p.m. at the Paramount Theater.

Lance Bass is onscreen discussing Pearlman’s defrauding of the boy bands he formed, as is Bass’ mother and Justin Timberlake’s mother and several members of the boy bands N’Sync and The Back Street Boys, including A.J. McLean, Ashley Parker Angel, Chris Kirkpatrick, J.C. Chasez, Johnny Wright, Lynn Harless (Timberlake’s Mom), Aaron Carter, Nikki DeLoach and Diane Bass (Lance Bass’ Mom). Justin Timberlake does not appear in the film, except in old footage. Director Aaron Kunkel paints a picture of a very bright, but very dishonest man.

Pearlman used falsified Federal Deposit Insurance Corporation, AIG and Lloyd’s of London documents to win investors’ confidence in his “Employee Investment Savings Account” program. He used fake financial statements created by the fictitious accounting firm Cohen and Siegel to secure bank loans for his Airship Enterprises, Ltd. (Essentially, an airline without any planes). Trans Continental Records followed. The Backstreet Boys became the best-selling boy band of all time, with record sales of 130 million, hitting gold, platinum, and diamond in 45 different countries. Pearlman  then repeated this formula almost exactly with the band *NSYNC, which sold over 70 million records globally.

Lou Pearlman is presented as a consummate ponzi scheme artist, with little emphasis in this documentary on the pedophile claims that came to light later, revealed in a Vanity Fair article, “Mad About the Boys” by Bryan Burrough (August 21, 2016.)

Pearlman died in prison 3 days before the article appeared, but he had denied such accusations of sexual impropriety in a 2014 Hollywood Reporter interview from prison. Pearlman’s death was caused by surgery to replace a heart valve, which he had undergone a week before his death. He developed an infection of the lining of the heart valve.

Defrauding people of over half a billion dollars through various schemes is what sent Pearlman to jail for 25 years, where he died at 62 on August 19, 2016. His tentative release date from prison would have been 2029.

The judge offered Pearlman one month off each year of his 25-year sentence for every million dollars recovered, but only $38 million dollars was ever recovered, most of it from the sale of Church Street Station, a historic train station in the heart of Orlando which Pearlman had purchased in 2002. That sale, alone, recouped $34 million.

Here, with Lance Bass shepherding this 99 minute project as Executive Producer and one of the principal talking heads exploring the Lou Pearlman phenomenon, the documentary is focused almost exclusively on how an overweight, relatively friendless man started two boy bands between 1993 and 2006. Other less successful bands followed.  (Pearlman even asked the Judge, after his sentencing, to allow him Internet access from prison so that he could continue to manage. The judge declined).

After viewing “Finding Neverland” the idea of a rich, powerful and/or famous man in a position to advance the career(s) of young talent(s), causing naïve and gullible young people to be victimized, is not difficult to believe. It has occurred many, many times. Hollywood coined the term “the casting couch” for the promises made to innocent young actresses.

Lou Pearlman had been custom-fitting airplanes for famous bands to travel and became aware of the tremendous amounts of money these artists were making. He immediately set his sights on forming such a band and becoming a promoter.

The way in which he got the seed money to be able to underwrite expenses for the venture is pure Lou Pearlman: he defrauded an insurance company of $3 million by insuring a blimp he bought for $10,000. Pearlman painted the blimp gold to be used as advertising for Jordache. McDonald’s was another signed advertiser.

When the blimp crashed, Lou had his seed money; he used it to audition a $3 million-dollar talent search and form the boy bands that were then supplanting the Seattle grunge scene as those bands (think Kurt Cobain in “Nirvana”) fell victim to their own successes.

The members of the Back Street Boys and NSync fell victim to Lou Pearlman presenting himself as a paternal father figure, but also insisting that he was “the sixth member of the band”( much like Billy Preston was once dubbed “the Fifth Beatle.”) In Lou’s case, this meant a monetary cut equivalent to the young men who were practicing their dance moves 16 hours a day, but also cuts as the producer, marketer, etc. Lou Pearlman was triple-dipping. Pearlman presented the boys with a lavish party house for them to “bond” in and paid for the recording studios and, also, for lavish meals in eateries like Lawries.

The climax of the film seems to come when all of the boys are invited to such a dinner and told to bring their parents. It is far into the group’s success; they are pulling down millions. An envelope appears on each boy’s plate. They can only dream of the riches they now will receive for their hard work, since the per diem allowance to date has only been $35 a day, plus their comped food and living expenses.

When the checks were for only $10,000, Lance Bass says he went home and tore his up.

Lawsuits ensued, with the boy bands finding out that the contract(s) they had signed were very very good for Lou Pearlman but very very bad for them.

Then Lou went a step further and ultimately defrauded investors in Trans Continental Airways of half a billion dollars, of which only $38 million was ever recovered. Over two hundred investors lost all of their money. Some are interviewed in the film. Most are elderly couples who could not afford to lose their only inheritance.

Lou’s sole childhood friend, Alan Gross, had been a model plane assembler as a hobby. Pearlman took one such plane, painted a logo on the side of the model, and held it up with his hand against a backdrop of mountains to make it appear that he had an airline, Trans Continental. He didn’t.

Ultimately, Lou Pearlman died in disgrace at age 62 on August 19, 2016.

H.Q. Trivia Goes “Live” in Austin at SXSW with Scott Rogowski—And You Are There!

The inimitable host of H.Q. trivia, Scott Rogowsky, hit SXSW in Austin, to conduct a first-ever “live” version of H.Q. on Sunday, March 11th at 90 Rainey Street in Austin Texas at 4:15 p.m.

An avid player, I made certain to get in to the small bar, where we were given tickets good for 2 free drinks. I nailed down a seat right in front of a large-screen TV to watch Bohannon (of Iowa) take his final shot against Nebraska which was blocked in overtime, resulting in a 93-91 loss.

Over 2,500 of us were playing, after we entered in a special “code” that was handed out on site. (You had to be there to win).

Scott Rogowski, Host of H.Q. Trivia, “live” in Austin at SXSW. (Photo by Connie Wilson).

Scott Rogowski, “live” from SXSW at 4:15 p.m. on March 10, 2019. (Photo by Connie Wilson).

Scott Rogowski congratulates one of the 72 winners of the $10,000 prize on March 10, 2019 at SXSW in Austin. (Photo by Connie Wilson).

Scott Rogowski, host, and one (of 72) winners of the first-ever “live” game of H.Q. in Austin, Texas at SXSW on March 10 at 4:15 p.m. CDT. (Photo by Connie Wilson).

The prize money was $10,000 for answering 12 questions in 10 seconds or less, per question. Having just attained Level 7 during the season that ended on February 28th, I was feeling pretty lucky—but, then, I’ve never won (although I won The Cash Show 7 times and then they folded and never paid me my $20!)

As always, the first three questions were the easy ones.  (Q1:  Where is SXSW held? A1: Austin, Texas. Q2:  What song did Phoebe on “Friends sing to her cat? A2:  Smelly Cat. Q3:  What did the soup Nazi on “Seinfeld” yell at his customers on occasion?  A3:  “No soup for you!”

Then, things got interesting. And difficult.

Had I known there would be a question about which chef had not been a judge on a cooking show, I would have paid more attention when trapped in the nail shop in Chicago where that is all they ever have on TV. Or, I would have phoned a friend. And who knows what the MS in MSNBC stands for?

The rest were right up my alley. Q6:  What famous actress does George have a date with on “Seinfeld?” A6:  Marisa Tomei, of course.

Q7:  Which Saturday Night Live performer has amassed the longest tenure?

A7:  Kennan Thompson

Q8:  Which one of “The Office” cast members was not in its first episode, Jan, Kevin or Andy Bernard?

A8:  Andy Bernard, of course. By this time, 566 were still in the game.

Q9:  In the mid 70s which one of these acts appeared on the first “Saturday Night Live”:  Paul Simon, Billy Preston or the Nitty Gritty Dirt Band? I KNEW this was Billy Preston, but only 183 others did. (Most said Paul Simon, who got 328 votes and the Nitty Gritty Dirt Band got 56.)

That one was declared a “savage” question and I temporarily forgot to write down what was asked next, but I can tell you that the final question, with 943 competitors in attendance, was: “Which of these shows did not appear on NBC: Today, Tomorrow or Late Show?” I was positive it would be the Late Show, and it was—although my 2 much younger seat mates were not in agreement.

Seventy-two winners split the prize (one is pictured with Scott Rogowski, the host) and took home $138.89 apiece.

Carry on, Garth.

Beto O’Rourke HBO Documentary “Running with Beto” World Premiere on March 9, 2019, at SXSW: Crowd Wants to Know: Is He Running for President in 2020?

(L to R) Amy, Molly and Beto O’Rourke on March 9, 2019, in Austin, Texas at the World Premiere of HBO documentary “Running with Beto.” (Photo by Connie Wilson).

Beto O’Rourke (Photo by Connie Wilson).

Running with Beto,” the HBO documentary that will air on HBO in early spring (May 28 release date), was screened at a World Premiere at the Paramount Theater in Austin this morning (March 9 at 11:30 a.m.) and a rapt crowd of supporters got to see Beto O’Rourke, his wife Amy, and their daughter Molly (as well as all those associated with the film) up-close-and-personal during a Q&A after the film.

I was seated in the third row on the right for “Running with Beto” when a large group of people began ascending the stairs that lead to stage right. The tallest of the group, hunched over so as not to block the credits then running, was Beto O’Rourke, who managed a small wave to those of us who noticed his entrance with family and campaign workers and Director David Modigliani.

All spoke to us after the film. Director David Modigliani described his goal as “wanting to capture a moment in Texas where there’s a real political re-awakening going on. It’s never too late or too early to get involved in politics.”

The crowd outside the Paramount Theater in Austin, Texas, at SXSW, waiting for the World Premiere of “Running with Beto,” an upcoming HBO documentary, on March 9, 2019 at 11:00 a.m. (Photo by Connie Wilson).

Modigliani had creative control of the film, however, saying that the 700 hours of footage they shot in nearly final draft format was cleared as his project (others wanted the job, as well) with Beto over lunch in Austin.  Beto protested, “I didn’t realize it would be THIS involved. I am very Begrateful that you did this with us.  The audience was probably wondering why Shannon Gay wasn’t the candidate.”

Shannon Gay was a particularly feisty blonde worker on the campaign (and in the film) who fought for Beto’s win to promote veterans (among other issues). She was seen crawling around on her roof to tack down a large campaign sign in a prominent spot. When asked what her reaction was to being onstage this day,  Shannon’s response was typically Shannon: “I wish I had a vodka IV,” (which got a laugh). She is shown in the documentary saying “Tough as Texas, my ass” (an allusion to Ted Cruz’s campaign slogan) and “I want so desperately to hear Beto tell Ted Cruz ‘pack your shit and get the Hell out of Dodge.’” Easy to see why Shannon’s outspoken advocacy will catch your eyes—and ears.

(L to R) Wife Amy, daughter Molly and Beto O’Rourke onstage in Austin, Texas, on March 9, 2019. (Photo by Connie Wilson).

When Amy O’Rourke (Beto’s wife) was asked her reaction to the rough draft that “David was kind enough to show us in advance,” she said her reaction was that it was “Very powerful. We knew this was their (HBO’s) film and we trusted him (Modigliani) at every turn.” She also added, to the crowd’s amusement, “The only thing I asked was ‘Could you take out some of the expletives?’” The film was separate from the campaign. It was being edited up until six months before the election.

In an Austin “American-Statesman” article that ran the day of the World Premiere (March 9th) Modigliani said, “The film is about people responding to crisis in democracy and allowing themselves to be vulnerable and allowing themselves to participate in politics in a new way.”

David Modigliani, Writer/Director of “Running with Beto.” (Photo by Connie Wilson).

Modigliani went on to say, “I felt it was brave of Beto to give us the access that he did. There is real conflict and tension and there are moments where he doesn’t always come off as a prince. It just shows the realities of the stress on the campaign trail, the realities of stress and tension within the family.  It has a realness that we were able to capture because of the access we were afforded. They were committed to running a no-BS campaign and we wanted to make a real no-BS film that captured that experience.” Modigliani, a Massachusetts native who is a graduate of the Michener Center for Writers at the University of Texas (and the director of the 2008 documentary “Crawford,” about George W. Bush’s effect on that small Texas town) added from the stage during the Q&A his suspicion going in that Beto’s campaign was going to be interesting, that O’Rourke was a total long shot, and that he was unlikely to win.

However, said, Modigliani, “I felt like there was going to be a national conversation that was going to run through the middle of this race.”

O’Rourke was asked point blank, from the audience (in the Q&A following the show), if he was going to run for President. He bobbed and weaved on that one. You can sign up to be one of the first to find out at [email protected] [Sounds like a yes, to me.]

When the turnout in Harris County in Texas increased from 26,000 to 60,172 in the last election cycle, you know something is happening at the grass roots level. The possible candidate, onstage after the film, said, “Thank you to everyone who allowed themselves to hope and to dream.  I am grateful. I was like, what can we talk about up here that will not make me cry.” (laughter) He added, commenting on the many candidates who subsequently drew inspiration from his unsuccessful attempt (and have begun campaigns of their own) that he visited every one of Texas’ 254 counties. The O’Rourke campaign brought the Democratic party alive in Texas like it had not been in over 25 years. Said Beto,“Turn hope into action.”

Texas Film Awards Held on March 7, 2019, with Stars in Attendance

Director Richard Linklater (“Dazed & Confused,” “Boyhood”) at the Texas Film Hall of Fame Awards on March 7, 2019 in Austin, Texas. (Photo by Connie Wilson).

The Austin Film Society was founded in 1985 by filmmaker Richard Linklater (“Dazed & Confused,” “Before Sunrise,” “Boyhood”). Its mission is to empower the community to make, watch and love creative media while shining the national spotlight on Texas filmmakers. The Texas Film Awards followed.

The Texas Hall of Fame awards were founded  by Evan Smith and Louis Black in 2001 and the award is given to those who have made a significant contribution to the advancement of the Texas film and creative media industry.

Now in its 19th year, the Texas Film Awards bring together legends of cinema and television and inducts industry icons into the Texas Film Hall of Fame. Proceeds from the evening benefit the artistic and educational programs of the Austin Film Society, a 501c3 nonprofit.

(L to R) David Herman, Gary Cole, Mike Judge and Richard Linklater at the Texas Film Hall of Fame Awards on March 7, 2019. (Photo by Connie Wilson).

The Texas Film Awards brought out a star-studded crowd, which included many of the cast of “Office Space,” who reunited on the 20th anniversary of that 1999 cult classic. Present from “Office Space” were David Herman (Michael Bolton in the film), Gary Cole (Bill Lumbergh) and Writer/Director Mike Judge (“Beavis & Butthead”).

Also an honoree was John Lee Hancock, the writer director who guided “The Blind Side” film about a black football player nurtured, in the film, by Sandra Bullock’s character, a role for which Ms. Bullock won an Oscar as Best Actress in 2010.

(Below) Oscar-winner Kathy Bates.

Present to cheer on the honorees (including actress Brooklyn Decker, Writer/Directors John Lee Hancock and Mike Judge, Actors Gary Cole and David Herman) were Oscar-winner Kathy Bates (“Misery,” “American Horror Story”), Marc Maron (“Glow”), and Brooklyn Decker and June Diane Raphael, who play the daughters of                                                                                        Jane Fonda on the TV series “Grace &                                                                                    Frankie.”

Director Richard Linklater (“Boyhood,” “Dazed & Confused”) with his 14-year-old twin daughters at the Texas Film Hall of Fame Awards on March 7, 2019. (Photo by Connie Wilson).

Austin Film Society set for the dinner and awards ceremony on Thursday, March 7, 2019 in Austin, Texas.

Richard Linklater (referenced as “Rick” by the locals) was accompanied by his 14-year-old twin daughters and many volunteers and donors to the Austin Film Society were in attendance at a dinner party and an awards ceremony held at the AFS Cinema on I35 North of Austin, Texas.

 

 

 

Adam Schiff, John Bolton on “Face the Nation” on March 3, 2019

 

“I saw Little shifty Schiff,” is the way the President of the United States referred to the Chairman of the House Intelligence Committee recently when addressing the CPAC Conservative conference. The following article summarizes appearance(s) by John Bolton and Adam Schiff as part of “Face the Nation” on March 3, 2019 (today).

“The President’s ready to keep talking” (John Bolton).

Q:  So, is North Korea a growing threat?

A:  President Trump’s objective has always been denuclearization. The president opened the door in Singapore. He kept the door open during that 8 month period. The North Koreans can walk through it. It’s really up to them.

Q:  Within a year? That is what you said after Singapore.

A:  Operationally, how long would it take, you asked then. With a few exceptions, our judgment was that we could do it within a year, once the progress was started. There’s no expiration date. The President is fully willing to negotiate at lower levels. I think we will keep the maximum pressure in place. Relief (from the sanctions) they can get, if they de-nuclearize.

Q:  Did you know that (complete de-nuclearization) was not on the table?

A:  We don’t know what’s on the table from North Korea until it comes out of the mouth of Kim Jong-Un. We didn’t walk away with a failure. We honestly didn’t know. We’ve tried to make it clear to them: we’re not going to make the mistakes of previous administrations (Obama in Iran mentioned).

Q:  You’ve tested this proposition on negotiating from the top down now. But the success rate has not been any more than in the past. Would you go back to doing it from the bottom up?

A:  The success rate in the past has been zero, so that’s not a hard bar to overcome.

Q:  But they can still produce nuclear fuel. He no longer looks like a pariah. Didn’t Kim Jong-Un gain from this? He sat across from the President almost as an equal.

A:  I’m the national security advisor. I’m not the national security decision maker. My job now is to help the President and give him my advice. He’ll make the decisions. The position of the administration is de-nuclearization and that’s what we are prepared to negotiate on.

Q:  When was Otto Wermbeer brought up?

A:  In Singapore. The best thing North Korea could do now is come up with a complete explanation of what happened to him.  I’ve heard the President talk about Otto on numerous occasions in the past. I  know how concerned he was.

Adam Schiff from Boynton Beach, Florida

Q:  The President personally attacked you yesterday at CPAC (calling him “Shifty Schiff”). Can you clarify what the Democrats and the Investigation Committee you head up are looking for?

A:  We have seen from our own investigation and the Special Counsel’s just how perilous it would be to limit our investigation. (Mentioned Trump Tower Moscow) That was a deal that stood to make him more money than any other in his life and that is the most compromising position I can imagine. We’re also looking at persistent allegations that the Russians have been laundering money through the Trump properties.

Q:  Who can answer those questions?

A:  We’ll need to talk to Deutsche Bank and some of the banks that did business with Mr. Trump (mentioned that most banks would no longer do business with Trump, except for Deutsche Bank) and we’ll also want to talk with the accountants and chief financial officers for the Trump organization. We’re bringing Felix Sater in to speak about Trump Tower. There are any number of people who can testify as to whether America’s national security has been compromised because the President has been doing business with the Russians.

We have a deep and compelling interest as to whether others know more about his (Cohen’s) false statements to Congress.

Q:  Cohen said he had no direct evidence of collusion with Russia.

A:  I think there is direct evidence in the e-mails offering dirt on HRC, offering that dirt to Donald Trump, Jr. There is an acceptance of that offer in writing from Don, Jr. Apparently the President took part in the lies to cover that up. Mananfort and the polls…Roger Stone…(these are germane, he implied).

Q:  Impeachment grounds?

A:  While there’s abundant evidence of collusion, but is there proof beyond a reasonable doubt of criminal conspiracy? We will have to look at the whole body of improper acts. We will have to await the evidence from Bob Mueller to see if there is evidence of collusion.

Q:  Kevin McCarthy has called for your recusal because of your contact with Cohen.

A:  That’s pretty frivolous. I invited Michael Cohen to testify and he accepted. That is what Kevin McCarthy is upset about. The extent of my contact was just inviting him to testify and laying out what were the threats against him and his family. Mr. McCarthy can be excused for not knowing how to run a criminal investigation. The degree to which Mr. McCarthy and others have prostrated themselves before this president is one thing he cannot be excused for. For Mr. McCarthy to debase himself and go along with this is, I think, unforgivable.

(After his remarks were over, Adam Schiff asked that the cameras be turned back on so he could respond to the remarks of John Bolton):

I was struck by how Bolton responded. This is indication of a President and a staff that is not well prepared that is flying by the seat of its pants but whose actions have world wide consequences.  (Schiff added this observation on the heels of John Bolton’s previous comments, and said that even the President’s own security advisor could not agree with his own president. Touche, Mr. Schiff.)

The 2 leaders spent far longer traveling to the summit than they did negotiating. Sixty hours for Kim Jong-Un and 17 for Trump to fly halfway across the world. (Kim’s people are forbidden to travel).

North Korea depends on state-owned businesses, like small business that send money to North Korea from Vietnam. Kim does not want to be isolated. He wants the financial strain on North Korea lifted. At least neither side seemed willing to escalate to war, leaving the door open to future diplomacy, but Kim Jong-Un won a footing almost equal to that of the United States as he sat opposite the President. What did the U.S. get?- The team of talking heads, including the chief correspondent for the New York Times said that usually the President would only come in for the final 10% of such negotiations, but this administration seemed to have done no prior planning. As they put it, “Nothing was pre-cooked.”

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